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⚫ | '''Walter Hood Fitch''' ([[28 February]] [[1817]] – 1892) was a [[botanical illustrator]], born in [[Glasgow]], [[Scotland]]. Fitch executed some 10,000 drawings, for various publications, including 2700 for the ''Botanical Magazine''.<ref>Royal Botanic Gardens, Kew: website.</ref><ref name="ANH">{{cite web|url=http://www.anbg.gov.au/biography/fitch.walter.html|title=Fitch, Walter Hood (1817 - 1892)|work=Collectors & Illustrators|publisher=Australian National Herbarium|accessdate=2009-03-29}}</ref> |
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| name = Walter Hood Fitch |
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| birthdate = {{birth date|1817|2|28|mf=y}} |
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| location = [[Glasgow]], [[Scotland]] |
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| deathdate = 1892 |
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| nationality = [[Scottish]] |
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| field = [[drawing]] |
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⚫ | '''Walter Hood Fitch''' ([[28 February]] [[1817]] – 1892) was a [[botanical illustrator]], born in [[Glasgow]], [[Scotland]] |
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==Biography== |
==Biography== |
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Fitch was involved in fabric printing from the age of 17 and took to botanical art after |
Fitch was involved in fabric printing from the age of 17 and took to botanical art after being discovered by [[William Jackson Hooker]], the editor of [[Curtis's Botanical Magazine]]. Hooker was [[Regius Professor]] of Botany at the [[University of Glasgow]], and a competent botanical artist in his own right. Fitch's first lithograph of ''Mimulus roseus'', appeared in the Botanical Magazine in 1834, and he soon became the sole artist for the magazine. In 1841, W.J. Hooker became director of [[Royal Botanic Gardens, Kew]] and Fitch moved to [[London]]. After 1841 Fitch was the sole artist for all official and unofficial publications issued by Kew; his work was paid for by Hooker personally. It was not unusual for him to work on several different publications simultaneously; he could draw directly onto the [[lithography|lithographic stone]] to save time. He produced his [[Chromolithograph]]s, a then new technique, after the illustrations provided by Hooker and others.<ref>{{cite web|url=http://sciweb.nybg.org/Science2/Onlinexhibits/exhbtcata.html|title=Plants and Gardens portrayed|work=LuEsther T. Mertz Library|publisher=The New York Botanical Garden|accessdate=2009-03-29}}</ref> |
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[[File:Hodgsonia heteroclita male.jpg|thumb|<center>''[[Hodgsonia heteroclita]]'' ]] |
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⚫ | Fitch's important works are his illustrations for William Hooker's ''A century of orchidaceous plants'' (1851), and for [[James Bateman]]'s ''A Monograph of Odontoglossum'' (1864–74). He also created around 500 plates for Hooker's ''Icones Plantarum'' (1836–76). Some of his most notable work was for [[George Bentham]] and J.D. Hooker's ''Handbook of the British Flora'' (1858 and many editions). When [[Joseph Dalton Hooker]] returned from his travels in [[India]], Fitch prepared lithographs from Hooker's sketches for his ''Rhododendrons of Sikkim Himalaya'' (1849–51) and, from the drawings of Indian artists, for his ''Illustrations of Himalayan Plants'' (1855). He also produced the illustrations presented in the younger Hooker's ''The Botany of the Antartic Voyage'' and ''Flora Tasmaniae'' 1855-9.<ref name="ANH"/> |
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Fitch's important works are his illustrations for William Hooker's ''A century of orchidaceous plants'' (1851), and for [[James Bateman]]'s ''A Monograph of Odontoglossum'' (1864–74). He also created around 500 plates for Hooker's ''Icones Plantarum'' (1836–76) and four lithographic plates for the monograph ''Victoria Regia''.<ref>Victoria Regia : or, Illustrations of the Royal water-lily, in a series of figures chiefly made from specimens flowering at Syon and at Kew by Walter Fitch; with descriptions by Sir W.J. Hooker. 1851.</ref> The latter work received critical acclaim in the ''[[Athenaeum (magazine)|Athenaeum]]'', "they are accurate, and they are beautiful".<ref>{{cite book|last=Allibone|first=Samuel Austin |title=A critical dictionary of English literature and British and American authors|publisher=George W. Childs|date=1863|volume=1|url=http://books.google.com.au/books?id=u6AMAAAAYAAJ&pg=PA881}}</ref> |
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[[File:Victoria Regia. (Opening flower) (1851).jpeg|thumb|Plate 2 of ''Victoria Regia'', the opening flower of ''[[Victoria amazonica]]''.]] |
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Other works were with [[George Bentham]] and for J.D. Hooker's ''Handbook of the British Flora'' (1858 and many editions). |
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⚫ | When [[Joseph Dalton Hooker]] returned from his travels in [[India]], Fitch prepared lithographs from Hooker's sketches for his ''Rhododendrons of Sikkim Himalaya'' (1849–51) and, from the drawings of Indian artists, for his ''Illustrations of Himalayan Plants'' (1855). He also produced the illustrations presented in the younger Hooker's ''The Botany of the Antartic Voyage'' and ''Flora Tasmaniae'' 1855-9.<ref name="ANH"/> |
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His renown as a botanical illustrator was such that his obituary in ''[[Nature (journal)|Nature]]'' stated "... his reputation was so high and so world-wide that it is unnecessary to say much on this point.".<ref>[http://www.nature.com/nature/journal/v45/n1161/abs/045302a0.html News.] ''Nature'' '''45''', 302-302 (28 January 1892)</ref> |
His renown as a botanical illustrator was such that his obituary in ''[[Nature (journal)|Nature]]'' stated "... his reputation was so high and so world-wide that it is unnecessary to say much on this point.".<ref>[http://www.nature.com/nature/journal/v45/n1161/abs/045302a0.html News.] ''Nature'' '''45''', 302-302 (28 January 1892)</ref> |
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[[John Nugent Fitch]] (1840–1927), who also drew for Curtis's Botanical Magazine, was his nephew. |
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The standard [[List of botanists by author abbreviation|author abbreviation]] '''Fitch''' is used to indicate this individual as the author when citing a botanical name.<ref name="Brummitt">{{cite book|last=Brummitt|first=RK|coauthors=Powell CE|title=Authors of Plant Names.|publisher=Royal Botanic Gardens, Kew.|date=1992|isbn=1-84246-085-4}}</ref><ref>{{cite web|url=http://www.ipni.org/ipni/idAuthorSearch.do?id=2760-1|title=Fitch, Walter Hood (1817-1892) |date=2005|work=Author Details|publisher=International Plant Names Index|accessdate=2009-04-03}}</ref> His nephew, [[John Nugent Fitch]] (1840–1927), also produced illustrations for Curtis's Botanical Magazine. |
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==References== |
==References== |
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[[Category:1892 deaths]] |
[[Category:1892 deaths]] |
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[[Category:Botanical art]] |
[[Category:Botanical art]] |
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[[Category:Botanists with author abbreviations]] |
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[[Category:Scottish artists]] |
[[Category:Scottish artists]] |
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[[Category:Scientific illustrators]] |
[[Category:Scientific illustrators]] |
Revision as of 16:07, 6 April 2009
Walter Hood Fitch (28 February 1817 – 1892) was a botanical illustrator, born in Glasgow, Scotland. Fitch executed some 10,000 drawings, for various publications, including 2700 for the Botanical Magazine.[1][2]
Biography
Fitch was involved in fabric printing from the age of 17 and took to botanical art after being discovered by William Jackson Hooker, the editor of Curtis's Botanical Magazine. Hooker was Regius Professor of Botany at the University of Glasgow, and a competent botanical artist in his own right. Fitch's first lithograph of Mimulus roseus, appeared in the Botanical Magazine in 1834, and he soon became the sole artist for the magazine. In 1841, W.J. Hooker became director of Royal Botanic Gardens, Kew and Fitch moved to London. After 1841 Fitch was the sole artist for all official and unofficial publications issued by Kew; his work was paid for by Hooker personally. It was not unusual for him to work on several different publications simultaneously; he could draw directly onto the lithographic stone to save time. He produced his Chromolithographs, a then new technique, after the illustrations provided by Hooker and others.[3]
Fitch's important works are his illustrations for William Hooker's A century of orchidaceous plants (1851), and for James Bateman's A Monograph of Odontoglossum (1864–74). He also created around 500 plates for Hooker's Icones Plantarum (1836–76). Some of his most notable work was for George Bentham and J.D. Hooker's Handbook of the British Flora (1858 and many editions). When Joseph Dalton Hooker returned from his travels in India, Fitch prepared lithographs from Hooker's sketches for his Rhododendrons of Sikkim Himalaya (1849–51) and, from the drawings of Indian artists, for his Illustrations of Himalayan Plants (1855). He also produced the illustrations presented in the younger Hooker's The Botany of the Antartic Voyage and Flora Tasmaniae 1855-9.[2]
A dispute over pay with J. D. ended Fitch's service to both the Botanical Magazine and Kew in 1877. He was much sought after and remained active as a botanical artist until 1888. Works during this period included Henry John Elwes's Monograph of the Genus Lilium (1877-80). His renown as a botanical illustrator was such that his obituary in Nature stated "... his reputation was so high and so world-wide that it is unnecessary to say much on this point.".[4] John Nugent Fitch (1840–1927), who also drew for Curtis's Botanical Magazine, was his nephew.
References
- ^ Royal Botanic Gardens, Kew: website.
- ^ a b "Fitch, Walter Hood (1817 - 1892)". Collectors & Illustrators. Australian National Herbarium. Retrieved 2009-03-29.
- ^ "Plants and Gardens portrayed". LuEsther T. Mertz Library. The New York Botanical Garden. Retrieved 2009-03-29.
- ^ News. Nature 45, 302-302 (28 January 1892)
Further reading
- Walter Hood Fitch - A Celebration Royal Botanic Gardens, Kew, HMSO, London.