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{{Infobox musical artist |
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Tool SUCKS! |
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|Name = Tool |
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|Img = Tool live barcelona 2006.jpg |
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|Img_size = 250 |
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|Landscape = yes |
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|Img_capt = Tool performing live in 2006. Visible from left to right are: Adam Jones, Maynard James Keenan and Justin Chancellor. |
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|Background = group_or_band |
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|Origin = [[Los Angeles, California|Los Angeles]], [[California]], [[United States]] |
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|Genre = [[Art rock]], [[progressive metal]], [[progressive rock]] |
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|Years_active = 1990–present |
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|Associated_acts = [[A Perfect Circle]], [[Children of the Anachronistic Dynasty]], [[Green Jellÿ]], [[Peach (band)|Peach]], [[Pigmy Love Circus]], [[Puscifer]], [[Tapeworm (band)|Tapeworm]], [[TexA.N.S.]], [[VOLTO!]] |
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|Label = [[Zoo Entertainment]]<br/>[[Volcano Records|Volcano II]]<br/>Tool Dissectional |
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|URL = [http://www.toolband.com/ Toolband.com] |
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|Current_members = [[Danny Carey]]<br/>[[Justin Chancellor]]<br/>[[Maynard James Keenan]]<br/>[[Adam Jones]] |
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|Past_members = [[Paul D'Amour]] |
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}} |
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'''Tool''' is an American [[Rock music|rock]] band that was formed in 1990 in [[Los Angeles, California|Los Angeles]], [[California]]. The band consists of drummer [[Danny Carey]], bassist [[Justin Chancellor]], guitarist [[Adam Jones]], and vocalist [[Maynard James Keenan]]. Tool has won three [[Grammy Award]]s, hosted worldwide tours, and produced albums which have performed well on international [[music charts]].<ref name="AllMusic Biography">{{cite web | url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:zq5a8qmtbtq4~T1 | title=Tool Biography | publisher=AllMusic.com | accessdate=2006-04-28 | last= Erlewine | first= Stephen Thomas | coauthors = G. Prato}}</ref> |
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The band emerged with a [[Heavy metal music|heavy metal]] sound on their first LP at a time when the genre was dominated by [[thrash metal]], and later reached the top<!--awkward phrasing but not sure how to fix--> of the [[alternative metal]] movement with the release of their second LP, ''[[Ænima]]'', in 1996. Their efforts to unify musical experimentation, [[visual arts]], and a message of personal evolution continued with ''[[Lateralus]]'' (2001) and their most recent album, ''[[10,000 Days]]'' (2006), gaining the band critical acclaim and success around the world. |
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Due to Tool's incorporation of visual arts and relatively long and complex releases, the band is generally described as a style-transgressing act and part of [[Progressive rock|progressive]] and [[art rock]]. The relationship between the band and today's [[music industry]] is ambivalent,<ref name="Stepping Out From the Shadows">{{cite web | date=[[2001-05-23]] | url=http://www.exclaim.ca/index.asp?layid=22&csid=1&csid1=685 | work=[[Exclaim!]] | title=Tool - Stepping Out From the Shadows | accessdate=2006-09-17 | last=Sokal | first=Roman }}</ref> at times marked by [[Censorship of music|censorship]] and the band members' insistence on [[privacy]].<ref name="livewire">{{cite journal |
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| url=http://toolshed.down.net/articles/index.php?action=view-article&id=February_1997--Livewire.html |
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| last = Gennaro |
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| first = Loraine |
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| title =Angry Jung Men! |
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| journal = Livewire Magazine |
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| volume = 7 |
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| issue = 3 |
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| date = 1997 |
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| accessdate = 2007-04-08 |
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}}</ref> |
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== History == |
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=== Early years (1988–1992) === |
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During the 1980s, each of the future members of Tool moved to Los Angeles. Both [[Paul D'Amour]] and [[Adam Jones]] wanted to enter the film industry, while [[Maynard James Keenan]] found employment remodeling pet stores after having studied visual arts in Michigan.<ref name="livewire"/> [[Danny Carey]] performed as a drummer for [[Green Jellÿ]]<ref name="livewire"/> and [[Carole King]], and played in the Los Angeles area with [[Pigmy Love Circus]].<ref>{{cite news |
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| url = http://www.rollingstone.com/artists/tool/articles/story/6054684/tool_drummer_goes_to_circus |
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| title = Tool Drummer Goes to Circus |
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| author = Adem Tepedelen |
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| work = [[Rolling Stone]] |
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| date = [[2004-04-30]] |
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| accessdate = 2008-01-18 |
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}}</ref> |
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[[Image:Tool-logo-early.jpg|thumb|right|An early band logo created by longtime collaborator [[Cam de Leon]],<ref>{{cite web | url=http://www.lowelaw.com/articles/ | title=Visual Artist Cam De Leon's Lawsuit Against Rock Band TOOL Allowed to Proceed | accessdate=2007-06-15 | year=2006 | publisher=Lowe Law | archiveurl=http://web.archive.org/web/20070629150859/http://www.lowelaw.com/articles/ | archivedate=2007-06-29}}</ref> this wrench is an example of "[[Phallus|phallic]] hardware" in Tool's imagery.<ref>{{cite news |
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| url = http://nl.newsbank.com/nl-search/we/Archives?p_product=BN&p_theme=bn&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EAF9A43141E0380&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D |
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| title = Over the weekend |
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| work = [[Buffalo News]] |
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| date = [[1997-07-07]] |
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| accessdate = 2008-02-02 |
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| format = fee required |
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| quote = Tool adds its own '90s twist to the genre with unpublishable lyrics, occult tendencies and a love of grotesque imagery -- burning eyeballs, phallic hardware, crippled people. |
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}}</ref>]] |
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Keenan and Jones met through a common friend in 1989.<ref name="guitarworldnumetal">Kitts, pp. 1965–1969.</ref> After Keenan played a tape recording for Jones of his previous band project, Jones was so impressed by his voice that he eventually talked his friend into forming their own band.<ref name="guitarworldnumetal"/> They started [[jam session|jamming]] together and were on the lookout for a drummer and a bass player. Danny Carey happened to live above Keenan and was introduced to Jones by [[Tom Morello]], an old high school friend of Jones and former bandmate of [[Electric Sheep (band)|Electric Sheep]].<ref name="metalmasters">Newquist, pp. 11–15.</ref> Carey began playing in their sessions because he "felt kinda sorry for them", as other invited musicians were not showing up.<ref>Akhtar, C3.</ref> Tool's lineup was completed when a friend of Jones introduced them to bassist D'Amour.<ref name="circusmagazine">{{cite journal |
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| url=http://toolshed.down.net/articles/index.php?action=view-article&id=May_1994--Circus_Magazine.html |
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| date= [[1994-05-31]] |
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| journal=[[Circus (magazine)|Circus]] |
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| title=A Sober Look At Tool |
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| accessdate=2007-04-09 |
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| first=Katherine |
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| last=Turman }}</ref> Early on, the band fabricated the story that they formed because of the [[pseudophilosophy]] "lachrymology".<ref>{{cite web | url=http://www.toolarmy.com/toolband/lachrymology/lachrymology.php?key=fob | title=Let Not My Tears Fall Unnoticed: Being the Secret Joys of a Lachrymist | work=toolarmy.com | accessdate=2007-05-06 | first=Blair MacKenzie | last=Blake}}</ref> Although "lachrymology" was also explained to be an inspiration for the band's name, Keenan later explained their intentions differently: "Tool is exactly what it sounds like: It's a big dick. It's a wrench.... we are... your tool; use us as a catalyst in your process of finding out whatever it is you need to find out, or whatever it is you're trying to achieve."<ref>{{cite journal | url=http://toolshed.down.net/articles/index.php?action=view-article&id=April_1994--RayGun.html | title=Tool Rules | journal=[[Ray Gun (magazine)|Ray Gun]] | accessdate=2006-08-27 | date=April 1994 | issue=15 | author=Zappa, Moon Unit | format=transcription}}</ref> |
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[[Image:Tool hush screenshot.jpg|thumb|left|Only Tool's first music video "Hush" (1992) features prominent appearances by the band members. Keenan, Carey, D'Amour and Jones (left to right) are pictured wearing [[Parental Advisory|parental advisory]] stickers covering their genitalia.]] |
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After only a few gigs, the band was approached by record companies,<ref name="guitarworldnumetal"/> and only three months into their career they signed a record deal with [[Zoo Entertainment]].<ref name="circusmagazine"/> In March 1992, Zoo published the band's first effort, ''[[Opiate (album)|Opiate]]''. Described by the band as "slam and bang" heavy metal<ref>Akhtar, E8.</ref> and the "hardest sounding" six songs they had written to that point,<ref name="Jones a Master of Many Trades">{{cite journal |
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| url=http://toolshed.down.net/articles/text/gsch.mar.94.html |
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| last = Gennaro |
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| first = Loraine |
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| title = Tool Guitarist Adam Jones is a Master of Many Trades |
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| journal = Guitar School |
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| volume = 03 |
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| pages = 16 |
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| date = 1994 |
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| accessdate = 2006-04-07 |
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}}</ref> the [[Extended play|EP]] included the singles "[[Hush (Tool song)|Hush]]" and "Opiate". The band's first music video, "Hush", promoted their dissenting views about the then-prominent [[Parents Music Resource Center]] and its advocacy of the [[censorship of music]]. The video featured the band members naked with their genitalia covered by [[Parental Advisory|parental advisory]] stickers and their mouths covered by duct tape.<ref name="much">{{cite video |
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| url = http://toolshed.down.net/articles/index.php?action=view-article&id=February_1997--Muchmusic.html |
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| people = Roncon, Theresa (Interviewer) |
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| title = Tool Muchmusic spotlight |
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| medium = TV |
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| publisher = [[MuchMusic]] |
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| location = Canada |
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| date = February, 1997}}</ref> The band began touring with [[Rollins Band]], Skitzo, [[Fishbone]], and [[Rage Against the Machine]]<ref name="Stepping Out From the Shadows"/> to positive responses which Janiss Garza of ''RIP Magazine'' summarized in September 1992 as a "buzz" and "a strong start".<ref>{{cite journal |
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| url = http://toolshed.down.net/articles/index.php?action=view-article&id=September_1992--RIP_Magazine.html |
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| title = Fresh Blood |
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| journal = RIP magazine |
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| first = Janiss |
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| last = Garza |
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| date = 1992 |
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| volume = 9 |
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| accessdate = 2007-06-04 |
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}}</ref> |
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=== ''Undertow'' (1993–1995) === |
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[[Image:Screenshot tool sober lollapalooza 93 mtv clip.jpg|thumb|right|Tool's 1993 [[Lollapalooza]] performance was an important step in boosting their popularity. Above the band performs "[[Sober (Tool song)|Sober]]". Left to right: Jones, Keenan, Carey.]] |
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The following year, at a time when post-[[Nirvana (band)|Nirvana]] [[alternative rock]] was at its height, Tool released their first full-length album, ''[[Undertow (Tool album)|Undertow]]'' (1993). It expressed more diverse dynamics than ''Opiate'' and included songs the band had chosen not to publish on their previous release, when they had opted for a heavier sound.<ref name="Jones a Master of Many Trades"/> The band began touring again as planned, with an exception in May 1993. Tool was scheduled to play the Garden Pavilion in [[Hollywood]] but learned at the last minute that the Garden Pavilion belonged to [[L. Ron Hubbard]]'s [[Church of Scientology]], which the band felt clashed with "the band's ethics about how a person should not follow a belief system that constricts their development as a human being".<ref name="Stepping Out From the Shadows" /> Keenan "spent most of the show baa-ing like a sheep at the audience".<ref name="33 things">{{cite web | url=http://www.blender.com/guide/articles.aspx?id=2002 | title=33 Things You Should Know About Tool | work=Blender | accessdate=2006-09-18 | first=Jon | last=Dolan | year=2006 | month=August }}</ref> |
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Tool later played several very successful concerts during the [[Lollapalooza]] road show, and were moved from the second stage to the main stage by their manager and the festival co-founder [[Ted Gardner]].<ref>{{cite news | url=http://toolshed.down.net/articles/index.php?action=view-article&id=March_1997--Alternative_Press.html | year=1997 | title=Nobody's Tool | work=Alternative Press | accessdate=2007-04-08 | first=Jason | last=Pettigrew}}</ref> At the last concert of Lollapalooza in Tool's hometown [[Los Angeles, California|Los Angeles]], comedian [[Bill Hicks]] introduced the band. Hicks had become a friend of the band members and an influence on them after being mentioned in ''Undertow'''s liner notes.<ref>{{cite journal | url=http://toolshed.down.net/articles/index.php?action=view-article&id=April_1997--High_Times.html | title=Hard rockers hail comic genius Bill Hicks. | journal=High Times | accessdate=2006-09-18 | last=Garza| first=Janiss | year=1997 | month=April }}</ref> He jokingly asked the audience of 60,000 people to stand still and help him look for a lost contact lens.<ref >{{cite web |
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| url=http://www.fadetoblack.com/interviews/billhicks/13.html |
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| title=Question & Answer with Kevin Booth |
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| work=Fade to Black presents: It's Only a Ride: Bill Hicks |
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| accessdate=2007-07-14 |
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}}</ref> The boost in popularity gained from these concerts led ''Undertow'' to be certified [[RIAA certification|gold]] by the [[Recording Industry Association of America|RIAA]] in September 1993 and to achieve platinum status in 1995,<ref>{{cite journal | title =Tool Tool fact kit | journal =Circus | month = January | year=1997 | url =http://toolshed.down.net/articles/index.php?action=view-article&id=January_1997--Circus_magazine.html| accessdate =2007-12-05}}</ref> despite being sold with a [[Corporate censorship|censored]] album cover by distributors such as [[Wal-Mart]].<ref name="Axcess">{{cite journal | last =Griffin | first =J.R. | title =TOOL on Videos, Censorship, Art, And Why You Should Never Let A Guy Named Maynard Put You In A Cage | journal=Axcess | date =1994 | page=52 | accessdate =2007-05-13 | url=http://toolshed.down.net/articles/index.php?action=view-article&id=Sometime_1994--Axcess.html }}</ref><ref>Sherry, p. 176.</ref> The single "[[Sober (Tool song)|Sober]]" became a hit single by March 1994 and won the band Billboard's "Best Video By A New Artist" award for the accompanying [[stop motion]] music video.<ref name="Jones a Master of Many Trades"/> |
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{{Sound sample box align left|Music sample:}}{{listen|filename=Tool - Undertow - Prison Sex - sample.ogg|title="Prison Sex"|description="Prison Sex" was removed from the MTV playlist and deemed too graphic and offensive by [[MuchMusic]].<ref name="Stepping Out From the Shadows" /><ref name="sfc94">{{cite news | url=http://toolshed.down.net/articles/text/sfc.nov.94.html | title=A Tool for the Truly Cool. Big hit of Lollapalooza tour gears up for second album | accessdate=2006-03-02 | year=1994 | work=San Francisco Chronicle}}</ref> In this sample, Keenan begins his metaphorical treatment of [[child abuse]].|format=[[Ogg]]}}{{Sample box end}} |
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With the release of Tool's follow-up single "[[Prison Sex (song)|Prison Sex]]", the band again became the target of censorship. The song's lyrics and video dealt with [[child abuse]], which sparked controversial reactions; Keenan's lyrics begin with: "It took so long to remember just what happened. I was so young and vestal then, you know it hurt me, but I'm breathing so I guess I'm still alive." The video was created primarily by guitarist Adam Jones, who saw it as his "surrealistic interpretation" of the subject matter.<ref name="hypno">{{cite journal | last=Jenison | first=David | url=http://toolshed.down.net/articles/index.php?action=view-article&id=December_1994--Hypno.html | title=Tool | accessdate=2007-11-10 | year=1994 | month = December | journal=HYPNO}}</ref> And while some contemporary journalists again praised the video and described the lyrics as "metaphoric",<ref name="sfc94"/><ref name="much"/> the American branch of [[MuchMusic]] asked Keenan to represent the band in a hearing. It deemed the respective music video too graphic and obscene,<ref name="Stepping Out From the Shadows" /> and [[MTV]] stopped airing it after a few viewings.<ref name="sfc94"/> |
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In September 1995, the band entered the studios to record their second album. At that time Tool experienced its only lineup change to date, with bassist D'Amour leaving the band amicably to pursue other projects. [[Justin Chancellor]], a member of former tourmates [[Peach (band)|Peach]], eventually replaced D'Amour, having been chosen over competitors such as [[Kyuss]]' [[Scott Reeder]], [[Filter (band)|Filter]]'s Frank Cavanaugh, [[Pigmy Love Circus]]'s E. Shepherd Stevenson and [[ZAUM]]'s Marco Fox.<ref>{{cite journal |
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| url = http://toolshed.down.net/articles/index.php?action=view-article&id=October_1996--CMJ_New_Music_Report.html |
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| title = Sink or Swim - A Conversation With Tool's Justin Chancellor |
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| journal = Gavin Magazine |
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| first = Rob |
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| last = Fiend |
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| date = October, 1996 |
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| accessdate =2007-05-09 |
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}}</ref> |
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===''Ænima'' (1996–2000)=== |
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[[Image:Tool aenima cover dedication to hicks.jpg|thumb|right|This version of the ''[[Ænima]]'' artwork shows a dedication to satirist [[Bill Hicks]], "another dead hero".]] |
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After Justin Chancellor came on board, recording of the already-begun ''[[Ænima]]'' continued. The band enlisted the help of producer [[David Bottrill]], who had produced some of [[King Crimson]]'s albums while Jones collaborated with [[Cam de Leon]] to create ''Ænima'''s Grammy-nominated artwork. The album was released in October 1996. |
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The album was dedicated to [[Satire|satirist]] [[Bill Hicks]], who had died two and a half years earlier.<ref name="Stepping Out From the Shadows"/> The band intended to raise awareness about Hicks's material and ideas, because they felt that Tool and Hicks "were resonating similar concepts".<ref name="austinkeenanhicks">{{cite news |
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| http://toolshed.down.net/articles/index.php?action=view-article&id=May_1997--The_Austin_Chronicle.html |
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| title = Another Dead Hero |
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| first= Andy |
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| last=Langer |
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| work = The Austin Chronicle |
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| date = May, 1997 |
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| accessdate = 2007-05-29 |
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}}</ref> In particular, ''Ænima'''s final track "Third Eye" is preceded by a clip of Hicks' performances, and both the [[Lenticular printing|lenticular]] casing of the ''Ænima'' CD packaging as well as the chorus of the title track "[[Ænema]]" make reference to a sketch from Hicks's ''[[Arizona Bay]]'', where he contemplates the idea of Los Angeles falling into the Pacific Ocean.<ref name="austinkeenanhicks"/><ref>{{cite web |
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| url = http://www.ucdadvocate.com/home/index.cfm?event=displayArticle&ustory_id=f13de017-3fd8-4f74-9abd-9f3f54482961 |
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| title = Dead 10 years, Hicks still makes us laugh |
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| first= John |
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| last= Zwick |
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| work = [[University of Colorado at Denver]] Advocate |
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| date = [[2004-02-25]] |
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| accessdate = 2007-04-09 |
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}}</ref> |
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{{Sound sample box align left|Music sample:}}{{listen|filename=Tool - Ænima - Ænema - sample.ogg|title="Ænema"|description=This [[Bill Hicks]] inspired song won the 1998 [[Grammy Award for Best Metal Performance]].|format=[[Ogg]]}}{{Sample box end}} |
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The first single, "[[Stinkfist]]", obtained limited and imperfect airplay: It was shortened by radio programmers, MTV renamed the music video of "Stinkfist" to "Track #1" due to offensive connotations,<ref name="stinkfist">{{cite web | url=http://toolshed.down.net/video/stinkfist/track1.html | title=The "Track #1" Fiasco | accessdate=2006-03-06 | first=Kabir | last=Akhtar | publisher = toolshed.down.net}}</ref> and the lyrics of the song were altered.<ref>McIver, p. 137.</ref> Responding to fan complaints about [[Censorship of music|censorship]], [[Matt Pinfield]] of MTV's ''120 Minutes'' expressed regret on air by waving his fist in front of his face while introducing the video and explaining the name change.<ref name="stinkfist" /> |
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A tour began in October 1996, only two weeks after ''Ænima'''s release. Following numerous appearances in the United States and Europe, Tool headed for Australia and New Zealand in late March 1997. [[April 1]] of that year saw the first of several [[April Fools' Day|April Fools']] pranks related to the band. Kabir Akhtar, webmaster of the band's semi-official fanpage, The Tool Page, wrote that "at least three of the band are listed in critical condition" after a tour bus accident on a highway.<ref name="tdn - april fools 97">{{cite web | url=http://toolshed.down.net/news/aprilfools97.html | title=Tool News: April Fools 1997 | accessdate=2007-03-29 | first=Kabir | last=Akhtar | publisher = toolshed.down.net}}</ref> This hoax gained wide attention and was eventually exposed on radio and MTV. Akhtar later posted an apology, claiming that The Tool Page "will not indulge itself in such outlandish pranks in the future"—a claim that would be belied by later April Fools' pranks.<ref name="tdn - april fools 97"/> The tour continued the next day as originally announced. |
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Eventually returning to the United States, Tool appeared at [[Lollapalooza]] '97 in July, this time as a headliner, where they gained critical praise from ''[[The New York Times]]'': |
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{{quote|"Tool was returning in triumph to Lollapalooza after appearing among the obscure bands on the festival's smaller stage in 1993. Now Tool is the prime attraction for a festival that's struggling to maintain its purpose... Tool uses taboo-breaking imagery for hellfire moralizing in songs that swerve from bitter reproach to nihilistic condemnation. Its music has refined all the troubled majesty of grunge."<ref name="nytimeslollapalooza">{{cite web | url=http://query.nytimes.com/gst/fullpage.html?res=9903EEDF1738F937A25754C0A961958260 | title=Lollapalooza's Recycled Hormones: Rebellion by the Numbers | work=The New York Times | accessdate=2006-03-06 | first=Jon |last=Pareles}}</ref>}} |
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Notwithstanding a decline in popularity of alternative rock music during the mid-90s in the United States, ''Ænima'' eventually matched Tool's successful debut in sales.<ref>{{cite journal | url=http://toolshed.down.net/articles/index.php?action=view-article&id=August_1997--Circus.html | date= August, 1997 | title=Never Wanted To Be Rock Stars But They Are | journal=Circus | accessdate=2006-06-25 | first=Edward | volume = 8 | last=Fruchtman }}</ref> The progressive-influenced ''Ænima'' landed the band at the head of the [[alternative metal]] genre: It featured the Grammy Award-winning "Ænema"<ref>{{cite web | url = http://www.rockonthenet.com/archive/1998/grammys.htm |
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| title = 40th Grammy Awards |
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| work = Rockonthenet.com |
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| year = 1998 |
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| accessdate = 2007-05-26 |
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}}</ref> and appeared on several "Best Albums of 1996" lists,<ref name="acclaimedaenima">{{cite web |
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| url=http://www.acclaimedmusic.net/061024/A3618.htm |
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| title=Tool - Aenima |
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| work=acclaimedmusic.net |
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| accessdate=2007-06-25 |
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}}</ref> with notable examples being those of ''[[Kerrang!]]''<ref>{{cite web |url=http://www.rocklistmusic.co.uk/kerrang.html |title=Kerrang! End of Year Lists |accessdate=2007-07-27 |work=Kerrang! }}</ref> and ''[[Terrorizer (magazine)|Terrorizer]]''.<ref>{{cite web |url=http://www.rocklistmusic.co.uk/terroris.htm |title=Terrorizer End of Year Lists |accessdate=2007-07-27 |work=Terrorizer }}</ref> |
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A legal battle that began the same year interfered with the band's working on another release. [[Volcano Records]]—the successor of Tool's by-then defunct label Zoo Entertainment—alleged contract violations by Tool and filed [[lawsuit|suit]]. According to Volcano, Tool had violated their contract when the band looked at offers from other record labels. After Tool filed a countersuit stating that Volcano had failed to use a renewal option in their contract, the parties settled out of court. At the end of 1998, Tool agreed to a new contract, a three-record joint venture deal.<ref>Akhtar, C15.</ref> In 2000, the band dismissed their long-time manager Ted Gardner, who then sued the band over his commission on this lucrative agreement.<ref>{{cite web |
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| url=http://toolshed.down.net/articles/text/allstar.nov.2000.html |
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| title=Tool Gets Sued By Manager For $5 Million |
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| work=CDNow.com |
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| accessdate=2007-09-17 |
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| first=Carrie | last=Borzillo-Vrenna |
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}}</ref> |
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During this time, Keenan joined the band [[A Perfect Circle]] which was founded by long-time Tool guitar tech [[Billy Howerdel]], while Jones joined The Melvins' [[Buzz Osborne]] and Carey drummed with Dead Kennedys' [[Jello Biafra]] on other side projects.<ref name="classicrock2001">{{cite journal | title=Home Improvement | date= August, 2001 | accessdate=2007-05-12 | journal=Classic Rock | first=Rosanna | last=Slater | url=http://toolshed.down.net/articles/index.php?action=view-article&id=August_2001--Classic_Rock.html}}</ref> Although there were rumors that Tool were breaking up,<ref>{{cite web |
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| url = http://www.statenews.com/article.phtml?pk=13061 |
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| title = Breslin hosts heavier sound |
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| first= Scott | last=Kline |
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| work = [[The State News]] |
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| date = [[2002-10-17]] |
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| accessdate = 2007-04-09 |
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}} {{cite news |
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| url = http://nl.newsbank.com/nl-search/we/Archives?p_product=BT&p_theme=bt&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0F759C5DCBC49509&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D |
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| title = Innovative band playing Beaumont tonight wins new regard from critic |
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| work = [[The Beaumont Enterprise]] |
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| date = [[2002-11-15]] |
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| accessdate = 2008-01-26 |
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| format = fee required |
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}}</ref> Chancellor, Jones and Carey were working on new material while waiting for Keenan to return.<ref>{{cite news |
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| url = http://www.accessmylibrary.com/coms2/summary_0286-7855169_ITM |
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| title = Rock band Tool is all about music, not image |
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| author = Alan K. Stout |
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| work = [[The Times Leader]] |
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| date = [[2001-09-21]] |
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| accessdate = 2008-01-26 |
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| quote = Chancellor says Tool, through it all, never stopped working on new music. He says he, Jones and Carey were in the studio every day, experimenting with new sounds and musical ideas. |
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}}</ref> In 2000, the ''[[Salival]]'' [[box set]] (CD/VHS or CD/DVD) was released, effectively putting an end to the rumors.<ref name="AllMusic Biography" /> The CD contained one new original track, a [[Cover version|cover]] of Led Zeppelin's "[[No Quarter (song)|No Quarter]]", live versions of Peach's "[[You Lied]]", and revised versions of old songs. The VHS and the DVD each contained four music videos, plus a bonus music video for "Hush" on the DVD. Although ''Salival'' did not yield any singles, the hidden track "Maynard's Dick" (which dates back to the ''Opiate'' era) briefly found its way to [[FM broadcasting|FM radio]] when several DJs chose to play it on air under the title "Maynard's Dead".<ref>Akhtar, H26.</ref> |
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===''Lateralus'' (2001–2005)=== |
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In January 2001, Tool announced a new album, ''Systema Encéphale'', along with a 12-song tracklist containing titles such as "Riverchrist", "Numbereft", "Encephatalis", "Musick", and "Coeliacus".<ref name="tdnsystematracks">{{cite web | url=http://toolshed.down.net/news/oldnews/old0101.html | title=Old News. January - March 2001 | publisher=toolshed.down.net | accessdate=2006-03-06 | first=Kabir |last=Akhtar }}</ref> File-sharing networks such as [[Napster]] were flooded with bogus files bearing the titles' names.<ref name="tdnsystematracks"/> At the time, Tool members were outspokenly critical of file-sharing networks in general due to the negative impact on artists that are dependent on success in record sales to continue their career. Keenan had this to say during an interview with ''NY Rock'' in 2000, "I think there are a lot of other industries out there that might deserve being destroyed. The ones who get hurt by [[MP3]]s are not so much companies or the business, but the artists, people who are trying to write songs."<ref>{{cite web | url=http://www.nyrock.com/interviews/2000/apc_int.asp | title=Interview with Maynard James Keenan of A Perfect Circle | work=NY Rock | accessdate=2006-04-28 | month = September | year=2000 | author=Gabriella}}</ref> |
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{{Sound sample box align left|Music sample:}}{{listen|filename=Tool_-_Lateralus_-_Schism_-_sample.ogg|title="Schism"|description="Schism" is the Grammy awarded first single off ''Lateralus''. With its abstract lyrics and multi-sectioned, odd-metered structure it has since become a signature song of the band.|format=[[Ogg]]}}{{Sample box end}} |
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A month later, the band revealed that the new album was actually titled ''[[Lateralus]]'' and that the name ''Systema Encéphale'' and the tracklist had been a ruse.<ref name="mtvnewssystema">{{cite web | url=http://www.mtv.com/news/articles/1439483/02152001/tool.jhtml | title=Tool Tinker With Album Title, Set Track List | work=MTV News | publisher = MTV.com | accessdate=2006-03-06 | first=Joe | last=D'Angelo}}</ref> ''Lateralus'' and the corresponding tours would take Tool a step further toward [[Art rock|art-rock]]<ref name="e!onlinelateralus">{{cite web |
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| url=http://web.archive.org/web/20031218003654/http://www.eonline.com/Reviews/Facts/Music/RevID/0,1107,2309,00.html |
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| title=Lateralus review | year=2001 | accessdate=2007-06-18 | publisher=E! Online }}</ref><ref name="kingcrimsonminitour">{{cite web | url=http://www.vh1.com/artists/news/1446389/20010806/king_crimson.jhtml | title=Tool Stretch Out And Slow Down In Show With King Crimson | work=VH1.com | accessdate=2007-07-19 | year=2001 | first=Laura |last=Bond}}</ref><ref name="munge">{{cite web | first=Milano | last= Brett| year=2006| title=Power Tool: Maynard James Keenan and band craft epic art-metal | format=HTML | work=Boston Herald | url=http://theedge.bostonherald.com/musicNews/view.bg?articleid=139842 | accessdate=2006-05-27}}</ref> and [[progressive rock]]<ref name="AMG Lateralus review">{{cite web | url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:bv851vg3zz9a | year=2001| title=Lateralus Review | work=AllMusic | accessdate=2006-04-28 | first=Rob | last=Theakston}}</ref><ref name="rollingstonelateralus">{{cite web | url=http://www.rollingstone.com/reviews/album/_/id/211444?rnd=1145911827234 | year=2001| title=Lateralus Review | work=Rolling Stone | accessdate=2006-04-24 | first=David |last=Fricke }}</ref><ref>DeRogatis, p. 562.</ref> territory. ''[[Rolling Stone]]'' wrote in an attempt to summarize the album that "Drums, bass and guitars move in jarring cycles of hyperhowl and near-silent [[death march]]... The prolonged running times of most of ''Lateralus''' thirteen tracks are misleading; the entire album rolls and stomps with [[suite]]like purpose."<ref name="rollingstonelateralus"/> Joshua Klein of ''[[The A.V. Club]]'' in turn expressed his opinion that ''Lateralus'', with its 79 minutes and relatively complex and long songs—topped by the ten-and-a-half minute music video for "[[Parabola (song)|Parabola]]"—posed a challenge to fans and music programming alike.<ref>{{cite web | url=http://www.avclub.com/content/node/12709 | title=Lateralus review | work=The A.V. Club | date=[[2002-03-29]] | accessdate=2007-05-25 | first=Joshua | last=Klein}}</ref> |
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The album became a worldwide success, reaching #1 on the U.S. [[Billboard 200]] albums chart in its debut week.<ref>{{cite web | url=http://billboard.com/bbcom/discography/index.jsp?pid=19952&aid=473403 | title=Discography Tool Laterlaus | accessdate=2006-04-29 | publisher=Billboard.com}}</ref> Tool received their second Grammy Award for the best metal performance of 2001 for the song "[[Schism (song)|Schism]]".<ref>{{cite web |
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| url = http://www.grammy.com/GRAMMY_Awards/Winners/ |
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| title = Grammy Award Winners |
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| publisher = [[The Recording Academy]] |
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| accessdate = 2007-04-28 |
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}}</ref> During the band's acceptance speech, drummer Carey stated that he would like to thank his parents (for putting up with him) and [[Satan]], and bassist Chancellor concluded: "I want to thank my dad for doing my mom."<ref>{{cite web | url=http://www.mtv.com/news/articles/1452651/02272002/u2.jhtml | title=Alicia Keys Takes Five, 'O Brother' Gets Most At 44th Grammy Awards | work=MTV News | publisher=MTV.com | accessdate=2006-08-07 | year=2002 | first=Joe | last=D'Angelo}}</ref> |
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Extensive touring throughout 2001 and 2002 supported ''Lateralus'' and included a personal highlight for the band: a 10-show joint mini-tour with [[King Crimson]] in August 2001. Comparisons between the two were made, MTV describing the bands as "the once and future kings of progressive rock". Keenan stated of the minitour: "For me, being on stage with King Crimson is like [[Lenny Kravitz]] playing with [[Led Zeppelin]], or [[Britney Spears]] onstage with [[Debbie Gibson]]."<ref name="kingcrimsonminitour"/> |
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Although the end of the tour in November 2002 seemed to signal the start of another dormancy for the band, they did not become completely inactive. While Keenan recorded and toured with [[A Perfect Circle]], the other band members released an interview and a recording of new material, both exclusive to the fan club. On [[April 1]], [[2005]], the official Tool website announced that "Maynard has found Jesus" and would be abandoning the recording of the new Tool album temporarily and possibly permanently.<ref>{{cite news |
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| url = http://seattlepi.nwsource.com/pop/268879_tool03ww.html |
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| title = Tool mesmerizes crowd |
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| author = Travis Hay |
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| work = [[Seattle Post-Intelligencer]] |
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| date = [[2006-05-03]] |
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| accessdate = 2008-01-18 |
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}}</ref> [[Brian Welch]], who made the same news some months earlier, was delighted. [[Kurt Loder]] of [[MTV]] contacted Keenan via email to ask for a confirmation and received a nonchalant confirmation. When Loder asked again, Keenan's response was simply "heh heh."<ref>{{cite web | url=http://www.mtv.com/news/articles/1499613/20050405/tool.jhtml?headlines=true |
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| title = Maynard And Jesus Split: The Conclusion | first = Chris | last=Harris |
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| work= [[MTV News]] | date = [[2005-04-07]] | accessdate = 2007-02-14}}</ref> However, on [[April 7]] the official site explained, "Good news, April fools fans. The writing and recording is back under way."<ref>{{cite web | url=http://web.archive.org/web/20051024134948/toolband.com/news/ | title=Tool: News | publisher=Toolband.com | accessdate=2007-03-30 | year=2005 | first=Blair MacKenzie |last=Blake}}</ref> |
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The writing and recording proceeded for the follow-up to ''Lateralus''; meanwhile, a ''Lateralus'' vinyl edition and two DVD singles were released, and the band's official website received a new splash intro by artist [[Joshua Davis (web designer)|Joshua Davis]].<ref>{{cite web|title=Joshua Davis - Projects - Web - Tool|url=http://www.joshuadavis.com/|format=FLASH|accessdate=2007-04-02|publisher=joshuadavis.com}}</ref> The "double [[Gramophone record|vinyl]] four-picture disc" edition of ''Lateralus'' was first released as a limited autographed edition exclusively available to fan club members and publicly released on [[August 23]], [[2005]]. On [[December 20]], [[2005]], the two [[DVD]]s were released, one containing the single "[[Schism (song)|Schism]]" and the other "[[Parabola (song)|Parabola]]", a remix by [[Lustmord]], and the music video with commentary by [[David Yow]] and [[Jello Biafra]], respectively. |
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=== ''10,000 Days'' (2006–present) === |
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Fifteen years into the band's career, Tool had acquired what Dan Epstein of ''[[Revolver (magazine)|Revolver]]'' described as a devoted "[[Cult following|cult]]" following,<ref name="revolver">{{cite journal |
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| last = Epstein |
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| first = Dan |
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| title = Do What You Wilt |
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| journal = Revolver |
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| date = April 2006 |
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}}</ref> and as details about the band's next album emerged, such as the influence of ''Lateralus'' tourmates [[Fantômas (band)|Fantômas]] and [[Meshuggah]],<ref name="mtvhammer">{{cite web | url=http://www.mtv.com/news/articles/1486242/20040407/story.jhtml | title=Tool Hammer Away At New Album | work=MTV News | accessdate=2006-04-06 | first=Jon | last=Wiederhorn | publisher=MTV.com}}</ref> rumors surrounding new Tool again surfaced.<ref name="theage10kdays">{{cite web | url=http://www.theage.com.au/news/music/is-anyone-listening/2006/05/03/1146335806864.html | title=Is anyone listening? | publisher=TheAge.com.au | accessdate=2006-05-06 | year=2006| first=Patrick | last=Donovan}}</ref> The main controversy was the album title. After rumored titles such as ''Teleincision'' had been dismissed, a news item on the official Tool website announced that the new album's name was ''[[10,000 Days]]''. |
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Nevertheless, speculation continued: it was alleged that ''10,000 Days'' was merely a "decoy" album to fool audiences until the day of release,<ref name="theage10kdays"/> which eventually proved false when a [[internet leak|leaked]] copy of the album was distributed via [[filesharing]] networks a week prior to its official release.<ref>{{cite web |
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| title =Tool Planning Summer Tour Around Keenan's Wine Harvest |
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| publisher =VH1.com |
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| date = [[2006-05-11]] |
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| url =http://www.vh1.com/news/articles/1531583/20060511/tool.jhtml |
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| accessdate =2007-06-15 |
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| first= Chris | last=Harris |
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}}</ref> The album opener, "[[Vicarious (Tool song)|Vicarious]]", premiered on US radio stations on [[April 17]]. The record followed on [[May 2]], [[2006]] in the US and debuted at the top spots of various international charts. ''10,000 Days'' sold 564,000 copies in its opening week in the US and was number one on the [[Billboard 200]] charts, doubling the sales of [[Pearl Jam]]'s [[Pearl Jam (album)|self-titled album]], its closest competitor.<ref>{{cite web |
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| title=Tool, Pearl Jam Claim Billboard Chart In The Name Of Rock (May 10, 2006) |
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| work=MTV.com |
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| url=http://www.mtv.com/news/articles/1531452/05102006/tool.jhtml |
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| accessdate=2006-09-17 |
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}}</ref> However, ''10,000 Days'' was received less favorably by critics than its predecessor ''[[Lateralus]]'' had been.<ref>[[Metacritic]] calculated an average score of 68 for ''10,000 Days'' compared to 75 for ''Lateralus''. {{cite web |
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| year= 2006 |
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| publisher=Metacritic |
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| url=http://www.metacritic.com/music/artists/tool/10000days?q=tool |
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| title=Tool: 10,000 Days (2006): Reviews |
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| accessdate=2006-09-17 |
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}} {{cite web |
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| year= 2001 |
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| publisher=Metacritic |
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| url=http://www.metacritic.com/music/artists/tool/lateralus?q=tool |
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| title=Tool: Lateralus (2001): Reviews |
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| accessdate=2007-06-17 |
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}}</ref> |
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[[Image:Tool roskilde festival 2006.jpg|thumb|right|Tool appeared at many big festivals during their ''10,000 Days'' tour. Here, they play the orange stage (main stage) at the 2006 edition of [[Roskilde Festival]].]] |
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After the release of ''10,000 Days'', a tour kicked off at [[Coachella Valley Music and Arts Festival|Coachella]] on [[April 30]], [[2006]]. The touring schedule was similar to the ''Lateralus'' tour of 2001; supporting acts were [[Isis (band)|Isis]] and [[Mastodon (band)|Mastodon]]. During a short break early the next year, after touring [[Australia]] and [[New Zealand]], drummer Danny Carey suffered a [[bicep]] tear during a skirmish with his girlfriend's dog, casting uncertainty on the band's upcoming concerts in North America.<ref>{{cite web |
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| year= 2007 |
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| url=http://www.toolband.com/news/index.html |
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| title=TOOL : NEWS - TOOL Newsletter February 2007, e.v |
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| publisher=Toolband.com |
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| accessdate=2007-05-10 |
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}}</ref> Carey underwent surgery on [[February 21]], and several gigs had to be postponed. Back on tour by April, Tool appeared as a headliner at the [[Bonnaroo Music Festival]] with a guest appearance from [[Rage Against the Machine]]'s [[Tom Morello]] on "[[Lateralus (song)|Lateralus]]".<ref>{{cite web |
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| first =Jonathan | last=Cohen |
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| title =Tool, All-Star Zeppelin Jam Highlight Bonnaroo Day One |
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| publisher =Billboard.com |
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| date = [[2007-06-16]] |
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| url =http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003599898 |
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| accessdate =2007-06-17 }}</ref> |
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Meanwhile, "Vicarious" was a nominee for [[Best Hard Rock Performance]] and ''10,000 Days'' won [[Best Recording Package]] at the [[49th Grammy Awards]].<ref name="49thgrammyawards">{{cite web |
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| url=http://www.grammy.com/GRAMMY_Awards/49th_Show/list.aspx |
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| title=Awards Winners List |
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| work=49th Annual Grammy Awards |
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| accessdate=2007-03-25 |
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| year=2007 |
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| publisher=Grammy.com |
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}}</ref> The music video for "Vicarious" was released on DVD on [[December 18]]. |
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In an interview conducted in May 2007, Justin Chancellor stated that the band would probably continue their tour until early 2008 and then "take some time off". He qualified this statement by adding that the band has already written new material and would surely release another album at some point down the road.<ref name="justinnwlanews">{{cite web |
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| last =Pulsifer |
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| first =Eric |
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| title =Tool returns to Bossier on Thursday |
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| publisher =nwlanews.com |
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| date =[[2007-05-15]] |
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| url = http://www.nwlanews.com/index.php?option=com_content&task=view&id=4170&Itemid=56 |
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| accessdate =2007-06-07 |
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}}</ref> A possible project until a next album is to make a "band movie", a possibility the band has reportedly considered for a long time. The ideas range from "a narrative story in a surreal fashion with as much money and special effects" as possible to "pockets of all of that or something that's live or the band playing".<ref name=billboardmovie>{{cite web |
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| title =Tool movie in the works? |
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| publisher =Billboard.com |
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| date = [[2007-06-12]] |
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| url =http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003597438 |
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| accessdate =2007-06-15 |
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| first= John | last=Benson |
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}}</ref> And although Carey stated that the necessary know-how was at hand due to the many relations to artists working in the movie business, Jones dismissed the idea: "It's just talk right now."<ref>{{cite web |
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| title =Tool movie in the works? |
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| publisher =The Rock Radio |
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| date = [[2007-06-13]] |
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| url =http://www.therockradio.com/2007/06/tool-movie-in-works.html |
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| accessdate =2007-06-15 |
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| work= The Rock Radio online |
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}}</ref><ref name=billboardmovie/> According to ''[[Rolling Stone]]'', after the [[50th Grammy Awards]], while attending a [[Sony BMG]] after party at the [[Beverly Hills Hotel]], Keenan promised another Tool album.<ref>Scaggs, Austin ([[2008-02-11]]). "[http://www.rollingstone.com/rockdaily/index.php/2008/02/11/smoking-section-at-the-grammys-wilco-foo-fighters-tool-more/ Smoking Section at the Grammys: Wilco, Foo Fighters, Tool, More]". ''[[Rolling Stone]]''. Retrieved on [[2008-02-11]].</ref> |
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==Musical style and influences== |
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Tool has gained critical praise from the ''[[International Herald Tribune]]'''s C.B. Liddell for their complex and ever-evolving sound.<ref>{{cite web | url=http://www.asahi.com/english/Herald-asahi/TKY200701120170.html | date= [[2007-01-12]] | title=In Sight/Music & Arts Tool frontman: 'I have not smashed up 1 hotel room' | work=International Herald Tribune/The Asahi Shimbun | accessdate=2007-05-25|first=C.B. | last=Liddell }}</ref> Describing their general sound, the [[All Music Guide]] refers to them as "grinding, post-[[Jane's Addiction]] heavy metal",<ref name="AllMusic Biography"/> and ''[[The New York Times]]'' sees similarities to "[[Led Zeppelin]]'s heaving, battering guitar riffs and Middle Eastern modes".<ref>{{cite web | url=http://query.nytimes.com/gst/fullpage.html?res=9903EEDF1738F937A25754C0A961958260 | year=1997 | title=Lollapalooza's Recycled Hormones: Rebellion by the Numbers | work=The New York Times | accessdate=2006-04-28|first=Jon | last=Pareles}}</ref> Their 2001 work ''Lateralus'' was compared by the All Music Guide to [[Pink Floyd]]'s ''[[Meddle]]'' (1971), but thirty years later and altered by "Tool's impulse to cram every inch of infinity with hard guitar meat and absolute dread".<ref name="AMG Lateralus review"/> |
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===Musical style=== |
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A component of Tool's song repertoire relies on the use of odd meter [[time signature]]s. For instance, Justin Chancellor describes the time signature employed on ''[[Lateralus|Lateralus's]]'' first single, "[[Schism (song)|Schism]]", as 6.5/8 (jokingly) and that it later "goes into all kinds of other times".<ref name="bassplayer052001">{{cite journal |last=Scott Shiraki & E.E. Bradman |first= |year=2001 |month=05 |title=Handy Man: How Justin Chancellor Frames Tool's Metal Madness |journal=Bass Player |url=http://www.basswriter.com/journalism/bpstories/Web-Chancellor.doc |accessdate=2007-05-02 }}</ref> "[[Lateralus (song)|Lateralus]]", the album's title track, also displays shifting rhythms,<ref name="bassplayer052001"/> as does ''[[10,000 Days|10,000 Days']]'' "Wings for Marie (Pt 1)" and "10,000 Days (Wings Pt 2)".<ref name="moderndrummer072006">{{cite journal |last=Micallef |first=Ken |year=2006 |month=07 |title=10,000 Days... and beyond |journal=Modern Drummer |url=http://www.musicdispatch.com/item_detail.jsp?itemid=77773078&refer=feature&featureCat=1280002&order=6 |accessdate=2007-05-02 }}</ref> |
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Beyond this aspect of the band's sound, each band member experiments within his musical scope. ''Bass Player'' magazine described Chancellor's bass playing as a "thick midrange tone, guitar-style techniques, and elastic versatility".<ref name="bassplayer052001"/> As an example of this, the magazine mentioned the use of a [[Wah-wah|wah effect]] by [[Hammer-on|hammering]] "the notes with the left hand and using the bass's tone controls to get a tone sweep", such as on the song "The Patient" (''Lateralus'' 2001).<ref name="bassplayer052001"/> |
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Completing the band's [[rhythm section]], drummer Danny Carey uses [[polyrhythm]]s, [[tabla]]-style techniques, and the incorporation of custom [[Electronic drum|electronic drum pads]] to trigger samples, such as prerecorded [[tabla]] and [[octoban]] sounds.<ref name="moderndrummer072006"/> |
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Maynard James Keenan's ability as a vocalist has been characterized more subjectively by the ''[[Seattle Post-Intelligencer]]'': After his performance during an [[Alice in Chains]] reunion concert in 2005, freelancer Travis Hay saw him as "a natural fit at replacing [[Layne Staley]]".<ref>{{cite web | url=http://seattlepi.nwsource.com/pop/212872_alice21q.html | date= [[2005-02-21]] | title=Alice in Chains owns stage in tsunami-relief show full of surprises | work=Seattle Post-Intelligencer | accessdate=2007-05-25 | first=Travis | last=Hay}}</ref> Regarding his role in A Perfect Circle and Tool, ''The New York Times'' wrote that "both groups rely on Mr. Keenan's ability to dignify emotions like lust, anger and disgust, the honey in his voice adding a touch of profundity".<ref name="nytimeskeenan">{{cite web | url= |
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http://query.nytimes.com/gst/fullpage.html?res=9C03E1D6113EF931A1575BC0A9669C8B63 | year=2002 | title=Self-Confidence, and a Tattoo | work=The New York Times | accessdate=2007-05-02 | first=Ann | last=Powers}}</ref> |
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According to ''Guitar Player'' magazine, Adam Jones does not rely on any one particular guitar-playing technique but rather combines many techniques.<ref name="guitarplayer2001">{{cite web | url= http://www.accessmylibrary.com/coms2/summary_0286-10882659_ITM | year=2001 | title=Mysterious Ways | month= June | work=Guitar Player | accessdate=2007-05-02 | first=Jon | last=Wiederhorn }}</ref> For example, the [[All Music Guide]] wrote that he "alternately utiliz[es] power chords, scratchy noise, chiming arpeggios, and a quiet minimalism" in "[[Sober (Tool song)|Sober]]".<ref name="soberamgreview">{{cite web | url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=33:wxfexqrrldae | year=| title=Sober Song Review | work=AllMusic.com | accessdate=2007-05-02 | first=Steve | last=Huey}}</ref> Additionally, the band uses forms of instrumental experimentation, like the use of a "pipe bomb microphone" (a [[pickup (music)|guitar pickup]] mounted inside a brass cylinder) and a [[talk box]] guitar solo on "Jambi".<ref>{{cite web | last =Forlenza | first =Jeff | title =The Making of Tool's "10,000 Days" | publisher =Mix | date = [[2006-07-01]]| url =http://mixonline.com/recording/projects/audio_making_tools_days/ | accessdate =2007-05-09 }}</ref> |
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{{Sound sample box align left|Music sample:}}{{listen|filename=Tool - Lateralus - 09 - Lateralus sample.ogg|title="Lateralus"|description=The number of syllables per line in the lyrics to "Lateralus" correspond to an arrangement of the [[fibonacci number]]s.|format=[[Ogg]]}}{{Sample box end}} |
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The band puts an emphasis on the sound of their songs and attempts to reduce the effect lyrics can have on the perception of songs by not releasing song lyrics with any album.<ref name="livewire"/> Lyrical arrangements are often given special attention, such as in "Lateralus". The number of syllables per line in the lyrics to "Lateralus" correspond to an arrangement of the [[fibonacci number]]s<ref name="diCarlointerview">{{cite web | first = Christopher W. | last=diCarlo | title = Interview with Maynard James Keenan | url=http://www.cdicarlo.com/paper_04maynard.htm | accessdate = 2007-05-04 |publisher=cdicarlo.com }}</ref> and in "Jambi" the metrical foot [[iamb]] is used.<ref name="julynewsletter">{{cite web | first = Blair MacKenzie | last= Blake | publisher=Toolband.com | title = Tool Newsletter, July 2006 | url=http://www.toolband.com/news/letter/2006_07.php | accessdate = 2006-08-03 }}</ref> The lyrics on ''Ænima'' and ''Lateralus'' focused on philosophy and spirituality – specific subjects range from organized [[religion]] in "Opiate", to [[evolution]] and [[Jungian]] psychology in "[[Forty Six & 2]]" and [[transcendence (philosophy)|transcendence]] in "[[Lateralus (song)|Lateralus]]".<ref name="10kdayslyrics">{{cite web | title =TOOL: New Album Title Revealed? | publisher =Blabbermouth.net | date = [[2006-03-03]] | url =http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=49079 | accessdate =2007-05-09 }}</ref> On ''10,000 Days'', Keenan wanted to explore issues more personal to him:<ref name="10kdayslyrics"/> the album name and title track refer to the twenty-seven years during which his mother suffered from complications of a [[stroke]] until her death in 2003.<ref name="rs10kdaysreview">{{cite web | first = Evan | last=Serpick | work= Rolling Stone | title = 10,000 Days Review | url=http://www.rollingstone.com/artists/tool/albums/album/10468655/review/10500551/10000_days | year= 2006 | accessdate = 2007-05-04 }}</ref> |
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===Influences=== |
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The band has named the [[Melvins]]<ref>{{cite news | url=http://toolshed.down.net/articles/index.php?action=view-article&id=March_1997--Alternative_Press.html | year=1997 | title=Nobody's Tool | work=Alternative Press | accessdate=2007-04-08 | first=Jason | last=Pettigrew}}</ref> and [[Meshuggah]]<ref name="mtvhammer"/> among those that influenced their development, but the most-publicized influence are progressive rock pioneers [[King Crimson]].<ref>{{cite web | url=http://www.toolband.com/news/letter/2001_09.php | year=2001| title=Augustember 2001 E.V. | work=Tool Newsletter | accessdate=2006-04-28 | publisher=Toolband.com | first=Blair MacKenzie | last=Blake}}</ref> However, longtime King Crimson member [[Robert Fripp]] has downplayed any influence his band had on Tool. In an interview with Tool, he touched briefly on how the two bands relate to each other: |
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{{quote|"Do you hear the influence? There's just one figure where I hear an influence, just one. It was a piece we were developing that we dropped. And it's almost exactly the same figure: three note arpeggio with a particular accent from the guitar. So I do not think you could have heard it. That's the only thing."<ref>{{cite web | title= Tool Army exclusive interview | url=http://www.toolarmy.com/home/ | accessdate=2006-09-17}}</ref>}} |
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He also stated: |
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{{quote|"I happen to be a Tool fan. The members of Tool have been generous enough to suggest that Crimson has been an influence on them. Adam Jones asked me if I could detect it in their music, and I said I couldn’t. I can detect more Tool influence in King Crimson, than I can hear King Crimson in Tool."<ref>{{cite web | title=Eyes Wide Open | work=Guitar Player |year= 2003 | month=June | url=http://www.guitarplayer.com/article/eyes-wide-open/Jun-03/1238| accessdate=2007-10-19 | last= Cleveland | first=Barry}}</ref>}} |
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In turn, Maloof and Newquists attribute to Tool an influence on modern metal in its own right in their book ''The New Metal Masters''.<ref name="metalmasters"/> Sean Richardson of ''[[The Phoenix (newspaper)|The Boston Phoenix]]'' sees [[System of a Down]], [[Deftones]] and [[Breaking Benjamin]] as examples of Tool's "towering influence" on the genre.<ref>{{cite web | first= Sean | last=Richardson | title =Perfect circles - Tool connect on Lateralus | work =The Boston Phoenix | date =[[2001-05-10]] | url =http://72.166.46.24/boston/music/top/documents/01532143.htm | accessdate =2007-05-25 }}</ref> Moreover, Keenan's unique style of singing has been repeatedly seen as influencing artists such as [[Pete Loeffler]] of [[Chevelle]].<ref>{{cite web | last =Assar | first =Vijith | title =Lucky 'Thirteen': Keenan bolsters potence | work =The Cavalier Daily | date = [[2003-09-30]] | url =http://www.cavalierdaily.com/CVArticle.asp?ID=16988&pid=1052 | accessdate =2007-05-09 }}</ref><ref>{{cite web | last =Rich | first =Robert | title =Chevelle to play in Austin, remains unique despite criticism | work =The Daily Texan | date = [[2007-05-09]] | url =http://media.www.dailytexanonline.com/media/storage/paper410/news/2007/05/09/LifeArts/Chevelle.To.Play.In.Austin.Remains.Unique.Despite.Criticism-2897640.shtml | accessdate =2007-05-09 }}</ref> |
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==Visual arts== |
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Part of Tool's work as a band is to incorporate influences of other works of art in their music videos, live shows, and album packaging. In particular, [[Adam Jones]] doubles as the band's art director and director of their music videos.<ref name="alexgreyinterview">{{cite web | first = Jonathan | last=Drew | title = MUSIC MEETS ART Name the band Tool's fave artist | work = The Associated Press | url=http://asap.ap.org/stories/575717.s | date = [[2006-05-11]] | accessdate = 2007-05-26 }}</ref> Another expression of this is an official website "dedicated to the arts and influences" on the band, [http://www.dissectional.com dissectional.com]. |
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===Music videos=== |
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:''See also: [[Tool discography#Music videos|Tool discography]]'' |
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[[Image:Tool-Sober-video-screencap.jpg|thumb|right|Screencap from "[[Sober (Tool song)|Sober]]", directed by [[Adam Jones]] and Fred Stuhr.]] |
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The band has released eight music videos but made personal appearances in only the first two, which the band states is to prevent people from "latching onto the personalities involved rather than listening to the music."<ref name="much"/> With the exception of "[[Hush (Tool song)|Hush]]" and [[Vicarious (Tool song)|Vicarious]], all of Tool's music videos feature [[stop motion|stop motion animation]] to some extent. The videos are created primarily by Adam Jones, often with the help of artists such as [[Chet Zar]],<ref name="LiveDesign">{{cite web | last =Sandberg | first =Marian | title =Tool Time | work =Live Design | date = [[2006-11-01]] | url =http://livedesignonline.com/concerts/tool_time/index.html | accessdate =2007-05-09 }}</ref> [[Alex Grey]],<ref name="LiveDesign"/> and [[Osseus Labyrint]].<ref>{{cite web | url= |
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http://web.archive.org/web/20020806185740/toolband.com/news/ | work=Tool: News | publisher=Toolband.com | accessdate=2007-03-30 | title=OSSEUS LABYRINT a laboratory of random mutuations... | date=[[2002-10-17]] | first=Blair MacKenzie | last=Blake }}</ref> |
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The "[[Sober (Tool song)|Sober]]" music video in particular attracted much attention. Jones explained that it doesn't contain a storyline, but that his intentions were to summon personal emotions with its imagery.<ref name="Jones a Master of Many Trades"/> ''[[Rolling Stone]]'' described this imagery by stating that, in the video, "evil little men dwell in a dark dungeon with meat coursing through pipes in the wall" and called it a "groundbreaking", "epic" clip.<ref name="soberencephale">{{cite news | first = Greg | last=Heller | title = Weird Album Title for Tool | publisher=Rollingstone.com | url=http://www.rollingstone.com/artists/tool/articles/story/5931985/weird_album_title_for_tool | date = [[2001-01-12]] | accessdate = 2007-04-09 }}</ref> ''[[Billboard (magazine)|Billboard]]'' voted it "Best Video By A New Artist".<ref name="Jones a Master of Many Trades"/> |
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The video for "[[Vicarious (song)|Vicarious]]" was released on DVD on [[December 18]], [[2007]].<ref>{{cite web | first = Blair MacKenzie | last=Blake | title = Tool: A WORKING STILL FROM VICARIOUS | url=http://www.toolband.com/news/index.html | publisher=Toolband.com | year = 2007 | month = October | accessdate = 2007-10-24 }}</ref> The video is also notable because it is the first Tool video to be produced entirely through the use of [[Computer-generated imagery|CGI]]. |
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===Album artwork=== |
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Adam Jones is responsible for most of the band's artwork concepts. Their first album, ''[[Undertow (Tool album)|Undertow]]'', featured a ribcage sculpture by Jones on its cover and photos contributed by the band members.<ref name="hypno"/> Later albums included artwork by collaborating artists: ''[[Ænima]]''<ref>Akhtar, G4.</ref> and ''[[Salival]]''<ref>{{cite web | url = http://www.happypencil.com/store.phtml?itemId=22&gid=3 | title=Salival Figure | work=Happypencil Store | publisher=happypencil.com }}</ref> featured works by [[Cam de Leon]]; ''[[Lateralus]]''<ref>{{cite web | url=http://www.popmatters.com/columns/stephens/020508.shtml | title= High Art: Alex Grey and the Chapel of Sacred Mirrors | work=PopMatters | accessdate=2007-06-12 | date= [[2002-05-08]] | first=Michael | last=Stephens}}</ref> and ''[[10,000 Days]]''<ref name="alexgreyinterview"/> were created with the help of [[Alex Grey]]. The releases garnered positive critical reception, with a music journalist of the [[Associated Press]] attributing to the band a reputation for innovative album packaging.<ref name="alexgreyinterview"/> |
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Both ''Ænima''<ref>Akhtar, D11.</ref> and ''10,000 Days''<ref name="49thgrammyawards"/> were nominated for the [[Grammy Award for Best Recording Package]], but while the former failed to win in 1997, the latter did win in 2006. As art director, Adam Jones created packaging for ''10,000 Days'' that features a pair of [[stereoscopic]] lenses for viewing 3-D artwork and photos. Jones has been a lifelong fan of stereoscopic photography and expressed a desire for the packaging to be unique and to reflect the '70s artwork he appreciates.<ref name="newsgrammypackage">{{cite web | publisher = [[Blabbermouth.net]] | title = Tool Guitarist Wins Grammy For 'Best Recording Package' | url=http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=66850 | date = [[2007-02-11]] | accessdate = 2007-04-09 }}</ref> |
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===Live shows=== |
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{{seealso|Tool tours}} |
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[[Image:Tool live mannheim 2006.jpg|thumb|Tool performing live in 2006, showcasing an elaborate light show, using ''10,000 Days'' artwork as backdrop.]] |
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Following their first tours in the early nineties, Tool has performed as a headline act in world tours and major festivals such as [[Lollapalooza]] (1997), [[Coachella Valley Music and Arts Festival|Coachella]] (1999 and 2006), [[Download Festival]] (2006), [[Roskilde Festival|Roskilde]] (2006), [[Big Day Out]] (2007), and [[Bonnaroo]] (2007). They have been joined on stage by numerous artists such as [[Buzz Osborne]] and [[Scott Reeder]] on several occasions; [[Tom Morello]] and [[Zack de la Rocha]] during their 1991 tour; [[Tricky]], [[Robert Fripp]], [[Mike Patton]], [[Dave Lombardo]], and experimental arts duo [[Osseus Labyrint]]<ref name="Osseus live">{{cite web | year=2002 | url=http://www.blistering.com/fastpage/fpengine.php/link/1/templateid/4970/tempidx/5009/menuid/5 | work=Blistering.com| title=Tool, The Melvins, Osseus Labyrint - [[April 24]], 2002 - Sydney, Australia @ Sydney Entertainment Centre | accessdate=2007-05-25 | first=Kev | last=Truong }}</ref> during their 2001–02 ''Lateralus'' tour; and [[Kirk Hammett]], [[Phil Campbell (musician)|Phil Campbell]], [[Serj Tankian]], and Tom Morello during their 2006–07 tour. They have covered songs by [[Ted Nugent]],<ref name="faqd9">Akhtar, D9.</ref> [[Peach (band)|Peach]],<ref name="faqd9"/> [[Kyuss]],<ref name="faqd9"/> and the [[Ramones]].<ref>{{cite web | last =Rothman | first =Robin A. | title =Tool Take Radio City—''Rockers salute the Ramones during epic set'' | work =Rolling Stone | date =[[2002-08-14]] | url =http://www.rollingstone.com/news/story/5934876/tool_take_radio_city | accessdate =2007-05-10 }}</ref> |
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Live shows on Tool's headline tour incorporate an unorthodox stage setting and video display.<ref name="flathatreview">{{cite web | year=2001 | url=http://flathat.wm.edu/October052001/reviewsstory5.shtml | work=The Flat Hat| title=Tool thrills audience | accessdate=2007-04-07 | first=Keith P. | last=McManus }}</ref> Singer Maynard James Keenan lines up in the back with drummer Danny Carey on an elevated platform, while guitarist Adam Jones and bassist Justin Chancellor stand in the front toward the side edges of the stage.<ref name="nytimesmadisonsquare">{{cite web | date=[[2001-10-06]] | url = http://query.nytimes.com/gst/fullpage.html?res=9C01EFDB143CF935A35753C1A9679C8B63 | work=The New York Times| title=Flailing Wildly to Escape the Darkness | accessdate=2007-06-09 | first=Jon | last=Pareles }}</ref> Keenan, despite being the vocalist, is known to face the backdrop rather than the audience.<ref>{{cite news |
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| url = http://www.rollingstone.com/artists/republica/articles/story/5925031/tool |
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| title = Tool |
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| work = [[Rolling Stone]] |
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| date = [[1996-11-21]] |
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| accessdate = 2008-01-07 |
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}} {{cite news |
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| url = http://nl.newsbank.com/nl-search/we/Archives?p_product=BN&p_theme=bn&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EBC39624870EDAA&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D |
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| title = The circle is unbroken |
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| author = Andy Musial |
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| work = [[The Buffalo News]] |
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| date = [[1997-07-24]] |
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| accessdate = 2008-01-07 |
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| format = fee required |
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| quote = ...Keenan wasn't facing the audience the whole time. |
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}} {{cite news |
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| url = http://media.www.dailytexanonline.com/media/storage/paper410/news/2002/07/29/Entertainment/Tool-In.Need.Of.Some.Repair-500533.shtml |
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| title = Tool in need of some repair |
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| author = Matt Dentler |
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| work = [[The Daily Texan]] |
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| date = [[2002-07-29]] |
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| accessdate = 2008-01-07 |
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| quote = Lead singer Maynard James Keenan, as is customary for the enigmatic frontman, loomed in the background with his back facing the audience for most of the show. |
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}} {{cite news |
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| url = http://www.msad54.k12.me.us/MSAD54Pages/SKOW/smokesignals/i2.pdf |
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| title = TOOL Concert 101 |
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| author = Gavin Engler |
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| work = Law Society Gazette |
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| date = 1993 |
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| accessdate = 2008-01-27 |
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| quote = Keenan... wore an all-black leather outfit, had his face painted black and stood on a spinning platform some distance from the front stage; he never seemed to look at the crowd. |
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}}</ref> No followspots or live cameras are used;<ref name="plsnews">{{cite web |date=[[2006-10-16]] | url=http://www.plsn.com/index.php?option=com_content&task=view&id=1316&Itemid=101 | work=Projection, Light and Staging News| title=700 Clips for 10,000 Days | accessdate=2007-04-07 | first=Rob | last=Ludwig }}</ref> instead, the band employs extensive backlighting to direct the focus away from the band members and toward large screens in the back and the crowd.<ref name="flathatreview"/> Breckinridge Haggerty, the band's live lighting and video designer, explains that the resulting dark spaces on stage "are... for Maynard. A lot of the songs are a personal journey for him... and he feels more comfortable in the shadows."<ref name="plsnews"/> |
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The big screens are used to play back "looped clips that aren’t tracked to a song like a music video. The band has never used any sort of timecode. They’ve always made sure the video can change on-the-fly, in a way that can be improvised... The show is never the same twice."<ref name="plsnews"/> During the ''10,000 Days'' tour, the video material consisted of over six hours of material, created by Adam Jones, his wife Camella Grace, [[Chet Zar]], Meats Meyer and Breckinridge Haggerty.<ref name="plsnews"/> Some of the material created by Chet Zar has been released on his DVD ''Disturb the Normal''.<ref name="chetzardisturb">{{cite web | year=2006 | url=http://www.chetzar.com/dvdfiles/whatisit.html | work=Disturb the Normal description| title=What is it? | accessdate=2007-04-07 | first=Chet | last=Zar }}</ref> |
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==Discography== |
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{{main|Tool discography}} |
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===Studio albums=== |
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* ''[[Undertow (Tool album)|Undertow]]'' (1993, Zoo/BMG/Volcano: USA, 2x platinum) |
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* ''[[Ænima]]'' (1996, Zoo/BMG/Volcano: USA, 3x platinum) |
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* ''[[Lateralus]]'' (2001, Volcano II/Tool Dissectional: USA, 3x platinum) |
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* ''[[10,000 Days]]'' (2006, Volcano II/Tool Dissectional: USA, 2x platinum) |
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===Others=== |
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* ''[[Tool (album)|Tool]]'' a.k.a. ''72826'' demo (1991, Toolshed) |
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* ''[[Opiate (album)|Opiate]]'' EP (1992, Zoo/BMG/Volcano: USA, platinum) |
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* ''[[Salival]]'' box set (2000, Volcano II/Tool Dissectional: USA) |
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==References== |
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*{{cite web| url=http://toolshed.down.net/faq/faq.html | title=The Tool FAQ | publisher=The Tool Page | date = [[2001-07-16]] | first=Kabir | last=Akhtar}} |
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*{{cite book | last = DeRogatis | first = Jim | authorlink = Jim DeRogatis| title = Turn on Your Mind: Four Decades of Great Psychedelic Rock | publisher = [[Hal Leonard Corporation]] | year = 2003 | isbn = 0634055488 }} |
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*{{cite web | url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:zq5a8qmtbtq4~T1 | title=Tool | publisher=AllMusic.com | work = [[All Music Guide]] | accessdate=2006-04-28 | authorlink = Stephen Thomas Erlewine | last= Erlewine | first= Stephen Thomas | coauthors = Greg Prato}} |
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* {{cite book | title = Guitar World Presents Nu-Metal | first = Jeff | last = Kitts | coauthors = Brad Tolinski | publisher = Hal Leonard Corporation | date = 2002 | isbn = 0634032879}} |
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*{{cite book | last=McIver | title = Nu-Metal: The Next Generation of Rock and Punk | first=Joel | authorlink = Joel McIver | publisher = [[Omnibus Press]] | year = 2002 | isbn = 978-0711992092 }} |
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*{{cite book | last = Newquist | title = The New Metal Masters | first = Harvey P. | coauthors = Rich Maloof | publisher = Backbeat Books | year = 2004 | isbn = 978-0879308049}} |
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*{{cite book | last = Sherry | first = James | coauthors = Neil Aldis | publisher = [[Chronicle Books]] | title = Heavy Metal Thunder: Kick-Ass Cover Art from Kick-Ass Albums | year = 2006 | isbn = 0811853535}} |
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*{{cite web | date=[[2001-05-23]] | url=http://www.exclaim.ca/index.asp?layid=22&csid=1&csid1=685 | work=[[Exclaim!]] | title=Tool - Stepping Out From the Shadows | last=Sokal | first=Roman }} |
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==Notes== |
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{{reflist|2}} |
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==External links== |
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{{commonscat}} |
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{{wikiquote|Tool}} |
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* [http://toolband.com Toolband.com] - official website |
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* [http://dissectional.com Dissectional.com] - "dedicated to the art and influences" |
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* [http://toolarmy.com ToolArmy.com: The Collective Unconscious] - official fanclub |
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* [http://toolshed.down.net The Tool Page (t.d.n)] - "semi-official" website |
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* [[lyricwiki:Tool|Tool lyrics]] |
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{{Toolband}} |
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{{featured article}} |
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{{DEFAULTSORT:Tool}} |
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Revision as of 16:20, 31 March 2008
Tool |
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Tool is an American rock band that was formed in 1990 in Los Angeles, California. The band consists of drummer Danny Carey, bassist Justin Chancellor, guitarist Adam Jones, and vocalist Maynard James Keenan. Tool has won three Grammy Awards, hosted worldwide tours, and produced albums which have performed well on international music charts.[1]
The band emerged with a heavy metal sound on their first LP at a time when the genre was dominated by thrash metal, and later reached the top of the alternative metal movement with the release of their second LP, Ænima, in 1996. Their efforts to unify musical experimentation, visual arts, and a message of personal evolution continued with Lateralus (2001) and their most recent album, 10,000 Days (2006), gaining the band critical acclaim and success around the world. Due to Tool's incorporation of visual arts and relatively long and complex releases, the band is generally described as a style-transgressing act and part of progressive and art rock. The relationship between the band and today's music industry is ambivalent,[2] at times marked by censorship and the band members' insistence on privacy.[3]
History
Early years (1988–1992)
During the 1980s, each of the future members of Tool moved to Los Angeles. Both Paul D'Amour and Adam Jones wanted to enter the film industry, while Maynard James Keenan found employment remodeling pet stores after having studied visual arts in Michigan.[3] Danny Carey performed as a drummer for Green Jellÿ[3] and Carole King, and played in the Los Angeles area with Pigmy Love Circus.[4]
Keenan and Jones met through a common friend in 1989.[7] After Keenan played a tape recording for Jones of his previous band project, Jones was so impressed by his voice that he eventually talked his friend into forming their own band.[7] They started jamming together and were on the lookout for a drummer and a bass player. Danny Carey happened to live above Keenan and was introduced to Jones by Tom Morello, an old high school friend of Jones and former bandmate of Electric Sheep.[8] Carey began playing in their sessions because he "felt kinda sorry for them", as other invited musicians were not showing up.[9] Tool's lineup was completed when a friend of Jones introduced them to bassist D'Amour.[10] Early on, the band fabricated the story that they formed because of the pseudophilosophy "lachrymology".[11] Although "lachrymology" was also explained to be an inspiration for the band's name, Keenan later explained their intentions differently: "Tool is exactly what it sounds like: It's a big dick. It's a wrench.... we are... your tool; use us as a catalyst in your process of finding out whatever it is you need to find out, or whatever it is you're trying to achieve."[12]
After only a few gigs, the band was approached by record companies,[7] and only three months into their career they signed a record deal with Zoo Entertainment.[10] In March 1992, Zoo published the band's first effort, Opiate. Described by the band as "slam and bang" heavy metal[13] and the "hardest sounding" six songs they had written to that point,[14] the EP included the singles "Hush" and "Opiate". The band's first music video, "Hush", promoted their dissenting views about the then-prominent Parents Music Resource Center and its advocacy of the censorship of music. The video featured the band members naked with their genitalia covered by parental advisory stickers and their mouths covered by duct tape.[15] The band began touring with Rollins Band, Skitzo, Fishbone, and Rage Against the Machine[2] to positive responses which Janiss Garza of RIP Magazine summarized in September 1992 as a "buzz" and "a strong start".[16]
Undertow (1993–1995)
The following year, at a time when post-Nirvana alternative rock was at its height, Tool released their first full-length album, Undertow (1993). It expressed more diverse dynamics than Opiate and included songs the band had chosen not to publish on their previous release, when they had opted for a heavier sound.[14] The band began touring again as planned, with an exception in May 1993. Tool was scheduled to play the Garden Pavilion in Hollywood but learned at the last minute that the Garden Pavilion belonged to L. Ron Hubbard's Church of Scientology, which the band felt clashed with "the band's ethics about how a person should not follow a belief system that constricts their development as a human being".[2] Keenan "spent most of the show baa-ing like a sheep at the audience".[17]
Tool later played several very successful concerts during the Lollapalooza road show, and were moved from the second stage to the main stage by their manager and the festival co-founder Ted Gardner.[18] At the last concert of Lollapalooza in Tool's hometown Los Angeles, comedian Bill Hicks introduced the band. Hicks had become a friend of the band members and an influence on them after being mentioned in Undertow's liner notes.[19] He jokingly asked the audience of 60,000 people to stand still and help him look for a lost contact lens.[20] The boost in popularity gained from these concerts led Undertow to be certified gold by the RIAA in September 1993 and to achieve platinum status in 1995,[21] despite being sold with a censored album cover by distributors such as Wal-Mart.[22][23] The single "Sober" became a hit single by March 1994 and won the band Billboard's "Best Video By A New Artist" award for the accompanying stop motion music video.[14]
Template:Sound sample box align leftTemplate:Sample box end
With the release of Tool's follow-up single "Prison Sex", the band again became the target of censorship. The song's lyrics and video dealt with child abuse, which sparked controversial reactions; Keenan's lyrics begin with: "It took so long to remember just what happened. I was so young and vestal then, you know it hurt me, but I'm breathing so I guess I'm still alive." The video was created primarily by guitarist Adam Jones, who saw it as his "surrealistic interpretation" of the subject matter.[25] And while some contemporary journalists again praised the video and described the lyrics as "metaphoric",[24][15] the American branch of MuchMusic asked Keenan to represent the band in a hearing. It deemed the respective music video too graphic and obscene,[2] and MTV stopped airing it after a few viewings.[24]
In September 1995, the band entered the studios to record their second album. At that time Tool experienced its only lineup change to date, with bassist D'Amour leaving the band amicably to pursue other projects. Justin Chancellor, a member of former tourmates Peach, eventually replaced D'Amour, having been chosen over competitors such as Kyuss' Scott Reeder, Filter's Frank Cavanaugh, Pigmy Love Circus's E. Shepherd Stevenson and ZAUM's Marco Fox.[26]
Ænima (1996–2000)
After Justin Chancellor came on board, recording of the already-begun Ænima continued. The band enlisted the help of producer David Bottrill, who had produced some of King Crimson's albums while Jones collaborated with Cam de Leon to create Ænima's Grammy-nominated artwork. The album was released in October 1996.
The album was dedicated to satirist Bill Hicks, who had died two and a half years earlier.[2] The band intended to raise awareness about Hicks's material and ideas, because they felt that Tool and Hicks "were resonating similar concepts".[27] In particular, Ænima's final track "Third Eye" is preceded by a clip of Hicks' performances, and both the lenticular casing of the Ænima CD packaging as well as the chorus of the title track "Ænema" make reference to a sketch from Hicks's Arizona Bay, where he contemplates the idea of Los Angeles falling into the Pacific Ocean.[27][28]
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The first single, "Stinkfist", obtained limited and imperfect airplay: It was shortened by radio programmers, MTV renamed the music video of "Stinkfist" to "Track #1" due to offensive connotations,[29] and the lyrics of the song were altered.[30] Responding to fan complaints about censorship, Matt Pinfield of MTV's 120 Minutes expressed regret on air by waving his fist in front of his face while introducing the video and explaining the name change.[29]
A tour began in October 1996, only two weeks after Ænima's release. Following numerous appearances in the United States and Europe, Tool headed for Australia and New Zealand in late March 1997. April 1 of that year saw the first of several April Fools' pranks related to the band. Kabir Akhtar, webmaster of the band's semi-official fanpage, The Tool Page, wrote that "at least three of the band are listed in critical condition" after a tour bus accident on a highway.[31] This hoax gained wide attention and was eventually exposed on radio and MTV. Akhtar later posted an apology, claiming that The Tool Page "will not indulge itself in such outlandish pranks in the future"—a claim that would be belied by later April Fools' pranks.[31] The tour continued the next day as originally announced.
Eventually returning to the United States, Tool appeared at Lollapalooza '97 in July, this time as a headliner, where they gained critical praise from The New York Times:
"Tool was returning in triumph to Lollapalooza after appearing among the obscure bands on the festival's smaller stage in 1993. Now Tool is the prime attraction for a festival that's struggling to maintain its purpose... Tool uses taboo-breaking imagery for hellfire moralizing in songs that swerve from bitter reproach to nihilistic condemnation. Its music has refined all the troubled majesty of grunge."[32]
Notwithstanding a decline in popularity of alternative rock music during the mid-90s in the United States, Ænima eventually matched Tool's successful debut in sales.[33] The progressive-influenced Ænima landed the band at the head of the alternative metal genre: It featured the Grammy Award-winning "Ænema"[34] and appeared on several "Best Albums of 1996" lists,[35] with notable examples being those of Kerrang![36] and Terrorizer.[37]
A legal battle that began the same year interfered with the band's working on another release. Volcano Records—the successor of Tool's by-then defunct label Zoo Entertainment—alleged contract violations by Tool and filed suit. According to Volcano, Tool had violated their contract when the band looked at offers from other record labels. After Tool filed a countersuit stating that Volcano had failed to use a renewal option in their contract, the parties settled out of court. At the end of 1998, Tool agreed to a new contract, a three-record joint venture deal.[38] In 2000, the band dismissed their long-time manager Ted Gardner, who then sued the band over his commission on this lucrative agreement.[39]
During this time, Keenan joined the band A Perfect Circle which was founded by long-time Tool guitar tech Billy Howerdel, while Jones joined The Melvins' Buzz Osborne and Carey drummed with Dead Kennedys' Jello Biafra on other side projects.[40] Although there were rumors that Tool were breaking up,[41] Chancellor, Jones and Carey were working on new material while waiting for Keenan to return.[42] In 2000, the Salival box set (CD/VHS or CD/DVD) was released, effectively putting an end to the rumors.[1] The CD contained one new original track, a cover of Led Zeppelin's "No Quarter", live versions of Peach's "You Lied", and revised versions of old songs. The VHS and the DVD each contained four music videos, plus a bonus music video for "Hush" on the DVD. Although Salival did not yield any singles, the hidden track "Maynard's Dick" (which dates back to the Opiate era) briefly found its way to FM radio when several DJs chose to play it on air under the title "Maynard's Dead".[43]
Lateralus (2001–2005)
In January 2001, Tool announced a new album, Systema Encéphale, along with a 12-song tracklist containing titles such as "Riverchrist", "Numbereft", "Encephatalis", "Musick", and "Coeliacus".[44] File-sharing networks such as Napster were flooded with bogus files bearing the titles' names.[44] At the time, Tool members were outspokenly critical of file-sharing networks in general due to the negative impact on artists that are dependent on success in record sales to continue their career. Keenan had this to say during an interview with NY Rock in 2000, "I think there are a lot of other industries out there that might deserve being destroyed. The ones who get hurt by MP3s are not so much companies or the business, but the artists, people who are trying to write songs."[45]
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A month later, the band revealed that the new album was actually titled Lateralus and that the name Systema Encéphale and the tracklist had been a ruse.[46] Lateralus and the corresponding tours would take Tool a step further toward art-rock[47][48][49] and progressive rock[50][51][52] territory. Rolling Stone wrote in an attempt to summarize the album that "Drums, bass and guitars move in jarring cycles of hyperhowl and near-silent death march... The prolonged running times of most of Lateralus' thirteen tracks are misleading; the entire album rolls and stomps with suitelike purpose."[51] Joshua Klein of The A.V. Club in turn expressed his opinion that Lateralus, with its 79 minutes and relatively complex and long songs—topped by the ten-and-a-half minute music video for "Parabola"—posed a challenge to fans and music programming alike.[53]
The album became a worldwide success, reaching #1 on the U.S. Billboard 200 albums chart in its debut week.[54] Tool received their second Grammy Award for the best metal performance of 2001 for the song "Schism".[55] During the band's acceptance speech, drummer Carey stated that he would like to thank his parents (for putting up with him) and Satan, and bassist Chancellor concluded: "I want to thank my dad for doing my mom."[56]
Extensive touring throughout 2001 and 2002 supported Lateralus and included a personal highlight for the band: a 10-show joint mini-tour with King Crimson in August 2001. Comparisons between the two were made, MTV describing the bands as "the once and future kings of progressive rock". Keenan stated of the minitour: "For me, being on stage with King Crimson is like Lenny Kravitz playing with Led Zeppelin, or Britney Spears onstage with Debbie Gibson."[48]
Although the end of the tour in November 2002 seemed to signal the start of another dormancy for the band, they did not become completely inactive. While Keenan recorded and toured with A Perfect Circle, the other band members released an interview and a recording of new material, both exclusive to the fan club. On April 1, 2005, the official Tool website announced that "Maynard has found Jesus" and would be abandoning the recording of the new Tool album temporarily and possibly permanently.[57] Brian Welch, who made the same news some months earlier, was delighted. Kurt Loder of MTV contacted Keenan via email to ask for a confirmation and received a nonchalant confirmation. When Loder asked again, Keenan's response was simply "heh heh."[58] However, on April 7 the official site explained, "Good news, April fools fans. The writing and recording is back under way."[59]
The writing and recording proceeded for the follow-up to Lateralus; meanwhile, a Lateralus vinyl edition and two DVD singles were released, and the band's official website received a new splash intro by artist Joshua Davis.[60] The "double vinyl four-picture disc" edition of Lateralus was first released as a limited autographed edition exclusively available to fan club members and publicly released on August 23, 2005. On December 20, 2005, the two DVDs were released, one containing the single "Schism" and the other "Parabola", a remix by Lustmord, and the music video with commentary by David Yow and Jello Biafra, respectively.
10,000 Days (2006–present)
Fifteen years into the band's career, Tool had acquired what Dan Epstein of Revolver described as a devoted "cult" following,[61] and as details about the band's next album emerged, such as the influence of Lateralus tourmates Fantômas and Meshuggah,[62] rumors surrounding new Tool again surfaced.[63] The main controversy was the album title. After rumored titles such as Teleincision had been dismissed, a news item on the official Tool website announced that the new album's name was 10,000 Days.
Nevertheless, speculation continued: it was alleged that 10,000 Days was merely a "decoy" album to fool audiences until the day of release,[63] which eventually proved false when a leaked copy of the album was distributed via filesharing networks a week prior to its official release.[64] The album opener, "Vicarious", premiered on US radio stations on April 17. The record followed on May 2, 2006 in the US and debuted at the top spots of various international charts. 10,000 Days sold 564,000 copies in its opening week in the US and was number one on the Billboard 200 charts, doubling the sales of Pearl Jam's self-titled album, its closest competitor.[65] However, 10,000 Days was received less favorably by critics than its predecessor Lateralus had been.[66]
After the release of 10,000 Days, a tour kicked off at Coachella on April 30, 2006. The touring schedule was similar to the Lateralus tour of 2001; supporting acts were Isis and Mastodon. During a short break early the next year, after touring Australia and New Zealand, drummer Danny Carey suffered a bicep tear during a skirmish with his girlfriend's dog, casting uncertainty on the band's upcoming concerts in North America.[67] Carey underwent surgery on February 21, and several gigs had to be postponed. Back on tour by April, Tool appeared as a headliner at the Bonnaroo Music Festival with a guest appearance from Rage Against the Machine's Tom Morello on "Lateralus".[68]
Meanwhile, "Vicarious" was a nominee for Best Hard Rock Performance and 10,000 Days won Best Recording Package at the 49th Grammy Awards.[69] The music video for "Vicarious" was released on DVD on December 18.
In an interview conducted in May 2007, Justin Chancellor stated that the band would probably continue their tour until early 2008 and then "take some time off". He qualified this statement by adding that the band has already written new material and would surely release another album at some point down the road.[70] A possible project until a next album is to make a "band movie", a possibility the band has reportedly considered for a long time. The ideas range from "a narrative story in a surreal fashion with as much money and special effects" as possible to "pockets of all of that or something that's live or the band playing".[71] And although Carey stated that the necessary know-how was at hand due to the many relations to artists working in the movie business, Jones dismissed the idea: "It's just talk right now."[72][71] According to Rolling Stone, after the 50th Grammy Awards, while attending a Sony BMG after party at the Beverly Hills Hotel, Keenan promised another Tool album.[73]
Musical style and influences
Tool has gained critical praise from the International Herald Tribune's C.B. Liddell for their complex and ever-evolving sound.[74] Describing their general sound, the All Music Guide refers to them as "grinding, post-Jane's Addiction heavy metal",[1] and The New York Times sees similarities to "Led Zeppelin's heaving, battering guitar riffs and Middle Eastern modes".[75] Their 2001 work Lateralus was compared by the All Music Guide to Pink Floyd's Meddle (1971), but thirty years later and altered by "Tool's impulse to cram every inch of infinity with hard guitar meat and absolute dread".[50]
Musical style
A component of Tool's song repertoire relies on the use of odd meter time signatures. For instance, Justin Chancellor describes the time signature employed on Lateralus's first single, "Schism", as 6.5/8 (jokingly) and that it later "goes into all kinds of other times".[76] "Lateralus", the album's title track, also displays shifting rhythms,[76] as does 10,000 Days' "Wings for Marie (Pt 1)" and "10,000 Days (Wings Pt 2)".[77]
Beyond this aspect of the band's sound, each band member experiments within his musical scope. Bass Player magazine described Chancellor's bass playing as a "thick midrange tone, guitar-style techniques, and elastic versatility".[76] As an example of this, the magazine mentioned the use of a wah effect by hammering "the notes with the left hand and using the bass's tone controls to get a tone sweep", such as on the song "The Patient" (Lateralus 2001).[76]
Completing the band's rhythm section, drummer Danny Carey uses polyrhythms, tabla-style techniques, and the incorporation of custom electronic drum pads to trigger samples, such as prerecorded tabla and octoban sounds.[77]
Maynard James Keenan's ability as a vocalist has been characterized more subjectively by the Seattle Post-Intelligencer: After his performance during an Alice in Chains reunion concert in 2005, freelancer Travis Hay saw him as "a natural fit at replacing Layne Staley".[78] Regarding his role in A Perfect Circle and Tool, The New York Times wrote that "both groups rely on Mr. Keenan's ability to dignify emotions like lust, anger and disgust, the honey in his voice adding a touch of profundity".[79]
According to Guitar Player magazine, Adam Jones does not rely on any one particular guitar-playing technique but rather combines many techniques.[80] For example, the All Music Guide wrote that he "alternately utiliz[es] power chords, scratchy noise, chiming arpeggios, and a quiet minimalism" in "Sober".[81] Additionally, the band uses forms of instrumental experimentation, like the use of a "pipe bomb microphone" (a guitar pickup mounted inside a brass cylinder) and a talk box guitar solo on "Jambi".[82]
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The band puts an emphasis on the sound of their songs and attempts to reduce the effect lyrics can have on the perception of songs by not releasing song lyrics with any album.[3] Lyrical arrangements are often given special attention, such as in "Lateralus". The number of syllables per line in the lyrics to "Lateralus" correspond to an arrangement of the fibonacci numbers[83] and in "Jambi" the metrical foot iamb is used.[84] The lyrics on Ænima and Lateralus focused on philosophy and spirituality – specific subjects range from organized religion in "Opiate", to evolution and Jungian psychology in "Forty Six & 2" and transcendence in "Lateralus".[85] On 10,000 Days, Keenan wanted to explore issues more personal to him:[85] the album name and title track refer to the twenty-seven years during which his mother suffered from complications of a stroke until her death in 2003.[86]
Influences
The band has named the Melvins[87] and Meshuggah[62] among those that influenced their development, but the most-publicized influence are progressive rock pioneers King Crimson.[88] However, longtime King Crimson member Robert Fripp has downplayed any influence his band had on Tool. In an interview with Tool, he touched briefly on how the two bands relate to each other:
"Do you hear the influence? There's just one figure where I hear an influence, just one. It was a piece we were developing that we dropped. And it's almost exactly the same figure: three note arpeggio with a particular accent from the guitar. So I do not think you could have heard it. That's the only thing."[89]
He also stated:
"I happen to be a Tool fan. The members of Tool have been generous enough to suggest that Crimson has been an influence on them. Adam Jones asked me if I could detect it in their music, and I said I couldn’t. I can detect more Tool influence in King Crimson, than I can hear King Crimson in Tool."[90]
In turn, Maloof and Newquists attribute to Tool an influence on modern metal in its own right in their book The New Metal Masters.[8] Sean Richardson of The Boston Phoenix sees System of a Down, Deftones and Breaking Benjamin as examples of Tool's "towering influence" on the genre.[91] Moreover, Keenan's unique style of singing has been repeatedly seen as influencing artists such as Pete Loeffler of Chevelle.[92][93]
Visual arts
Part of Tool's work as a band is to incorporate influences of other works of art in their music videos, live shows, and album packaging. In particular, Adam Jones doubles as the band's art director and director of their music videos.[94] Another expression of this is an official website "dedicated to the arts and influences" on the band, dissectional.com.
Music videos
- See also: Tool discography
The band has released eight music videos but made personal appearances in only the first two, which the band states is to prevent people from "latching onto the personalities involved rather than listening to the music."[15] With the exception of "Hush" and Vicarious, all of Tool's music videos feature stop motion animation to some extent. The videos are created primarily by Adam Jones, often with the help of artists such as Chet Zar,[95] Alex Grey,[95] and Osseus Labyrint.[96]
The "Sober" music video in particular attracted much attention. Jones explained that it doesn't contain a storyline, but that his intentions were to summon personal emotions with its imagery.[14] Rolling Stone described this imagery by stating that, in the video, "evil little men dwell in a dark dungeon with meat coursing through pipes in the wall" and called it a "groundbreaking", "epic" clip.[97] Billboard voted it "Best Video By A New Artist".[14]
The video for "Vicarious" was released on DVD on December 18, 2007.[98] The video is also notable because it is the first Tool video to be produced entirely through the use of CGI.
Album artwork
Adam Jones is responsible for most of the band's artwork concepts. Their first album, Undertow, featured a ribcage sculpture by Jones on its cover and photos contributed by the band members.[25] Later albums included artwork by collaborating artists: Ænima[99] and Salival[100] featured works by Cam de Leon; Lateralus[101] and 10,000 Days[94] were created with the help of Alex Grey. The releases garnered positive critical reception, with a music journalist of the Associated Press attributing to the band a reputation for innovative album packaging.[94]
Both Ænima[102] and 10,000 Days[69] were nominated for the Grammy Award for Best Recording Package, but while the former failed to win in 1997, the latter did win in 2006. As art director, Adam Jones created packaging for 10,000 Days that features a pair of stereoscopic lenses for viewing 3-D artwork and photos. Jones has been a lifelong fan of stereoscopic photography and expressed a desire for the packaging to be unique and to reflect the '70s artwork he appreciates.[103]
Live shows
Following their first tours in the early nineties, Tool has performed as a headline act in world tours and major festivals such as Lollapalooza (1997), Coachella (1999 and 2006), Download Festival (2006), Roskilde (2006), Big Day Out (2007), and Bonnaroo (2007). They have been joined on stage by numerous artists such as Buzz Osborne and Scott Reeder on several occasions; Tom Morello and Zack de la Rocha during their 1991 tour; Tricky, Robert Fripp, Mike Patton, Dave Lombardo, and experimental arts duo Osseus Labyrint[104] during their 2001–02 Lateralus tour; and Kirk Hammett, Phil Campbell, Serj Tankian, and Tom Morello during their 2006–07 tour. They have covered songs by Ted Nugent,[105] Peach,[105] Kyuss,[105] and the Ramones.[106]
Live shows on Tool's headline tour incorporate an unorthodox stage setting and video display.[107] Singer Maynard James Keenan lines up in the back with drummer Danny Carey on an elevated platform, while guitarist Adam Jones and bassist Justin Chancellor stand in the front toward the side edges of the stage.[108] Keenan, despite being the vocalist, is known to face the backdrop rather than the audience.[109] No followspots or live cameras are used;[110] instead, the band employs extensive backlighting to direct the focus away from the band members and toward large screens in the back and the crowd.[107] Breckinridge Haggerty, the band's live lighting and video designer, explains that the resulting dark spaces on stage "are... for Maynard. A lot of the songs are a personal journey for him... and he feels more comfortable in the shadows."[110] The big screens are used to play back "looped clips that aren’t tracked to a song like a music video. The band has never used any sort of timecode. They’ve always made sure the video can change on-the-fly, in a way that can be improvised... The show is never the same twice."[110] During the 10,000 Days tour, the video material consisted of over six hours of material, created by Adam Jones, his wife Camella Grace, Chet Zar, Meats Meyer and Breckinridge Haggerty.[110] Some of the material created by Chet Zar has been released on his DVD Disturb the Normal.[111]
Discography
Studio albums
- Undertow (1993, Zoo/BMG/Volcano: USA, 2x platinum)
- Ænima (1996, Zoo/BMG/Volcano: USA, 3x platinum)
- Lateralus (2001, Volcano II/Tool Dissectional: USA, 3x platinum)
- 10,000 Days (2006, Volcano II/Tool Dissectional: USA, 2x platinum)
Others
- Tool a.k.a. 72826 demo (1991, Toolshed)
- Opiate EP (1992, Zoo/BMG/Volcano: USA, platinum)
- Salival box set (2000, Volcano II/Tool Dissectional: USA)
References
- Akhtar, Kabir (2001-07-16). "The Tool FAQ". The Tool Page.
{{cite web}}
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(help) - DeRogatis, Jim (2003). Turn on Your Mind: Four Decades of Great Psychedelic Rock. Hal Leonard Corporation. ISBN 0634055488.
- Erlewine, Stephen Thomas. "Tool". All Music Guide. AllMusic.com. Retrieved 2006-04-28.
{{cite web}}
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ignored (|author=
suggested) (help) - Kitts, Jeff (2002). Guitar World Presents Nu-Metal. Hal Leonard Corporation. ISBN 0634032879.
{{cite book}}
: Unknown parameter|coauthors=
ignored (|author=
suggested) (help) - McIver, Joel (2002). Nu-Metal: The Next Generation of Rock and Punk. Omnibus Press. ISBN 978-0711992092.
- Newquist, Harvey P. (2004). The New Metal Masters. Backbeat Books. ISBN 978-0879308049.
{{cite book}}
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ignored (|author=
suggested) (help) - Sherry, James (2006). Heavy Metal Thunder: Kick-Ass Cover Art from Kick-Ass Albums. Chronicle Books. ISBN 0811853535.
{{cite book}}
: Unknown parameter|coauthors=
ignored (|author=
suggested) (help) - Sokal, Roman (2001-05-23). "Tool - Stepping Out From the Shadows". Exclaim!.
{{cite web}}
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(help)
Notes
- ^ a b c Erlewine, Stephen Thomas. "Tool Biography". AllMusic.com. Retrieved 2006-04-28.
{{cite web}}
: Unknown parameter|coauthors=
ignored (|author=
suggested) (help) - ^ a b c d e f Sokal, Roman (2001-05-23). "Tool - Stepping Out From the Shadows". Exclaim!. Retrieved 2006-09-17.
{{cite web}}
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(help) - ^ a b c d Gennaro, Loraine (1997). "Angry Jung Men!". Livewire Magazine. 7 (3). Retrieved 2007-04-08.
- ^ Adem Tepedelen (2004-04-30). "Tool Drummer Goes to Circus". Rolling Stone. Retrieved 2008-01-18.
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(help) - ^ "Visual Artist Cam De Leon's Lawsuit Against Rock Band TOOL Allowed to Proceed". Lowe Law. 2006. Archived from the original on 2007-06-29. Retrieved 2007-06-15.
- ^ "Over the weekend" (fee required). Buffalo News. 1997-07-07. Retrieved 2008-02-02.
Tool adds its own '90s twist to the genre with unpublishable lyrics, occult tendencies and a love of grotesque imagery -- burning eyeballs, phallic hardware, crippled people.
{{cite news}}
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(help) - ^ a b c Kitts, pp. 1965–1969.
- ^ a b Newquist, pp. 11–15.
- ^ Akhtar, C3.
- ^ a b Turman, Katherine (1994-05-31). "A Sober Look At Tool". Circus. Retrieved 2007-04-09.
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(help) - ^ Blake, Blair MacKenzie. "Let Not My Tears Fall Unnoticed: Being the Secret Joys of a Lachrymist". toolarmy.com. Retrieved 2007-05-06.
- ^ Zappa, Moon Unit (April 1994). "Tool Rules" (transcription). Ray Gun (15). Retrieved 2006-08-27.
- ^ Akhtar, E8.
- ^ a b c d e Gennaro, Loraine (1994). "Tool Guitarist Adam Jones is a Master of Many Trades". Guitar School. 03: 16. Retrieved 2006-04-07.
- ^ a b c Roncon, Theresa (Interviewer) (February, 1997). Tool Muchmusic spotlight (TV). Canada: MuchMusic.
{{cite AV media}}
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(help) - ^ Garza, Janiss (1992). "Fresh Blood". RIP magazine. 9. Retrieved 2007-06-04.
- ^ Dolan, Jon (2006). "33 Things You Should Know About Tool". Blender. Retrieved 2006-09-18.
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: Unknown parameter|month=
ignored (help) - ^ Pettigrew, Jason (1997). "Nobody's Tool". Alternative Press. Retrieved 2007-04-08.
- ^ Garza, Janiss (1997). "Hard rockers hail comic genius Bill Hicks". High Times. Retrieved 2006-09-18.
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ignored (help) - ^ "Question & Answer with Kevin Booth". Fade to Black presents: It's Only a Ride: Bill Hicks. Retrieved 2007-07-14.
- ^ "Tool Tool fact kit". Circus. 1997. Retrieved 2007-12-05.
{{cite journal}}
: Unknown parameter|month=
ignored (help) - ^ Griffin, J.R. (1994). "TOOL on Videos, Censorship, Art, And Why You Should Never Let A Guy Named Maynard Put You In A Cage". Axcess: 52. Retrieved 2007-05-13.
- ^ Sherry, p. 176.
- ^ a b c "A Tool for the Truly Cool. Big hit of Lollapalooza tour gears up for second album". San Francisco Chronicle. 1994. Retrieved 2006-03-02.
- ^ a b Jenison, David (1994). "Tool". HYPNO. Retrieved 2007-11-10.
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: Unknown parameter|month=
ignored (help) - ^ Fiend, Rob (October, 1996). "Sink or Swim - A Conversation With Tool's Justin Chancellor". Gavin Magazine. Retrieved 2007-05-09.
{{cite journal}}
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(help) - ^ a b Langer, Andy (May, 1997). "Another Dead Hero". The Austin Chronicle.
{{cite news}}
:|access-date=
requires|url=
(help); Check date values in:|date=
(help); Unknown parameter|http://toolshed.down.net/articles/index.php?action=
ignored (help) - ^ Zwick, John (2004-02-25). "Dead 10 years, Hicks still makes us laugh". University of Colorado at Denver Advocate. Retrieved 2007-04-09.
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(help) - ^ a b Akhtar, Kabir. "The "Track #1" Fiasco". toolshed.down.net. Retrieved 2006-03-06.
- ^ McIver, p. 137.
- ^ a b Akhtar, Kabir. "Tool News: April Fools 1997". toolshed.down.net. Retrieved 2007-03-29.
- ^ Pareles, Jon. "Lollapalooza's Recycled Hormones: Rebellion by the Numbers". The New York Times. Retrieved 2006-03-06.
- ^ Fruchtman, Edward (August, 1997). "Never Wanted To Be Rock Stars But They Are". Circus. 8. Retrieved 2006-06-25.
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(help) - ^ "40th Grammy Awards". Rockonthenet.com. 1998. Retrieved 2007-05-26.
- ^ "Tool - Aenima". acclaimedmusic.net. Retrieved 2007-06-25.
- ^ "Kerrang! End of Year Lists". Kerrang!. Retrieved 2007-07-27.
- ^ "Terrorizer End of Year Lists". Terrorizer. Retrieved 2007-07-27.
- ^ Akhtar, C15.
- ^ Borzillo-Vrenna, Carrie. "Tool Gets Sued By Manager For $5 Million". CDNow.com. Retrieved 2007-09-17.
- ^ Slater, Rosanna (August, 2001). "Home Improvement". Classic Rock. Retrieved 2007-05-12.
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(help) - ^ Kline, Scott (2002-10-17). "Breslin hosts heavier sound". The State News. Retrieved 2007-04-09.
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(help) "Innovative band playing Beaumont tonight wins new regard from critic" (fee required). The Beaumont Enterprise. 2002-11-15. Retrieved 2008-01-26.{{cite news}}
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(help) - ^ Alan K. Stout (2001-09-21). "Rock band Tool is all about music, not image". The Times Leader. Retrieved 2008-01-26.
Chancellor says Tool, through it all, never stopped working on new music. He says he, Jones and Carey were in the studio every day, experimenting with new sounds and musical ideas.
{{cite news}}
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(help) - ^ Akhtar, H26.
- ^ a b Akhtar, Kabir. "Old News. January - March 2001". toolshed.down.net. Retrieved 2006-03-06.
- ^ Gabriella (2000). "Interview with Maynard James Keenan of A Perfect Circle". NY Rock. Retrieved 2006-04-28.
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ignored (help) - ^ D'Angelo, Joe. "Tool Tinker With Album Title, Set Track List". MTV News. MTV.com. Retrieved 2006-03-06.
- ^ "Lateralus review". E! Online. 2001. Retrieved 2007-06-18.
- ^ a b Bond, Laura (2001). "Tool Stretch Out And Slow Down In Show With King Crimson". VH1.com. Retrieved 2007-07-19.
- ^ Brett, Milano (2006). "Power Tool: Maynard James Keenan and band craft epic art-metal" (HTML). Boston Herald. Retrieved 2006-05-27.
- ^ a b Theakston, Rob (2001). "Lateralus Review". AllMusic. Retrieved 2006-04-28.
- ^ a b Fricke, David (2001). "Lateralus Review". Rolling Stone. Retrieved 2006-04-24.
- ^ DeRogatis, p. 562.
- ^ Klein, Joshua (2002-03-29). "Lateralus review". The A.V. Club. Retrieved 2007-05-25.
{{cite web}}
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(help) - ^ "Discography Tool Laterlaus". Billboard.com. Retrieved 2006-04-29.
- ^ "Grammy Award Winners". The Recording Academy. Retrieved 2007-04-28.
- ^ D'Angelo, Joe (2002). "Alicia Keys Takes Five, 'O Brother' Gets Most At 44th Grammy Awards". MTV News. MTV.com. Retrieved 2006-08-07.
- ^ Travis Hay (2006-05-03). "Tool mesmerizes crowd". Seattle Post-Intelligencer. Retrieved 2008-01-18.
{{cite news}}
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(help) - ^ Harris, Chris (2005-04-07). "Maynard And Jesus Split: The Conclusion". MTV News. Retrieved 2007-02-14.
{{cite web}}
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(help) - ^ Blake, Blair MacKenzie (2005). "Tool: News". Toolband.com. Retrieved 2007-03-30.
- ^ "Joshua Davis - Projects - Web - Tool" (FLASH). joshuadavis.com. Retrieved 2007-04-02.
- ^ Epstein, Dan (April 2006). "Do What You Wilt". Revolver.
- ^ a b Wiederhorn, Jon. "Tool Hammer Away At New Album". MTV News. MTV.com. Retrieved 2006-04-06.
- ^ a b Donovan, Patrick (2006). "Is anyone listening?". TheAge.com.au. Retrieved 2006-05-06.
- ^ Harris, Chris (2006-05-11). "Tool Planning Summer Tour Around Keenan's Wine Harvest". VH1.com. Retrieved 2007-06-15.
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(help) - ^ "Tool, Pearl Jam Claim Billboard Chart In The Name Of Rock (May 10, 2006)". MTV.com. Retrieved 2006-09-17.
- ^ Metacritic calculated an average score of 68 for 10,000 Days compared to 75 for Lateralus. "Tool: 10,000 Days (2006): Reviews". Metacritic. 2006. Retrieved 2006-09-17. "Tool: Lateralus (2001): Reviews". Metacritic. 2001. Retrieved 2007-06-17.
- ^ "TOOL : NEWS - TOOL Newsletter February 2007, e.v". Toolband.com. 2007. Retrieved 2007-05-10.
- ^ Cohen, Jonathan (2007-06-16). "Tool, All-Star Zeppelin Jam Highlight Bonnaroo Day One". Billboard.com. Retrieved 2007-06-17.
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(help) - ^ a b "Awards Winners List". 49th Annual Grammy Awards. Grammy.com. 2007. Retrieved 2007-03-25.
- ^ Pulsifer, Eric (2007-05-15). "Tool returns to Bossier on Thursday". nwlanews.com. Retrieved 2007-06-07.
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(help) - ^ a b Benson, John (2007-06-12). "Tool movie in the works?". Billboard.com. Retrieved 2007-06-15.
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(help) - ^ "Tool movie in the works?". The Rock Radio online. The Rock Radio. 2007-06-13. Retrieved 2007-06-15.
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(help) - ^ Scaggs, Austin (2008-02-11). "Smoking Section at the Grammys: Wilco, Foo Fighters, Tool, More". Rolling Stone. Retrieved on 2008-02-11.
- ^ Liddell, C.B. (2007-01-12). "In Sight/Music & Arts Tool frontman: 'I have not smashed up 1 hotel room'". International Herald Tribune/The Asahi Shimbun. Retrieved 2007-05-25.
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(help) - ^ Pareles, Jon (1997). "Lollapalooza's Recycled Hormones: Rebellion by the Numbers". The New York Times. Retrieved 2006-04-28.
- ^ a b c d Scott Shiraki & E.E. Bradman (2001). "Handy Man: How Justin Chancellor Frames Tool's Metal Madness". Bass Player. Retrieved 2007-05-02.
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ignored (help) - ^ a b Micallef, Ken (2006). "10,000 Days... and beyond". Modern Drummer. Retrieved 2007-05-02.
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ignored (help) - ^ Hay, Travis (2005-02-21). "Alice in Chains owns stage in tsunami-relief show full of surprises". Seattle Post-Intelligencer. Retrieved 2007-05-25.
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(help) - ^ Powers, Ann (2002). "Self-Confidence, and a Tattoo". The New York Times. Retrieved 2007-05-02.
- ^ Wiederhorn, Jon (2001). "Mysterious Ways". Guitar Player. Retrieved 2007-05-02.
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ignored (help) - ^ Huey, Steve. "Sober Song Review". AllMusic.com. Retrieved 2007-05-02.
- ^ Forlenza, Jeff (2006-07-01). "The Making of Tool's "10,000 Days"". Mix. Retrieved 2007-05-09.
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(help) - ^ diCarlo, Christopher W. "Interview with Maynard James Keenan". cdicarlo.com. Retrieved 2007-05-04.
- ^ a b "TOOL: New Album Title Revealed?". Blabbermouth.net. 2006-03-03. Retrieved 2007-05-09.
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(help) - ^ Serpick, Evan (2006). "10,000 Days Review". Rolling Stone. Retrieved 2007-05-04.
- ^ Pettigrew, Jason (1997). "Nobody's Tool". Alternative Press. Retrieved 2007-04-08.
- ^ Blake, Blair MacKenzie (2001). "Augustember 2001 E.V." Tool Newsletter. Toolband.com. Retrieved 2006-04-28.
- ^ "Tool Army exclusive interview". Retrieved 2006-09-17.
- ^ Cleveland, Barry (2003). "Eyes Wide Open". Guitar Player. Retrieved 2007-10-19.
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ignored (help) - ^ Richardson, Sean (2001-05-10). "Perfect circles - Tool connect on Lateralus". The Boston Phoenix. Retrieved 2007-05-25.
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(help) - ^ Assar, Vijith (2003-09-30). "Lucky 'Thirteen': Keenan bolsters potence". The Cavalier Daily. Retrieved 2007-05-09.
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(help) - ^ Rich, Robert (2007-05-09). "Chevelle to play in Austin, remains unique despite criticism". The Daily Texan. Retrieved 2007-05-09.
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(help) - ^ a b c Drew, Jonathan (2006-05-11). "MUSIC MEETS ART Name the band Tool's fave artist". The Associated Press. Retrieved 2007-05-26.
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(help) - ^ a b Sandberg, Marian (2006-11-01). "Tool Time". Live Design. Retrieved 2007-05-09.
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(help) - ^ Blake, Blair MacKenzie (2002-10-17). "OSSEUS LABYRINT a laboratory of random mutuations..." Tool: News. Toolband.com. Retrieved 2007-03-30.
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(help) - ^ Heller, Greg (2001-01-12). "Weird Album Title for Tool". Rollingstone.com. Retrieved 2007-04-09.
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(help) - ^ Blake, Blair MacKenzie (2007). "Tool: A WORKING STILL FROM VICARIOUS". Toolband.com. Retrieved 2007-10-24.
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ignored (help) - ^ Akhtar, G4.
- ^ "Salival Figure". Happypencil Store. happypencil.com.
- ^ Stephens, Michael (2002-05-08). "High Art: Alex Grey and the Chapel of Sacred Mirrors". PopMatters. Retrieved 2007-06-12.
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(help) - ^ Akhtar, D11.
- ^ "Tool Guitarist Wins Grammy For 'Best Recording Package'". Blabbermouth.net. 2007-02-11. Retrieved 2007-04-09.
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(help) - ^ Truong, Kev (2002). "Tool, The Melvins, Osseus Labyrint - [[April 24]], 2002 - Sydney, Australia @ Sydney Entertainment Centre". Blistering.com. Retrieved 2007-05-25.
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: URL–wikilink conflict (help) - ^ a b c Akhtar, D9.
- ^ Rothman, Robin A. (2002-08-14). "Tool Take Radio City—Rockers salute the Ramones during epic set". Rolling Stone. Retrieved 2007-05-10.
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(help) - ^ a b McManus, Keith P. (2001). "Tool thrills audience". The Flat Hat. Retrieved 2007-04-07.
- ^ Pareles, Jon (2001-10-06). "Flailing Wildly to Escape the Darkness". The New York Times. Retrieved 2007-06-09.
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(help) - ^ "Tool". Rolling Stone. 1996-11-21. Retrieved 2008-01-07.
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(help) Andy Musial (1997-07-24). "The circle is unbroken" (fee required). The Buffalo News. Retrieved 2008-01-07....Keenan wasn't facing the audience the whole time.
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(help) Matt Dentler (2002-07-29). "Tool in need of some repair". The Daily Texan. Retrieved 2008-01-07.Lead singer Maynard James Keenan, as is customary for the enigmatic frontman, loomed in the background with his back facing the audience for most of the show.
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(help) Gavin Engler (1993). "TOOL Concert 101" (PDF). Law Society Gazette. Retrieved 2008-01-27.Keenan... wore an all-black leather outfit, had his face painted black and stood on a spinning platform some distance from the front stage; he never seemed to look at the crowd.
- ^ a b c d Ludwig, Rob (2006-10-16). "700 Clips for 10,000 Days". Projection, Light and Staging News. Retrieved 2007-04-07.
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(help) - ^ Zar, Chet (2006). "What is it?". Disturb the Normal description. Retrieved 2007-04-07.
External links
- Toolband.com - official website
- Dissectional.com - "dedicated to the art and influences"
- ToolArmy.com: The Collective Unconscious - official fanclub
- The Tool Page (t.d.n) - "semi-official" website
- Tool lyrics