Master Bigode (talk | contribs) m Added {{multiple issues}} with parameters cleanup, copyedit, tone and unencyclopedic tag to article using TW |
Master Bigode (talk | contribs) bleh |
||
Line 1: | Line 1: | ||
{{multiple issues|cleanup=January 2011|copyedit=January 2011|tone=January 2011|unencyclopedic=January 2011}} |
|||
{{wide image|Yamaha_DX1_front_view_1.jpg|1000px|alt=|[[Yamaha DX1]] snyth.}} |
|||
{{Infobox_synthesizer | |
{{Infobox_synthesizer | |
||
image =| |
image = Yamaha_DX1_front_view_1.jpg| |
||
image_caption = | |
image_caption = Yamaha DX1| |
||
synth_name = DX1| |
synth_name = DX1| |
||
synth_manufacturer = [[Yamaha Corporation|Yamaha]]| |
synth_manufacturer = [[Yamaha Corporation|Yamaha]]| |
||
dates = |
dates = 1985 | |
||
price = Approx. [[US$]] 13,900| |
price = Approx. [[US$]] 13,900| |
||
estimated current value [[US$]] 12,500| |
|||
synthesis_type = [[Digital synthesizer|Digital]] [[Frequency modulation synthesis|Frequency modulation]]| |
synthesis_type = [[Digital synthesizer|Digital]] [[Frequency modulation synthesis|Frequency modulation]]| |
||
polyphony = 32 voices<br /> |
polyphony = 32 voices<br /> |
||
Line 18: | Line 14: | ||
attenuator = 6 envelope generators| |
attenuator = 6 envelope generators| |
||
lfo = 1 | |
lfo = 1 | |
||
keyboard = 73 |
keyboard = 73 (76 for DX5) with<br />velocity and aftertouch| |
||
left_control = pitch-bend and modulation wheels| |
left_control = pitch-bend and modulation wheels| |
||
ext_control = [[MIDI]]| |
ext_control = [[MIDI]]| |
||
Line 27: | Line 23: | ||
velocity = Yes| |
velocity = Yes| |
||
aftertouch = Yes |
aftertouch = Yes |
||
}} |
}} |
||
The '''Yamaha DX1''' was the top-level member of [[Yamaha Corporation|Yamaha's]] prolific DX series of [[Frequency modulation synthesis|FM]] [[Digital synthesizer|synthesizers]]. It featured two sets of the same synthesizer chipset used in the [[Yamaha DX7|DX7]], allowing either double the polyphony or dual simultaneous instrument patches. In addition, it contained twice the amount of patch memory as the DX7. As for aesthetic features, it included a handmade Brazilian rosewood case, a 73-key weighted wooden keyboard, comprehensive backlit [[LCD]] displays for instrument programming, and solid push-buttons as opposed to the membrane buttons on the DX7. Only about 140 to 210 may exist, as they were limited-run luxury items. |
The '''Yamaha DX1''' was the top-level member of [[Yamaha Corporation|Yamaha's]] prolific DX series of [[Frequency modulation synthesis|FM]] [[Digital synthesizer|synthesizers]]. It featured two sets of the same synthesizer chipset used in the [[Yamaha DX7|DX7]], allowing either double the polyphony or dual simultaneous instrument patches. In addition, it contained twice the amount of patch memory as the DX7. As for aesthetic features, it included a handmade Brazilian rosewood case, a 73-key weighted wooden keyboard, comprehensive backlit [[LCD]] displays for instrument programming, and solid push-buttons as opposed to the membrane buttons on the DX7. Only about 140 to 210 may exist, as they were limited-run luxury items. |
||
Among Yamaha's DX line of synthesizers, the DX-1 is definitely the biggest and most expensive. With a dual 6-operator digital FM engine, it's like two DX-7's wrapped up in a wood-paneled case and comes with a truly professional weighted 73 note keyboard sensitive to both velocity and aftertouch. The DX-7 style membrane buttons have been replaced by actual push-buttons, display screens and the overall layout of buttons and diagrams is nicer and better organized. |
|||
Sound-wise, the DX-1 is like a fatter DX-7. It too features FM synthesis. That means that although the DX-1 is a digital synthesizer, its sounds are unique and fresh with an analog/digital hybrid feel. Programming however, is not at all like analog synth programming. All DX series synths use FM synthesis and all are rather difficult to program or, at least, difficult to understand what to program but the DX-1 however came with entire programming board of possibilities over all the DX series combine. Fortunately the advanced DX-1 has display screens that show amplitude modulation, envelopes, velocity, levels and de-tuning parameters unlike previous DX synths so you can better visualize what and how you are editing parameters. A new feature for the DX-1 is that two patches (Channel A and B) can be used simultaneously with the keyboard in layer or split-mode. This mode is generally 16-voice polyphonic, but with one patch loaded you can have 32 voices of polyphony. |
|||
[[Image:Yamaha_DX1_rear_view_shot_2001.jpg|thumb|none|alt=A {{deletable image-caption|Saturday, December 25, 2010|date=December 2010}}]] |
|||
Although the DX-1 may seem like a better buy than the more popular DX-7, remember that the DX-1 is expensive. There were only about 140 of these synths made and the retail value of a DX-1 during its production year in 1985 was $13,900. Some rumors say Yamaha made over 210 and some continue to say only 140 DX-1's were built. The DX-1 was the most expensive project Yamaha ever invested in as the DX-1 was handbuilt from stratch compared to the other DX series synths. Expect to pay well over $12,000 for one of these today and more as they are impossible find on the market but they do exist by many famous artist. They were followed by the DX-5 under the hood, the DX-5 is identical to the DX-1 in some categories but the DX-1 offers more programming features. The DX-5 has done away with the heavy wood-paneling and has a less fancy keyboard. The DX-5 also has a more compressed layout of buttons, sliders and diagrams on the front panel. The DX-1, outdone by cheaper and more competitive DX synths is today, primarily reserved for those musicians big enough or wealthy enough to splurge on a real Vintage instrument with exquisite performance and interface features and sounds. It has been used by Depeche Mode, Vince Clarke, Kitaro, Elton John, Pet Shop Boys and Herbie Hancock. |
|||
The '''Yamaha DX5''' was a derivative of the DX1. It lacked the DX1's aesthetics, but included 76 keys with channel [[aftertouch]] and slightly improved MIDI features. |
The '''Yamaha DX5''' was a derivative of the DX1. It lacked the DX1's aesthetics, but included 76 keys with channel [[aftertouch]] and slightly improved MIDI features. |
||
Programming instruments on the DX1 |
Programming instruments on the DX1 and DX5 are the same as the DX7. |
||
<gallery> |
|||
File:Dx1gal37.jpg|Caption1 |
|||
File:Dx1gal39.jpg|Caption2 |
|||
</gallery> |
|||
==Notable users== |
==Notable users== |
||
Line 56: | Line 37: | ||
* [[Dire Straits]] ''Money For Nothing'' |
* [[Dire Straits]] ''Money For Nothing'' |
||
* [[Herbie Hancock]] on the Village Life LP (with Foday Musa Suso) |
* [[Herbie Hancock]] on the Village Life LP (with Foday Musa Suso) |
||
* [[Jan Hammer]] |
* [[Jan Hammer]] |
||
* [[Jean Michel Jarre]] used a DX1 on live concerts |
* [[Jean Michel Jarre]] used a DX1 on live concerts |
||
* [[Kitaro]] |
* [[Kitaro]] |
Revision as of 14:46, 22 January 2011
DX1 | |
---|---|
Manufacturer | Yamaha |
Dates | 1985 |
Price | Approx. US$ 13,900 |
Technical specifications | |
Polyphony | 32 voices 16 voices in dual-patch mode |
Timbrality | Monotimbral |
Oscillator | 6 operators |
LFO | 1 |
Synthesis type | Digital Frequency modulation |
Filter | none |
Attenuator | 6 envelope generators |
Aftertouch expression | Yes |
Velocity expression | Yes |
Storage memory | 64 patches |
Effects | none |
Hardware | 2x YM21280 (OPS) Operator chip 2x YM21290 (EGS) Envelope Generator |
Input/output | |
Keyboard | 73 (76 for DX5) with velocity and aftertouch |
Left-hand control | pitch-bend and modulation wheels |
External control | MIDI |
The Yamaha DX1 was the top-level member of Yamaha's prolific DX series of FM synthesizers. It featured two sets of the same synthesizer chipset used in the DX7, allowing either double the polyphony or dual simultaneous instrument patches. In addition, it contained twice the amount of patch memory as the DX7. As for aesthetic features, it included a handmade Brazilian rosewood case, a 73-key weighted wooden keyboard, comprehensive backlit LCD displays for instrument programming, and solid push-buttons as opposed to the membrane buttons on the DX7. Only about 140 to 210 may exist, as they were limited-run luxury items.
The Yamaha DX5 was a derivative of the DX1. It lacked the DX1's aesthetics, but included 76 keys with channel aftertouch and slightly improved MIDI features.
Programming instruments on the DX1 and DX5 are the same as the DX7.
Notable users
- Brian Eno
- Depeche Mode
- Dire Straits Money For Nothing
- Herbie Hancock on the Village Life LP (with Foday Musa Suso)
- Jan Hammer
- Jean Michel Jarre used a DX1 on live concerts
- Kitaro
- Kraftwerk
- Pet Shop Boys as seen playing a DX1 in their videoclip
- Tangerine Dream
- The Beach Boys on the album The Beach Boys (album)
- John Dulik of Relâche (musical group)
- Grzegorz Ciechowski
External links
- Yamaha DX1 Worldwide Information Center DX1 and DX5 info site, including owner's club and technical specs.
- Vintage Synth Explorer Site Information
- Sonic State Site User Reviews
- Yamaha DX5 page