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{{Short description|1991 film by James Cameron}} |
{{Short description|1991 film directed by James Cameron}} |
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{{Good article}} |
{{Good article}} |
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{{Use American English|date=April 2021}} |
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'''''Terminator 2: Judgment Day'''''{{efn|Also promoted and abbreviated as '''''T2'''''<ref name="ActionCollider"/><ref name="EWMerch"/>}} is a 1991 American [[Science fiction film|science |
'''''Terminator 2: Judgment Day'''''{{efn|Also promoted and abbreviated as '''''T2'''''<ref name="ActionCollider"/><ref name="EWMerch"/>}} is a 1991 American [[Science fiction film|science fiction]] [[action film]] directed by [[James Cameron]], who co-wrote the script with [[William Wisher]]. Starring [[Arnold Schwarzenegger]], [[Linda Hamilton]], [[Robert Patrick]], and [[Edward Furlong]], it is the sequel to ''[[The Terminator]]'' (1984) and is the second installment in the [[Terminator (franchise)|''Terminator'' franchise]]. In the film, the malevolent [[artificial intelligence]] [[Skynet (Terminator)|Skynet]] sends a [[T-1000|Terminator]]—a highly advanced killing machine—back in time to 1995 to kill the future leader of the human resistance [[John Connor]], when he is a child. The resistance sends back a less-advanced, reprogrammed [[Terminator (character)|Terminator]] to protect Connor and ensure the future of humanity. |
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''The Terminator'' was considered a significant success, enhancing Schwarzenegger's and Cameron's careers, but work on a sequel stalled because of animosity between the pair and [[Hemdale Film Corporation]], which partially owned the film's rights. In 1990, Schwarzenegger and Cameron persuaded [[Carolco Pictures]] to purchase the rights from ''The Terminator'' producer [[Gale Anne Hurd]] and Hemdale, which was financially struggling. A release date was set for the following year, leaving Cameron and Wisher seven weeks to write the script. Principal photography began from October 1990 to March 1991, taking place in and around [[Los Angeles]] on an estimated $94–102{{nbs}}million budget, making it the [[List of most expensive films|most-expensive film made at the time]]. The advanced visual effects by [[Industrial Light & Magic]] (ILM), which include the first use of a computer-generated main character in a blockbuster film, resulted in a schedule overrun. [[Release print|Theatrical print]]s were not delivered to theaters until the night before its July 3, 1991 |
''The Terminator'' was considered a significant success, enhancing Schwarzenegger's and Cameron's careers, but work on a sequel stalled because of animosity between the pair and [[Hemdale Film Corporation]], which partially owned the film's rights. In 1990, Schwarzenegger and Cameron persuaded [[Carolco Pictures]] to purchase the rights from ''The Terminator'' producer [[Gale Anne Hurd]] and Hemdale, which was financially struggling. A release date was set for the following year, leaving Cameron and Wisher seven weeks to write the script. [[Principal photography]] began from October 1990 to March 1991, taking place in and around [[Los Angeles]] on an estimated $94–102{{nbs}}million budget, making it the [[List of most expensive films|most-expensive film made at the time]]. The advanced visual effects by [[Industrial Light & Magic]] (ILM), which include the first use of a computer-generated main character in a blockbuster film, resulted in a schedule overrun. [[Release print|Theatrical print]]s were not delivered to theaters until the night before its release on July 3, 1991. |
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''Terminator 2'' earned $519–520.9{{nbs}}million, making it the [[1991 in film|highest-grossing film of 1991]] worldwide, and the third |
''Terminator 2'' earned $519–520.9{{nbs}}million, making it the [[1991 in film|highest-grossing film of 1991]] worldwide, and the third-highest-grossing film of its time. Critics praised the visual effects, action sequences and cast, especially Patrick's performance as the T-1000 as a great cinematic villain, while criticism was directed towards the film's violence. ''Terminator 2'' won several accolades, including [[Saturn Awards|Saturn]], [[British Academy Film Awards|BAFTA]], and [[Academy Awards|Academy]] awards. ''Terminator 2'' merchandise includes [[List of Terminator video games|video games]], [[List of Terminator comics|comic books]], [[T2 (novel series)|novels]], and ''[[T2-3D: Battle Across Time]]'', a live-action attraction. |
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''Terminator 2'' is considered one of |
''Terminator 2'' is considered one of the best science fiction, action, and sequel films ever made, as well as equal to or better than ''The Terminator''. It is also seen as a major influence on visual effects in films, helping usher in the transition from practical effects to reliance on [[computer-generated imagery]]. Although Cameron intended for ''Terminator 2'' to be the end of the franchise, it was followed by a series of sequels, including ''[[Terminator 3: Rise of the Machines]]'' (2003), ''[[Terminator Salvation]]'' (2009), ''[[Terminator Genisys]]'' (2015), and ''[[Terminator: Dark Fate]]'' (2019), as well as a [[Terminator: The Sarah Connor Chronicles|2008 television series]]. |
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==Plot== |
==Plot== |
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<!--Per Wikipedia guidelines (PER WP:FILMPLOT), please do not expand this plot summary any further.--> |
<!--Per Wikipedia guidelines (PER WP:FILMPLOT), please do not expand this plot summary any further.--> |
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In 2029, Earth has been ravaged by the war between the malevolent [[artificial intelligence]] |
In 2029, Earth has been ravaged by the war between the malevolent [[artificial intelligence]] [[Skynet (Terminator)|Skynet]] and the human resistance. Skynet sends the [[T-1000]]—an advanced, prototype, shape-shifting [[Terminator (character concept)|Terminator]] made of virtually indestructible liquid metal—back in time to kill the resistance leader [[John Connor]] when he is a child.<!--Do not specify his age, which is not confirmed on-screen and is contradicted in other films.--> To protect Connor, the resistance sends back a reprogrammed [[Terminator (character)|T-800 Terminator]], a less-advanced metal [[endoskeleton]] covered in synthetic flesh. |
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In 1995 Los Angeles, John's mother [[Sarah Connor (Terminator)|Sarah]] has been incarcerated at the [[State hospital|Pescadero State Hospital]] for her violent |
In 1995 Los Angeles, John's mother [[Sarah Connor (Terminator)|Sarah]] has been incarcerated at the [[State hospital|Pescadero State Hospital]] for her violent efforts to prevent "[[Terminator (franchise)#Judgment Day|Judgment Day]]"—the prophesied events of August 29, 1997, when Skynet will gain sentience and, in response to its creators' attempts to deactivate it, incite a [[nuclear holocaust]]. John, taken in by his foster parents, considers Sarah's beliefs to be delusional and resents her efforts to prepare him for his future role. The T-1000 locates John in a shopping mall, but the T-800 intervenes, coming to John's aid and enabling their joint escape. John calls to warn his foster parents but the T-800 deduces the T-1000 has already killed them. Realizing the T-800 is programmed to obey him, John forbids it from killing people and orders it to save Sarah from the T-1000. |
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The T-800 and John intercept Sarah during an escape attempt but Sarah flees in horror because the T-800 resembles the Terminator that was sent to kill her in 1984.{{efn|As depicted in ''[[The Terminator]]'' (1984)}} John and the T-800 persuade her to join them, and they escape the pursuing T-1000. Although distrustful of the T-800, Sarah uses its knowledge of the future to learn that a revolutionary [[microprocessor]], being developed by Cyberdyne Systems engineer [[Miles Dyson]], will be crucial to Skynet's creation. Over the course of their journey, Sarah sees the T-800 serving as a friend and father figure to John, who teaches it catchphrases and hand signs while encouraging it to become more human-like. |
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Sarah plans to escape to Mexico with John, but a nightmare about Judgment Day convinces her to kill Dyson. She attacks Dyson in his home, but realizes she cannot kill a person and relents. John arrives and reconciles with Sarah while the T-800 convinces Dyson of the future consequences of his work. Dyson reveals his research has been [[Reverse engineering|reverse engineer]]ed from the damaged [[Central processing unit|CPU]] and severed arm of the 1984 Terminator. Believing his work must be destroyed, Dyson, Sarah, John, and the T-800 break into Cyberdyne, retrieve the CPU and the arm, and set explosives to destroy the lab. The police assault the building and fatally shoot Dyson, but [[Dead man's switch|he detonates the explosives as he dies]]. The T-1000 pursues the surviving trio, cornering them in a [[steel mill]]. |
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Sarah and John split up to escape while the T-1000 mangles the T-800 and briefly deactivates it by destroying its power source. The T-1000 assumes Sarah's appearance to lure out John but Sarah intervenes and, along with the reactivated T-800, |
Sarah and John split up to escape while the T-1000 mangles the T-800 and briefly deactivates it by destroying its power source. The T-1000 assumes Sarah's appearance to lure out John but Sarah intervenes and, along with the reactivated T-800, pushes it into a vat of molten steel, where it disintegrates. The T-800 explains it must also be destroyed to prevent it from serving as a foundation for Skynet. Despite John's tearful protests, the T-800 persuades him its destruction is the only way to protect their future. Sarah shakes the T-800's hand and, having come to respect it, helps lower it into the vat. Before its destruction, the T-800 gives John a [[thumbs-up]]. As Sarah drives down a highway with John, she reflects on her renewed hope for an unknown future, musing if the T-800 could learn the value of life, so can humanity. |
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==Cast== |
==Cast== |
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<!--According to the opening credits.--> |
<!--According to the opening credits.--> |
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*[[Arnold Schwarzenegger]] as the Terminator: a reprogrammed Model 101 Series 800 "T-800" Terminator that is composed of |
*[[Arnold Schwarzenegger]] as the [[Terminator (character)|Terminator]]: a reprogrammed Model 101 Series 800 "T-800" Terminator that is composed of human tissue over a metal endoskeleton<ref name="ScreenRantCastT800"/> |
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*[[Linda Hamilton]] as Sarah Connor: a self-trained soldier who is dedicated to preventing the rise of Skynet<ref name="TheRingerOral"/> |
*[[Linda Hamilton]] as [[Sarah Connor (Terminator)|Sarah Connor]]: a self-trained soldier who is dedicated to preventing the rise of Skynet<ref name="TheRingerOral"/> |
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*[[Edward Furlong]] as John Connor: Sarah's son who is destined to lead the human resistance in opposition to Skynet<ref name="ScreenRantJConnor"/> |
*[[Edward Furlong]] as [[John Connor]]: Sarah's son who is destined to lead the human resistance in opposition to Skynet<ref name="ScreenRantJConnor"/> |
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*[[Robert Patrick]] as T-1000: an advanced, shape-shifting, prototype Terminator that is composed of liquid metal<ref name="CastPatrick"/> |
*[[Robert Patrick]] as [[T-1000]]: an advanced, shape-shifting, prototype Terminator that is composed of liquid metal<ref name="CastPatrick"/> |
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*[[Earl Boen]] as Dr. Silberman: Sarah's doctor at Pescadero State Hospital<ref name="CastTHRBoen"/><ref name="ScreenRantBoen"/> |
*[[Earl Boen]] as Dr. Peter Silberman: Sarah's doctor at Pescadero State Hospital<ref name="CastTHRBoen"/><ref name="ScreenRantBoen"/><ref name="THRSilberman"/> |
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*[[Joe Morton]] as Miles Bennett Dyson: Director of special projects at Cyberdyne Systems Corporation<ref name="CastDyson"/><ref name="CastDyson2"/> |
*[[Joe Morton]] as [[Miles Bennett Dyson]]: Director of special projects at Cyberdyne Systems Corporation<ref name="CastDyson"/><ref name="CastDyson2"/> |
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The film's cast also includes [[Jenette Goldstein]] and [[Xander Berkeley]] as John's foster parents Janelle and Todd Voight |
The film's cast also includes [[Jenette Goldstein]] and [[Xander Berkeley]] as John's foster parents Janelle and Todd Voight,<ref name="CastGoldsteinBerkeley"/> [[Cástulo Guerra]] as Sarah's friend Enrique Salceda, [[S. Epatha Merkerson]] and [[DeVaughn Nixon]] as Dyson's wife Tarissa and son Danny,<ref name="BFICredits"/><ref name="AFIBio"/> and [[Danny Cooksey]] as John's friend Tim.<ref name="CastCooksey"/> Hamilton's twin sister Leslie Hamilton Gearren appears as the T-1000 impersonating Sarah when Hamilton is also on-screen. Twins Don and Dan Stanton portray a guard at Pescadero State Hospital and the T-1000 imitating him.<ref name="TheRingerOral"/><ref name="BFICredits"/><ref name="ScreenRantLeslie"/> |
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Other cast members includes Ken Gibbel as an abusive orderly |
Other cast members includes Ken Gibbel as an abusive orderly,<ref name="CastGibbel"/> Robert Winley, [[Little Caesar (band)|Ron Young]], Charles Robert Brown, and [[Pete Schrum]] as men who confront the T-800 in a [[biker bar]], Abdul Salaam El Razzac as Gibbons, a Cyberdyne guard, and [[Dean Norris]] as the SWAT team leader.<ref name="BFICredits"/><ref name="AFIBio"/> [[Michael Edwards (actor)|Michael Edwards]] portrays the John Connor of 2029 and Hamilton's infant son Dalton Abbott portrays John in a dream sequence.<ref name="ScreenRantJConnor"/><ref name="BFICredits"/><ref name="EWHamilton"/> Co-writer [[William Wisher]] cameos as a man photographing the T-800 in the mall,<ref name="Cinephilia"/> and [[Michael Biehn]] reprises his role as resistance soldier [[Kyle Reese]] in scenes that were removed from the theatrical release.<ref name="ScreenRantBiehn"/> |
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==Production== |
==Production== |
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===Development=== |
===Development=== |
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[[File:James Cameron ( |
[[File:James Cameron (28003295064).jpg|left|alt=Headshot of James Cameron|thumb|Director [[James Cameron]] in 2016]] |
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''The Terminator'' had been a surprise hit, earning $78.4{{nbs}}million against its $6.4{{nbs}}million budget, confirming Schwarzenegger's status as a lead actor and |
''The Terminator'' had been a surprise hit, earning $78.4{{nbs}}million against its $6.4{{nbs}}million budget, confirming Schwarzenegger's status as a lead actor and establishing James Cameron as a mainstream director.<ref name="TheRingerOral"/> Schwarzenegger expressed interest in a sequel, saying "I always felt we should continue the story{{nbs}}... I told [Cameron] that right after we finished the first film".<ref name="EWJul121991"/> Cameron said Schwarzenegger had always been more enthusiastic about a sequel than he was, because Cameron considered the original a complete story.{{sfn|ShapiroE|1991|p=52}}{{sfn|ShapiroC|1991|p=34}} |
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Discussions to make a sequel stalled until 1989, in part due to Cameron's work on other films such as ''[[Aliens (1986 film)|Aliens]]'' (1986) and ''[[The Abyss]]'' (1989), but also due to a |
Discussions to make a sequel stalled until 1989, in part due to Cameron's work on other films such as ''[[Aliens (1986 film)|Aliens]]'' (1986) and ''[[The Abyss]]'' (1989), but also due to a dispute with rights holder [[Hemdale Film Corporation]].<ref name="TheRingerOral"/><ref name="Cinephilia"/><ref name="DOGHemdale"/> Hemdale co-founder John Daly had attempted to alter the ending of ''The Terminator'' against Cameron's wishes, nearly resulting in a physical confrontation. A sequel could not be made without Hemdale's approval as Cameron had surrendered 50% of his rights to the company to get ''The Terminator'' made. Cameron had also sold half of the remaining stake to his ex-wife [[Gale Anne Hurd]], producer and co-writer on the first film, for $1 following their 1989 divorce.{{efn|Attributed to multiple references:<ref name="DOGHemdale"/>{{sfn|Shapiro|1991|p=28}}<ref name="DeadlineKassar"/>}} By 1990, Hemdale was being sued by Cameron, Schwarzenegger, Hurd, and special-effects artist [[Stan Winston]] for unpaid profits from ''The Terminator''.<ref name="DOGHemdale"/> |
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Schwarzenegger, aware Hemdale was experiencing financial difficulties, |
Schwarzenegger, aware Hemdale was experiencing financial difficulties, convinced [[Carolco Pictures]] to purchase the film rights to ''The Terminator'', having worked with the independent film studio on the big-budget, science fiction film ''[[Total Recall (1990 film)|Total Recall]]'' (1990).<ref name="TheRingerOral"/>{{sfn|Shapiro|1991|p=28}}<ref name="DeadlineKassar"/> Owner [[Mario Kassar]] described the rights acquisition as the most difficult deal Carolco ever conducted. He accepted a $10{{nbs}}million offer for Hemdale's share, considering it a sum fabricated to ward him off, and paid Hurd $5{{nbs}}million for her share. Prior to development, the total cost of the acquisition rose to $17{{nbs}}million after factoring in incidental costs.<ref name="TheRingerOral"/><ref name="DeadlineKassar"/><ref name="JoBloExecProd"/> |
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Kassar told Cameron that in order to recoup his investment, the film would proceed with or without him, offering Cameron $6{{nbs}}million to be involved and write the script.<ref name="TheRingerOral"/> The film would become a collaboration between several production studios: Carolco, [[StudioCanal|Le Studio Canal+]], Cameron's [[Lightstorm Entertainment]], and Hurd's [[Pacific Western Productions]].{{efn|Attributed to multiple references:<ref name="StudiosLightStorm"/><ref name="StudisoCanal"/><ref name="StudiosPacificWest"/><ref name="StudiosPacificWest2"/>}} |
Kassar told Cameron that in order to recoup his investment, the film would proceed with or without him, offering Cameron $6{{nbs}}million to be involved and write the script.<ref name="TheRingerOral"/> The film would become a collaboration between several production studios: Carolco, [[StudioCanal|Le Studio Canal+]], Cameron's [[Lightstorm Entertainment]], and Hurd's [[Pacific Western Productions]].{{efn|Attributed to multiple references:<ref name="StudiosLightStorm"/><ref name="StudisoCanal"/><ref name="StudiosPacificWest"/><ref name="StudiosPacificWest2"/>}} The studio also had an existing U.S. distribution deal with [[TriStar Pictures]],<ref name="DeadlineKassar"/><ref name="CTB"/> which stipulated that the film be ready for release by May 27, 1991, [[Memorial Day]].<ref name="DOGHowitwasmade"/> |
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===Writing=== |
===Writing=== |
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With a |
With a scheduled release date, Cameron had six to seven weeks to write the sequel. He approached his frequent collaborator and ''The Terminator'' co-writer William Wisher in March 1990.<ref name="TheRingerOral"/><ref name="Cinephilia"/><ref name="DOGHowitwasmade"/> They spent two weeks developing a [[film treatment]] based on Cameron's vision to form a relationship between John Connor and the T-800, a concept Wisher believed was a joke.{{sfn|ShapiroE|1991|p=52}}<ref name="DOGHowitwasmade"/> Their treatment diverged from the "science fiction [[Slasher film|slasher]]" theme of the original, focusing on the unconventional family bond formed between Sarah, John, and the T-800. Cameron said this relationship is "the heart of the movie", comparing it to the [[Tin Woodman|Tin Man]] receiving a heart in ''[[The Wizard of Oz (1939 film)|The Wizard of Oz]]'' (1939).<ref name="TheRingerOral"/> |
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Cameron's |
Cameron's concept featured Skynet and the resistance each sending a T-800—both played by Schwarzenegger—into the past, one to kill John and the other to protect him. Wisher believed a fight between two identical Terminators would be boring.<ref name="TheRingerOral"/>{{sfn|ShapiroE|1991|pp=53–54}} The pair briefly considered a larger "Super-Terminator", but found it uninteresting and adopted an early idea Cameron had for ''The Terminator''—a liquid-metal Terminator resembling an average-sized human in contrast to Schwarzenegger's large frame.{{sfn|ShapiroE|1991|pp=53–54}} The first half of their concept concluded with the destruction of Skynet's T-800, forcing it to use the T-1000, its ultimate weapon.<ref name="TheRingerOral"/> Although he once considered removing the T-1000 altogether, Cameron solidified it as the only antagonist. Cameron and Wisher had the T-1000 take on the appearance of a police officer, allowing it to operate with less suspicion.<ref name="TheRingerOral"/>{{sfn|ShapiroE|1991|p=53}} Wisher found it challenging to depict the T-800 as "good" without making it non-threatening at the same time.{{sfn|ShapiroE|1991|p=53}} The pair decided to give it the ability to learn and develop emotions, becoming more human over time.{{sfn|ShapiroE|1991|p=53}} They kept the T-800's dialogue brief, relying on the audience to infer a lot of meaning through "small bites".<ref name="TheRingerOral"/> Its catchphrase, "[[Hasta la vista, baby]]", was something Wisher and Cameron said after their telephone calls.<ref name="TheRingerOral"/><ref name="HastaEsquire"/> |
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Wisher developed the first half of the treatment at Cameron's home over the course of four weeks, while Cameron worked on the latter half.<ref name="DOGHowitwasmade"/>{{sfn|ShapiroE|1991|pp=53–54}}{{sfn|ShapiroC|1991|p=33}} Many pages were removed, including a "convoluted" subplot about Dyson and a massacre of a camp of survivalists helping Sarah. Cameron, who did not consider the budget while writing, had to cut some elaborate scenes, including a nine-minute opening that showed a time |
Wisher developed the first half of the treatment at Cameron's home over the course of four weeks, while Cameron worked on the latter half.<ref name="DOGHowitwasmade"/>{{sfn|ShapiroE|1991|pp=53–54}}{{sfn|ShapiroC|1991|p=33}} Many pages were removed, including a "convoluted" subplot about Dyson, and a massacre of a camp of survivalists helping Sarah. Cameron, who did not consider the budget while writing, had to cut some elaborate scenes, including a nine-minute opening that showed a time travel machine being used in 2029.{{efn|Attributed to multiple references:{{sfn|ShapiroE|1991|p=54}}<ref name="EWJul121991Page3"/><ref name="ScreenRantCuts"/><!--CampScene-->{{sfn|Shapiro, Marc, July B|1991|p=39}}<!--CampScene-->}} Wisher and Cameron also frequently conferred with special-effects studio [[Industrial Light & Magic]] (ILM) to determine which ideas were achievable.<ref name="DOGHowitwasmade"/> |
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Cameron and Wisher analyzed the first film to help envision each character's development and evolution. Cameron believed Sarah's knowledge of the future would isolate her, forcing her to associate with survivalists and become a self-sufficient commando.<ref name="TheRingerOral"/> She was written to have become an emotionally cold and distant character comparable to a Terminator, especially when deciding to go after Dyson.<ref name="TheRingerOral"/> Instead of beginning the story with Sarah, John is placed with a foster family to increase tension.{{sfn|ShapiroE|1991|p=53}}{{sfn|Shapiro, Marc, July B|1991|p=38}} John's character was inspired by the 1985 [[Sting (musician)|Sting]] song, "[[Russians (song)|Russians]]", with Cameron recalling, "I remember sitting there once, high on [[MDMA|E]]{{nbs}}... I was struck by [the lyrics] 'I hope the Russians love their children too'. And I thought |
Cameron and Wisher analyzed the first film to help envision each character's development and evolution. Cameron believed Sarah's knowledge of the future would isolate her, forcing her to associate with survivalists and become a self-sufficient commando.<ref name="TheRingerOral"/> She was written to have become an emotionally cold and distant character comparable to a Terminator, especially when deciding to go after Dyson.<ref name="TheRingerOral"/> Instead of beginning the story with Sarah, John is placed with a foster family to increase tension.{{sfn|ShapiroE|1991|p=53}}{{sfn|Shapiro, Marc, July B|1991|p=38}} John's character was inspired by the 1985 [[Sting (musician)|Sting]] song, "[[Russians (song)|Russians]]", with Cameron recalling, "I remember sitting there once, high on [[MDMA|E]]{{nbs}}... I was struck by [the lyrics] 'I hope the Russians love their children too'. And I thought{{nbs}}... The idea of a nuclear war is just so antithetical to life itself'. That's where [John] came from".<ref name="TheRingerOral"/> They spent three days refining the script before flying to [[Cannes]], where ''Terminator 2'' was announced in early May 1990.<ref name="TheRingerOral"/><ref name="DOGHowitwasmade"/><ref name="EmpireMostExpensive"/> Schwarzenegger initially struggled with portions of the script, once asking "What is 'polyalloy'?" He also expressed concern about his character's non-lethal depiction, which conflicted with his action-hero persona and portrayal of the character in ''The Terminator''. Cameron explained he wanted to defy audience expectations. Schwarzenegger requested: "Just make me cool".<ref name="TheRingerOral"/> |
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===Casting=== |
===Casting=== |
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Schwarzenegger became interested in reprising his role after finding the character more complex and sympathetic than in the previous film |
Schwarzenegger became interested in reprising his role after finding the character more complex and sympathetic than in the previous film.{{sfn|Shapiro|1991|p=29}}<ref name="EWJul121991Page2"/> To accurately portray a fearless and emotionless machine, he trained extensively with stunt coordinator Joel Kramer to remain unaffected by fire and explosions around him. Schwarzenegger earned $12–$15{{nbs}}million for his involvement.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/>{{sfn|Shapiro|1991|pp=29–30}}<ref name="NYTimesDec1990"/><ref name="NYTimesApril1991"/>}} Carolco had been blamed for the increase in exorbitant salaries paid to actors, having paid Schwarzenegger around $11{{nbs}}million for ''Total Recall'' (1990). They justified the expense as the value of their leads' wide appeal in markets outside the U.S.<ref name="DeadlineKassar"/><ref name="11plusTR"/><ref name="10TR12T2"/> To lessen the immediate financial burden, Carolco paid most of Schwarzenegger's salary with a financed $12.75{{nbs}}million [[Gulfstream III]] jet.<ref name="DeadlineKassar"/><ref name="CTB"/><ref name="LATimesGulfStream"/> |
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Cameron refused to re-cast Hamilton's role but developed plans to work around her absence if she chose not to return. Negotiations were |
Cameron refused to re-cast Hamilton's role but developed plans to work around her absence if she chose not to return. Negotiations were protracted but concluded promptly after Cameron informed Carolco the script could not be finished until he knew if Hamilton would be involved.<ref name="TheRingerOral"/> Hamilton received roughly $1{{nbs}}million, which she described as "quite a bit more" than her earnings for ''The Terminator'' but expressed disappointment at the pay disparity between her and Schwarzenegger.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="CTB"/>{{sfn|Janusonis|1991|p=E-05}}{{sfn|ShapiroC|1991|p=33}}}} Hamilton requested Sarah exhibit a "crazy" demeanor, explaining that after years of living with the impending doom of humanity, she believed Sarah would have transformed into an untamed entity, a warrior combined with a psychologically unstable woman.<ref name="TheRingerOral"/><ref name="Cinephilia"/> She continued: "[The T-800] is a better human than I am, and I'm a better Terminator than he is".<ref name="EWJul121991Page2"/> Cameron considered giving the character a facial scar but determined applying it daily would be difficult.<ref name="GRaderMakingOf"/> Hamilton undertook extensive preparation for her role, working with a personal trainer for three hours a day, six days a week, and maintaining a strict, low-fat diet, losing about {{convert|12|lb}} of body weight.<ref name="TheRingerOral"/><ref name="AFIBio"/><ref name="EWHamilton"/> She also received judo and military training from former Israeli commando Uziel Gal.<ref name="TheRingerOral"/><ref name="AFIBio"/><ref name="EWHamilton"/> Between training, filming, and spending time with her infant son Dalton, Hamilton averaged only four hours of sleep per day.<ref name="EWHamilton"/> She described her experience as "sheer hell" but enjoyed showing off her new physique.<ref name="TheRingerOral"/><ref name="EWHamilton"/> Hamilton's twin sister, Leslie, was also cast in scenes where two versions of Sarah appear on-screen simultaneously.<ref name="EWHamilton"/> |
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Patrick, who was living in his car, was one of several actors in their late 20s considered for the T-1000 role. Cameron wanted a lithe actor |
Patrick, who was living in his car, was one of several actors in their late 20s considered for the T-1000 role. Cameron wanted a lithe actor resembling a newly recruited police officer to contrast with Schwarzenegger. According to Cameron, "If the [T-800] series is a kind of human Panzer tank, then the [T-1000] series had to be a Porsche".<ref name="TheRingerOral"/><ref name="DOG20YrRetro"/><ref name="EmpireT2at30"/> Casting director [[Mali Finn]] believed Patrick had the "intense presence" they wanted. Patrick auditioned by acting like an emotionless hunter and later participated in a screen test to judge the way lighting worked with his skin and eyes.<ref name="TheRingerOral"/><ref name="T1000THR"/><ref name="DogPatrickinterview"/> For his character, he drew inspiration from Schwarzenegger's performance in ''The Terminator'' and observed hunting creatures—reptiles, insects, cats, and sharks. Patrick's facial expressions were based on those of an eagle, keeping his head tilted down to imply constant forward movement.{{efn|Attributed to multiple references:<ref name="DigitalSpyReviewed"/>{{sfn|ShapiroB|1991|p=46,48}}{{sfn|ShapiroD|1991|p=51}}<ref name="AVClubPatrick"/>}} He also employed a mixture of military posture with martial arts to express a fluid motion that differed from the T-800's rigid movements.{{sfn|ShapiroB|1991|p=48}} The role demanded Patrick be lean and fast, requiring peak physical shape.<ref name="T1000THR"/> He learned to sprint without displaying heavy breathing and exhaustion, and received specialized training from Gal.<ref name="T1000THR"/><ref name="DogPatrickinterview"/>{{sfn|ShapiroD|1991|p=51}} Weapons master Harry Lu taught Patrick to operate and reload weapons, such as the T-1000's [[Beretta 92FS]], without looking and eventually without blinking.<ref name="T1000THR"/> Singer [[Billy Idol]] was originally cast for the role before a motorbike accident seriously injured his leg. In a 2021 retrospective, Cameron said Idol had an interesting aesthetic but in hindsight, he probably would not have cast him.<ref name="TheRingerOral"/><ref name="T1000THR"/><ref name="T1000RollingStone"/> Singer [[Blackie Lawless]] of the rock band [[W.A.S.P. (band)|W.A.S.P.]] was also considered but deemed too tall.<ref name="DigitalSpyReviewed"/> |
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Cameron believed that early candidates for the role of John Connor were either overexposed in other media or came from advertisement backgrounds, which trained them to be happy and perky. Furlong had no acting experience and was discovered by Finn at the [[Boys & Girls Clubs of America|Boys & Girls Club]] in [[Pasadena]]. Cameron described Furlong as having a "surliness, an intelligence, just a question of pulling it out" |
Furlong, among hundreds of other prospects, secured the role at his last audition. Cameron believed that early candidates for the role of John Connor were either overexposed in other media or came from advertisement backgrounds, which trained them to be happy and perky. Furlong had no acting experience and was discovered by Finn at the [[Boys & Girls Clubs of America|Boys & Girls Club]] in [[Pasadena]]. Cameron described Furlong as having a "surliness, an intelligence, just a question of pulling it out".<ref name="TheRingerOral"/> He was required to take acting lessons, learn Spanish, and be able to ride a motorcycle and repair guns.<ref name="TorontoComicon"/><ref name="LATimesFurlong"/> Joe Morton believed his casting as Miles Dyson had to do with Cameron wanting a minority character to be integral to the changing of the world.<ref name="CastDyson2"/> Morton avoided interacting with the cast so that their on-screen relationships would seem believably distant.<ref name="TheRingerOral"/> The role of Dyson was reduced after the preferred casting choice, [[Denzel Washington]], declined it because the role mainly required him to act scared.<ref name="ScreenRantCuts"/> |
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===Filming=== |
===Filming=== |
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[[File:Hayvenhurst AV, LA (Terminator 2) 01.jpg|thumb|left|alt=Intersection of two streets under which is a flood-control channel|The intersection in [[Bull Creek (Los Angeles County)|Bull Creek]] spillway, [[North Hills, Los Angeles|North Hills]] (pictured in 2018), from which the T-1000 crashes into the flood-control channel below]] |
[[File:Hayvenhurst AV, LA (Terminator 2) 01.jpg|thumb|left|alt=Intersection of two streets under which is a flood-control channel|The intersection in [[Bull Creek (Los Angeles County)|Bull Creek]] spillway, [[North Hills, Los Angeles|North Hills]] (pictured in 2018), from which the T-1000 crashes into the flood-control channel below]] |
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The planned three months of pre-production was reduced to meet the release schedule, leaving Cameron without the time he wanted to prepare all aspects before filming began.<ref name="AFIBio"/>{{sfn|ShapiroC|1991|pp=33–34}} Over a week, he spent several hours each day choreographing vehicle scenes with toy cars and trucks, filming the results, and printing the footage for storyboard artists.<ref name="Cinephilia"/> There was no time to properly test practical effects before filming so if effects did not work, the filmmakers had to work around them.{{sfn|ShapiroC|1991|pp=33–34}} [[Principal photography]] began on October 8–9, 1990, with a $60{{nbs}}million budget.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="AFIBio"/><ref name="DeadlineKassar"/><ref name="TCMBio"/><ref name="BFIBio"/>}} Scenes were filmed out of sequence to prioritize those requiring extensive visual effects. Schwarzenegger found this difficult because he was meant to convey subtle signs of the T-800's progressive humanity and was unsure what was fitting for each scene.{{sfn|Shapiro|1991|p=28}}<ref name="EWJul121991Page2"/> Cinematographer [[Adam Greenberg (cinematographer)|Adam Greenberg]], who also worked on ''The Terminator'', described the greater scope of the sequel as the most daunting prospect. Where he had been able to shout instructions to his crew on the original film, he used one of 187 [[walkie-talkie]]s to conduct efforts over an expansive area.<ref name="ASCGreenberg"/> |
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The production was arduous, in part because of Cameron, who was known for his short temper and uncompromising "dictatorial" manner. The crew made T-shirts bearing the slogan "You can't scare me—I work for Jim Cameron".<ref name="IndependentCameron"/> Schwarzenegger described him as a supportive but "demanding taskmaster" with a "fanaticism for physical and visual detail".<ref name="TheRingerOral"/><ref name="EWJul121991Page3"/> Even so, by the 101st day of filming, Schwarzenegger and Hamilton were frustrated by the high number of takes Cameron performed, spending five days just on close-ups of Hamilton in the Dyson home.<ref name="Cinephilia"/> To stay on schedule, Cameron worked through Christmas and persuaded Schwarzenegger to cancel a visit to American troops in Saudi Arabia with U.S. President [[George H. W. Bush]] to film his scenes.<ref name="Cinephilia"/> |
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Three months of pre-production was truncated to meet the release schedule, leaving Cameron without the time he wanted to prepare all aspects before filming began.<ref name="AFIBio"/>{{sfn|ShapiroC|1991|pp=33–34}} Over one week, he spent several hours each day choreographing vehicle scenes with toy cars and trucks, filming the results, and printing the footage for storyboard artists.<ref name="Cinephilia"/> There was no time to properly test practical effects before filming; if effects did not work, the filmmakers had to work around them.{{sfn|ShapiroC|1991|pp=33–34}} |
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[[Principal photography]] began on October 8–9, 1990, with a $60{{nbs}}million budget.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="AFIBio"/><ref name="DeadlineKassar"/><ref name="TCMBio"/><ref name="BFIBio"/>}} The production was long and arduous, in part because of Cameron, who was known for his short temper, and uncompromising and "dictatorial" manner that resulted in the crew making T-shirts bearing the slogan "You can't scare me—I work for Jim Cameron."<ref name="IndependentCameron"/> Schwarzenegger described him as a supportive but "demanding taskmaster" with a "fanaticism for physical and visual detail".<ref name="TheRingerOral"/><ref name="EWJul121991Page3"/> Cameron had a practical approach when making scenes fit his vision; in one instance, he angrily fixed a broken camera when the operator could not, and Morton said during his death scene, Cameron decided on a whim to detonate surrounding glass to see how it would look.<ref name="TheRingerOral"/><ref name="Cinephilia"/> Because of the tight schedule, Cameron worked throughout Christmas, editing on Christmas Eve, and persuaded Schwarzenegger to cancel multiple Christmas events and a visit to American troops in Saudi Arabia with U.S. President [[George H. W. Bush]] to film his scenes. By the 101st day of filming, Schwarzenegger and Hamilton were frustrated by the number of takes Cameron ordered; five days were spent on Hamilton's close-ups in scenes at the Dyson home.<ref name="Cinephilia"/> Scenes were filmed out of sequence to prioritize those requiring extensive visual effects; Schwarzenegger found this difficult because he was meant to convey subtle signs of the T-800's progressive humanity and was unsure what was fitting for each scene.{{sfn|Shapiro|1991|p=28}}<ref name="EWJul121991Page2"/> Cinematographer [[Adam Greenberg (cinematographer)|Adam Greenberg]], who also worked on ''The Terminator'', described the greater scope of the sequel as the most daunting prospect; where he had been able to shout instructions to his crew on the original film, he used one of 187 [[walkie-talkie]]s to conduct efforts over an expansive area.<ref name="ASCGreenberg"/> |
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[[File:Interior of Kaiser Steel.jpg|thumb|alt=A photograph of the interior Kaiser Steel mill|The interior of [[Kaiser Steel]] mill in [[Fontana, California]] (circa 1949), served as the location of the film's ending.]] |
[[File:Interior of Kaiser Steel.jpg|thumb|alt=A photograph of the interior Kaiser Steel mill|The interior of [[Kaiser Steel]] mill in [[Fontana, California]] (circa 1949), served as the location of the film's ending.]] |
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The production |
The production filmed in many locations in and around Los Angeles.<ref name="TheRingerOral"/> The now-destroyed Corral bar in [[Sylmar]] is where the T-800 confronts a group of bikers. Location manager [[Jim Morris]] chose Corral because it was raised above ground, allowing the scene to take place over different levels.<ref name="Curbed"/> The [[Rodney King|1991 police beating of Rodney King]] took place at the same location a week after filming, being captured on the same videotape a spectator used to capture the filming of the biker bar scenes.<ref name="LATimesViolence"/> On one occasion, a woman who was oblivious to ongoing filming walked into the bar. When she asked Schwarzenegger, who was wearing only a pair of shorts, what was going on, he replied: "It's male-stripper night".<ref name="Cinephilia"/><ref name="ShortLust20Things"/> Executives suggested cutting the scene to save money but Cameron and Schwarzenegger refused.<ref name="ScreenRantDeleteBikerBar"/> |
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The T-1000 |
The T-1000 arriving in 1996 was filmed at the [[Sixth Street Viaduct]], and John hacking an ATM at a bank in [[Van Nuys]]. His foster parents' residence is situated in the [[Canoga Park, Los Angeles|Canoga Park neighborhood]], deliberately chosen for its generic appearance. The Terminators confronting John takes place inside [[Santa Monica Place]] mall, although exterior shots were captured at [[Northridge Fashion Center]] because there was less traffic.<ref name="Curbed"/> In the subsequent scene, Patrick's training allowed him to outrun John on his dirtbike, so the bike's maximum speed was increased.<ref name="T1000THR"/><ref name="DigitalSpyReviewed"/> The T-1000 continues its pursuit using a truck, in a scene filmed at the [[Bull Creek (Los Angeles County)|Bull Creek]] spillway.<ref name="TheRingerOral"/><ref name="Curbed"/> Other locations include the [[Lake View Terrace, Los Angeles|Lake View Terrace hospital]], standing in as Pescadero State Hospital, and the [[Petersen Automotive Museum]] used as its garage.<ref name="Curbed"/> In a 2012 interview, Hamilton said she suffered permanent partial hearing loss after not wearing earplugs during the hospital elevator scene, where the T-800 fires a gun, as well as [[shell shock]] from months of exposure to violence, loud noise, and gunfire.<ref name="BlockbusterHamilton"/> [[Elysian Park, Los Angeles|Elysian Park]] serves as the site of Sarah's apocalyptic dream, and scenes at the Dyson home were captured at a private property in [[Malibu, California|Malibu]].<ref name="Curbed"/> The Cyberdyne Building's destruction was filmed at an abandoned office in [[San Jose, California|San Jose]], scheduled for demolition. To bring a heightened sense of authenticity, real members of the [[Los Angeles Police Department]]'s [[LAPD Metropolitan Division|SWAT division]] were featured in the scene, although Cameron embellished their tactics to be visually interesting.<ref name="EWJul121991Page3"/> In a spontaneous decision during Morton's death scene, Cameron opted to detonate nearby glass to examine its visual impact.<ref name="TheRingerOral"/><ref name="Cinephilia"/> |
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The final highway chase was filmed along the [[Terminal Island Freeway]] near [[Long Beach, California|Long Beach]], of which a {{Convert|2.5| |
The final highway chase was filmed along the [[Terminal Island Freeway]] near [[Long Beach, California|Long Beach]], of which a {{Convert|2.5|mi|adj=on}} stretch was closed to traffic every night for two weeks.<ref name="EWJul121991Page3"/><ref name="Curbed"/> Scenes set during the future war of 2029 were filmed in the rubble of an abandoned steel mill in [[Oxnard, California]], in a {{Convert|1/2|mi2|spell=in}} space that was enhanced with burned bicycles and cars from a 1989 fire at the [[Universal Studios Lot]]. ''Terminator 2''{{'}}s ending was filmed in the closed [[Kaiser Steel]] mill in [[Fontana, California|Fontana]], which Greenberg made appear operational mainly through lighting techniques. Despite appearing to be actively smelting steel, the mill was frigid and dangerous because of the moving machinery and high catwalks.{{efn|Attributed to multiple references:{{sfn|ShapiroC|1991|p=34}}<ref name="ASCGreenberg"/><ref name="Curbed"/><ref name="ShortLust20Things"/>}} The T-800's thumbs-up during his death was added during filming (Hamilton considered it too sentimental).<ref name="TheRingerOral"/><ref name="DigitalSpySentimental"/> Six months of filming concluded on March 28, 1991, about three weeks behind schedule.<ref name="AFIBio"/><ref name="EWJul121991"/><ref name="LATimesSummerSpecial"/> |
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===Post-production=== |
===Post-production=== |
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''Terminator 2'' was edited by [[Conrad Buff IV]], [[Richard A. Harris]], and [[Mark Goldblatt]], who said although there was more time to edit than on ''The Terminator'', it was still relatively small given the greater scope of the sequel |
''Terminator 2'' was edited by [[Conrad Buff IV]], [[Richard A. Harris]], and [[Mark Goldblatt]], who said although there was more time to edit than on ''The Terminator'', it was still relatively small given the greater scope of the sequel. They described the complexity of scenes such as the final battle between the Terminators, which required a seamless combination of live-action, practical effect shots, and CGI.<ref name="THREditors"/> After having to rush editing at the end of ''The Abyss'', Cameron limited filming on ''Terminator 2'' to five days a week so he could help edit the film on weekends from the start of filming.<ref name="EmpireMostExpensive"/> |
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Several scenes were deleted, in part to reduce its running time. These include Kyle Reese appearing to Sarah in a dream and encouraging her to continue fighting,<ref name="ScreenRantBiehn"/> Sarah being beaten in the hospital,<ref name="PasteDeleted"/> the T-1000 killing John's dog (a scene the animal-loving Patrick was not a fan of),<ref name="T1000THR"/><ref name="RollingStoneDeleted"/> John teaching the T-800 to smile and discussing whether it fears death, the T-1000 malfunctioning after being frozen in the steel mill, and additional scenes with Dyson's family.<ref name="PasteDeleted"/><ref name="ScreenRantDeletedExtended"/> Schwarzenegger unsuccessfully rallied to retain his favorite scene, in which John and Sarah modify the T-800's CPU, allowing it to learn and evolve. Sarah attempts to destroy the CPU but John defends the T-800. The scene was replaced with dialogue indicating the T-800 already possesses the ability to learn.<ref name="TheRingerOral"/><ref name="PasteDeleted"/><ref name="RollingStoneDeleted"/> The scripted ending depicted an alternative 2029 that was filmed at the [[Los Angeles County Arboretum and Botanic Garden|Los Angeles Arboretum]] in [[Arcadia, California|Arcadia]], in which an aged Sarah narrates how Skynet was never created while John, now a senator, plays with his daughter. To make the film more evocative and memorable, Cameron changed this scene to one in which the characters look out at the road ahead.{{efn|Attributed to multiple references:<ref name="Curbed"/><ref name="ShortLust20Things"/><ref name="DogAustin"/><ref name="DogEndings"/>}} |
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⚫ | Cameron and Schwarzenegger said the final budget, excluding marketing, was about $70{{nbs}}million, and the cost of making the film was about $51{{nbs}}million.<ref name="LATimesSummerSpecial"/><ref name="EWCashFlow"/> According to Carolco executives Peter Hoffman and Roger Smith, the film cost $75{{nbs}}million |
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The production ran until about two days before the film's theatrical release. Delays were mainly caused by the rendering of shots at [[Consolidated Film Industries]], the most difficult of which was the T-1000's death. Co-producer Stephanie Austin said the production crew worked twenty-four-hour shifts and slept on site. The 137{{nbs}}minute long [[release print]] was delivered to theaters the night before its release.<ref name="DOGHowitwasmade"/><ref name="BBFCRuntime"/> There were two private pre-release screenings: one for family, friends, and crew at [[Skywalker Ranch]] and another in Los Angeles for studio executives. Austin said, "People were stamping their feet and clapping for ten or fifteen minutes", at which point the crew knew they had succeeded.<ref name="DOGHowitwasmade"/> During test screenings the ending was well received, and was described as a "touching" favorite scene.<ref name="TheRingerOral"/> |
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⚫ | The minimum estimated cost to produce ''Terminator 2'' had been $60{{nbs}}million, dwarfing the budget of the first film.<ref name="TheRingerOral"/><ref name="DeadlineKassar"/><ref name="LATimesSummerSpecial"/> Cameron and Schwarzenegger said the final budget, excluding marketing, was about $70{{nbs}}million, and the cost of making the film was about $51{{nbs}}million.<ref name="LATimesSummerSpecial"/><ref name="EWCashFlow"/> According to Carolco executives Peter Hoffman and Roger Smith, the film cost $75{{nbs}}million before marketing, saying ''Terminator 2'' was only "modestly" over budget. Including marketing and other costs, the film's total budget is reported to be between $94{{nbs}}million and $102{{nbs}}million.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="DeadlineKassar"/><ref name="CTB"/><ref name="NYTimesApril1991"/><ref name="LATimesTristarBudget"/><ref name="Budget94Newsweek"/><ref name="Budget94DOG"/><ref name="Budget94Orlando"/>}}{{efn|The 1991 budget of $94–102{{nbs}}million is equivalent to ${{Format price|{{Inflation|US|94000000|1991}}}}–{{Format price|{{Inflation|US|102000000|1991}}}} in {{Inflation/year|US}}.}} Kassar said he had secured 110% of the budget from advances and guarantees of $91{{nbs}}million, including North American television ($7{{nbs}}million) and home-video ($10{{nbs}}million) rights, and $61{{nbs}}million from theatrical, home-video and television rights outside the U.S.<ref name="DeadlineKassar"/><ref name="CTB"/><ref name="EWCashFlow"/> The distribution deal with TriStar Pictures earned it a set percentage of the budget—an estimated $4{{nbs}}million.<ref name="DeadlineKassar"/><ref name="CTB"/> News sources labelled ''Terminator 2'' the most-expensive independent film ever and predicted it would "bankrupt Carolco".<ref name="TheRingerOral"/><ref name="DeadlineKassar"/> |
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===Special effects and design=== |
===Special effects and design=== |
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{{Main|Special effects of Terminator 2: Judgment Day}} |
{{Main|Special effects of Terminator 2: Judgment Day|l1=Special effects of ''Terminator 2: Judgment Day''}} |
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[[File:Terminator 2 T-1000 special effects.webm|thumb|thumbtime=5|alt=Video sample of the film|The visual effects used |
[[File:Terminator 2 T-1000 special effects.webm|thumb|thumbtime=5|alt=Video sample of the film|The visual effects used were highly advanced for the time, such as combining CGI and prosthetics to demonstrate the T-1000's shapeshifting ability (0:20)]] |
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A 10-month schedule and about $15–$17{{nbsp}}million of ''Terminator 2''{{'}}s budget was allocated to the entirety of its special effects, including $5{{nbsp}}million for the T-1000 alone, and a further $1{{nbsp}}million for stunts, at the time one of the largest |
A 10-month schedule and about $15–$17{{nbsp}}million of ''Terminator 2''{{'}}s budget was allocated to the entirety of its special effects, including $5{{nbsp}}million for the T-1000 alone, and a further $1{{nbsp}}million for stunts, at the time one of the largest-ever stunt budgets.{{efn|Attributed to multiple references:<ref name="DeadlineKassar"/><ref name="NYTimestunts"/><ref name="GuardiantMostExpensive"/><ref name="VultureT1000"/>}} Four main companies were involved in creating the 150 visual effects. ILM under special effects supervisor [[Dennis Muren]] managed the [[computer-generated imagery]] (CGI) effects, [[Stan Winston Studio]] the prosthetics and animatronics, Fantasy II Film Effects developed miniatures and optical effects, and 4-Ward Productions were responsible for creating a nuclear explosion effect. [[Pacific Data Images]] and Video Image provided some additional effects.{{sfn|Duncan|1991|p=6}} The cost and time involved in producing CGI meant the effect was used sparingly, appearing in 42–43 shots, alongside 50–60 practical effects.<ref name="TheRingerOral"/>{{sfn|Duncan|1991|pp=6,9}} |
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Produced near the advent of CGI, |
Produced near the advent of CGI, realizing the T-1000 was a risky endeavor as there was no backup plan in place if the CGI did not work as intended or could not be composited effectively with Winston's practical effects.<ref name="DOGHowitwasmade"/> The computer systems needed to animate and render the T-1000 CGI cost thousands of dollars alone, but creating the character also relied on a variety of practical appliances, visual illusions, and filming techniques.<ref name="DOGHowitwasmade"/><ref name="NYTimesilicon"/>{{sfn|Duncan|1991|p=9}} A team of up to 35 at ILM were required for the five minutes of screen time the T-1000's effects appear, and the process was so complex that rendering 15 seconds of footage took up to ten days.<ref name="EmpireMostExpensive"/><ref name="DOG20YrRetro"/><ref name="GuardiantMostExpensive"/> |
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===Music=== |
===Music=== |
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{{See also|Terminator 2: Judgment Day (score)|You Could Be Mine| |
{{See also|Terminator 2: Judgment Day (score)|You Could Be Mine|l1=''Terminator 2: Judgment Day'' (score)}} |
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{{Listen|filename=Terminator 2 Judgment Day - Escape from the Hospital.flac|pos=left|title=''Brad Fiedel—Escape from the Hospital''|description= |
{{Listen|filename=Terminator 2 Judgment Day - Escape from the Hospital.flac|pos=left|title=''Brad Fiedel—Escape from the Hospital''|description=The T-1000 theme by Fiedel|format=[[flac]]}} |
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''The Terminator'' composer [[Brad Fiedel]] returned for the sequel, working in his garage in [[Studio City, Los Angeles]]. Film industry professionals regarded his return with concern and skepticism |
''The Terminator'' composer [[Brad Fiedel]] returned for the sequel, working in his garage in [[Studio City, Los Angeles]]. Film industry professionals regarded his return with concern and skepticism as they believed his style would not suit the film.<ref name="TheRingerOral"/><ref name="BBCMusicReview"/><ref name="DOGFiedel"/> Fiedel quickly realized he would not receive the finished footage until late in the production after most effects were completed, which made it difficult to commit to decisions such as use of an orchestra because, unlike ambient music, the score had to accompany the on-screen action. Fiedel and Cameron wanted the musical tone to be "warmer" due to its focus on a nobler Terminator and young John. Fiedel experimented with sounds and shared them with Cameron for feedback.<ref name="DOGFiedel"/> |
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While ''The Terminator'' score had mainly used oscillators and synthesizers, Fiedel recorded real instruments and modified their sounds. He developed a library of sounds for characters such as the T-1000, whose theme was created by sampling brass-instrument players warming up and improvising. Fiedel said to the players, "You're an insane asylum. You're a bedlam of instruments." He slowed down the resulting sample and lowered the pitch, describing it as "artificial intelligent monks chanting". Cameron considered the "atonal" sound "too avant-garde" |
While ''The Terminator'' score had mainly used [[Voltage-controlled oscillator|oscillators]] and [[synthesizers]], Fiedel recorded real instruments and modified their sounds. He developed a library of sounds for characters such as the T-1000, whose theme was created by sampling brass-instrument players warming up and improvising. Fiedel said to the players, "You're an insane asylum. You're a bedlam of instruments." He slowed down the resulting sample and lowered the pitch, describing it as "artificial intelligent monks chanting". Cameron considered the "atonal" sound "too avant-garde", to which Fiedel replied, "you're creating something that people have never seen before, and [the score] ought to sound like something people have never heard before to support that".<ref name="DOGFiedel"/> |
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Tri-Star asked Schwarzenegger to arrange a tie-in music video and theme song for the film |
Tri-Star asked Schwarzenegger to arrange a tie-in music video and theme song for the film. He chose to work with rock band [[Guns N' Roses]] because they were popular and there was "a rose in the movie and bloody guns". The band offered the use of "[[You Could Be Mine]]", the debut single from their album ''[[Use Your Illusion II]]'' (1991). The music video, featuring Schwarzenegger as the T-800 pursuing the band, was directed by Stan Winston, [[Andrew Morahan]], and Jeffrey Abelson.<ref name="TheRingerOral"/><ref name="DOGYouCouldBeMine"/><ref name="NYTimesGunsNRoses"/> Patrick unsuccessfully lobbied to use "[[Head Like a Hole]]" by [[Nine Inch Nails]] as the tie-in song, in part because his brother, [[Richard Patrick]], was their tour guitarist.<ref name="GuardianNineInch"/> Wisher suggested using "[[Bad to the Bone]]" by [[George Thorogood & the Destroyers]] as the T-800 puts on the biker clothes. Although Cameron did not like the idea, Wisher said he later found Cameron had used the song but had forgotten it was his idea.<ref name="InverseMusic"/> "[[Guitars, Cadillacs]]" by [[Dwight Yoakam]] also features in ''Terminator 2''.<ref name="ScreenRantMusic"/> |
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==Release== |
==Release== |
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===Context=== |
===Context=== |
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{{See also|1991 in film}} |
{{See also|1991 in film}} |
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The summer theatrical season, spanning from mid-May to early September, was anticipated to witness strong competition among studios. Fifty-five films were slated for release compared to thirty-seven in 1990. Release dates underwent frequent changes as studios aimed to evade direct competition and optimize their films' chances of success to compensate for the 20% increase in film production costs since 1990. This increase was partly attributed to hefty salaries demanded by stars who also claimed a portion of the film's profits. Moreover, revenues from box-office receipts, video sales, and television-network deals were on the decline.<ref name="DOG1991Retro"/><ref name="LATimes1991March31"/> Films scheduled for release included ''[[City Slickers]]'', ''[[The Naked Gun 2½: The Smell of Fear]]'', ''[[Only the Lonely (film)|Only the Lonely]]'', ''[[Hudson Hawk]]'', ''[[The Rocketeer (film)|The Rocketeer]]'', ''[[What About Bob?]]'', and ''[[Point Break]]''. ''Terminator 2'' was among the films expected to do well, along with ''[[Backdraft (film)|Backdraft]]'', ''[[Dying Young]]'', and the year's predicted top film ''[[Robin Hood: Prince of Thieves]]''. It was also seen as having strong international appeal.<ref name="LATimes1991March31"/><ref name="LATimes1991May12"/><ref name="NYTimesMGM"/> An unnamed studio executive said audiences were seeking escapist entertainment such as comedy or action, and avoiding films about less-positive subject matter.<ref name="NYTimes1991Jul9BOX"/> |
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===Marketing and promotion=== |
===Marketing and promotion=== |
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Schwarzenegger was involved in ''Terminator 2''{{'s}} marketing and merchandising campaign, which was estimated to be worth at least $20{{nbs}}million.<ref name="Cinephilia"/><ref name="CTB"/> By 1991, advertising for ''Terminator 2'' was ubiquitous with high audience recognition and despite its |
Schwarzenegger was involved in ''Terminator 2''{{'s}} marketing and merchandising campaign, which was estimated to be worth at least $20{{nbs}}million.<ref name="Cinephilia"/><ref name="CTB"/> By 1991, advertising for ''Terminator 2'' was ubiquitous with high audience recognition and despite its U.S. [[Motion Picture Association film rating system|R{{nbs}}rating]], which restricted the film to audiences aged 17 and over unless accompanied by an adult, merchandise was mainly aimed at children. Tristar contributed about $20{{nbs}}million for marketing, which included a $150,000 teaser trailer that was directed by Winston and depicts the construction of a T-800. Trailers ran for six months before the film's release. Tristar incentivized cinema staff to play it frequently by offering chances to win ''Terminator 2''-branded goods and tickets to the premiere. Fast-food restaurants and soft-drink manufacturers, such as [[Subway (restaurant)|Subway]] and [[Pepsi]], also offered ''Terminator 2''-themed food and drink, alongside promotional posters.{{efn|Attributed to multiple references:<ref name="EWMerch"/><ref name="TheRingerOral"/><ref name="GRaderMakingOf"/><ref name="LATimesTristarBudget"/><ref name="LATimesMarketing"/><ref name="LATimesTrailers"/>}} |
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The premiere took place on July 1, 1991, at the [[Cineplex Odeon Corporation|Cineplex Odeon]] in [[Century City]], Los Angeles.<ref name="LATimesPremiere" /><ref name="GQPremiere" /> According to Fiedel, it was treated as a major event, unlike the premiere of ''The Terminator'', during which the audience was skeptical or laughed at the wrong times. Celebrities in attendance included [[Maria Shriver]], [[Nicolas Cage]], [[Sylvester Stallone]], [[Sharon Stone]], [[Michael Douglas]], and Furlong's date [[Soleil Moon Frye]].<ref name="TheRingerOral"/><ref name="GQPremiere"/> |
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===Box office=== |
===Box office=== |
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''Terminator 2: Judgment Day'' |
''Terminator 2: Judgment Day'' opened in the United States and Canada on July 3, leading into the [[Independence Day (United States)|Independence Day]] holiday weekend.<ref name="TheRingerOral"/><ref name="LATimes1991March31"/><ref name="NYTimes1991Jul9BOX"/> It had the highest-grossing Wednesday opening with $11.8{{nbs}}million.<ref name="BoOpeningWed"/><ref name="OpeningWed2"/> Between Friday and Sunday, the film grossed $31.8{{nbs}}million from 2,274 theaters, an average of $13,969 per theater, making it the [[List of 1991 box office number-one films in the United States|number-one film of the weekend]] ahead of ''The Naked Gun 2½'' ($11.6{{nbs}}million) in its second weekend and ''Robin Hood: Prince of Thieves'' ($10.3{{nbs}}million) in its fourth.<ref name="NYTimes1991Jul9BOX"/><ref name="BOMNAWeekend1"/> Over the five-day holiday weekend (Wednesday to Sunday), ''Terminator 2'' grossed $52.3{{nbs}}million, becoming the second-highest opening five-day total ever behind ''[[Batman (1989 film)|Batman]]''{{'}}s $57{{nbs}}million in 1989,<ref name="NYTimes1991Jul9BOX"/><ref name="BOMWeekendOverview"/><ref name="TheNumbersBO"/> It set a record opening for an R-rated film and for an Independence Day weekend. The opening week audience was evenly split between adults, teenagers, and children, about 25%–30% of whom were women, although Tri-Star said the figure was higher. The film benefited from repeat viewings by young audience members.<ref name="LATimesMoney"/> One theater chain executive said: "...{{nbs}}nothing since ''Batman'' has created the frenzy for tickets we saw this weekend with ''Terminator''. At virtually all our locations, we are selling out{{nbs}}... the word-of-mouth buzz out there is just phenomenal".<ref name="NYTimes1991Jul9BOX"/> Industry professional [[Lawrence Kasanoff]] said it was an "open secret" that despite the R rating, children were seeing the film, remarking "When ''T2'' opened, I saw kids skateboard up to the ticket window{{nbsp}}..."<ref name="LATimesMerch"/> |
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⚫ | It retained the number-one position in its second weekend, |
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⚫ | It retained the number-one position in its second weekend, grossing $20.7{{nbs}}million, ahead of the debuts of ''[[One Hundred and One Dalmatians]]'' ($10.3{{nbs}}million) and ''[[Boyz n the Hood]]'' ($10{{nbs}}million),<ref name="BOMNAWeekend2"/> and in its third weekend with $14.9{{nbs}}million, ahead of ''[[Bill & Ted's Bogus Journey]]'' ($10.2{{nbs}}million) and ''One Hundred and One Dalmatians'' ($7.8{{nbs}}million).<ref name="BOMNAWeekend3"/> ''Terminator 2: Judgment Day'' fell to number two in its fifth weekend, grossing $8.6{{nbs}}million against the debut of the comedy ''[[Hot Shots!]]'' ($10.8{{nbs}}million).<ref name="BOMWeekendOverview"/><ref name="BOMNAWeekend5"/> It remained in the top-five highest-grossing films for twelve consecutive weeks and the top-ten highest-grossing films for fifteen weeks. In total, ''Terminator 2: Judgment Day'' spent about twenty-six weeks in theaters in a total of 2,495 cinemas, and grossed $204.8{{nbs}}million, making it the highest-grossing film of the year, ahead of ''Robin Hood: Prince of Thieves'' ($165{{nbs}}million), ''[[Beauty and the Beast (1991 film)|Beauty and the Beast]]'' ($145{{nbs}}million), and ''[[The Silence of the Lambs (film)|The Silence of the Lambs]]'' ($130{{nbs}}million).{{efn|Attributed to multiple references:<ref name="BOMWeekendOverview"/><ref name="DOG1990Global"/><ref name="LATimes1993April21"/><ref name="LATimes1991inReview"/><ref name="TampaBayBO"/>}} This also made it the thirteenth-highest-grossing film of its time, behind ''[[Back to the Future]]'' (1985), and the highest-grossing R-rated film.<ref name="TheRingerOral"/><ref name="LATimes1991OctAnalysis"/> The ''[[Los Angeles Times]]'' estimated after the theater and distributor cuts, the box-office returns to Carolco would be well over twenty percent of the film's cost.<ref name="LATimesCurve"/> |
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Outside the U.S. and Canada, ''Terminator 2: Judgment Day'' set numerous box office records, including a three-day opening of $4.4{{nbs}}million (a one-week record of $7.8{{nbs}}million). It earned at least $30{{nbs}}million in the United Kingdom,{{sfn|Variety, August 26|1991|p=9}}{{sfn|Groves, Don, August|1991|p=108}}<ref name="LATimes1991OctAnalysis"/> $9.5 one-week in France (biggest opening since ''[[Rocky IV]]'') and $16{{nbs}}million in two weeks,<ref name="LATimes1991OctAnalysis"/>{{sfn|Pitman|1991|pp=68, back cover}} Germany ($8{{nbs}}million in five days),<ref name="LATimes1991OctAnalysis"/> $1.2{{nbs}}million in Thailand—becoming its highest-grossing western-hemisphere film ever—{{sfn|Groves, Don, August|1991|p=108}}and a record Australian opening weekend.{{sfn|Groves, Don, September|1991|p=Back cover}} The film also performed well in Brazil and earned at least $51{{nbs}}million in Japan.<ref name="LATimes1991OctAnalysis"/> Internationally, the film earned about $312.1{{nbs}}million, making it the first film to gross over $300{{nbs}}million outside of the U.S. and Canada.<ref name="BOMTitleSummary"/><ref name="ForbesNonContributor"/> |
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''Terminator 2: Judgment Day'' is estimated to have |
Outside the U.S. and Canada, ''Terminator 2: Judgment Day'' set numerous box office records. In the United Kingdom it had a record three-day opening weekend of $4.4{{nbs}}million (and a one-week record of $7.8{{nbs}}million) and went on to gross at least $30{{nbs}}million.<ref name="LATimes1991OctAnalysis"/>{{sfn|Variety, August 26|1991|p=9}}{{sfn|Groves, Don, August|1991|p=108}} In France it grossed a record $9.5 million in its opening week (the biggest opening since ''[[Rocky IV]]'') and $16{{nbs}}million in two weeks.<ref name="LATimes1991OctAnalysis"/>{{sfn|Pitman|1991|pp=68, back cover}} In Germany it grossed a record $8{{nbs}}million in five days<ref name="LATimes1991OctAnalysis"/> and also had a record Australian opening weekend of $1.9 million.{{sfn|Groves, Don, September|1991|p=Back cover}}<ref>{{cite magazine|magazine=[[Screen International]]|date=September 10, 1993|page=28|title=Australia's top first weekend grossers}}</ref><ref>{{cite magazine|magazine=[[Variety (magazine)|Variety]]|page=37|date=16 September 1991|title=International boxoffice report|quote=$A1=$0.79}}</ref> In Thailand it was the highest-grossing western-hemisphere film ever with a gross of $1.2{{nbs}}million.{{sfn|Groves, Don, August|1991|p=108}} The film also performed well in Brazil and grossed at least $51{{nbs}}million in Japan.<ref name="LATimes1991OctAnalysis"/> Internationally, the film grossed about $312.1{{nbs}}million, making it the first film to gross over $300{{nbs}}million outside of the U.S. and Canada.<ref name="BOMTitleSummary"/><ref name="ForbesNonContributor"/> ''Terminator 2: Judgment Day'' is estimated to have grossed a worldwide total of $519–$520.9{{nbs}}million,{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="DOG1991Retro"/><ref name="ForbesNonContributor"/><ref name="BOMBackup"/>}}{{efn|The 1991 box office gross of $519–$520.9{{nbs}}million is equivalent to ${{Format price|{{Inflation|US|519000000|1991}}}}–${{Format price|{{Inflation|US|520900000|1991}}}} in {{Inflation/year|US}}.}} making it the year's highest-grossing film, and the third-highest-grossing film ever, behind 1977's ''[[Star Wars (film)|Star Wars]]'' ($530{{nbs}}million) and 1982's ''[[E.T. the Extra-Terrestrial]]'' ($619{{nbs}}million).<ref name="ForbesNonContributor"/><ref name="DeadlineBOWorldwide"/> |
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==Reception== |
==Reception== |
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===Critical response=== |
===Critical response=== |
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''Terminator 2: Judgment Day'' was released to general acclaim.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="AFIBio"/><ref name="ForbesNonContributor"/><ref name="ScreenRantRave"/><ref name="ScreenRantSuccess"/>}} Many reviews focused on the state-of-the-art physical, special, and make-up effects, which were roundly praised as "revolutionary" and "spectacular", particularly those relating to the T-1000 as a "technological wonder".{{efn|Attributed to multiple references:<ref name="ReviewAustinChron"/><ref name="ReviewEbert"/><ref name="ReviewEW"/><ref name="ReviewNYTimes"/><ref name="ReviewNewsweek"/><ref name="ReviewRollingStone"/><ref name="ReviewWaPoBrown"/><ref name="ReviewLATimes"/>}} Several publications wrote Cameron's ability to realize cinematic action blockbusters was unmatched |
''Terminator 2: Judgment Day'' was released to general acclaim.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="AFIBio"/><ref name="ForbesNonContributor"/><ref name="ScreenRantRave"/><ref name="ScreenRantSuccess"/>}} Many reviews focused on the state-of-the-art physical, special, and make-up effects, which were roundly praised as "revolutionary" and "spectacular", particularly those relating to the T-1000 as a "technological wonder".{{efn|Attributed to multiple references:<ref name="ReviewAustinChron"/><ref name="ReviewEbert"/><ref name="ReviewEW"/><ref name="ReviewNYTimes"/><ref name="ReviewNewsweek"/><ref name="ReviewRollingStone"/><ref name="ReviewWaPoBrown"/><ref name="ReviewLATimes"/>}} Several publications wrote Cameron's ability to realize cinematic action blockbusters was unmatched. [[Janet Maslin]] said at his best, despite occasional lapses into melodrama, Cameron's work is akin to that of director [[Stanley Kubrick]].{{efn|Attributed to multiple references:<ref name="ReviewAustinChron"/><ref name="ReviewNYTimes"/><ref name="ReviewEmpire"/><ref name="ReviewWaPoHinson"/>}} Both Maslin and ''[[The Austin Chronicle]]'' commented on the kindness and compassion in the film. ''The Austin Chronicle'' contrasted it to the lack of a moral message in ''The Terminator'' and Travers described it as a "visionary parable" but they, alongside others, criticized ''Terminator 2''{{'}}s "muddled" message about protecting the value of human life and peace by using extreme violence to prevent the use of nuclear weapons, war, and technological reliance.{{efn|Attributed to multiple references:<ref name="ReviewAustinChron"/><ref name="ReviewNYTimes"/><ref name="ReviewNewsweek"/><ref name="ReviewWaPoBrown"/><ref name="ReviewTheNewYorker"/><ref name="ReviewTime"/>}} |
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Reviewers generally agreed the narrative early in the film is stronger than the one near the end. Glieberman said the first hour has a genuine "emotional pull" and according to Ebert, the initial concept of a boy finding a father figure in a Terminator that is learning to be human is "intriguing", but Glieberman said the narrative weakens once Hamilton's character joins the group |
Reviewers generally agreed the narrative early in the film is stronger than the one near the end. [[Owen Glieberman]] said the first hour has a genuine "emotional pull" and according to [[Roger Ebert]], the initial concept of a boy finding a father figure in a Terminator that is learning to be human is "intriguing", but Glieberman said the narrative weakens once Hamilton's character joins the group. Travers and Corliss wrote it stumbles after hours of relentless action and a "conventional climax". Despite this observation, Glieberman praised the final battle between the T-1000 and the protagonists.{{efn|Attributed to multiple references:<ref name="ReviewEbert"/><ref name="ReviewEW"/><ref name="ReviewRollingStone"/><ref name="ReviewWaPoHinson"/><ref name="ReviewTime"/>}} ''Empire''{{'}}s review and [[Terrence Rafferty]] found the film's narrative less satisfying and idea-driven than that of ''The Terminator''. Glieberman said despite it being an effective and witty thriller, ''Terminator 2: Judgment Day'' comes across as an expensive [[B movie]] when compared with "visionary spectacles" such as the ''[[Mad Max]]'' series and ''[[RoboCop]]'' (1987). [[Kenneth Turan]] said ''Terminator 2''{{'}}s action scenes succeed without the extreme gore and violence of ''RoboCop''.{{efn|Attributed to multiple references:<ref name="ReviewEW"/><ref name="ReviewLATimes"/><ref name="ReviewEmpire"/><ref name="ReviewTheNewYorker"/>}} |
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Ebert and Maslin, among others, appreciated the twist on Schwarzenegger's public action-hero persona by making him a hero who does not kill his enemies |
Ebert and Maslin, among others, appreciated the twist on Schwarzenegger's public action-hero persona by making him a hero who does not kill his enemies. [[David Ansen]] and Glieberman found humor in the T-800's non-lethal methods and efforts to become more human-like.{{efn|Attributed to multiple references:<ref name="ReviewEbert"/><ref name="ReviewEW"/><ref name="ReviewNYTimes"/><ref name="ReviewNewsweek"/><ref name="ReviewLATimes"/><ref name="ReviewEmpire"/>}} Maslin and Hinson agreed, as in ''The Terminator'', Schwarzenegger's role is perfect for his acting abilities. Hinson said Schwarzenegger portrayed more humanity as a machine than he did when portraying normal people.<ref name="ReviewNYTimes"/><ref name="ReviewWaPoHinson"/> In contrast, ''Empire'' suggested the change was a concession to Schwarzenegger's young fans and [[Peter Travers]] chose the T-800's death as a "cornball" scene that is out of place for the actor and film.<ref name="ReviewRollingStone"/><ref name="ReviewEmpire"/> |
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Several reviewers praised the T-1000 character for the combination of Patrick's "chilling" expressionless performance and the advanced special effects, which create an implacable, "showstopping" villain |
Several reviewers praised the T-1000 character for the combination of Patrick's "chilling" expressionless performance and the advanced special effects, which create an implacable, "showstopping" villain. ''Empire'' called the character "one of the great monsters of the cinema".{{efn|Attributed to multiple references:<ref name="ReviewAustinChron"/><ref name="ReviewEbert"/><ref name="ReviewEW"/><ref name="ReviewNYTimes"/><ref name="ReviewEmpire"/>}} Glieberman said the character's absence from much of the film's second act is to the film's detriment, and Hinson wrote the T-1000 lacks any "soul" and thus a way for the audience to identify with it.<ref name="ReviewEW"/><ref name="ReviewWaPoHinson"/> Critics generally agreed Hamilton portrays a "fierce" female hero with an impressive physique that lets her outshine another action hero, [[Sigourney Weaver]]'s [[Ellen Ripley]] in Cameron's ''[[Aliens (film)|Aliens]]'' (1986).{{efn|Attributed to multiple references:<ref name="ReviewEbert"/><ref name="ReviewNYTimes"/><ref name="ReviewNewsweek"/><ref name="ReviewWaPoBrown"/>}} Other publications found Sarah Connor's narrations about peace to be "heavy-handed", overused, and "unintentionally amusing".{{efn|Attributed to multiple references:<ref name="ReviewRollingStone"/><ref name="ReviewWaPoBrown"/><ref name="ReviewTime"/><ref name="ReviewVariety"/>}} Furlong was praised for giving a natural performance at a young age,{{efn|Attributed to multiple references:<ref name="ReviewEbert"/><ref name="ReviewNYTimes"/><ref name="ReviewNewsweek"/><ref name="ReviewWaPoHinson"/>}} and Hinson wrote despite limited screentime, Morton made an impression.<ref name="ReviewWaPoHinson"/> Audiences polled by [[CinemaScore]] gave the film an average grade of "A+" on a scale of A+ to F.<ref name="CinemaScore"/> |
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===Accolades=== |
===Accolades=== |
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At the [[18th Saturn Awards|1992 Saturn Awards]], ''Terminator 2: Judgment Day'' received awards for [[Saturn Award for Best Science Fiction Film|Best Science Fiction Film]], [[Saturn Award for Best Director|Best Director]] (Cameron), [[Saturn Award for Best Actress|Best Actress]] (Hamilton), [[Saturn Award for Best Performance by a Younger Actor|Best Performance by a Younger Actor]] (Furlong), and [[Saturn Award for Best Special Effects|Best Special Effects]] |
At the [[18th Saturn Awards|1992 Saturn Awards]], ''Terminator 2: Judgment Day'' received awards for [[Saturn Award for Best Science Fiction Film|Best Science Fiction Film]], [[Saturn Award for Best Director|Best Director]] (Cameron), [[Saturn Award for Best Actress|Best Actress]] (Hamilton), [[Saturn Award for Best Performance by a Younger Actor|Best Performance by a Younger Actor]] (Furlong), and [[Saturn Award for Best Special Effects|Best Special Effects]], as well as nomination for Best Actor (Schwarzenegger).<ref name="saturnaward"/><ref name="SaturnAwardCT"/> It also won Favorite Motion Picture at the [[18th People's Choice Awards]].<ref name="PeoplesChoice1992"/> For the [[45th British Academy Film Awards]], ''Terminator 2'' received awards for [[BAFTA Award for Best Sound|Best Sound]] ([[Lee Orloff]], [[Tom Johnson (sound engineer)|Tom Johnson]], [[Gary Rydstrom]], [[Gary Summers]]) and [[BAFTA Award for Best Special Visual Effects|Best Special Visual Effects]] (Stan Winston, Dennis Muren, [[Gene Warren Jr.]], [[Robert Skotak]]), as well as a nomination for [[BAFTA Award for Best Production Design|Best Production Design]] (Joseph Nemec III).<ref name="BAFTA1991"/> |
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The [[64th Academy Awards]] earned ''Terminator 2'' four awards |
The [[64th Academy Awards]] earned ''Terminator 2'' four awards: [[Academy Award for Best Makeup and Hairstyling|Best Makeup]] (Winston and [[Jeff Dawn]]), [[Academy Award for Best Sound|Best Sound]] (Orloff, Johnson, Rydstrom, and Summers), [[Academy Award for Best Sound Editing|Best Sound Effects Editing]] (Rydstrom and [[Gloria S. Borders]]), and [[Academy Award for Best Visual Effects|Best Visual Effects]] (Muren, Winston, Warren Jr., and Skotak), as well as nominations for [[Academy Award for Best Cinematography|Best Cinematography]] (Adam Greenberg) and [[Academy Award for Best Film Editing|Best Film Editing]] (Conrad Buff, Mark Goldblatt and Richard A. Harris).<ref name="AcademyAward"/> It was the first film to win an Academy Award when its predecessor had not been nominated.<ref name="DigitalSpyReviewed"/> It received six awards at the [[1992 MTV Movie Awards]], including: Best Movie, Best Action Sequence ("L.A. Freeway Scene"), Best Breakthrough Performance (Furlong), Best Female Performance (Hamilton), Best Male Performance (Schwarzenegger), and nominations for Best Song From a Movie ("You Could Be Mine"), Best Villain (Patrick), and Most Desirable Female (Hamilton),<ref name="mtvmovieaward1992"/> as well as a [[Hugo Award for Best Dramatic Presentation]] (Cameron and Wisher).<ref name="Hugo92"/> |
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==Post-release== |
==Post-release== |
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===Aftermath=== |
===Aftermath=== |
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''Terminator 2: Judgment Day'' |
''Terminator 2: Judgment Day'' launched the careers or raised the profiles of its principal actors. According to industry professionals, Schwarzenegger became the top international star ahead of actors such as [[Mel Gibson]] and [[Tom Cruise]].<ref name="LATimesPremiere"/> It also marked the start of a lasting friendship between Schwarzenegger and Cameron, who formed a "midlife crisis motorcycle club" and reunited for the action film ''[[True Lies]]'' (1994).<ref name="TheRingerOral"/> Cameron and Hamilton began a romantic relationship in 1991, married in 1997, and later divorced.<ref name="EWHamilton"/><ref name="IndependentHamilton"/> In 1992 Cameron was given a five-year, $500{{nbs}}million contract by [[20th Century Studios|20th Century Fox]] to produce twelve films.<ref name="NYTimesCameron500"/><ref name="LATimesCameron500"/> |
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Furlong became |
Furlong became a highly sought after actor and Patrick found dealing with his new-found recognition difficult as people asked him to impersonate the T-1000.<ref name="TheRingerOral"/> Despite the film's success, Carolco reported 1991 losses of $265.1{{nbs}}million, which was caused by the financial problems of its other films and subsidiaries. Support from investors failed to prevent the studio filing for bankruptcy in 1995 and its assets, including ''Terminator 2'', were sold to [[Canal+|Canal Plus]] for $58{{nbs}}million.{{efn|Attributed to multiple references:<ref name="LATimesCarolcoLoss"/><ref name="NYTimesCarolcoLoss"/><ref name="NYTimesCarolcoLoss2"/><ref name="NYTimesCarolcoBankruptcy"/><ref name="LATimesCarolcoBankruptcy"/>}} |
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===Home media=== |
===Home media=== |
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In December 1991, ''Terminator 2: Judgment Day'' was released on [[VHS]] and [[LaserDisc]].<ref name="NYTimesVHS1"/><ref name="NYTimesVHS2"/><ref name="LATimesVHS3"/> It was a popular rental in the U.S. and Canada |
In December 1991, ''Terminator 2: Judgment Day'' was released on [[VHS]] and [[LaserDisc]].<ref name="NYTimesVHS1"/><ref name="NYTimesVHS2"/><ref name="LATimesVHS3"/> It was a popular rental in the U.S. and Canada, with a record 714,000 copies shipped to retailers, and it became the best-selling rental by mid-January 1992.{{efn|Attributed to multiple references:<ref name="LATimesVHS4"/><ref name="LATimesVHS5"/><ref name="LATimesVHS6"/><ref name="LATimesVHS7"/><ref name="LATimesVHS8"/>{{sfn|Berman|1992|p=22}}}} [[Varèse Sarabande]] released Fiedel's score, which spent six weeks on the ''[[Billboard 200]]'' record chart, peaking at number{{nbs}}70.<ref name="BBCMusicReview"/><ref name="Billboard200"/> The theme song "You Could Be Mine" peaked at number{{nbs}}29 on the U.S. ''[[Billboard 100]]'', and performed well in the United Kingdom, Australia, Germany, Spain, and Canada.<ref name="Billboard100"/><ref name="UKCharts"/>{{sfn|Billboard Magazine, October|1991|p=73}} |
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A "Special Edition" LaserDisc was released in 1993, featuring a 15-minute extended version of the film that restored deleted scenes, interviews with cast and crew, storyboards, designs, and unrestored deleted scenes. Cameron stated he did not use the label "Director's Cut" because he considered the theatrical releases to be definitive and the extended versions as opportunities to restore "depth and character made omissible by theatrical running time".<ref name="PasteDeleted"/><ref name="LATimes1993SpecialEdition"/> The theatrical version was released on [[DVD-Video|DVD]] in 1997.<ref name="EWDVD1997"/> In 2000, an "Ultimate Edition" DVD was released, containing the theatrical and "Special Edition" cuts, and a new "Extended Cut", containing a scene of the T-1000 inspecting John's bedroom, and the alternate ending. ''Terminator 2'' special effects coordinator [[Van Ling]] supervised the release.<ref name="PasteDeleted"/><ref name="IGNUltimateExtreme"/><ref name="BBCUltimate"/> The "Extreme Edition" was released in 2003, featuring the theatrical and "Special Edition" cuts, a remastered [[1080p]] image, Cameron's first commentary, and a documentary about the film's influence on special effects.<ref name="IGNUltimateExtreme"/> |
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⚫ | ''Terminator 2'' was released on [[Blu-ray]] in 2006 |
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⚫ | ''Terminator 2'' was released on [[Blu-ray]] in 2006, followed in 2009 by a "Skynet Edition" that contains the theatrical and "Special Edition" cuts, and commentaries with the cast and crew. This release includes a limited collector's set containing the Blu-ray, the "Ultimate" and "Extreme" editions on DVDs, a digital download version, all extant special features, and a {{Convert|14|in|adj=on}} T-800 skull bust.<ref name="IGNSkynetEdition1"/><ref name="IGNSkynetEdition2"/> A [[Ultra HD Blu-ray|4K Ultra HD Blu-ray]] version that includes a standard Blu-ray and digital version, was released in 2017. This release also offered a collector's option that includes one of 6,000 life-size replicas of a T-800 skeleton forearm, each signed by Cameron and individually numbered, the soundtrack, the theatrical, "Special", "Extended", and 2017 3D remaster cuts, and "Reprogramming the Terminator", a documentary that includes interviews with Schwarzenegger, Cameron, Furlong, and others.<ref name="IGNHomeMedia4k2017"/><ref name="PCMagHomeMedia4k2017"/><ref name="TechradarHomeMedia4k2017"/> |
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In 1991 [[Varèse Sarabande]] released Fiedel's score, which spent six weeks on the ''[[Billboard 200]]'' record chart, peaking at number{{nbs}}70.<ref name="BBCMusicReview"/><ref name="Billboard200"/> The theme song "You Could Be Mine" peaked at number{{nbs}}29 on the U.S. ''[[Billboard 100]]'', and performed well in the United Kingdom, Australia, Germany, Spain, and Canada.<ref name="Billboard100"/><ref name="UKCharts"/>{{sfn|Billboard Magazine, October|1991|p=73}} |
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===Other media=== |
===Other media=== |
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{{Main|List of Terminator video games|List of Terminator comics|T2-3D: Battle Across Time|l1= |
{{Main|List of Terminator video games|List of Terminator comics|T2-3D: Battle Across Time|l1=List of ''Terminator'' video games|l2=List of ''Terminator'' comic books|l3=''T2-3D: Battle Across Time''}} |
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''Terminator 2: Judgment Day'' was marketed with numerous tie-in products, including toys, puppets, trading cards, jigsaw puzzles, clothing, a perfume named "Hero", and a novelization by [[Randall Frakes]] that expands on the film's ending.{{efn|Attributed to multiple references:<ref name="EWMerch"/><ref name="LATimesMarketing"/><ref name="AmazonNovel"/><ref name="VideoGamesIGN"/><ref name="ScreenRantNovel"/>}} In 1991 [[Marvel Comics]] adapted the film into a comic book, which was followed by expansions of the ''Terminator 2'' narrative, including [[Malibu Comics]]'s "Cybernetic Dawn" and "Nuclear Twilight" (1995–1996) |
''Terminator 2: Judgment Day'' was marketed with numerous tie-in products, including toys, puppets, trading cards, jigsaw puzzles, clothing, a perfume named "Hero", and a novelization by [[Randall Frakes]] that expands on the film's ending.{{efn|Attributed to multiple references:<ref name="EWMerch"/><ref name="LATimesMarketing"/><ref name="AmazonNovel"/><ref name="VideoGamesIGN"/><ref name="ScreenRantNovel"/>}} In 1991 [[Marvel Comics]] adapted the film into a comic book, which was followed by expansions of the ''Terminator 2'' narrative, including [[Malibu Comics]]'s "Cybernetic Dawn" and "Nuclear Twilight" (1995–1996), [[Dynamite Entertainment]]'s "Infinity" and "Revolution" (2007), and the [[T2 (novel series)|''T2'' novel series]] by [[S. M. Stirling]] in the early 2000s.<ref name="DOGComics"/><ref name="ScreenRantNovels"/> Several video game adaptations of ''Terminator 2'' were published, including a [[Terminator 2: Judgment Day (pinball)|pinball machine]] and an [[Terminator 2: Judgment Day (arcade game)|arcade game]] in 1991. The arcade game was popular enough to be ported to home consoles as ''T2: The Arcade Game''.{{efn|Attributed to multiple references:<ref name="VideoGamesIGN"/><ref name="VideoGamesDOG"/><ref name="VideoGamesComplex"/><ref name="VideoGameEW"/>}} Multiple studios developed widely differing adaptations for home consoles, including''[[Terminator 2 (Game Boy video game)|Terminator 2]]'' for [[Game Boy]] and ''[[Terminator 2 (8-bit video game)|Terminator 2]]'' for the [[Nintendo Entertainment System]] (NES).<ref name="VideoGamesIGN"/> [[Terminator 2 (16-bit video game)|A later adaptation]] was developed for the [[Sega Genesis]] and [[Super Nintendo Entertainment System]], and [[Terminator 2 (computer game)|a different game]] was published for [[home computer]]s.<ref name="VideoGamesIGN"/><ref name="VideoGamesDOG"/><ref name="VideoGamesScreenRant"/> Merchandise for ''Terminator 2: Judgment Day'' was estimated to have generated $400{{nbsp}}million in sales.<ref name="LATimesMerch"/> |
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In 1996 ''[[T2-3D: Battle Across Time]]'', a live-action attraction, was opened at [[Universal Studios Florida]], and later at locations in [[Universal Studios Hollywood|Hollywood]] and [[Universal Studios Japan|Japan]] |
In 1996, ''[[T2-3D: Battle Across Time]]'', a live-action attraction, was opened at [[Universal Studios Florida]], and later at locations in [[Universal Studios Hollywood|Hollywood]] and [[Universal Studios Japan|Japan]]. The twenty-minute attraction was co-written and directed by Cameron and cost $60{{nbs}}million to produce, including live-action stunts and a $24{{nbs}}million, 12-minute, 3D{{nbs}}film starring Schwarzenegger, Hamilton, Patrick, and Furlong as their in-world characters, making it the most-expensive film per minute produced of its time. In it, Sarah and John attempt to stop Cyberdyne, which has developed Skynet. They are confronted by the T-1000 but saved by the T-800, which returns to 2029 with John to defeat Skynet and its latest creation, the T-1000000.<ref name="NYTimesBattleAcrossTime"/><ref name="ScreenRantBattleAcrossTime"/><ref name="BloodyDisgustingBattle"/> |
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===3D remaster=== |
===3D remaster=== |
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{{main|Special effects of Terminator 2: Judgment Day#3D |
{{main|Special effects of Terminator 2: Judgment Day#3D conversion||l1 = ''Terminator 2'' 3D remaster}} |
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Cameron oversaw a year-long 3D remaster and subsequent |
Cameron oversaw a year-long 3D remaster and subsequent theatrical re-release of ''Terminator 2: Judgment Day'' in August 2017. Cameron said: "If you've never seen it, this'll be the version you want to see and remember".<ref name="THR3DConversion"/><ref name="Variety3dConversion"/><ref name="Deadline3DConversion"/> Cameron made visual modifications to the film to fix errors that had bothered him, including the addition of windshield glass to the T-1000's truck, which fell out during its stunt fall and reappears in later scenes, concealing the obvious use of stuntmen for Furlong and Schwarzenegger during the same scene, concealed more of Patrick's nudity during his introduction, and brightened the visuals.<ref name="ScreenRant3DConversion"/> The 3D remaster's theatrical release was seen as a disappointment, earning about $562,000 in its debut across 386 theaters compared to the 3D re-release of Cameron's ''[[Titanic (1997 film)|Titanic]]'' in 2012, which fetched $17{{nbs}}million.<ref name="Deadline3DTheatrical"/><ref name="Forbes3dConversion"/> |
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==Themes and analysis== |
==Themes and analysis== |
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=== |
===Themes=== |
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A central theme of ''Terminator 2: Judgment Day'' is the relationship between John Connor and the T-800 that serves as a surrogate for the father (Kyle Reese) he never knew. Cameron said: "Sure, there's going to be big, thunderous action sequences, but the heart of the movie is that relationship", comparing it with the Tin Man getting a heart in ''The Wizard of Oz''.<ref name="TheRingerOral"/> |
A central theme of ''Terminator 2: Judgment Day'' is the relationship between John Connor and the T-800 that serves as a surrogate for the father (Kyle Reese) he never knew. Cameron said: "Sure, there's going to be big, thunderous action sequences, but the heart of the movie is that relationship", comparing it with the Tin Man getting a heart in ''The Wizard of Oz''.<ref name="TheRingerOral"/> As with Cameron's earlier film ''Aliens'', ''Terminator 2'' focuses on compassion and parental figures, depicting the T-800 as a relentless protector and father figure to John, against the equally relentless T-1000.<ref name="DOGHowToSequels"/> The T-800 is designed to emulate humans for infiltration purposes but as it grows and evolves, its emotions become real and it learns from John to feel grief. The T-800 chooses to sacrifice its life to ensure the survival of everyone else.<ref name="TheRingerOral"/><ref name="DigitalSpyReviewed"/><ref name="LATimesViolence"/> In 1991 essayist [[Robert Bly]] wrote elderly men were not offering suitable role models for young men, and in ''Terminator 2'', Sarah denounces the many men in her past who failed to be a father for John, except for the T-800. Once its role is complete, the T-800 leaves John for his own good after stating it lacks the emotions John must rely on.{{sfn|Alegre|1998|pp=91–92}} |
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While John teaches the T-800 about humanity, his biological mother Sarah has become less human because of her knowledge about the future. Cameron said: "She's a sad character—a tragic character{{nbs}}... she believes that everyone she meets, talks to, or interacts with will be dead very soon".<ref name="TheRingerOral"/><ref name="LATimesSummerSpecial"/> This theme of machine-like humans links with Cameron's and Wisher's choice to make the T-1000 appear as a police officer because thematically they believed it represents humans who should have empathy for others becoming more machine-like and detached from their emotions.<ref name="TheRingerOral"/><ref name="LATimesSummerSpecial"/> The SWAT team at Cyberdyne shoots Dyson, an African American, without warning. ''Cinephilia'' described Dyson as the most-human character in the film |
While John teaches the T-800 about humanity, his biological mother Sarah has become less human because of her knowledge about the future. Cameron said: "She's a sad character—a tragic character{{nbs}}... she believes that everyone she meets, talks to, or interacts with will be dead very soon".<ref name="TheRingerOral"/><ref name="LATimesSummerSpecial"/> This theme of machine-like humans links with Cameron's and Wisher's choice to make the T-1000 appear as a police officer because thematically they believed it represents humans who should have empathy for others becoming more machine-like and detached from their emotions.<ref name="TheRingerOral"/><ref name="LATimesSummerSpecial"/> The SWAT team at Cyberdyne shoots Dyson, an African American, without warning. ''Cinephilia'' described Dyson as the most-human character in the film, an intelligent, optimistic family man who represents real-world encounters between police forces and people of color, compared to their encounter with the Caucasian T-800, during which they warn him before opening fire.<ref name="Cinephilia"/> |
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Following her escape from the state hospital, Sarah appears to embrace John but is actually checking him for injuries, forgoing any emotional attachment for the practicality of ensuring his survival and bringing about his destiny as a future leader.<ref name="DOGHowitwasmade"/> The T-800 is portrayed as a better parent than Sarah, offering him undivided attention while Sarah remains distant and focused on the future rather than the present.{{sfn|Warren|2003|p=29}} Philosophy professor Richard T. McClelland notes Sarah acceptance of the T-800 as John's surrogate father is such she leaves it in control of John when she leaves to kill Dyson.{{sfn|McClelland|2016|pp=71–72}} Sarah's dream about the nuclear holocaust that will kill six billion people, including her son, incites her to kill Dyson before he can complete the work that will bring about Skynet but when the moment comes, she is unable to fully forsake her humanity and murder him with no emotion. Cameron described this as a question of humanity's worth if we abandon it to win the battle for its existence.<ref name="TheRingerOral"/><ref name="LATimesViolence"/> Compared to the bleak, nihilistic theme of |
Following her escape from the state hospital, Sarah appears to embrace John but is actually checking him for injuries, forgoing any emotional attachment for the practicality of ensuring his survival and bringing about his destiny as a future leader.<ref name="DOGHowitwasmade"/> The T-800 is portrayed as a better parent than Sarah, offering him undivided attention while Sarah remains distant and focused on the future rather than the present.{{sfn|Warren|2003|p=29}} Philosophy professor Richard T. McClelland notes Sarah acceptance of the T-800 as John's surrogate father is such that she leaves it in control of John when she leaves to kill Dyson.{{sfn|McClelland|2016|pp=71–72}} Sarah's dream about the nuclear holocaust that will kill six billion people, including her son, incites her to kill Dyson before he can complete the work that will bring about Skynet but when the moment comes, she is unable to fully forsake her humanity and murder him with no emotion. Cameron described this as a question of humanity's worth if we abandon it to win the battle for its existence.<ref name="TheRingerOral"/><ref name="LATimesViolence"/> Compared to the bleak, nihilistic theme of the first film, ''Terminator 2'' emphasizes the concept of free will and the value of human life. Schwarzenegger quoted the film's line "no fate but what we make", saying people have control over their own destinies.<ref name="TheRingerOral"/><ref name="DOG20YrRetro"/> |
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⚫ | ''Terminator 2'' also comments on the use of violence. On its release, reviewers were critical of ''Terminator 2: Judgment Day''{{'s}} message about preserving peace through violence. Owen Gleiberman stated "reckless indifference" to human life is intrinsic to the film but the T-800 maiming people rather than killing them potentially condemns victims of violence to a life of pain.{{efn|Attributed to multiple references:<ref name="ReviewAustinChron"/><ref name="ReviewEW"/><ref name="ReviewNYTimes"/><ref name="ReviewNewsweek"/><ref name="ReviewWaPoBrown"/><ref name="ReviewTheNewYorker"/><ref name="ReviewTime"/>}} Cameron described the film as the "world's most violent anti-war movie", and said it is about people struggling with their own violent natures.<ref name="LATimesViolence"/><ref name="LATimesSummerSpecial"/> In particular, Cameron had been concerned by the original antagonist T-800's status as a cultural icon and power fantasy as a lethal, unstoppable force of strength and power, and chose to redefine it in ''Terminator 2'', retaining the power fantasy without taking lives.<ref name="LATimesViolence"/> ''Cinephilia'' said it is not morally possible to recover from killing people so ''Terminator 2'' is about redeeming the T-800 and Sarah.<ref name="Cinephilia"/> |
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⚫ | On its release, reviewers were critical of ''Terminator 2: Judgment Day''{{'s}} message about preserving peace through violence |
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===Masculinity and femininity=== |
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According to Professor Jefffrey A. Brown, there was a growth of female-led action films in the wake of ''Alien''{{'}}s success. Brown believes this reflected the increase in more women assuming non-traditional roles and the division between professional critics—who perceive a masculinization of the female hero—and audiences who embrace characters regardless of gender.{{sfn|Brown|1996|pp=52,69}} The hyper-masculine heroes played by Schwarzenegger, Stallone, and [[Jean-Claude Van Damme]] were replaced with independent women who are capable of defending themselves and defeating villains in films such ''Terminator 2'' and ''The Silence of the Lambs''.{{sfn|Brown|1996|p=52}} Brown said these female characters often perform stereotypical male actions and have muscular physiques rather than feminine, "soft" bodies.{{sfn|Brown|1996|p=60}} He considers Hamilton's undershirt to be symbolic of typically male action heroes such as [[John McClane]] and [[John Rambo]], as well as women displaying masculine traits such as [[Rachel McLish]] in ''[[Aces: Iron Eagle III]]'' (1992).{{sfn|Brown|1996|p=63–64}} |
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Despite the emphasis on strong femininity, Hamilton's character remains secondary to Schwarzenegger's |
Despite the emphasis on strong femininity, Hamilton's character remains secondary to Schwarzenegger's. Sarah's efforts to defeat the T-1000 fall short until the last-minute intervention of the T-800. Author Victoria Warren said this allows the female character to be strong enough to be admired but not strong enough to undermine the male protagonist's masculinity.{{sfn|Warren|2003|p=28}} Professors Amanda Fernbach and Thomas B. Byers said the rigid form of the T-800 represents reactionary masculinity that is in direct opposition to the [[Gender bender|gender-bending]] T-1000, which represents a post-modern, fluid nature that is outside traditional norms and in opposition to patriarchy and the preservation of the traditional family.{{sfn|Fernbach|2000|p=242}} |
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⚫ | Author Mark Duckenfield said ''Terminator 2: Judgment Day'' can be seen as an unintended allegory for the decline of United States industries against successful Japanese technology firms with the cutting-edge T-1000 representing Japan against the older, less-advanced T-800. The U.S. industries, which were sometimes seen as villains during the economic boom of the 1980s, are seen as more sympathetic in the face of obsolescence, just as the T-800 is presented as friendlier and still powerful but no longer overwhelmingly so. Duckenfield considers the final scene, which takes place in a steel mill—a place of American industry—symbolic.{{sfn|Duckenfield|1994|pp=2–5,13}} According to Warren, ''Terminator 2'' reflects [[Cold War]] American values that emphasized principles of American culture, in particular individualism and rejection of government intervention. The institutions the film's protagonists should be able to rely on, such as the government, the police, and technology, are the ones attempting to stop them because they do not believe in the protagonists' doomsday prophecy.{{sfn|Warren|2003|p=25}} |
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===American industry and individualism=== |
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⚫ | Author Mark Duckenfield said ''Terminator 2: Judgment Day'' can be seen as an unintended allegory for the decline of United States industries against successful Japanese technology firms with the cutting-edge T-1000 representing Japan against the older, less-advanced T-800. The U.S. industries, which were sometimes seen as villains during the economic boom of the 1980s, are seen as more sympathetic in the face of obsolescence, just as the T-800 is presented as friendlier and still powerful but no longer overwhelmingly so. Duckenfield considers the final scene, which takes place in a steel mill—a place of American industry—symbolic.{{sfn|Duckenfield|1994|pp=2–5,13}} |
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According to Warren, ''Terminator 2'' reflects [[Cold War]] American values that emphasized principles of American culture, in particular individualism and rejection of government intervention. The institutions the film's protagonists should be able to rely on, such as the government, the police, and technology, are the ones attempting to stop them because they do not believe in the protagonists' doomsday prophecy.{{sfn|Warren|2003|p=25}} |
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==Legacy== |
==Legacy== |
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===Cultural influence=== |
===Cultural influence=== |
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[[File:Terminator in Madame Tussaud London (33465711484).jpg|thumb|left|Waxwork of the T-800 at [[Madame Tussauds]], London]] |
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''Terminator 2'' is considered a highly influential film, setting a benchmark for sequels, action set pieces, and visual effects.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="EW2014"/><ref name="GaleRetro"/><ref name="ColliderRetro"/><ref name="NYTimesRetro"/>}} Cameron and special-effects supervisor Dennis Muren said the groundbreaking special effects in ''Terminator 2'' demonstrated the possibilities of computer generated effects and without it, effects-focused films such as ''[[Jurassic Park (film)|Jurassic Park]]'' (1993) would not have been possible.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="GuardiantMostExpensive"/><ref name="ActionTimeOut"/><ref name="BestTerminatorCBR"/><ref name="EmpireT2at30"/>}} Various publications have referenced ''Terminator 2''{{'s}} influence on special effects, describing it as the most important special-effects film since ''[[Tron]]'' (1982), and began the era of reliance on CGI effects for films such as ''Jurassic Park'' and ''[[The Matrix]]'' (1999).{{efn|Attributed to multiple references:<ref name="ActionCollider"/><ref name="GRaderMakingOf"/><ref name="DOG20YrRetro"/><ref name="DigitalSpyReviewed"/><ref name="AVClubCGI"/>}} In 2007 the [[Visual Effects Society]], an entertainment-industry organization of visual-effects practitioners, named ''Terminator 2'' as the 14th-most-influential visual-effects film of all time, and the T-1000 is listed by ''[[Guinness World Records]]'' as the "first major blockbuster movie character generated using computers".<ref name="Guinness"/><ref name="Ves2007"/><ref name="FilmSiteVES"/> According to ''[[The Guardian]]'', however, the film's "groundbreaking" effects led to "CGI laziness", a reliance on computer graphics over practical effects, stunts, and craft.<ref name="GuardiantMostExpensive"/> A 2014 ''Entertainment Weekly'' article said ''Terminator 2'' contributed to the contemporary Hollywood high-budget, science-fiction epic film, and a reliance on turning films into franchises targeted at young audiences and broad demographics.<ref name="EW2014"/><ref name="GaleRetro"/> ''[[Den of Geek]]'' described it as one of the most influential blockbusters since the thriller ''[[Jaws (film)|Jaws]]'' (1975).<ref name="DOG20YrRetro"/> Several filmmakers and creative leads have named it as an influence on their work, including [[Steven Caple Jr.]],<ref name="InfluenceCaple"/> [[Ryan Coogler]],<ref name="Coogler"/> [[Kevin Feige]],<ref name="InfluenceFeige"/> and [[Hideo Kojima]].<ref name="InfluenceKojima"/> |
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''Terminator 2'' is considered a highly influential film, setting a benchmark for sequels, action set pieces, and visual effects.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="EW2014"/><ref name="GaleRetro"/><ref name="ColliderRetro"/><ref name="NYTimesRetro"/>}} Cameron and special-effects supervisor Dennis Muren said the groundbreaking special effects in ''Terminator 2'' demonstrated the possibilities of computer generated effects and without it, effects-focused films such as ''[[Jurassic Park (film)|Jurassic Park]]'' (1993) would not have been possible.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="GuardiantMostExpensive"/><ref name="ActionTimeOut"/><ref name="BestTerminatorCBR"/><ref name="EmpireT2at30"/>}} Various publications have referenced ''Terminator 2''{{'s}} influence on special effects, describing it as the most important special-effects film since ''[[Tron]]'' (1982), and began the era of reliance on CGI effects for films such as ''Jurassic Park'' and ''[[The Matrix]]'' (1999).{{efn|Attributed to multiple references:<ref name="ActionCollider"/><ref name="GRaderMakingOf"/><ref name="DOG20YrRetro"/><ref name="DigitalSpyReviewed"/><ref name="AVClubCGI"/>}} In 2007 the [[Visual Effects Society]], an entertainment-industry organization of visual effects practitioners, named ''Terminator 2'' as the 14th-most-influential visual-effects film of all time, and the T-1000 is listed by ''[[Guinness World Records]]'' as the "first major blockbuster movie character generated using computers".<ref name="Guinness"/><ref name="Ves2007"/><ref name="FilmSiteVES"/> According to ''[[The Guardian]]'', the film's "groundbreaking" effects led to "CGI laziness", a reliance on computer graphics over practical effects, stunts, and craft.<ref name="GuardiantMostExpensive"/> A 2014 ''Entertainment Weekly'' article said ''Terminator 2'' contributed to the contemporary Hollywood high-budget, science fiction epic film, and a reliance on turning films into franchises targeted at young audiences and broad demographics.<ref name="EW2014"/><ref name="GaleRetro"/> ''[[Den of Geek]]'' described it as one of the most influential blockbusters since the thriller ''[[Jaws (film)|Jaws]]'' (1975).<ref name="DOG20YrRetro"/> Several filmmakers and creative leads have named it as an influence on their work, including [[Steven Caple Jr.]],<ref name="InfluenceCaple"/> [[Ryan Coogler]],<ref name="Coogler"/> [[Kevin Feige]],<ref name="InfluenceFeige"/> and [[Hideo Kojima]].<ref name="InfluenceKojima"/> |
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''Terminator 2: Judgment Day'' has been referenced to in a variety of media, including television, films, and video games.{{efn|Attributed to multiple references:<ref name="CultSimpsons"/><ref name="CultRefStranger"/><ref name="CultRefRandM"/><ref name="CultRefAmericanDad"/><ref name="CultREfRPO"/><ref name="CultRefMK"/><ref name="CultRefGTAO"/><ref name="CultRefCyberpunk"/><ref name="CultRefMGS2"/><ref name="CultRefDoom2016"/>}} The biker bar scene was recreated for a 2015 advertisement, which featured Schwarzenegger, for the video game ''[[WWE 2K16]]''; the bar patrons were replaced with [[WWE]] wrestlers.<ref name="AdWeek"/> |
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With a $94–102{{nbs}}million budget, ''Terminator 2: Judgment Day'' was the most expensive movie made in its time,{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="EmpireMostExpensive"/><ref name="EmpireT2at30"/><ref name="GuardiantMostExpensive"/>}} and, {{as of|lc=y|2023}}, it remains Schwarzenegger's highest-grossing film.<ref name="THRSchwarzHighest"/> Alongside her appearance in ''The Terminator'', Hamilton's Sarah Connor became regarded as one of the greatest and most-influential cinematic female action heroes{{efn|Attributed to multiple references:<ref name="DigitalSpyReviewed"/><ref name="HeroinesVulture"/><ref name="HeroinesParade"/><ref name="HeroinesRT"/><ref name="HeroinesScreenRant"/><ref name="HeroinesVultuer2"/>}} and an iconic character.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="HeroinesIconDOG"/><ref name="HeroinesVultuer2"/><ref name="HeroinesIconCBR"/><ref name="HeroinesIconVanity"/><ref name="HeroinesIconNYT"/><ref name="DOG1991Summer"/>}} Patrick's T-1000 is considered one of the most iconic cinematic villains.{{efn|Attributed to multiple references:<ref name="VillainsScreenRant"/><ref name="VillainsSyFy"/><ref name="VillainsCollider"/><ref name="VillainsEmpire"/><ref name="VillainsInsider"/><ref name="VillainsPaste"/>}} He made cameo appearances as the T-1000 in ''[[Wayne's World (film)|Wayne's World]]'' (1992) and Schwarzenegger's ''[[Last Action Hero]]'' (1993).<ref name="AVClubPatrick"/><ref name="VillainsScreenRant"/><ref name="PatrickUSAToday"/> In ''Last Action Hero'', Stallone replaces Schwarzenegger as the T-800 on the ''Terminator 2'' poster.<ref name="MensHealthLastAction"/> The T-800's line "Hasta la vista, baby" is considered an iconic piece of movie dialogue that is often quoted. Schwarzenegger also used it in speeches during his political career.{{efn|Attributed to multiple references:<ref name="TheRingerOral"/><ref name="HastaEsquire"/><ref name="HastaShortlist"/><ref name="HastaNYT"/>}} ''Terminator 2: Judgment Day'' has been referenced in a variety of media, including television, films, and video games.{{efn|Attributed to multiple references:<ref name="CultSimpsons"/><ref name="CultRefStranger"/><ref name="CultRefRandM"/><ref name="CultRefAmericanDad"/><ref name="CultREfRPO"/><ref name="CultRefMK"/><ref name="CultRefGTAO"/><ref name="CultRefCyberpunk"/><ref name="CultRefMGS2"/><ref name="CultRefDoom2016"/>}} The biker bar scene was recreated for a 2015 advertisement, which featured Schwarzenegger, for the video game ''[[WWE 2K16]]''—the bar patrons were replaced with [[WWE]] wrestlers.<ref name="AdWeek"/> |
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===Retrospective assessments=== |
===Retrospective assessments=== |
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Since its release, ''Terminator 2: Judgment Day'' has been assessed as one of the |
Since its release, ''Terminator 2: Judgment Day'' has been assessed as one of the best action,{{efn|Attributes to multiple references:<ref name="ActionCollider"/><ref name="ActionTimeOut"/><ref name="BestTerminatorCBR"/><ref name="ActionComplex"/><ref name="ActionEsquire"/><ref name="ActionMensHealth"/><ref name="EmpireBestAction2016"/>}} science fiction,{{efn|Attributes to multiple references:<ref name="BestTerminatorCBR"/><ref name="IGNSCIFI"/><ref name="BestSciFiRT"/><ref name="BestSciFiEmpire"/><ref name="BestSciFiGRadar"/><ref name="BestSciFiPaste"/><ref name="BestSciFiBI"/><ref name="BestSciFiGuardian"/><ref name="BestSciFiTimeOut"/>}} and sequel films ever made.{{efn|Attributes to multiple references:<ref name="BestTerminatorCBR"/><ref name="Empire50GreatestSequels"/><ref name="DOGBlockbusterSequel"/><ref name="BestTerminatorForbes"/>}} ''Terminator 2'' and ''The Terminator'' are generally considered as the standout films in the [[Terminator (franchise)|''Terminator'' franchise]], with each taking turns in the top spot.{{efn|Attributes to multiple references:<ref name="DOG1991Summer"/><ref name="Playboy"/><ref name="TotalFilmSequel"/><ref name="IGNSCIFI"/><ref name="ActionCollider"/><ref name="BestTerminatorCBR"/><ref name="BestTerminatorForbes"/><ref name="BesTerminatorSpaceCom"/><ref name="BestTerminatorWrap"/><ref name="BestTerminatorScreenRant"/><ref name="BestTerminatorVariety"/><ref name="BestTerminatorUSAToday"/>}} Some publications have listed ''Terminator 2'' among the greatest films made.<ref name="TotalFilm100"/><ref name="Empire500"/> |
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Review aggregator [[Rotten Tomatoes]] offers a {{RT data|score}} approval rating from the aggregated reviews of {{RT data|count}} critics, with an average score of {{RT data|average}}. The website's critical consensus says: "''T2'' features thrilling action sequences and eye-popping visual effects, but what takes this sci-fi/action landmark to the next level is the depth of the human (and cyborg) characters |
In 2001 the [[American Film Institute]] (AFI) ranked ''Terminator 2'' number{{nbs}}77 on its [[AFI's 100 Years ... 100 Thrills|100 Years{{nbs}}... 100 Thrills]] list, recognizing the "most heart-pounding movies",<ref name="AFIThrills"/> and the 2003 list of the [[AFI's 100 Years ... 100 Heroes & Villains|100 Best Heroes & Villains]] ranked the T-800 character as the forty-eighth-best hero.<ref name="AFIHeroes"/> The 2005 list of the [[AFI's 100 Years ... 100 Movie Quotes|100 Best Movie Quotes]] listed the T-800 dialog line "Hasta la vista, baby" as the 76th-best quotation,<ref name="AFIQuotes"/> and the 2008 [[AFI's 10 Top 10]] named ''Terminator 2'' as the eighth-best science fiction film.<ref name="AFITop10"/> To mark Schwarzenegger's 75th birthday in 2022, ''[[Variety (magazine)|Variety]]'' listed ''Terminator 2: Judgment Day'' as the best film in his 46-year career.<ref name="Variety75"/> |
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Review aggregator [[Rotten Tomatoes]] offers a {{RT data|score}} approval rating from the aggregated reviews of {{RT data|count}} critics, with an average score of {{RT data|average}}. The website's critical consensus says: "''T2'' features thrilling action sequences and eye-popping visual effects, but what takes this sci-fi/action landmark to the next level is the depth of the human (and cyborg) characters".<ref name="RottenTomatoesScore"/> The film has a score of 75 out of 100 on [[Metacritic]] based on 22 critics' reviews, indicating "generally favorable reviews".<ref name="MetacriticScore"/> During ''Terminator 2''{{'s}} 30th anniversary in 2021, Cameron, among others, said despite using older models of cars, the film's visuals still compare well with contemporary films.<ref name="TheRingerOral"/><ref name="RichardRoeper"/> Cameron also said ''Terminator 2'' remains relevant because artificial intelligence had become a ubiquitous reality rather than a fantasy.<ref name="TheRingerOral"/> In 2006 ''Terminator 2'' was listed at number{{nbs}}32 on [[Film4]]'s ''[[50 Films to See Before You Die]]'' list,<ref name="Film4Die"/> and is included in the film reference book ''[[1001 Movies You Must See Before You Die]]''.{{sfn|Schneider|2013}} Rotten Tomatoes lists it as one of 300 essential movies and at number{{nbs}}123 on its list of 200 essential movies.<ref name="RT200"/><ref name="RT300"/> ''[[Popular Mechanics]]'' and ''[[Rolling Stone]]'' jointly listed it alongside ''The Terminator'' as the third-best time travel film ever made.<ref name="BestTimeTravelPopMec"/><ref name="BestTimeTravelRS"/> ''Rolling Stone''{{'}}s reader-voted list of the best sequels ranks ''Terminator 2'' second behind ''[[The Godfather Part II]]'' (1974),<ref name="RollingStoneReaderBest"/> and ''Empire'' readers ranked the film 17th on its 2017 "100 Greatest Movies" list.<ref name="EmpireReaders100"/> |
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==Sequels== |
==Sequels== |
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{{Main|Terminator (franchise)}} |
{{Main|Terminator (franchise)|l1=''Terminator'' (franchise)}} |
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Cameron said he had no intentions for further sequels, believing ''Terminator 2'' "brings the story full circle and ends. And I think ending it at this point is a good idea". Wisher and Cameron wrote the script with the intention of leaving no option for a sequel.{{sfn|ShapiroC|1991|p=35}}{{sfn|Shapiro, Marc, July B|1991|p=40}} Even so, four sequels followed: ''[[Terminator 3: Rise of the Machines]]'' (2003), ''[[Terminator Salvation]]'' (2009), ''[[Terminator Genisys]]'' (2015), and ''[[Terminator: Dark Fate]]'' (2019), though none replicated the successes of ''The Terminator'' or ''Terminator 2''.<ref name="ScreenRantSuccess"/><ref name="RadioTimesSequels"/> |
Cameron said he had no intentions for further sequels, believing ''Terminator 2'' "brings the story full circle and ends. And I think ending it at this point is a good idea". Wisher and Cameron wrote the script with the intention of leaving no option for a sequel.{{sfn|ShapiroC|1991|p=35}}{{sfn|Shapiro, Marc, July B|1991|p=40}} Even so, four sequels followed: ''[[Terminator 3: Rise of the Machines]]'' (2003), ''[[Terminator Salvation]]'' (2009), ''[[Terminator Genisys]]'' (2015), and ''[[Terminator: Dark Fate]]'' (2019), though none replicated the successes of ''The Terminator'' or ''Terminator 2''.<ref name="ScreenRantSuccess"/><ref name="RadioTimesSequels"/> |
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Schwarzenegger returned for all but ''Terminator Salvation'', while Cameron and Hamilton returned only for ''Dark Fate'', a direct sequel to the events of ''Terminator 2''.<ref name="GuardianDarkFate"/> Although better critically received than other post-''Terminator 2'' sequels, ''Dark Fate'' is also considered a failure |
Schwarzenegger returned for all but ''Terminator Salvation'', while Cameron and Hamilton returned only for ''Dark Fate'', a direct sequel to the events of ''Terminator 2''.<ref name="GuardianDarkFate"/> Although better critically received than other post-''Terminator 2'' sequels, ''Dark Fate'' is also considered a failure. Analysts blamed audience disinterest on the diminishing quality of the series since ''Terminator 2'', and repeated attempts to reboot the series.{{efn|Attributed to multiple references:<ref name="VultureDarkFate"/><ref name="RadioTimesSequels"/><ref name="GuardianDarkFate"/><ref name="ColliderDarkFate"/>}} Fans also criticized ''Dark Fate''{{'s}} opening scene, in which a T-800 kills Furlong's teenage John Connor. Entertainment website ''[[Collider (website)|Collider]]'' wrote this retroactively damages the ending of ''Terminator 2''.<ref name="GuardianDarkFate"/><ref name="ColliderDarkFate"/> A television series, ''[[Terminator: The Sarah Connor Chronicles]]'' (2008–2009), also takes place after the events of ''Terminator 2'', and ignores the events in sequels ''Terminator 3'' and beyond.<ref name="THHRTimeline"/><ref name="ColliderTSCC"/> |
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==Notes and references== |
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{{notelist}} |
{{notelist}} |
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==References== |
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===Citations=== |
===Citations=== |
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{{Reflist|refs= |
{{Reflist|refs= |
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<ref name="10TR12T2">{{cite web|last=Fabrikant|first=Geraldine|title=The Hole |
<ref name="10TR12T2">{{cite web|last=Fabrikant|first=Geraldine|title=The Hole In Hollywood's Pocket|website=[[The New York Times]]|date=December 10, 1990|url=https://www.nytimes.com/1990/12/10/business/the-hole-in-hollywood-s-pocket.html |access-date=October 11, 2021 |archive-date=May 10, 2021|archive-url=https://web.archive.org/web/20210510234640/https://www.nytimes.com/1990/12/10/business/the-hole-in-hollywood-s-pocket.html|url-status=live |url-access=limited |page=1}}</ref> |
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<ref name="11plusTR">{{cite web |title=The 101 Most Powerful People |
<ref name="11plusTR">{{cite web |title=The 101 Most Powerful People In Entertainment|website=[[Entertainment Weekly]]|date=November 2, 1990|url=https://www.ew.com/ew/article/0,,318518,00.html|access-date=February 19, 2009|archive-url=https://web.archive.org/web/20090425092710/http://www.ew.com/ew/article/0,,318518,00.html|archive-date=April 25, 2009 |url-status=dead }}</ref> |
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<ref name="AcademyAward">{{cite web| title = Academy Awards Database| website = [[Academy of Motion Picture Arts and Sciences]]| date = July 15, 2006| url = http://www.oscars.org/oscars/ceremonies/1992| access-date = October 1, 2011| url-status=live| archive-url = https://web.archive.org/web/20150402004405/http://www.oscars.org/oscars/ceremonies/1992| archive-date = April 2, 2015}}</ref> |
<ref name="AcademyAward">{{cite web| title = Academy Awards Database| website = [[Academy of Motion Picture Arts and Sciences]]| date = July 15, 2006| url = http://www.oscars.org/oscars/ceremonies/1992| access-date = October 1, 2011| url-status=live| archive-url = https://web.archive.org/web/20150402004405/http://www.oscars.org/oscars/ceremonies/1992| archive-date = April 2, 2015}}</ref> |
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<ref name="ActionCollider">{{cite web|first=Tom |last=Reimann |title=The Terminator Movies Ranked From Worst To Best |url=https://collider.com/best-terminator-movies-ranked-worst-to-best/ |website=[[Collider (website)|Collider]] |date=November 5, 2019 |access-date=March 7, 2022 |archive-url= https://web.archive.org/web/20220223164204/https://collider.com/best-terminator-movies-ranked-worst-to-best/ |archive-date=November 5, 2019 |url-status=live}}</ref> |
<ref name="ActionCollider">{{cite web|first=Tom |last=Reimann |title=The ''Terminator'' Movies Ranked From Worst To Best |url=https://collider.com/best-terminator-movies-ranked-worst-to-best/ |website=[[Collider (website)|Collider]] |date=November 5, 2019 |access-date=March 7, 2022 |archive-url= https://web.archive.org/web/20220223164204/https://collider.com/best-terminator-movies-ranked-worst-to-best/ |archive-date=November 5, 2019 |url-status=live}}</ref> |
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<ref name="ActionComplex">{{cite web |title=The Best Action Movies Of All Time |url=https://www.complex.com/pop-culture/best-action-movies/ |date=July 17, 2019 |website=[[Complex (magazine)|Complex]] |access-date=June 22, 2020 |archive-url=https://web.archive.org/web/20200519031723/https://www.complex.com/pop-culture/best-action-movies/ |archive-date=May 19, 2020 |url-status=live}}</ref> |
<ref name="ActionComplex">{{cite web |title=The Best Action Movies Of All Time |url=https://www.complex.com/pop-culture/best-action-movies/ |date=July 17, 2019 |website=[[Complex (magazine)|Complex]] |access-date=June 22, 2020 |archive-url=https://web.archive.org/web/20200519031723/https://www.complex.com/pop-culture/best-action-movies/ |archive-date=May 19, 2020 |url-status=live}}</ref> |
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<ref name="ActionEsquire">{{cite web|first=Emma |last=Carey |title=The Best Action Movies Of All Time Are |
<ref name="ActionEsquire">{{cite web|first=Emma |last=Carey |title=The Best Action Movies Of All Time Are A Direct Burst Of Adrenaline |url=https://www.esquire.com/entertainment/movies/g32783453/best-action-movies-all-time/ |date=June 10, 2020 |website=[[Esquire (magazine)|Esquire]] |access-date=June 22, 2020 |archive-url=https://web.archive.org/web/20200619075856/https://www.esquire.com/entertainment/movies/g32783453/best-action-movies-all-time/ |archive-date=June 19, 2020 |url-status=live |url-access=limited}}</ref> |
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<ref name="ActionMensHealth">{{cite web |title=These Are The 20 Best Action Movies Ever Made |url=https://www.menshealth.com/entertainment/g26455274/best-action-movies/ |date=February 22, 2019 |website=[[Men's Health]] |access-date=June 22, 2020 |archive-url=https://web.archive.org/web/20200422085233/https://www.menshealth.com/entertainment/g26455274/best-action-movies/ |archive-date=April 22, 2020 |url-status=live}}</ref> |
<ref name="ActionMensHealth">{{cite web |title=These Are The 20 Best Action Movies Ever Made |url=https://www.menshealth.com/entertainment/g26455274/best-action-movies/ |date=February 22, 2019 |website=[[Men's Health]] |access-date=June 22, 2020 |archive-url=https://web.archive.org/web/20200422085233/https://www.menshealth.com/entertainment/g26455274/best-action-movies/ |archive-date=April 22, 2020 |url-status=live}}</ref> |
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<ref name="AFIBio">{{cite web |title=''Terminator 2: Judgment Day'' |url=https://catalog.afi.com/Catalog/moviedetails/67074 |website=[[American Film Institute]] |access-date=February 3, 2022 |archive-url=https://web.archive.org/web/20211006184632/https://catalog.afi.com/Catalog/moviedetails/67074 |archive-date=October 6, 2021 |url-status=live}}</ref> |
<ref name="AFIBio">{{cite web |title=''Terminator 2: Judgment Day'' |url=https://catalog.afi.com/Catalog/moviedetails/67074 |website=[[American Film Institute]] |access-date=February 3, 2022 |archive-url=https://web.archive.org/web/20211006184632/https://catalog.afi.com/Catalog/moviedetails/67074 |archive-date=October 6, 2021 |url-status=live}}</ref> |
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<ref name="AFIQuotes">{{cite web|url=http://www.afi.com/Docs/tvevents/pdf/quotes100.pdf|title=AFI's 100 Years...100 "Movie Quotes"|website=[[American Film Institute]]|access-date=March 3, 2022 |url-status= |
<ref name="AFIQuotes">{{cite web|url=http://www.afi.com/Docs/tvevents/pdf/quotes100.pdf|title=AFI's 100 Years...100 "Movie Quotes"|website=[[American Film Institute]]|access-date=March 3, 2022 |url-status=dead|archive-url=https://web.archive.org/web/20130921060910/http://www.afi.com/Docs/tvevents/pdf/quotes100.pdf|archive-date=September 21, 2013}}</ref> |
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<ref name="AFIHeroes">{{cite web |title=Afi's 100 Years...100 Heroes & Villains|url=https://www.afi.com/afis-100-years-100-heroes-villians/ |website=[[American Film Institute]] |access-date=August 17, 2020 |archive-url=https://web.archive.org/web/20200208093159/https://www.afi.com/afis-100-years-100-heroes-villians/ |archive-date=February 8, 2020 |url-status=live}}</ref> |
<ref name="AFIHeroes">{{cite web |title=Afi's 100 Years...100 Heroes & Villains|url=https://www.afi.com/afis-100-years-100-heroes-villians/ |website=[[American Film Institute]] |access-date=August 17, 2020 |archive-url=https://web.archive.org/web/20200208093159/https://www.afi.com/afis-100-years-100-heroes-villians/ |archive-date=February 8, 2020 |url-status=live}}</ref> |
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<ref name="AVClubCGI">{{cite web|last=Breihan |first=Tom |title=The CGI Era Begins In Earnest With James Cameron's Blockbuster Sequel, ''Terminator 2''|website=[[The A.V. Club]]|date=December 16, 2016 |url=https://www.avclub.com/the-cgi-era-begins-in-earnest-with-james-cameron-s-bloc-1798255527 |access-date=March 14, 2022 |archive-date=June 15, 2021 |archive-url=https://web.archive.org/web/20210615182754/https://www.avclub.com/the-cgi-era-begins-in-earnest-with-james-cameron-s-bloc-1798255527 |url-status=live }}</ref> |
<ref name="AVClubCGI">{{cite web|last=Breihan |first=Tom |title=The CGI Era Begins In Earnest With James Cameron's Blockbuster Sequel, ''Terminator 2''|website=[[The A.V. Club]]|date=December 16, 2016 |url=https://www.avclub.com/the-cgi-era-begins-in-earnest-with-james-cameron-s-bloc-1798255527 |access-date=March 14, 2022 |archive-date=June 15, 2021 |archive-url=https://web.archive.org/web/20210615182754/https://www.avclub.com/the-cgi-era-begins-in-earnest-with-james-cameron-s-bloc-1798255527 |url-status=live }}</ref> |
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<ref name="BAFTA1991">{{cite web| title = Film Nominations 1991| website = [[British Academy of Film and Television Arts]] | year = 1991| url =http://awards.bafta.org/award/1992/film | access-date = January 13, 2013| url-status= |
<ref name="BAFTA1991">{{cite web| title = Film Nominations 1991| website = [[British Academy of Film and Television Arts]] | year = 1991| url =http://awards.bafta.org/award/1992/film | access-date = January 13, 2013| url-status=dead| archive-url = https://web.archive.org/web/20220122003329/http://awards.bafta.org/award/1992/film | archive-date =January 22, 2022}}</ref> |
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<ref name="BBCMusicReview">{{cite web |first=Michael |last=Quinn |title=Brad Fiedel ''Terminator 2: Judgement Day'' Review |url=https://www.bbc.co.uk/music/reviews/4j3q/ |website=[[BBC Music]]|date=2010 |access-date=February 15, 2022 |url-status=live |archive-url=https://web.archive.org/web/20160109145521/https://www.bbc.co.uk/music/reviews/4j3q/ |archive-date=January 9, 2016}}</ref> |
<ref name="BBCMusicReview">{{cite web |first=Michael |last=Quinn |title=Brad Fiedel ''Terminator 2: Judgement Day'' Review |url=https://www.bbc.co.uk/music/reviews/4j3q/ |website=[[BBC Music]]|date=2010 |access-date=February 15, 2022 |url-status=live |archive-url=https://web.archive.org/web/20160109145521/https://www.bbc.co.uk/music/reviews/4j3q/ |archive-date=January 9, 2016}}</ref> |
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<ref name="BestTimeTravelPopMec">{{cite web|first=Darren |last=Orf |title= The 30 Best Time Travel Movies|url=https://www.popularmechanics.com/culture/movies/g3086/best-time-travel-movies/?slide=28 |website=[[Popular Mechanics]] |date= November 19, 2019|access-date=October 5, 2020 |archive-url=https://web.archive.org/web/20220303200940/https://www.popularmechanics.com/culture/movies/g3086/best-time-travel-movies/?slide=28 |archive-date= March 3, 2022|url-status=live}}</ref> |
<ref name="BestTimeTravelPopMec">{{cite web|first=Darren |last=Orf |title= The 30 Best Time Travel Movies|url=https://www.popularmechanics.com/culture/movies/g3086/best-time-travel-movies/?slide=28 |website=[[Popular Mechanics]] |date= November 19, 2019|access-date=October 5, 2020 |archive-url=https://web.archive.org/web/20220303200940/https://www.popularmechanics.com/culture/movies/g3086/best-time-travel-movies/?slide=28 |archive-date= March 3, 2022|url-status=live}}</ref> |
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<ref name="BestSciFiTimeOut">{{cite web|first1=Alex |last1=Plim|first2=Tom |last2=Huddleston|first3=Geoff |last3=Andrew|first4=Catherine |last4=Bray|first5=Dave |last5=Calhoun|first6=Cath |last6=Clarke|first7=Alex |last7=Dudok de Wit|first8=Eddy |last8=Frankel |first9=Trevor |last9=Johnston|first10=Alim |last10=Kheraj|first11=Joshua |last11=Rothkopf|first12=Phil |last12=de Semlyen |first13=Anna |last13=Smith |first14=Keith |last14=Uhlich |title=The 100 |
<ref name="BestSciFiTimeOut">{{cite web|first1=Alex |last1=Plim|first2=Tom |last2=Huddleston|first3=Geoff |last3=Andrew|first4=Catherine |last4=Bray|first5=Dave |last5=Calhoun|first6=Cath |last6=Clarke|first7=Alex |last7=Dudok de Wit|first8=Eddy |last8=Frankel |first9=Trevor |last9=Johnston|first10=Alim |last10=Kheraj|first11=Joshua |last11=Rothkopf|first12=Phil |last12=de Semlyen |first13=Anna |last13=Smith |first14=Keith |last14=Uhlich |title=The 100 Best Sci-fi Movies |url=https://www.timeout.com/london/film/the-100-best-sci-fi-movies |website=[[Time Out (magazine)|Time Out]] |date=February 20, 2020 |access-date=October 1, 2020 |archive-url=https://web.archive.org/web/20200728100848/https://www.timeout.com/london/film/the-100-best-sci-fi-movies |archive-date= July 28, 2020 |url-status=live}}</ref> |
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<ref name="BestSciFiGuardian">{{cite web |title=The |
<ref name="BestSciFiGuardian">{{cite web |title=The Best Sci-fi And Fantasy Films: In Pictures |url=https://www.theguardian.com/film/gallery/2010/oct/21/25-science-fiction-fantasy |website=[[The Guardian]] |date=October 21, 2010 |access-date=October 1, 2020 |archive-url=https://web.archive.org/web/20200331195403/https://www.theguardian.com/film/gallery/2010/oct/21/25-science-fiction-fantasy |archive-date=March 31, 2020 |url-status=live}}</ref> |
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<ref name="BestSciFiBI">{{cite web|first=John |last=Lynch |date=August 9, 2018 |title=The 100 |
<ref name="BestSciFiBI">{{cite web|first=John |last=Lynch |date=August 9, 2018 |title=The 100 Best Science Fiction Movies Of All Time, According To Critics |url=https://www.businessinsider.com/best-science-fiction-movies-all-time-critics-reviews-2018-8?r=US&IR=T#20-back-to-the-future-1985-81 |website=[[Business Insider]] |access-date=October 1, 2020 |archive-url=https://web.archive.org/web/20201001112635/https://www.businessinsider.com/best-science-fiction-movies-all-time-critics-reviews-2018-8?r=US&IR=T |archive-date=October 1, 2020 |url-status=live}}</ref> |
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<ref name="BestSciFiPaste">{{cite web|first=Michael |last=Burgin |title=The 100 Best Sci- |
<ref name="BestSciFiPaste">{{cite web|first=Michael |last=Burgin |title=The 100 Best Sci-fi Movies Of All Time |url=https://www.pastemagazine.com/movies/sci-fi-movies/the-100-best-sci-fi-movies-of-all-time/#14-back-to-the-future |website=[[Paste (magazine)|Paste]] |date=November 13, 2018 |access-date=October 1, 2020 |archive-url=https://web.archive.org/web/20200430193727/https://www.pastemagazine.com/movies/sci-fi-movies/the-100-best-sci-fi-movies-of-all-time/ |archive-date=April 30, 2020 |url-status=live}}</ref> |
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<ref name="BestSciFiGRadar">{{cite web|first=Jack |last=Shepherd |title=The 30 |
<ref name="BestSciFiGRadar">{{cite web|first=Jack |last=Shepherd |title=The 30 Best Sci-fi Movies Of All Time |url=https://www.gamesradar.com/uk/best-sci-fi-movies/ |website=[[GamesRadar+]] |date=2020 |access-date=October 1, 2020 |archive-url=https://web.archive.org/web/20200925055733/https://www.gamesradar.com/uk/best-sci-fi-movies/ |archive-date=September 25, 2020 |url-status=live}}</ref> |
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<ref name="BestSciFiRT">{{cite web |title=150 Essential Sci- |
<ref name="BestSciFiRT">{{cite web |title=150 Essential Sci-fi Movies To Watch Now |url=https://editorial.rottentomatoes.com/guide/best-sci-fi-movies-of-all-time/ |website=[[Rotten Tomatoes]] |access-date=October 1, 2020 |archive-url=https://web.archive.org/web/20200926195854/https://editorial.rottentomatoes.com/guide/best-sci-fi-movies-of-all-time/ |archive-date=September 26, 2020 |url-status=live}}</ref> |
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<ref name="BestSciFiEmpire">{{cite web|first1=Ben |last1=Travis |first2=James |last2=White |title= The 50 Greatest Sci-Fi Movies|url=https://www.empireonline.com/movies/features/empire-movies-features-best-sci-fi-movies/ |website=[[Empire (film magazine)|Empire]] |date=May 27, 2020 |access-date=October 1, 2020 |archive-url=https://web.archive.org/web/20200727062650/https://www.empireonline.com/movies/features/empire-movies-features-best-sci-fi-movies/ |archive-date=July 27, 2020 |url-status=live}}</ref> |
<ref name="BestSciFiEmpire">{{cite web|first1=Ben |last1=Travis |first2=James |last2=White |title= The 50 Greatest Sci-Fi Movies|url=https://www.empireonline.com/movies/features/empire-movies-features-best-sci-fi-movies/ |website=[[Empire (film magazine)|Empire]] |date=May 27, 2020 |access-date=October 1, 2020 |archive-url=https://web.archive.org/web/20200727062650/https://www.empireonline.com/movies/features/empire-movies-features-best-sci-fi-movies/ |archive-date=July 27, 2020 |url-status=live}}</ref> |
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<ref name="Billboard100">{{cite web|title=Chart History—Guns N' Roses |url=https://www.billboard.com/artist/guns-n-roses/chart-history/hsi/ |website=[[Billboard (magazine)|Billboard]] |access-date=March 1, 2022 |archive-url= https://web.archive.org/web/20211117153948/https://www.billboard.com/artist/guns-n-roses/chart-history/hsi/|archive-date=November 17, 2021 |url-status=live |url-access=subscription}}</ref> |
<ref name="Billboard100">{{cite web|title=Chart History—Guns N' Roses |url=https://www.billboard.com/artist/guns-n-roses/chart-history/hsi/ |website=[[Billboard (magazine)|Billboard]] |access-date=March 1, 2022 |archive-url= https://web.archive.org/web/20211117153948/https://www.billboard.com/artist/guns-n-roses/chart-history/hsi/|archive-date=November 17, 2021 |url-status=live |url-access=subscription}}</ref> |
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<ref name="Billboard200">{{cite web|title=Billboard 200 Week |
<ref name="Billboard200">{{cite web|title=Billboard 200 Week Of October 5, 1991 |url=https://www.billboard.com/charts/billboard-200/1991-10-05/ |website=[[Billboard (magazine)|Billboard]] |date=October 5, 1991 |access-date=March 1, 2022 |archive-url= https://web.archive.org/web/20210918023415/https://www.billboard.com/charts/billboard-200/1991-10-05/ |archive-date=September 18, 2021 |url-status=dead |url-access=subscription}}</ref> |
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<ref name="BlockbusterHamilton">{{cite web |url=http://www.blockbuster.co.uk/bbsitecontent/editorial/promotions/may10/linda-hamilton.aspx|title=Linda Hamilton : Interview |access-date=February 13, 2022 |website=[[Blockbuster LLC]] |archive-url=https://web.archive.org/web/20121025062335/http://www.blockbuster.co.uk/bbsitecontent/editorial/promotions/may10/linda-hamilton.aspx |archive-date=October 25, 2012 |url-status=dead}}</ref> |
<ref name="BlockbusterHamilton">{{cite web |url=http://www.blockbuster.co.uk/bbsitecontent/editorial/promotions/may10/linda-hamilton.aspx|title=Linda Hamilton : Interview |access-date=February 13, 2022 |website=[[Blockbuster LLC]] |archive-url=https://web.archive.org/web/20121025062335/http://www.blockbuster.co.uk/bbsitecontent/editorial/promotions/may10/linda-hamilton.aspx |archive-date=October 25, 2012 |url-status=dead}}</ref> |
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<ref name="BoOpeningWed">{{cite web|first=Beth|last=Pinkser |title=''Mission'' Sets Records; Misses ''Batman'' High |url=https://www.spokesman.com/stories/1996/may/29/mission-sets-records-misses-batman-high/ |website=[[The Spokesman-Review]] |date=May 29, 1996 |access-date=June 11, 2022 |archive-date=January 10, 2022 |archive-url=https://web.archive.org/web/20220610224317/https://www.spokesman.com/stories/1996/may/29/mission-sets-records-misses-batman-high/ |url-status=live}}</ref> |
<ref name="BoOpeningWed">{{cite web|first=Beth|last=Pinkser |title=''Mission'' Sets Records; Misses ''Batman'' High |url=https://www.spokesman.com/stories/1996/may/29/mission-sets-records-misses-batman-high/ |website=[[The Spokesman-Review]] |date=May 29, 1996 |access-date=June 11, 2022 |archive-date=January 10, 2022 |archive-url=https://web.archive.org/web/20220610224317/https://www.spokesman.com/stories/1996/may/29/mission-sets-records-misses-batman-high/ |url-status=live}}</ref> |
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<ref name="Budget94Newsweek">{{cite web|first=David |last=Ansen | |
<ref name="Budget94Newsweek">{{cite web|first=David |last=Ansen |authorlink=David Ansen |title=Conan The Humanitarian |url=https://www.newsweek.com/conan-humanitarian-205026 |website=[[Newsweek]] |date=July 7, 1991 |access-date=June 8, 2022 |archive-date=June 29, 2016 |archive-url=https://web.archive.org/web/20160629084118/https://www.newsweek.com/conan-humanitarian-205026 |url-status=live}}</ref> |
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<ref name="Budget94DOG">{{cite web|first=Kyle |last=McManus |title=The Brilliance Of The ''Terminator 2: Judgment Day'' Opening Sequence |url=https://www.denofgeek.com/movies/the-brilliance-of-the-terminator-2-judgment-day-opening-sequence/ |website=[[Den of Geek]] |date=July 3, 2018 |access-date=June 8, 2022 |archive-date= March 22, 2022 |archive-url= https://web.archive.org/web/20220322155107/https://www.denofgeek.com/movies/the-brilliance-of-the-terminator-2-judgment-day-opening-sequence/|url-status=live}}</ref> |
<ref name="Budget94DOG">{{cite web|first=Kyle |last=McManus |title=The Brilliance Of The ''Terminator 2: Judgment Day'' Opening Sequence |url=https://www.denofgeek.com/movies/the-brilliance-of-the-terminator-2-judgment-day-opening-sequence/ |website=[[Den of Geek]] |date=July 3, 2018 |access-date=June 8, 2022 |archive-date= March 22, 2022 |archive-url= https://web.archive.org/web/20220322155107/https://www.denofgeek.com/movies/the-brilliance-of-the-terminator-2-judgment-day-opening-sequence/|url-status=live}}</ref> |
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<ref name="Budget94Orlando">{{cite web|first=Joe Bob |last=Briggs |title=''Terminator 2'': Check It Out, Baby |url=https://www.orlandosentinel.com/news/os-xpm-1991-07-26-9107250397-story.html |website=[[Orlando Sentinel]] |date=July 26, 1991 |access-date=June 8, 2022 |archive-date=June 8, 2022 |archive-url=https://archive.ph/74pyg |url-status=live}}</ref> |
<ref name="Budget94Orlando">{{cite web|first=Joe Bob |last=Briggs |title=''Terminator 2'': Check It Out, Baby |url=https://www.orlandosentinel.com/news/os-xpm-1991-07-26-9107250397-story.html |website=[[Orlando Sentinel]] |date=July 26, 1991 |access-date=June 8, 2022 |archive-date=June 8, 2022 |archive-url=https://archive.ph/74pyg |url-status=live}}</ref> |
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<ref name="CastCooksey">{{Cite web |last=Siegel |first=Alan |date=August 9, 2021 |title=A Salute |
<ref name="CastCooksey">{{Cite web |last=Siegel |first=Alan |date=August 9, 2021 |title=A Salute To Budnick, One Of Nickelodeon's Most Memorable Characters |url=https://www.theringer.com/tv/2021/8/9/22612989/salute-your-shorts-budnick-danny-cooksey-interview-nickelodeon |url-status=live |archive-url=https://archive.today/7xlqI |archive-date=March 16, 2022 |access-date=March 16, 2022 |website=[[The Ringer (website)|The Ringer]]}}</ref> |
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<ref name="CastDyson">{{cite web |url=https://www.filmsite.org/series-terminator2.html |title=''Terminator 2: Judgment Day'' (1991) |first=Tim |last=Dirks |access-date=February 4, 2022 |website=[[Filmsite.org]] |archive-url=https://web.archive.org/web/20210512051435/https://www.filmsite.org/series-terminator2.html |archive-date=May 12, 2021 |url-status=live}}</ref> |
<ref name="CastDyson">{{cite web |url=https://www.filmsite.org/series-terminator2.html |title=''Terminator 2: Judgment Day'' (1991) |first=Tim |last=Dirks |access-date=February 4, 2022 |website=[[Filmsite.org]] |archive-url=https://web.archive.org/web/20210512051435/https://www.filmsite.org/series-terminator2.html |archive-date=May 12, 2021 |url-status=live}}</ref> |
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<ref name="CastPatrick">{{cite web |url=https://www.sun-sentinel.com/news/fl-xpm-1991-07-03-9101240247-story.html|title=''Terminator'': Is It Back? Is It Ever! |first=Roger |last=Hurlburt |date=July 3, 1991 |access-date=February 4, 2022 |website=[[Sun-Sentinel]] |archive-url=https://web.archive.org/web/20210628100543/https://www.sun-sentinel.com/news/fl-xpm-1991-07-03-9101240247-story.html |archive-date=June 28, 2021 |url-status=live}}</ref> |
<ref name="CastPatrick">{{cite web |url=https://www.sun-sentinel.com/news/fl-xpm-1991-07-03-9101240247-story.html|title=''Terminator'': Is It Back? Is It Ever! |first=Roger |last=Hurlburt |date=July 3, 1991 |access-date=February 4, 2022 |website=[[Sun-Sentinel]] |archive-url=https://web.archive.org/web/20210628100543/https://www.sun-sentinel.com/news/fl-xpm-1991-07-03-9101240247-story.html |archive-date=June 28, 2021 |url-status=live}}</ref> |
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<ref name="CastTHRBoen">{{cite web |url=https://www.hollywoodreporter.com/movies/movie-news/terminator-what-happened-star-michael-biehn-1228634/ |title="Everything Had to Go Right": What Happened |
<ref name="CastTHRBoen">{{cite web |url=https://www.hollywoodreporter.com/movies/movie-news/terminator-what-happened-star-michael-biehn-1228634/ |title="Everything Had to Go Right": What Happened To ''Terminator'' Star Michael Biehn |
||
|first=Aaron |last=Couch |date=August 2, 2019 |access-date=February 4, 2022 |website=[[The Hollywood Reporter]] |archive-url=https://web.archive.org/web/20211115121608/https://www.hollywoodreporter.com/movies/movie-news/terminator-what-happened-star-michael-biehn-1228634/ |archive-date=November 15, 2019 |url-status=live}}</ref> |
|first=Aaron |last=Couch |date=August 2, 2019 |access-date=February 4, 2022 |website=[[The Hollywood Reporter]] |archive-url=https://web.archive.org/web/20211115121608/https://www.hollywoodreporter.com/movies/movie-news/terminator-what-happened-star-michael-biehn-1228634/ |archive-date=November 15, 2019 |url-status=live}}</ref> |
||
<ref name="CinemaScore">{{Cite web |first=Pamela |last=McClintock |title=Why CinemaScore Matters |
<ref name="CinemaScore">{{Cite web |first=Pamela |last=McClintock |title=Why CinemaScore Matters For Box Office |url=https://www.hollywoodreporter.com/news/general-news/why-cinemascore-matters-box-office-225563/ |website=[[The Hollywood Reporter]] |date=August 19, 2011 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20210719145918/https://www.hollywoodreporter.com/news/general-news/why-cinemascore-matters-box-office-225563/ |archive-date=July 19, 2021 |url-status=live}}</ref> |
||
<ref name="Cinephilia">{{cite web|first=Tim |last=Pelan |title=New Model Arnie: How James Cameron's ''Terminator 2: Judgment Day'' Held True |
<ref name="Cinephilia">{{cite web|first=Tim |last=Pelan |title=New Model Arnie: How James Cameron's ''Terminator 2: Judgment Day'' Held True To Its Exploitation Roots Whilst Remodelling The Action Blockbuster Template|date=October 22, 2016 |url=https://cinephiliabeyond.org/terminator2/ |website=Cinephelia & Beyond |access-date=February 13, 2022 |archive-url=https://web.archive.org/web/20210511171649/https://cinephiliabeyond.org/terminator2/ |archive-date=May 11, 2021 |url-status=live}}</ref> |
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<ref name="ColliderDarkFate">{{cite web|first=Liam |last=Gaughan |title=Why The ''Terminator'' Franchise Shouldn't Discard The ''Dark Fate'' Characters |url=https://collider.com/why-terminator-dark-fate-is-good/ |website=[[Collider (website)|Collider]] |date=July 1, 2021 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20210702123104/https://collider.com/why-terminator-dark-fate-is-good/ |archive-date=July 2, 2021 |url-status=live}}</ref> |
<ref name="ColliderDarkFate">{{cite web|first=Liam |last=Gaughan |title=Why The ''Terminator'' Franchise Shouldn't Discard The ''Dark Fate'' Characters |url=https://collider.com/why-terminator-dark-fate-is-good/ |website=[[Collider (website)|Collider]] |date=July 1, 2021 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20210702123104/https://collider.com/why-terminator-dark-fate-is-good/ |archive-date=July 2, 2021 |url-status=live}}</ref> |
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<ref name="Coogler">{{cite web|first=Tamera |last=Jones |title=Ryan Coogler Says ''Terminator 2'' Inspired ''Black Panther: Wakanda Forever'' |url=https://collider.com/black-panther-wakanda-forever-terminator-2-inspiration-ryan-coogler/ |website=[[Collider (website)|Collider]] |date=November 1, 2022 |access-date=November 1, 2022 |archive-url=https://web.archive.org/web/20221101233124/https://collider.com/black-panther-wakanda-forever-terminator-2-inspiration-ryan-coogler/ |archive-date=November 1, 2022 |url-status=live}}</ref> |
<ref name="Coogler">{{cite web|first=Tamera |last=Jones |title=Ryan Coogler Says ''Terminator 2'' Inspired ''Black Panther: Wakanda Forever'' |url=https://collider.com/black-panther-wakanda-forever-terminator-2-inspiration-ryan-coogler/ |website=[[Collider (website)|Collider]] |date=November 1, 2022 |access-date=November 1, 2022 |archive-url=https://web.archive.org/web/20221101233124/https://collider.com/black-panther-wakanda-forever-terminator-2-inspiration-ryan-coogler/ |archive-date=November 1, 2022 |url-status=live}}</ref> |
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<ref name="CTB">{{Cite web | last=Ansen | first=David | |
<ref name="CTB">{{Cite web | last=Ansen | first=David | authorlink=David Ansen | url=http://www.newsweek.com/conan-humanitarian-205026 | title=Conan The Humanitarian | website=[[Newsweek]] | date=July 7, 1991 | access-date=February 12, 2022 | url-status=live | url-access=limited | archive-url=https://archive.ph/7KfTq | archive-date=December 9, 2014}}</ref> |
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<ref name="CultRefAmericanDad">{{cite web|first=Helen |last=Armitage |title=American Dad's |
<ref name="CultRefAmericanDad">{{cite web|first=Helen |last=Armitage |title=''American Dad''{{'s}} 'The Two Hundred' Is A Perfect Parody Of The 100 |url=https://screenrant.com/american-dad-two-hundred-the-100-parody/ |website=[[Screen Rant]] |date=September 25, 2019 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20220126155257/https://screenrant.com/american-dad-two-hundred-the-100-parody/ |archive-date=January 26, 2022 |url-status=live}}</ref> |
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<ref name="CultRefCyberpunk">{{cite web|first=Ford |last=James |title=Cyberpunk 2077 Easter Eggs: All The References And Secrets You Can Find In Night City |url=https://www.gamesradar.com/uk/cyberpunk-2077-easter-eggs/ |website=[[GamesRadar+]] |date=January 7, 2021 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210428152732/https://www.gamesradar.com/uk/cyberpunk-2077-easter-eggs/ |archive-date=April 28, 2021 |url-status=live}}</ref> |
<ref name="CultRefCyberpunk">{{cite web|first=Ford |last=James |title=''Cyberpunk 2077'' Easter Eggs: All The References And Secrets You Can Find In Night City |url=https://www.gamesradar.com/uk/cyberpunk-2077-easter-eggs/ |website=[[GamesRadar+]] |date=January 7, 2021 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210428152732/https://www.gamesradar.com/uk/cyberpunk-2077-easter-eggs/ |archive-date=April 28, 2021 |url-status=live}}</ref> |
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<ref name="CultRefDoom2016">{{cite web|first=Gergo |last=Vas |title=''DOOM'' Has A Cool ''Terminator 2'' Easter Egg |url=https://www.kotaku.com.au/2016/05/doom-has-a-cool-terminator-2-easter-egg/ |website=[[Kotaku]] |date=May 15, 2016 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20160520023548/https://www.kotaku.com.au/2016/05/doom-has-a-cool-terminator-2-easter-egg/ |archive-date=May 20, 2016 |url-status=live}}</ref> |
<ref name="CultRefDoom2016">{{cite web|first=Gergo |last=Vas |title=''DOOM'' Has A Cool ''Terminator 2'' Easter Egg |url=https://www.kotaku.com.au/2016/05/doom-has-a-cool-terminator-2-easter-egg/ |website=[[Kotaku]] |date=May 15, 2016 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20160520023548/https://www.kotaku.com.au/2016/05/doom-has-a-cool-terminator-2-easter-egg/ |archive-date=May 20, 2016 |url-status=live}}</ref> |
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<ref name="CultRefMGS2">{{cite web|first= Darryn |last= Bonthuys |title=20 Years Later, ''Metal Gear Solid 2'' Is Still A Masterclass In Misdirection |url= https://www.gamespot.com/articles/20-years-later-metal-gear-solid-2-is-still-a-masterclass-in-misdirection/1100-6497666/|website=[[GameSpot]] |date=November 13, 2021 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20211217161756/https://www.gamespot.com/articles/20-years-later-metal-gear-solid-2-is-still-a-masterclass-in-misdirection/1100-6497666/ |archive-date=December 17, 2021 |url-status=live}}</ref> |
<ref name="CultRefMGS2">{{cite web|first= Darryn |last= Bonthuys |title=20 Years Later, ''Metal Gear Solid 2'' Is Still A Masterclass In Misdirection |url= https://www.gamespot.com/articles/20-years-later-metal-gear-solid-2-is-still-a-masterclass-in-misdirection/1100-6497666/|website=[[GameSpot]] |date=November 13, 2021 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20211217161756/https://www.gamespot.com/articles/20-years-later-metal-gear-solid-2-is-still-a-masterclass-in-misdirection/1100-6497666/ |archive-date=December 17, 2021 |url-status=live}}</ref> |
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<ref name="CultRefMK">{{cite web|first=Wesley |last=Yin-Poole |title=Mortal Kombat 11's Terminator Is Packed With ''Terminator 2'' References |url=https://www.eurogamer.net/articles/2019-10-05-in-mortal-kombat-11-the-terminators-catchphrase-is-you-wont-be-back |website=[[Eurogamer]] |date=October 5, 2019 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210421183405/https://www.eurogamer.net/articles/2019-10-05-in-mortal-kombat-11-the-terminators-catchphrase-is-you-wont-be-back |archive-date=April 21, 2019 |url-status=live}}</ref> |
<ref name="CultRefMK">{{cite web|first=Wesley |last=Yin-Poole |title=''Mortal Kombat 11''{{'s}} Terminator Is Packed With ''Terminator 2'' References |url=https://www.eurogamer.net/articles/2019-10-05-in-mortal-kombat-11-the-terminators-catchphrase-is-you-wont-be-back |website=[[Eurogamer]] |date=October 5, 2019 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210421183405/https://www.eurogamer.net/articles/2019-10-05-in-mortal-kombat-11-the-terminators-catchphrase-is-you-wont-be-back |archive-date=April 21, 2019 |url-status=live}}</ref> |
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<ref name="CultRefRandM">{{cite web|first=Cathal |last=Gunning |title=Rick & Morty's Terminator Spoof Showed The Franchise's Biggest Problem |url=https://screenrant.com/rick-morty-time-travel-episode-exposed-terminator-franchise-biggest-problem/ |website=[[Screen Rant]] |date=January 7, 2022 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20220310073929/https://screenrant.com/rick-morty-time-travel-episode-exposed-terminator-franchise-biggest-problem/ |archive-date= March 11, 2022 |url-status=live}}</ref> |
<ref name="CultRefRandM">{{cite web|first=Cathal |last=Gunning |title=''Rick & Morty''{{'s}} Terminator Spoof Showed The Franchise's Biggest Problem |url=https://screenrant.com/rick-morty-time-travel-episode-exposed-terminator-franchise-biggest-problem/ |website=[[Screen Rant]] |date=January 7, 2022 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20220310073929/https://screenrant.com/rick-morty-time-travel-episode-exposed-terminator-franchise-biggest-problem/ |archive-date= March 11, 2022 |url-status=live}}</ref> |
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<ref name="CultREfRPO">{{cite web|first=Huw |last=Fullerton |title= The 7 Subtlest Easter Eggs In Ready Player One |url=https://www.radiotimes.com/movies/the-7-subtlest-easter-eggs-in-ready-player-one/ |website=[[Radio Times]] |date=March 29, 2021 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210419135553/https://www.radiotimes.com/movies/the-7-subtlest-easter-eggs-in-ready-player-one/ |archive-date=April 19, 2021 |url-status=live}}</ref> |
<ref name="CultREfRPO">{{cite web|first=Huw |last=Fullerton |title= The 7 Subtlest Easter Eggs In ''Ready Player One'' |url=https://www.radiotimes.com/movies/the-7-subtlest-easter-eggs-in-ready-player-one/ |website=[[Radio Times]] |date=March 29, 2021 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210419135553/https://www.radiotimes.com/movies/the-7-subtlest-easter-eggs-in-ready-player-one/ |archive-date=April 19, 2021 |url-status=live}}</ref> |
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<ref name="CultSimpsons">{{cite web|first=Anthony |last=Fertino |title=10 Best Terminator References (Outside The Franchise) |url=https://screenrant.com/best-terminator-references-outside-the-franchise/ |website=[[Screen Rant]] |date= July 1, 2020|access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210702094156/https://screenrant.com/best-terminator-references-outside-the-franchise/ |archive-date=July 2, 2021 |url-status=live}}</ref> |
<ref name="CultSimpsons">{{cite web|first=Anthony |last=Fertino |title=10 Best Terminator References (Outside The Franchise) |url=https://screenrant.com/best-terminator-references-outside-the-franchise/ |website=[[Screen Rant]] |date= July 1, 2020|access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210702094156/https://screenrant.com/best-terminator-references-outside-the-franchise/ |archive-date=July 2, 2021 |url-status=live}}</ref> |
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<ref name="CultRefStranger">{{cite web|first= Christopher |last=Campbell |title=10 Best Movie References In Stranger Things Season 2 |url= https://editorial.rottentomatoes.com/article/10-best-movie-references-in-stranger-things-season-2/ |website=[[Rotten Tomatoes]] |date=October 31, 2017 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210724170021/https://editorial.rottentomatoes.com/article/10-best-movie-references-in-stranger-things-season-2/ |archive-date= July 24, 2021 |url-status=live}}</ref> |
<ref name="CultRefStranger">{{cite web|first= Christopher |last=Campbell |title=10 Best Movie References In ''Stranger Things'' Season 2 |url= https://editorial.rottentomatoes.com/article/10-best-movie-references-in-stranger-things-season-2/ |website=[[Rotten Tomatoes]] |date=October 31, 2017 |access-date=March 13, 2022 | archive-url=https://web.archive.org/web/20210724170021/https://editorial.rottentomatoes.com/article/10-best-movie-references-in-stranger-things-season-2/ |archive-date= July 24, 2021 |url-status=live}}</ref> |
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<ref name="Curbed">{{cite web |first=Chris |last=Eggertsen|title=''Terminator 2: Judgment Day'' Filming Locations, Mapped |url=https://la.curbed.com/maps/terminator-2-movie-arnold-schwarzenegger |website=[[Curbed]] |date=August 24, 2017 |access-date=February 12, 2022 |archive-url=https://web.archive.org/web/20220203192630/https://la.curbed.com/maps/terminator-2-movie-arnold-schwarzenegger|archive-date=February 3, 2022 |url-status=live }}</ref> |
<ref name="Curbed">{{cite web |first=Chris |last=Eggertsen|title=''Terminator 2: Judgment Day'' Filming Locations, Mapped |url=https://la.curbed.com/maps/terminator-2-movie-arnold-schwarzenegger |website=[[Curbed]] |date=August 24, 2017 |access-date=February 12, 2022 |archive-url=https://web.archive.org/web/20220203192630/https://la.curbed.com/maps/terminator-2-movie-arnold-schwarzenegger|archive-date=February 3, 2022 |url-status=live }}</ref> |
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<ref name="DOGFiedel">{{cite web|url=https://www.denofgeek.com/movies/brad-fiedel-interview-composing-terminator-2s-iconic-score/ |title=Brad Fiedel Interview: Composing ''Terminator 2''{{'}}s Iconic Score |last=Lambie | first=Ryan|date=December 5, 2017 |access-date=February 15, 2022 |website=[[Den of Geek]] |url-status=live|archive-url=https://web.archive.org/web/20220204044442/https://www.denofgeek.com/movies/brad-fiedel-interview-composing-terminator-2s-iconic-score/ |archive-date=February 4, 2022}}</ref> |
<ref name="DOGFiedel">{{cite web|url=https://www.denofgeek.com/movies/brad-fiedel-interview-composing-terminator-2s-iconic-score/ |title=Brad Fiedel Interview: Composing ''Terminator 2''{{'}}s Iconic Score |last=Lambie | first=Ryan|date=December 5, 2017 |access-date=February 15, 2022 |website=[[Den of Geek]] |url-status=live|archive-url=https://web.archive.org/web/20220204044442/https://www.denofgeek.com/movies/brad-fiedel-interview-composing-terminator-2s-iconic-score/ |archive-date=February 4, 2022}}</ref> |
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<ref name="DOGHemdale">{{cite web|url=https://www.denofgeek.com/movies/the-rise-and-fall-of-hemdale/ |title=The Rise |
<ref name="DOGHemdale">{{cite web|url=https://www.denofgeek.com/movies/the-rise-and-fall-of-hemdale/ |title=The Rise And Fall Of Hemdale|last=Lambie | first=Ryan|date=April 7, 2015|access-date=February 9, 2022 |website=[[Den of Geek]] |url-status=dead|archive-url=https://web.archive.org/web/20210304214618/https://www.denofgeek.com/movies/the-rise-and-fall-of-hemdale/ |archive-date=March 4, 2021}}</ref> |
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<ref name="DOG1991Retro">{{cite web|url=https://www.denofgeek.com/movies/how-1991-nearly-broke-hollywood/ |title=How 1991 Nearly Broke Hollywood |last=Brew | first=Simon |date=September 18, 2014|access-date=February 17, 2022 |website=[[Den of Geek]] |url-status=live|archive-url=https://web.archive.org/web/20210202020225/https://www.denofgeek.com/movies/how-1991-nearly-broke-hollywood/ |archive-date=February 2, 2021}}</ref> |
<ref name="DOG1991Retro">{{cite web|url=https://www.denofgeek.com/movies/how-1991-nearly-broke-hollywood/ |title=How 1991 Nearly Broke Hollywood |last=Brew | first=Simon |date=September 18, 2014|access-date=February 17, 2022 |website=[[Den of Geek]] |url-status=live|archive-url=https://web.archive.org/web/20210202020225/https://www.denofgeek.com/movies/how-1991-nearly-broke-hollywood/ |archive-date=February 2, 2021}}</ref> |
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<ref name="DOGComics">{{cite web|url=https://www.denofgeek.com/movies/the-strange-history-of-terminator-comics/ |title=The Strange History Of Terminator Comics |last=Jasper| first=Gavin |date=July 9, 2015 |access-date=March 2, 2022 |website=[[Den of Geek]] |url-status=live|archive-url=https://web.archive.org/web/20210301063045/https://www.denofgeek.com/movies/the-strange-history-of-terminator-comics/ |archive-date=March 1, 2021}}</ref> |
<ref name="DOGComics">{{cite web|url=https://www.denofgeek.com/movies/the-strange-history-of-terminator-comics/ |title=The Strange History Of Terminator Comics |last=Jasper| first=Gavin |date=July 9, 2015 |access-date=March 2, 2022 |website=[[Den of Geek]] |url-status=live|archive-url=https://web.archive.org/web/20210301063045/https://www.denofgeek.com/movies/the-strange-history-of-terminator-comics/ |archive-date=March 1, 2021}}</ref> |
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<ref name="DOGYouCouldBeMine">{{cite web|first=Joseph |last=Baxter |title=''Terminator 2'' |
<ref name="DOGYouCouldBeMine">{{cite web|first=Joseph |last=Baxter |title=''Terminator 2'' At 30: How Guns N' Roses Created The Perfect Hype|url=https://www.denofgeek.com/movies/terminator-2-at-30-guns-n-roses-song/ |website=[[Den of Geek]] |date=June 30, 2021 |access-date=March 2, 2022 |archive-url=https://web.archive.org/web/20220203233705/https://www.denofgeek.com/movies/terminator-2-at-30-guns-n-roses-song/ |archive-date=February 3, 2022 |url-status=live}}</ref> |
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<ref name="DOGBlockbusterSequel">{{cite web|last=Brew |first=Simon |title=The 25 Best Blockbuster Sequels Of All Time |url=https://www.denofgeek.com/movies/the-25-best-blockbuster-sequels-of-all-time/ |website=[[Den of Geek]] |date=August 13, 2009 |access-date=November 1, 2020 |archive-url=https://web.archive.org/web/20201028211205/https://www.denofgeek.com/movies/the-25-best-blockbuster-sequels-of-all-time/ |archive-date=October 28, 2020 |url-status=live}}</ref> |
<ref name="DOGBlockbusterSequel">{{cite web|last=Brew |first=Simon |title=The 25 Best Blockbuster Sequels Of All Time |url=https://www.denofgeek.com/movies/the-25-best-blockbuster-sequels-of-all-time/ |website=[[Den of Geek]] |date=August 13, 2009 |access-date=November 1, 2020 |archive-url=https://web.archive.org/web/20201028211205/https://www.denofgeek.com/movies/the-25-best-blockbuster-sequels-of-all-time/ |archive-date=October 28, 2020 |url-status=live}}</ref> |
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<ref name="EWCashFlow">{{cite web| title = Cash Flow| first1= Donald |last1= Chase| first2 = Benjamin |last2=Svetkey |website= [[Entertainment Weekly]] | url = https://www.ew.com/ew/article/0,,314765,00.html| date = July 12, 1991| access-date = August 25, 2010| archive-url = https://web.archive.org/web/20091221084326/http://www.ew.com/ew/article/0,,314765,00.html| archive-date = December 21, 2009 |url-status=dead}}</ref> |
<ref name="EWCashFlow">{{cite web| title = Cash Flow| first1= Donald |last1= Chase| first2 = Benjamin |last2=Svetkey |website= [[Entertainment Weekly]] | url = https://www.ew.com/ew/article/0,,314765,00.html| date = July 12, 1991| access-date = August 25, 2010| archive-url = https://web.archive.org/web/20091221084326/http://www.ew.com/ew/article/0,,314765,00.html| archive-date = December 21, 2009 |url-status=dead}}</ref> |
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<ref name="EWJul121991">{{cite web |first=Donald |last=Chase |url = http://www.ew.com/ew/article/0,,314824,00.html |title = He's Big, He's Back, |
<ref name="EWJul121991">{{cite web |first=Donald |last=Chase |url = http://www.ew.com/ew/article/0,,314824,00.html |title = He's Big, He's Back, And He's Really A Pretty Nice Guy, Once You Get To Know Him |date= July 12, 1991|access-date = August 26, 2010 |website= [[Entertainment Weekly]] |url-status = dead|archive-url = https://web.archive.org/web/20100110050011/http://www.ew.com/ew/article/0,,314824,00.html |archive-date = January 10, 2010 |page=1}}</ref> |
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<ref name="EWJul121991Page2">{{cite web |first=Donald |last=Chase |url = http://www.ew.com/ew/article/0,,314824_2,00.html |title = He's Big, He's Back, |
<ref name="EWJul121991Page2">{{cite web |first=Donald |last=Chase |url = http://www.ew.com/ew/article/0,,314824_2,00.html |title = He's Big, He's Back, And He's Really A Pretty Nice Guy, Once You Get To Know Him|date= July 12, 1991|access-date = August 26, 2010 |website= [[Entertainment Weekly]] |url-status = dead|archive-url = https://web.archive.org/web/20121025015216/http://www.ew.com/ew/article/0,,314824_2,00.html |archive-date =October 25, 2012 |page=2}}</ref> |
||
<ref name="EWJul121991Page3">{{cite web |first=Donald |last=Chase |url =http://www.ew.com/ew/article/0,,314824_3,00.html |title = He's Big, He's Back, |
<ref name="EWJul121991Page3">{{cite web |first=Donald |last=Chase |url =http://www.ew.com/ew/article/0,,314824_3,00.html |title = He's Big, He's Back, And He's Really A Pretty Nice Guy, Once You Get To Know Him |date= July 12, 1991|access-date = August 26, 2010 |website= [[Entertainment Weekly]] |url-status = dead|archive-url = https://web.archive.org/web/20121025015209/http://www.ew.com/ew/article/0,,314824_3,00.html |archive-date =October 25, 2012 |page=3}}</ref> |
||
<ref name="EWHamilton">{{cite web |first=Margot |last=Dougherty |url =http://www.ew.com/ew/article/0,,314767,00.html |title =A New Body |
<ref name="EWHamilton">{{cite web |first=Margot |last=Dougherty |url =http://www.ew.com/ew/article/0,,314767,00.html |title =A New Body Of Work |date= July 12, 1991|access-date =February 9, 2022 |website= [[Entertainment Weekly]] |url-status = dead|archive-url =https://web.archive.org/web/20100528140255/http://www.ew.com/ew/article/0,,314767,00.html|archive-date =May 28, 2010 }}</ref> |
||
<ref name="EWDVD1997">{{cite web |first=Steve|last=Daly|url =https://ew.com/article/1997/11/28/terminator-2-judgment-day-batman-robin/ |title =''Terminator 2: Judgment Day'' |date= November 28, 1997|access-date =March 2, 2022 |website= [[Entertainment Weekly]] |url-status = live|archive-url =https://web.archive.org/web/20220302201739/https://ew.com/article/1997/11/28/terminator-2-judgment-day-batman-robin/|archive-date =March 2, 2022 }}</ref> |
<ref name="EWDVD1997">{{cite web |first=Steve|last=Daly|url =https://ew.com/article/1997/11/28/terminator-2-judgment-day-batman-robin/ |title =''Terminator 2: Judgment Day'' |date= November 28, 1997|access-date =March 2, 2022 |website= [[Entertainment Weekly]] |url-status = live|archive-url =https://web.archive.org/web/20220302201739/https://ew.com/article/1997/11/28/terminator-2-judgment-day-batman-robin/|archive-date =March 2, 2022 }}</ref> |
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<ref name="ForbesNonContributor">{{cite web|first=Scott | last=Mendelson|url=https://www.forbes.com/sites/scottmendelson/2017/08/24/terminator-2-is-one-of-the-biggest-and-bleakest-summer-movies-ever/?s=trending#529ae5f21365|title=''Terminator 2'' Is One Of The Biggest And Bleakest Summer Movies Ever|website=[[Forbes]]|date=August 24, 2017|access-date=February 23, 2022 |url-status=live|url-access=limited|archive-url=https://web.archive.org/web/20180323082450/https://www.forbes.com/sites/scottmendelson/2017/08/24/terminator-2-is-one-of-the-biggest-and-bleakest-summer-movies-ever/?s=trending#529ae5f21365|archive-date=March 23, 2018}}</ref> |
<ref name="ForbesNonContributor">{{cite web|first=Scott | last=Mendelson|url=https://www.forbes.com/sites/scottmendelson/2017/08/24/terminator-2-is-one-of-the-biggest-and-bleakest-summer-movies-ever/?s=trending#529ae5f21365|title=''Terminator 2'' Is One Of The Biggest And Bleakest Summer Movies Ever|website=[[Forbes]]|date=August 24, 2017|access-date=February 23, 2022 |url-status=live|url-access=limited|archive-url=https://web.archive.org/web/20180323082450/https://www.forbes.com/sites/scottmendelson/2017/08/24/terminator-2-is-one-of-the-biggest-and-bleakest-summer-movies-ever/?s=trending#529ae5f21365|archive-date=March 23, 2018}}</ref> |
||
<ref name="Forbes3dConversion">{{cite web|first=Scott | last=Mendelson|url=https://www.forbes.com/sites/scottmendelson/2017/08/27/box-office-leap-tops-weak-newbies-terminator-2-stumbles-in-3d|title=Box Office: 'Leap' Tops Weak Newbies, ''Terminator 2'' Stumbles In 3D |website=[[Forbes]]|date=August 27, 2017|access-date=March 1, 2022 |url-status=live|url-access=limited|archive-url=https://web.archive.org/web/20220204012127/https://www.forbes.com/sites/scottmendelson/2017/08/27/box-office-leap-tops-weak-newbies-terminator-2-stumbles-in-3d/ |archive-date=February 4, 2022 }}</ref> |
<ref name="Forbes3dConversion">{{cite web|first=Scott | last=Mendelson|url=https://www.forbes.com/sites/scottmendelson/2017/08/27/box-office-leap-tops-weak-newbies-terminator-2-stumbles-in-3d|title=Box Office: ''Leap'' Tops Weak Newbies, ''Terminator 2'' Stumbles In 3D |website=[[Forbes]]|date=August 27, 2017|access-date=March 1, 2022 |url-status=live|url-access=limited|archive-url=https://web.archive.org/web/20220204012127/https://www.forbes.com/sites/scottmendelson/2017/08/27/box-office-leap-tops-weak-newbies-terminator-2-stumbles-in-3d/ |archive-date=February 4, 2022 }}</ref> |
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<ref name="Film4Die">{{cite web | title= Film4's 50 Films To See Before You Die |url=http://www.channel4.com/film/reviews/feature.jsp?id=161521&page=2 | website=[[Film4]]|date=August 28, 2015| access-date=February 10, 2009| archive-url= https://web.archive.org/web/20090304151511/http://www.channel4.com/film/reviews/feature.jsp?id=161521&page=2| archive-date= March 4, 2009 |url-status = dead}}</ref> |
<ref name="Film4Die">{{cite web | title= Film4's 50 Films To See Before You Die |url=http://www.channel4.com/film/reviews/feature.jsp?id=161521&page=2 | website=[[Film4]]|date=August 28, 2015| access-date=February 10, 2009| archive-url= https://web.archive.org/web/20090304151511/http://www.channel4.com/film/reviews/feature.jsp?id=161521&page=2| archive-date= March 4, 2009 |url-status = dead}}</ref> |
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<ref name="FilmSiteVES">{{cite web|url=http://www.filmsite.org/visualeffects14.html|title=Visual |
<ref name="FilmSiteVES">{{cite web|url=http://www.filmsite.org/visualeffects14.html|title=Visual And Special Effects Film Milestones|website=[[Filmsite.org]]|archive-url=https://web.archive.org/web/20120102065408/http://www.filmsite.org/visualeffects14.html|archive-date=January 2, 2012|url-status=live|access-date=January 13, 2012}}</ref> |
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<ref name="GaleRetro">{{cite web |title=The Legacy |
<ref name="GaleRetro">{{cite web |title=The Legacy Of ''Terminator 2'' |website=[[Gale (publisher)|Gale]] |url=https://www.gale.com/intl/archives-explored/short-reads/legacy-terminator-2 |access-date=February 7, 2023 |archive-date=January 4, 2023 |archive-url=https://web.archive.org/web/20230104005947/https://www.gale.com/intl/archives-explored/short-reads/legacy-terminator-2 |url-status=live }}</ref> |
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<ref name="GRaderMakingOf">{{cite web | url= https://www.gamesradar.com/uk/judgment-day-how-terminator-2-came-to-be/ | title= "Arnold Invited Guns N' Roses Over For Dinner": How ''Terminator 2'' Came To Be | website=[[GamesRadar+]] | date=July 17, 2017 | access-date=March 11, 2022 |archive-url=https://web.archive.org/web/20201022133044/https://www.gamesradar.com/uk/judgment-day-how-terminator-2-came-to-be/ |archive-date=October 22, 2020 |url-status=live}}</ref> |
<ref name="GRaderMakingOf">{{cite web | url= https://www.gamesradar.com/uk/judgment-day-how-terminator-2-came-to-be/ | title= "Arnold Invited Guns N' Roses Over For Dinner": How ''Terminator 2'' Came To Be | website=[[GamesRadar+]] | date=July 17, 2017 | access-date=March 11, 2022 |archive-url=https://web.archive.org/web/20201022133044/https://www.gamesradar.com/uk/judgment-day-how-terminator-2-came-to-be/ |archive-date=October 22, 2020 |url-status=live}}</ref> |
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<ref name="GuardiantMostExpensive">{{cite web | first=Charles | last=Bramesco | url= https://www.theguardian.com/film/2021/jul/03/terminator-2-at-30-groundbreaking-sequel-that-led-to-cgi-laziness | title= ''Terminator 2'' |
<ref name="GuardiantMostExpensive">{{cite web | first=Charles | last=Bramesco | url= https://www.theguardian.com/film/2021/jul/03/terminator-2-at-30-groundbreaking-sequel-that-led-to-cgi-laziness | title= ''Terminator 2'' At 30: Groundbreaking Sequel That Led To CGI Laziness | website=[[The Guardian]] | date=July 3, 2021 | access-date=November 27, 2021 |archive-url=https://web.archive.org/web/20220217054427/https://www.theguardian.com/film/2021/jul/03/terminator-2-at-30-groundbreaking-sequel-that-led-to-cgi-laziness |archive-date=February 17, 2022 |url-status=live}}</ref> |
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<ref name="GuardianDarkFate">{{cite web|first=Benjamin |last=Lee |title=Darkest Fate: How The Terminator Franchise Was Finally Terminated |url=https://www.theguardian.com/film/2019/nov/05/darkest-fate-how-the-terminator-franchise-was-finally-terminated |website=[[The Guardian]] |date= November 5, 2019 |access-date=March 7, 2022 |archive-url= https://web.archive.org/web/20211108162231/https://www.theguardian.com/film/2019/nov/05/darkest-fate-how-the-terminator-franchise-was-finally-terminated |archive-date=November 8, 2021 |url-status=live}}</ref> |
<ref name="GuardianDarkFate">{{cite web|first=Benjamin |last=Lee |title=Darkest Fate: How The Terminator Franchise Was Finally Terminated |url=https://www.theguardian.com/film/2019/nov/05/darkest-fate-how-the-terminator-franchise-was-finally-terminated |website=[[The Guardian]] |date= November 5, 2019 |access-date=March 7, 2022 |archive-url= https://web.archive.org/web/20211108162231/https://www.theguardian.com/film/2019/nov/05/darkest-fate-how-the-terminator-franchise-was-finally-terminated |archive-date=November 8, 2021 |url-status=live}}</ref> |
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<ref name="GuardianNineInch">{{cite web|first=Rich |last=Pelley |title='Jimi Hendrix And Black Sabbath Blew My Mind': Robert Patrick's Honest Playlist |url=https://www.theguardian.com/music/2022/aug/29/robert-patrick-honest-playlist|website=[[The Guardian]] |date=August 29, 2022 |access-date=August 31, 2022 |archive-url=https://web.archive.org/web/20220829082602/https://www.theguardian.com/music/2022/aug/29/robert-patrick-honest-playlist |archive-date=August 29, 2022 |
<ref name="GuardianNineInch">{{cite web|first=Rich |last=Pelley |title='Jimi Hendrix And Black Sabbath Blew My Mind': Robert Patrick's Honest Playlist |url=https://www.theguardian.com/music/2022/aug/29/robert-patrick-honest-playlist|website=[[The Guardian]] |date=August 29, 2022 |access-date=August 31, 2022 |archive-url=https://web.archive.org/web/20220829082602/https://www.theguardian.com/music/2022/aug/29/robert-patrick-honest-playlist |archive-date=August 29, 2022 |url-status=live}}</ref> |
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<ref name="GQPremiere">{{cite web|first=Liza |last=Corsillo |title=Most Stylish Day Ever: ''Terminator 2 Judgement Day'' Movie Premiere |url=https://www.gq.com/gallery/most-stylish-day-ever-terminator2-judgement-daymovie-premiere |website=[[GQ]] |date=June 4, 2015 |access-date=February 21, 2022 |archive-url=https://web.archive.org/web/20210411063045/https://www.gq.com/gallery/most-stylish-day-ever-terminator2-judgement-daymovie-premiere |archive-date=April 11, 2021 |url-status=live}}</ref> |
<ref name="GQPremiere">{{cite web|first=Liza |last=Corsillo |title=Most Stylish Day Ever: ''Terminator 2 Judgement Day'' Movie Premiere |url=https://www.gq.com/gallery/most-stylish-day-ever-terminator2-judgement-daymovie-premiere |website=[[GQ]] |date=June 4, 2015 |access-date=February 21, 2022 |archive-url=https://web.archive.org/web/20210411063045/https://www.gq.com/gallery/most-stylish-day-ever-terminator2-judgement-daymovie-premiere |archive-date=April 11, 2021 |url-status=live}}</ref> |
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<ref name="Guinness">{{cite web |title=First Major Blockbuster Movie Character Generated Using Computers |url=https://www.guinnessworldrecords.com/world-records/97025-first-major-blockbuster-movie-character-generated-using-computers |website=[[Guinness World Records]] |access-date=March 14, 2022 |archive-url=https://web.archive.org/web/20220314180806/https://www.guinnessworldrecords.com/world-records/97025-first-major-blockbuster-movie-character-generated-using-computers |archive-date=March 14, 2022 |url-status=live}}</ref> |
<ref name="Guinness">{{cite web |title=First Major Blockbuster Movie Character Generated Using Computers |url=https://www.guinnessworldrecords.com/world-records/97025-first-major-blockbuster-movie-character-generated-using-computers |website=[[Guinness World Records]] |access-date=March 14, 2022 |archive-url=https://web.archive.org/web/20220314180806/https://www.guinnessworldrecords.com/world-records/97025-first-major-blockbuster-movie-character-generated-using-computers |archive-date=March 14, 2022 |url-status=live}}</ref> |
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<ref name="HastaNYT">{{cite web|first=Andrew |last=Rosenthal |title=The 1992 Campaign: Republicans; Schwarzenegger Assails Buchanan |url=https://www.nytimes.com/1992/02/16/us/the-1992-campaign-republicans-schwarzenegger-assails-buchanan.html |website=[[The New York Times]] |date=February 16, 1992 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20210519214710/https://www.nytimes.com/1992/02/16/us/the-1992-campaign-republicans-schwarzenegger-assails-buchanan.html |archive-date=May 19, 2021 |url-status=live |url-access=limited}}</ref> |
<ref name="HastaNYT">{{cite web|first=Andrew |last=Rosenthal |title=The 1992 Campaign: Republicans; Schwarzenegger Assails Buchanan |url=https://www.nytimes.com/1992/02/16/us/the-1992-campaign-republicans-schwarzenegger-assails-buchanan.html |website=[[The New York Times]] |date=February 16, 1992 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20210519214710/https://www.nytimes.com/1992/02/16/us/the-1992-campaign-republicans-schwarzenegger-assails-buchanan.html |archive-date=May 19, 2021 |url-status=live |url-access=limited |page=27}}</ref> |
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<ref name="HastaEsquire">{{cite web|first=Laura |last=Raphael |title=Terminator Co-Writer Reveals Where "Hasta La Vista, Baby" Came From |url=https://www.esquire.com/uk/culture/film/news/a16916/terminator-co-writer-reveals-where-hasta-la-vista-baby-comes-from/ |website=[[Esquire (magazine)|Esquire]] |date=August 29, 2017 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20210526132921/https://www.esquire.com/uk/culture/film/news/a16916/terminator-co-writer-reveals-where-hasta-la-vista-baby-comes-from/ |archive-date=May 26, 2021 |url-status= |
<ref name="HastaEsquire">{{cite web|first=Laura |last=Raphael |title=Terminator Co-Writer Reveals Where "Hasta La Vista, Baby" Came From |url=https://www.esquire.com/uk/culture/film/news/a16916/terminator-co-writer-reveals-where-hasta-la-vista-baby-comes-from/ |website=[[Esquire (magazine)|Esquire]] |date=August 29, 2017 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20210526132921/https://www.esquire.com/uk/culture/film/news/a16916/terminator-co-writer-reveals-where-hasta-la-vista-baby-comes-from/ |archive-date=May 26, 2021 |url-status=dead}}</ref> |
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<ref name="HastaShortlist">{{cite web|first=Gary |last=Ogden |title=''Terminator 2'' Co-writer Reveals Where "Hasta La Vista, Baby" Came From |url=https://www.shortlist.com/news/terminator-2-hasta-la-vista-baby-james-cameron |website=[[ShortList]] |date=August 29, 2017 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20220307151619/https://www.shortlist.com/news/terminator-2-hasta-la-vista-baby-james-cameron |archive-date=March 7, 2022 |url-status=live}}</ref> |
<ref name="HastaShortlist">{{cite web|first=Gary |last=Ogden |title=''Terminator 2'' Co-writer Reveals Where "Hasta La Vista, Baby" Came From |url=https://www.shortlist.com/news/terminator-2-hasta-la-vista-baby-james-cameron |website=[[ShortList]] |date=August 29, 2017 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20220307151619/https://www.shortlist.com/news/terminator-2-hasta-la-vista-baby-james-cameron |archive-date=March 7, 2022 |url-status=live}}</ref> |
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<ref name="HeroinesScreenRant">{{cite web|first=Shawn S. |last=Lealos |title=The 10 Best Female Action Stars Ever |url= https://screenrant.com/best-female-action-stars-actresses/ |website=[[Screen Rant]] |date= March 19, 2019 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20210207051123/https://screenrant.com/best-female-action-stars-actresses/ |archive-date=February 7, 2021 |url-status=live}}</ref> |
<ref name="HeroinesScreenRant">{{cite web|first=Shawn S. |last=Lealos |title=The 10 Best Female Action Stars Ever |url= https://screenrant.com/best-female-action-stars-actresses/ |website=[[Screen Rant]] |date= March 19, 2019 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20210207051123/https://screenrant.com/best-female-action-stars-actresses/ |archive-date=February 7, 2021 |url-status=live}}</ref> |
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<ref name="HeroinesVulture">{{cite web|first= Angelica Jade |last=Bastién | |
<ref name="HeroinesVulture">{{cite web|first= Angelica Jade |last=Bastién |authorlink=Angelica Jade Bastién |title=The 11 Most Influential Action Heroines Of Our Time |url=https://www.vulture.com/2017/08/female-action-heroes-the-most-influential.html |website=[[Vulture (website)|Vulture]] |date=August 7, 2017 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20201020152908/https://www.vulture.com/2017/08/female-action-heroes-the-most-influential.html |archive-date= October 20, 2020 |url-status=live |url-access=limited}}</ref> |
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<ref name="HeroinesVultuer2">{{cite web|first1=Granger |last1=Wilson |first2=Jordan |last2=Crucchiola |title=Sarah Connor Has Always Been a Character Ahead Of Her Time |url=https://www.vulture.com/2019/10/terminators-sarah-connor-has-always-been-ahead-of-her-time.html |website=[[Vulture (website)|Vulture]] |date=October 25, 2019 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20201031135958/https://www.vulture.com/2019/10/terminators-sarah-connor-has-always-been-ahead-of-her-time.html |archive-date= October 31, 2020 |url-status=live |url-access=limited}}</ref> |
<ref name="HeroinesVultuer2">{{cite web|first1=Granger |last1=Wilson |first2=Jordan |last2=Crucchiola |title=Sarah Connor Has Always Been a Character Ahead Of Her Time |url=https://www.vulture.com/2019/10/terminators-sarah-connor-has-always-been-ahead-of-her-time.html |website=[[Vulture (website)|Vulture]] |date=October 25, 2019 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20201031135958/https://www.vulture.com/2019/10/terminators-sarah-connor-has-always-been-ahead-of-her-time.html |archive-date= October 31, 2020 |url-status=live |url-access=limited}}</ref> |
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<ref name="IGNSkynetEdition2">{{cite web |first=Christopher |last=Monfette |url =https://www.ign.com/articles/2009/02/20/terminator-2-sky-net-edition-hits-blu-ray |title =''Terminator 2'' Sky-Net Edition Hits Blu-ray |date=February 20, 2009 |access-date =March 1, 2022 |website= [[IGN]] |archive-url=https://web.archive.org/web/20211109230133/https://www.ign.com/articles/2009/02/20/terminator-2-sky-net-edition-hits-blu-ray |archive-date =November 9, 2021 |url-status = live}}</ref> |
<ref name="IGNSkynetEdition2">{{cite web |first=Christopher |last=Monfette |url =https://www.ign.com/articles/2009/02/20/terminator-2-sky-net-edition-hits-blu-ray |title =''Terminator 2'' Sky-Net Edition Hits Blu-ray |date=February 20, 2009 |access-date =March 1, 2022 |website= [[IGN]] |archive-url=https://web.archive.org/web/20211109230133/https://www.ign.com/articles/2009/02/20/terminator-2-sky-net-edition-hits-blu-ray |archive-date =November 9, 2021 |url-status = live}}</ref> |
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<ref name="IGNUltimateExtreme">{{cite web |first=Jeremy |last=Conrad |url =https://www.ign.com/articles/2003/05/28/t2-ultimate-vs-extreme |title =''T2'': Ultimate |
<ref name="IGNUltimateExtreme">{{cite web |first=Jeremy |last=Conrad |url =https://www.ign.com/articles/2003/05/28/t2-ultimate-vs-extreme |title =''T2'': Ultimate VS. Extreme |date=May 28, 2003 |access-date =February 28, 2022 |website= [[IGN]] |archive-url =https://web.archive.org/web/20171217112419/https://www.ign.com/articles/2003/05/28/t2-ultimate-vs-extreme |archive-date =December 17, 2017 |url-status = live}}</ref> |
||
<ref name="IGNHomeMedia4k2017">{{Cite web |title=''Terminator 2: Judgment Day'' 4K Ultra HD Blu-ray Trailer, Product |
<ref name="IGNHomeMedia4k2017">{{Cite web |title=''Terminator 2: Judgment Day'' 4K Ultra HD Blu-ray Trailer, Product And Release Details |url=https://www.ign.com/articles/2017/07/17/terminator-2-judgment-day-4k-ultra-hd-blu-ray-trailer-product-and-release-details |website=[[IGN]]|date=July 17, 2017|access-date=November 9, 2021|archive-url=https://archive.today/20211109133812/https://www.ign.com/articles/2017/07/17/terminator-2-judgment-day-4k-ultra-hd-blu-ray-trailer-product-and-release-details |archive-date=November 9, 2021 |url-status=live }}</ref> |
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<ref name="IGNSCIFI">{{cite web|last=Fowler |first=Matt | title = Top 25 Sci-Fi Movies |
<ref name="IGNSCIFI">{{cite web|last=Fowler |first=Matt | title = Top 25 Sci-Fi Movies Of All Time | website = [[IGN]] | url =https://www.ign.com/articles/2018/11/15/top-25-sci-fi-movies-of-all-time?page=4 |date=September 14, 2010| access-date =March 7, 2022 |archive-url=https://web.archive.org/web/20220124160500/https://www.ign.com/articles/2018/11/15/top-25-sci-fi-movies-of-all-time?page=4 |archive-date=January 24, 2022 |url-status=live}}</ref> |
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<ref name="IndependentHamilton">{{cite web|first=Adam |last=White |title=Linda Hamilton: 'Everyone's Terrified Of James Cameron. I'm Not' |url=https://www.independent.co.uk/arts-entertainment/films/features/linda-hamilton-interview-terminator-dark-fate-james-cameron-sarah-connor-release-date-a9165636.html |website=[[The Independent]] |date=October 21, 2019 |access-date=March 3, 2022 |archive-url=https://web.archive.org/web/20220131225048/https://www.independent.co.uk/arts-entertainment/films/features/linda-hamilton-interview-terminator-dark-fate-james-cameron-sarah-connor-release-date-a9165636.html |archive-date=January 31, 2022 |url-status=live}}</ref> |
<ref name="IndependentHamilton">{{cite web|first=Adam |last=White |title=Linda Hamilton: 'Everyone's Terrified Of James Cameron. I'm Not' |url=https://www.independent.co.uk/arts-entertainment/films/features/linda-hamilton-interview-terminator-dark-fate-james-cameron-sarah-connor-release-date-a9165636.html |website=[[The Independent]] |date=October 21, 2019 |access-date=March 3, 2022 |archive-url=https://web.archive.org/web/20220131225048/https://www.independent.co.uk/arts-entertainment/films/features/linda-hamilton-interview-terminator-dark-fate-james-cameron-sarah-connor-release-date-a9165636.html |archive-date=January 31, 2022 |url-status=live}}</ref> |
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<ref name="InfluenceCaple">{{cite web |first=Tyler |last=Treese |title=''Transformers: Rise of the Beasts'' Takes Inspiration |
<ref name="InfluenceCaple">{{cite web |first=Tyler |last=Treese |title=''Transformers: Rise of the Beasts'' Takes Inspiration From 90s Action Flicks |url=https://www.comingsoon.net/movies/news/1181222-transformers-rise-of-the-beasts-takes-inspiration-from-90s-action-flicks |website=[[Comingsoon.net]] |date=July 4, 2021 |access-date=February 7, 2023 |archive-url=https://web.archive.org/web/20221208181455/https://www.comingsoon.net/movies/news/1181222-transformers-rise-of-the-beasts-takes-inspiration-from-90s-action-flicks |archive-date=December 8, 2022 |url-status=live }}</ref> |
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<ref name="InfluenceFeige">{{cite web |first=Ethan |last=Anderton |title=''Captain Marvel'' Is Taking Cues From '90s Action Films |url=https://www.slashfilm.com/556793/captain-marvel-details/ |website=[[/Film]] |date=March 9, 2018 |access-date=February 7, 2023 |archive-url=https://web.archive.org/web/20230207032516/https://www.slashfilm.com/556793/captain-marvel-details/ |archive-date=February 7, 2023 |url-status=live }}</ref> |
<ref name="InfluenceFeige">{{cite web |first=Ethan |last=Anderton |title=''Captain Marvel'' Is Taking Cues From '90s Action Films |url=https://www.slashfilm.com/556793/captain-marvel-details/ |website=[[/Film]] |date=March 9, 2018 |access-date=February 7, 2023 |archive-url=https://web.archive.org/web/20230207032516/https://www.slashfilm.com/556793/captain-marvel-details/ |archive-date=February 7, 2023 |url-status=live }}</ref> |
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<ref name="LATimes1991March31">{{cite web|first=David J. |last=Fox |title=A Look Inside Hollywood And The Movies Incorporating Outtakes, Cinefile And Production Chart. : Off-Centerpiece : Summer Shootout: Guy To Beat Fires Arrows And Danced With Wolves |url=https://www.latimes.com/archives/la-xpm-1991-03-31-ca-2162-story.html |website=[[Los Angeles Times]] |date=March 31, 1991 |access-date=February 17, 2022 |archive-url=https://web.archive.org/web/20220217233322/https://www.latimes.com/archives/la-xpm-1991-03-31-ca-2162-story.html |archive-date=February 17, 2022 |url-status=live |url-access=limited}}</ref> |
<ref name="LATimes1991March31">{{cite web|first=David J. |last=Fox |title=A Look Inside Hollywood And The Movies Incorporating Outtakes, Cinefile And Production Chart. : Off-Centerpiece : Summer Shootout: Guy To Beat Fires Arrows And Danced With Wolves |url=https://www.latimes.com/archives/la-xpm-1991-03-31-ca-2162-story.html |website=[[Los Angeles Times]] |date=March 31, 1991 |access-date=February 17, 2022 |archive-url=https://web.archive.org/web/20220217233322/https://www.latimes.com/archives/la-xpm-1991-03-31-ca-2162-story.html |archive-date=February 17, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimes1991May12">{{cite web|first1=David J. |last1=Fox |first2=Nikki |last2=Finke | |
<ref name="LATimes1991May12">{{cite web|first1=David J. |last1=Fox |first2=Nikki |last2=Finke |authorlink2=Nikki Finke |title=A Look Inside Hollywood And The Movies. : J-e-l-l-o : We Swear: The Absolute Last Summer Movie Schedule Story (Until Next Week) |url=https://www.latimes.com/archives/la-xpm-1991-05-12-ca-2273-story.html |website=[[Los Angeles Times]] |date=May 12, 1991 |access-date=February 17, 2022 |archive-url=https://web.archive.org/web/20220217233329/https://www.latimes.com/archives/la-xpm-1991-05-12-ca-2273-story.html |archive-date=February 17, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimes1991inReview">{{cite web|first=Kenneth |last=Turan | |
<ref name="LATimes1991inReview">{{cite web|first=Kenneth |last=Turan |authorlink=Kenneth Turan |title=Movies : 91 Year In Review : The Top 9 In A Year That Came Up Short |url=https://www.latimes.com/archives/la-xpm-1991-12-22-ca-1261-story.html |website=[[Los Angeles Times]] |date=December 22, 1991 |access-date=February 17, 2022 |archive-url=https://web.archive.org/web/20220217233618/https://www.latimes.com/archives/la-xpm-1991-12-22-ca-1261-story.html |archive-date=February 17, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimesPremiere">{{cite web|first=Paul |last=Ciotti |title=Real Hollywood Muscle : No Star Makes More Money, Wields More Power Or Has More Fun |url=https://www.latimes.com/archives/la-xpm-1991-08-04-tm-371-story.html |website=[[Los Angeles Times]] |date=August 4, 1991 |access-date=February 21, 2022 |archive-url=https://web.archive.org/web/20210610104914/https://www.latimes.com/archives/la-xpm-1991-08-04-tm-371-story.html |archive-date=June 20, 2021 |url-status=live |url-access=limited}}</ref> |
<ref name="LATimesPremiere">{{cite web|first=Paul |last=Ciotti |title=Real Hollywood Muscle : No Star Makes More Money, Wields More Power Or Has More Fun |url=https://www.latimes.com/archives/la-xpm-1991-08-04-tm-371-story.html |website=[[Los Angeles Times]] |date=August 4, 1991 |access-date=February 21, 2022 |archive-url=https://web.archive.org/web/20210610104914/https://www.latimes.com/archives/la-xpm-1991-08-04-tm-371-story.html |archive-date=June 20, 2021 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimes1991OctAnalysis">{{cite web|first=David J.|last=Fox |title=''Terminator 2'' About To Hit $200-million Mark : Movies: While Fall Releases Are In Box-office Slump, The Summer Smash Climbs To 13th On All-time Domestic Ticket Sales List. |url=https://www.latimes.com/archives/la-xpm-1991-10-31-ca-816-story.html |website=[[Los Angeles Times]] |date=October 31, 1991 |access-date=February 23, 2022 |archive-url=https://web.archive.org/web/20220222140220/https://www.latimes.com/archives/la-xpm-1991-10-31-ca-816-story.html |archive-date=February 22, 2022 |url-status=live |url-access=limited}}</ref> |
<ref name="LATimes1991OctAnalysis">{{cite web|first=David J.|last=Fox |title=''Terminator 2'' About To Hit $200-million Mark : Movies: While Fall Releases Are In Box-office Slump, The Summer Smash Climbs To 13th On All-time Domestic Ticket Sales List. |url=https://www.latimes.com/archives/la-xpm-1991-10-31-ca-816-story.html |website=[[Los Angeles Times]] |date=October 31, 1991 |access-date=February 23, 2022 |archive-url=https://web.archive.org/web/20220222140220/https://www.latimes.com/archives/la-xpm-1991-10-31-ca-816-story.html |archive-date=February 22, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimesVHS3">{{cite web|first=Leo |last=Smith |title=Video Rental Chart : ''Backdraft'' Still Hot |
<ref name="LATimesVHS3">{{cite web|first=Leo |last=Smith |title=Video Rental Chart : ''Backdraft'' Still Hot At The Stores |url=https://www.latimes.com/archives/la-xpm-1991-12-12-ca-564-story.html |website=[[Los Angeles Times]] |date=December 12, 1991 |access-date=February 28, 2022 |archive-url=https://web.archive.org/web/20201129201908/https://www.latimes.com/archives/la-xpm-1991-12-12-ca-564-story.html |archive-date=November 29, 2020 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimesVHS4">{{cite web|first=Leo |last=Smith |title=Flicks Film And Video File : Male Bonding : In Simi Valley, Film Students Focus On A Place Where Men Go After They've Been Dumped By A Woman. |url=https://www.latimes.com/archives/la-xpm-1991-12-19-vl-809-story.html |website=[[Los Angeles Times]] |date=December 19, 1991 |access-date=February 28, 2022 |archive-url=https://web.archive.org/web/20220228144230/https://www.latimes.com/archives/la-xpm-1991-12-19-vl-809-story.html |archive-date=February 28, 2022 |url-status=live |url-access=limited}}</ref> |
<ref name="LATimesVHS4">{{cite web|first=Leo |last=Smith |title=Flicks Film And Video File : Male Bonding : In Simi Valley, Film Students Focus On A Place Where Men Go After They've Been Dumped By A Woman. |url=https://www.latimes.com/archives/la-xpm-1991-12-19-vl-809-story.html |website=[[Los Angeles Times]] |date=December 19, 1991 |access-date=February 28, 2022 |archive-url=https://web.archive.org/web/20220228144230/https://www.latimes.com/archives/la-xpm-1991-12-19-vl-809-story.html |archive-date=February 28, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimesVHS8">{{cite web|first=David J.|last=Fox |title='Green Tomatoes': Why A Little Film Bloomed : Movies: Film Starts Slowly At The Box Office But Word Of Mouth, Themes, Strong Cast Ignite Interest In The $11-million Work. |url=https://www.latimes.com/archives/la-xpm-1992-02-10-ca-1330-story.html |website=[[Los Angeles Times]] |date=February 10, 1992 |access-date=February 28, 2022 |archive-url=https://web.archive.org/web/20220222135040/https://www.latimes.com/archives/la-xpm-1992-02-10-ca-1330-story.html |archive-date=February 22, 2022 |url-status=live |url-access=limited}}</ref> |
<ref name="LATimesVHS8">{{cite web|first=David J.|last=Fox |title='Green Tomatoes': Why A Little Film Bloomed : Movies: Film Starts Slowly At The Box Office But Word Of Mouth, Themes, Strong Cast Ignite Interest In The $11-million Work. |url=https://www.latimes.com/archives/la-xpm-1992-02-10-ca-1330-story.html |website=[[Los Angeles Times]] |date=February 10, 1992 |access-date=February 28, 2022 |archive-url=https://web.archive.org/web/20220222135040/https://www.latimes.com/archives/la-xpm-1992-02-10-ca-1330-story.html |archive-date=February 22, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimes1993SpecialEdition">{{cite web|first=Barbara |last=Saltzman |title=''T2'' Special Edition Adds Dimension, Power |
<ref name="LATimes1993SpecialEdition">{{cite web|first=Barbara |last=Saltzman |title=''T2'' Special Edition Adds Dimension, Power To Original |url=https://www.latimes.com/archives/la-xpm-1993-12-03-ca-63361-story.html |website=[[Los Angeles Times]] |date=December 3, 1993 |access-date=February 28, 2022 |archive-url=https://web.archive.org/web/20220203070018/https://www.latimes.com/archives/la-xpm-1993-12-03-ca-63361-story.html |archive-date=February 3, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimesMarketing">{{cite web|first=David J. |last=Fox |title=A Look Inside Hollywood And The Movies Incorporating Outtakes, Cinefile And Production Chart. : Off- |
<ref name="LATimesMarketing">{{cite web|first=David J. |last=Fox |title=A Look Inside Hollywood And The Movies Incorporating Outtakes, Cinefile And Production Chart. : Off-Centerpiece :... And A Terminator T-Shirt For Kevin |url=https://www.latimes.com/archives/la-xpm-1991-04-21-ca-610-story.html |website=[[Los Angeles Times]] |date=April 21, 1991 |access-date=March 2, 2022 |archive-url=https://web.archive.org/web/20220302161503/https://www.latimes.com/archives/la-xpm-1991-04-21-ca-610-story.html |archive-date=March 2, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimesCurve">{{cite web|first=David J. |last=Fox |title=The Long, Not-So-Hot Summer : Industry Hopes Year-End Films Revive Sagging Box Office |url=https://www.latimes.com/archives/la-xpm-1991-09-04-ca-1594-story.html|website=[[Los Angeles Times]] |date=September 4, 1991 |access-date=March 2, 2022 |archive-url=https://web.archive.org/web/20220302200943/https://www.latimes.com/archives/la-xpm-1991-09-04-ca-1594-story.html |archive-date=March 2, 2022 |url-status=live |url-access=limited}}</ref> |
<ref name="LATimesCurve">{{cite web|first=David J. |last=Fox |title=The Long, Not-So-Hot Summer : Industry Hopes Year-End Films Revive Sagging Box Office |url=https://www.latimes.com/archives/la-xpm-1991-09-04-ca-1594-story.html|website=[[Los Angeles Times]] |date=September 4, 1991 |access-date=March 2, 2022 |archive-url=https://web.archive.org/web/20220302200943/https://www.latimes.com/archives/la-xpm-1991-09-04-ca-1594-story.html |archive-date=March 2, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimesCameron500">{{cite web|first=David J.|last=Fox |title=Fox Signs Cameron To $500-million Deal : Movies: The Studio Commits To Distributing 12 Films Made By The ''Terminator 2'' Director's Production Company. |url=https://www.latimes.com/archives/la-xpm-1992-04-22-ca-500-story.html |website=[[Los Angeles Times]] |date=April 22, 1992 |access-date=March 3, 2022 |archive-url=https://web.archive.org/web/20220222134729/https://www.latimes.com/archives/la-xpm-1992-04-22-ca-500-story.html |archive-date=February 22, 2022 |url-status=live |url-access=limited}}</ref> |
<ref name="LATimesCameron500">{{cite web|first=David J.|last=Fox |title=Fox Signs Cameron To $500-million Deal : Movies: The Studio Commits To Distributing 12 Films Made By The ''Terminator 2'' Director's Production Company. |url=https://www.latimes.com/archives/la-xpm-1992-04-22-ca-500-story.html |website=[[Los Angeles Times]] |date=April 22, 1992 |access-date=March 3, 2022 |archive-url=https://web.archive.org/web/20220222134729/https://www.latimes.com/archives/la-xpm-1992-04-22-ca-500-story.html |archive-date=February 22, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimesViolence">{{cite web|first=Kirk |last=Honeycutt |title=''Terminator''s{{'}} Generator : James Cameron Says He Uses Violence to Make |
<ref name="LATimesViolence">{{cite web|first=Kirk |last=Honeycutt |title=''Terminator''s{{'}} Generator : James Cameron Says He Uses Violence to Make A Point |url=https://www.latimes.com/archives/la-xpm-1991-07-02-ca-1810-story.html |website=[[Los Angeles Times]] |date=July 2, 1991 |access-date=March 13, 2022 |archive-url=https://web.archive.org/web/20220304065304/https://www.latimes.com/archives/la-xpm-1991-07-02-ca-1810-story.html |archive-date=March 4, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="LATimesTrailers">{{cite web|first=Patrick|last=Goldstein |title=Movies : Naked Trailers : The Following Story Has Been Rated "I" For Inside And Informative On The New Power Of Movie Previews|url=https://www.latimes.com/archives/la-xpm-1991-08-25-ca-2005-story.html|website=[[Los Angeles Times]] |date=August 25, 1991 |access-date=March 14, 2022 |archive-url=https://web.archive.org/web/20211103233340/https://www.latimes.com/archives/la-xpm-1991-08-25-ca-2005-story.html |archive-date=November 3, 2021 |url-status=live |url-access=limited}}</ref> |
<ref name="LATimesTrailers">{{cite web|first=Patrick|last=Goldstein |title=Movies : Naked Trailers : The Following Story Has Been Rated "I" For Inside And Informative On The New Power Of Movie Previews|url=https://www.latimes.com/archives/la-xpm-1991-08-25-ca-2005-story.html|website=[[Los Angeles Times]] |date=August 25, 1991 |access-date=March 14, 2022 |archive-url=https://web.archive.org/web/20211103233340/https://www.latimes.com/archives/la-xpm-1991-08-25-ca-2005-story.html |archive-date=November 3, 2021 |url-status=live |url-access=limited}}</ref> |
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<ref name="mtvmovieaward1992">{{cite web|url=http://www.mtv.com/ontv/movieawards/1992/|title=1992 MTV Movie Awards|website=[[MTV Movie & TV Awards]]|date=June 10, 1992|access-date=October 1, 2011|url-status=live|archive-url=https://web.archive.org/web/20111018214516/http://www.mtv.com/ontv/movieawards/1992/|archive-date=October 18, 2011}}</ref> |
<ref name="mtvmovieaward1992">{{cite web|url=http://www.mtv.com/ontv/movieawards/1992/|title=1992 MTV Movie Awards|website=[[MTV Movie & TV Awards]]|date=June 10, 1992|access-date=October 1, 2011|url-status=live|archive-url=https://web.archive.org/web/20111018214516/http://www.mtv.com/ontv/movieawards/1992/|archive-date=October 18, 2011}}</ref> |
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<ref name="NYTimesilicon">{{cite web|first= Andrew|last=Pollack |title=Silicon Graphics To Offer A Cheaper Work Station|url=https://www.nytimes.com/1991/07/22/business/silicon-graphics-to-offer-a-cheaper-work-station.html |website=[[The New York Times]] |date=July 22, 1991 |access-date=March 18, 2022 |archive-url=https://web.archive.org/web/20210903170235/https://www.nytimes.com/1991/07/22/business/silicon-graphics-to-offer-a-cheaper-work-station.html |archive-date=September 3, 2021 |url-status=live |url-access=limited}}</ref> |
<ref name="NYTimesilicon">{{cite web|first= Andrew|last=Pollack |title=Silicon Graphics To Offer A Cheaper Work Station|url=https://www.nytimes.com/1991/07/22/business/silicon-graphics-to-offer-a-cheaper-work-station.html |website=[[The New York Times]] |date=July 22, 1991 |access-date=March 18, 2022 |archive-url=https://web.archive.org/web/20210903170235/https://www.nytimes.com/1991/07/22/business/silicon-graphics-to-offer-a-cheaper-work-station.html |archive-date=September 3, 2021 |url-status=live |url-access=limited |page=3}}</ref> |
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<ref name="NYTimesDec1990">{{cite web|last=Fabrikant | first=Geraldine|title=The Hole |
<ref name="NYTimesDec1990">{{cite web|last=Fabrikant | first=Geraldine|title=The Hole In Hollywood's Pocket|website=[[The New York Times]]|date=December 10, 1990|url=https://www.nytimes.com/1990/12/10/business/the-hole-in-hollywood-s-pocket.html?pagewanted=all|access-date=February 19, 2009 |url-status=live|url-access=limited|archive-url=https://web.archive.org/web/20141106122744/http://www.nytimes.com/1990/12/10/business/the-hole-in-hollywood-s-pocket.html?pagewanted=all|archive-date=November 6, 2014}}</ref> |
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<ref name="NYTimesApril1991">{{cite web|last=Stevenson | first=Richard W.|title=Taming Hollywood's Spending Monster|website=[[The New York Times]]|date=April 14, 1991|url=https://www.nytimes.com/1991/04/14/business/taming-hollywood-s-spending-monster.html?pagewanted=all|access-date=February 19, 2009 |url-status=live |url-access=limited|archive-url=https://web.archive.org/web/20141106122006/http://www.nytimes.com/1991/04/14/business/taming-hollywood-s-spending-monster.html?pagewanted=all|archive-date=November 6, 2014}}</ref> |
<ref name="NYTimesApril1991">{{cite web|last=Stevenson | first=Richard W.|title=Taming Hollywood's Spending Monster|website=[[The New York Times]]|date=April 14, 1991|url=https://www.nytimes.com/1991/04/14/business/taming-hollywood-s-spending-monster.html?pagewanted=all|access-date=February 19, 2009 |url-status=live |url-access=limited|archive-url=https://web.archive.org/web/20141106122006/http://www.nytimes.com/1991/04/14/business/taming-hollywood-s-spending-monster.html?pagewanted=all|archive-date=November 6, 2014}}</ref> |
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<ref name="NYTimesMGM">{{cite web|last=Fabrikant | first=Geraldine |title=MGM-Pathe's Surprise: A Low-Cost Hit |website=[[The New York Times]]|date=June 3, 1991|url=https://www.nytimes.com/1991/06/03/business/mgm-pathe-s-surprise-a-low-cost-hit.html |access-date=February 18, 2022 |archive-url=https://web.archive.org/web/20150525223215/https://www.nytimes.com/1991/06/03/business/mgm-pathe-s-surprise-a-low-cost-hit.html |archive-date=May 25, 2015 |url-status=live |url-access=limited}}</ref> |
<ref name="NYTimesMGM">{{cite web|last=Fabrikant | first=Geraldine |title=MGM-Pathe's Surprise: A Low-Cost Hit |website=[[The New York Times]]|date=June 3, 1991|url=https://www.nytimes.com/1991/06/03/business/mgm-pathe-s-surprise-a-low-cost-hit.html |access-date=February 18, 2022 |archive-url=https://web.archive.org/web/20150525223215/https://www.nytimes.com/1991/06/03/business/mgm-pathe-s-surprise-a-low-cost-hit.html |archive-date=May 25, 2015 |url-status=live |url-access=limited}}</ref> |
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<ref name="NYTimes1991Jul9BOX">{{Cite web| last=Rohter | first=Larry| |
<ref name="NYTimes1991Jul9BOX">{{Cite web| last=Rohter | first=Larry| authorlink=Larry Rohter| url=https://www.nytimes.com/1991/07/09/movies/hollywood-shakes-off-box-office-doldrums.html| title=Hollywood Shakes Off Box Office Doldrums| date=July 9, 1991 |website=[[The New York Times]] | access-date=February 21, 2022 | url-status=live | url-access=limited | archive-url=https://web.archive.org/web/20220202183907/https://www.nytimes.com/1991/07/09/movies/hollywood-shakes-off-box-office-doldrums.html| archive-date=February 2, 2020 |page=13}}</ref> |
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<ref name="NYTimesVHS1">{{Cite web| last=Nichols | first=Peter M. | url=https://www.nytimes.com/1991/11/10/archives/arts-and-entertainment-video.html| title=Arts And Entertainment; Video| date=November 10, 1991 |website=[[The New York Times]] | access-date=February 28, 2022 | url-status=live | url-access=limited | archive-url=https://web.archive.org/web/20220228131630/https://www.nytimes.com/1991/11/10/archives/arts-and-entertainment-video.html | archive-date=February 28, 2022}}</ref> |
<ref name="NYTimesVHS1">{{Cite web| last=Nichols | first=Peter M. | url=https://www.nytimes.com/1991/11/10/archives/arts-and-entertainment-video.html| title=Arts And Entertainment; Video| date=November 10, 1991 |website=[[The New York Times]] | access-date=February 28, 2022 | url-status=live | url-access=limited | archive-url=https://web.archive.org/web/20220228131630/https://www.nytimes.com/1991/11/10/archives/arts-and-entertainment-video.html | archive-date=February 28, 2022 |page=34}}</ref> |
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<ref name="NYTimesVHS2">{{Cite web| last=Nichols | first=Peter M. | url=https://www.nytimes.com/1991/12/05/movies/home-video-378991.html| title=Home Video| date=December 5, 1991 |website=[[The New York Times]] | access-date=February 28, 2022 | url-status=live | url-access=limited | archive-url=https://web.archive.org/web/20150525223910/https://www.nytimes.com/1991/12/05/movies/home-video-378991.html | archive-date=May 25, 2015}}</ref> |
<ref name="NYTimesVHS2">{{Cite web| last=Nichols | first=Peter M. | url=https://www.nytimes.com/1991/12/05/movies/home-video-378991.html| title=Home Video| date=December 5, 1991 |website=[[The New York Times]] | access-date=February 28, 2022 | url-status=live | url-access=limited | archive-url=https://web.archive.org/web/20150525223910/https://www.nytimes.com/1991/12/05/movies/home-video-378991.html | archive-date=May 25, 2015}}</ref> |
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<ref name="NYTimesCarolcoLoss2">{{Cite web| last=Stevenson| first=Richard W. | url=https://www.nytimes.com/1991/12/05/business/carolco-cuts-staff-by-25-and-may-scale-back-films.html | title=Carolco Cuts Staff by 25% And May Scale Back Films| date=December 5, 1991 |website=[[The New York Times]] | access-date=March 3, 2022| archive-url=https://web.archive.org/web/20150525223831/https://www.nytimes.com/1991/12/05/business/carolco-cuts-staff-by-25-and-may-scale-back-films.html | archive-date=May 25, 2015 | url-status=live | url-access=limited }}</ref> |
<ref name="NYTimesCarolcoLoss2">{{Cite web| last=Stevenson| first=Richard W. | url=https://www.nytimes.com/1991/12/05/business/carolco-cuts-staff-by-25-and-may-scale-back-films.html | title=Carolco Cuts Staff by 25% And May Scale Back Films| date=December 5, 1991 |website=[[The New York Times]] | access-date=March 3, 2022| archive-url=https://web.archive.org/web/20150525223831/https://www.nytimes.com/1991/12/05/business/carolco-cuts-staff-by-25-and-may-scale-back-films.html | archive-date=May 25, 2015 | url-status=live | url-access=limited }}</ref> |
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<ref name="NYTimesCarolcoBankruptcy">{{Cite web| last=Sterngold | first=James | url=https://www.nytimes.com/1996/03/31/movies/debacle-on-the-high-seas.html | title= |
<ref name="NYTimesCarolcoBankruptcy">{{Cite web| last=Sterngold | first=James | url=https://www.nytimes.com/1996/03/31/movies/debacle-on-the-high-seas.html | title=Debacle On The High Seas | date=March 31, 1996 |website=[[The New York Times]] | access-date=March 3, 2022| archive-url=https://web.archive.org/web/20210828184957/https://www.nytimes.com/1996/03/31/movies/debacle-on-the-high-seas.html | archive-date=August 28, 2016 | url-status=live | url-access=limited |page=1}}</ref> |
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<ref name="NYTimesCameron500">{{Cite web| last=Weinraub | first=Bernard | url=https://www.nytimes.com/1992/04/22/movies/fox-locks-in-cameron-with-a-5-year-deal-worth-500-million.html| title=Fox Locks In Cameron With a 5-Year Deal Worth $500 Million | date=March 31, 1996 |website=[[The New York Times]] | access-date=March 3, 2022| archive-url=https://web.archive.org/web/20210921134903/https://www.nytimes.com/1992/04/22/movies/fox-locks-in-cameron-with-a-5-year-deal-worth-500-million.html | archive-date=August 28, 2016 | url-status=live | url-access=limited }}</ref> |
<ref name="NYTimesCameron500">{{Cite web| last=Weinraub | first=Bernard | url=https://www.nytimes.com/1992/04/22/movies/fox-locks-in-cameron-with-a-5-year-deal-worth-500-million.html| title=Fox Locks In Cameron With a 5-Year Deal Worth $500 Million | date=March 31, 1996 |website=[[The New York Times]] | access-date=March 3, 2022| archive-url=https://web.archive.org/web/20210921134903/https://www.nytimes.com/1992/04/22/movies/fox-locks-in-cameron-with-a-5-year-deal-worth-500-million.html | archive-date=August 28, 2016 | url-status=live | url-access=limited|page=15 }}</ref> |
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<ref name="NYTimestunts">{{cite web|first= Joel|last=Engel|title=Film; The Daredevils Of ''Terminator 2'' |url=https://www.nytimes.com/1991/06/30/archives/film-the-daredevils-of-terminator-2.html |website=[[The New York Times]] |date=June 30, 1991 |access-date=May 11, 2022 |archive-url=https://web.archive.org/web/20210522140428/https://www.nytimes.com/1991/06/30/archives/film-the-daredevils-of-terminator-2.html |archive-date=May 22, 2021 |url-status=live |url-access=limited}}</ref> |
<ref name="NYTimestunts">{{cite web|first= Joel|last=Engel|title=Film; The Daredevils Of ''Terminator 2'' |url=https://www.nytimes.com/1991/06/30/archives/film-the-daredevils-of-terminator-2.html |website=[[The New York Times]] |date=June 30, 1991 |access-date=May 11, 2022 |archive-url=https://web.archive.org/web/20210522140428/https://www.nytimes.com/1991/06/30/archives/film-the-daredevils-of-terminator-2.html |archive-date=May 22, 2021 |url-status=live |url-access=limited |page=11}}</ref> |
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<ref name="NYTimesRetro">{{cite web |last=Rapold |first=Nicolas |title=Comfort Viewing: 3 Reasons I Love ''Terminator 2: Judgment Day'' |website=[[The New York Times]] |date=July 31, 2022 |url=https://www.nytimes.com/2020/07/31/movies/comfort-viewing-terminator-2.html |access-date=February 7, 2023 |archive-date=October 26, 2022 |archive-url=https://web.archive.org/web/20221026175109/https://www.nytimes.com/2020/07/31/movies/comfort-viewing-terminator-2.html |url-status=live |url-access=limited }}</ref> |
<ref name="NYTimesRetro">{{cite web |last=Rapold |first=Nicolas |title=Comfort Viewing: 3 Reasons I Love ''Terminator 2: Judgment Day'' |website=[[The New York Times]] |date=July 31, 2022 |url=https://www.nytimes.com/2020/07/31/movies/comfort-viewing-terminator-2.html |access-date=February 7, 2023 |archive-date=October 26, 2022 |archive-url=https://web.archive.org/web/20221026175109/https://www.nytimes.com/2020/07/31/movies/comfort-viewing-terminator-2.html |url-status=live |url-access=limited }}</ref> |
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<ref name="OpeningWed2">{{cite web|first=Dave |last=McNary | |
<ref name="OpeningWed2">{{cite web|first=Dave |last=McNary |authorlink=Dave McNary |title=''Terminator 2'' Posts Monster Opening|url=https://www.upi.com/Archives/1991/07/05/Terminator-2-posts-monster-opening/3923678686400/ |website=[[United Press International]] |date=July 5, 1991 |access-date=June 11, 2022 |archive-date=June 11, 2022 |archive-url=https://archive.today/FYj99 |url-status=live}}</ref> |
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<ref name="PasteDeleted">{{Cite web|first=Oktay Ege |last=Kozak | url=https://www.pastemagazine.com/movies/terminator-2/battle-of-the-cuts-terminator-2-theatrical-vs-sp/ |title=Battle Of The Cuts: ''Terminator 2''—Theatrical Vs. Special Edition|website=[[Paste (magazine)|Paste]]|date=April 11, 2018 |access-date=February 14, 2022 |archive-url=https://web.archive.org/web/20220205074814/https://www.pastemagazine.com/movies/terminator-2/battle-of-the-cuts-terminator-2-theatrical-vs-sp/ |archive-date=February 5, 2022 |url-status=live}}</ref> |
<ref name="PasteDeleted">{{Cite web|first=Oktay Ege |last=Kozak | url=https://www.pastemagazine.com/movies/terminator-2/battle-of-the-cuts-terminator-2-theatrical-vs-sp/ |title=Battle Of The Cuts: ''Terminator 2''—Theatrical Vs. Special Edition|website=[[Paste (magazine)|Paste]]|date=April 11, 2018 |access-date=February 14, 2022 |archive-url=https://web.archive.org/web/20220205074814/https://www.pastemagazine.com/movies/terminator-2/battle-of-the-cuts-terminator-2-theatrical-vs-sp/ |archive-date=February 5, 2022 |url-status=live}}</ref> |
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<ref name="Playboy">{{cite web | last=Charisma |first=James | title = Revenge Of The Movie: 15 Sequels That Are Way Better Than The Originals | website= [[Playboy]] | url = http://www.playboy.com/articles/15-sequels-better-than-the-original| date = March 15, 2016 | access-date =November 12, 2020 | archive-url = https://web.archive.org/web/20160726093750/http://www.playboy.com/articles/15-sequels-better-than-the-original | archive-date = July 26, 2016 | url-status=dead }}</ref> |
<ref name="Playboy">{{cite web | last=Charisma |first=James | title = Revenge Of The Movie: 15 Sequels That Are Way Better Than The Originals | website= [[Playboy]] | url = http://www.playboy.com/articles/15-sequels-better-than-the-original| date = March 15, 2016 | access-date =November 12, 2020 | archive-url = https://web.archive.org/web/20160726093750/http://www.playboy.com/articles/15-sequels-better-than-the-original | archive-date = July 26, 2016 | url-status=dead }}</ref> |
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<ref name="RadioTimesSequels">{{Cite web |last=Craig |first=David |title=How |
<ref name="RadioTimesSequels">{{Cite web |last=Craig |first=David |title=How To Watch The ''Terminator'' Movie Franchise In Order—Every Timeline Explained |url=https://www.radiotimes.com/tv/sci-fi/terminator-watch-order/ |date=September 24, 2020 |website=[[Radio Times]]|archive-url=https://archive.today/20220106231704/https://www.radiotimes.com/tv/sci-fi/terminator-watch-order/ |archive-date=January 6, 2022 |access-date=January 6, 2022|url-status=live}}</ref> |
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<ref name="ReviewAustinChron">{{cite web|first=Marc |last=Savlov |title=''Terminator 2: Judgment Day'' |url=https://www.austinchronicle.com/events/film/1991-07-05/terminator-2-judgment-day/ |website=[[The Austin Chronicle]] |date=July 5, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20220308213709/https://www.austinchronicle.com/events/film/1991-07-05/terminator-2-judgment-day/ |archive-date=March 8, 2022 |url-status=live}}</ref> |
<ref name="ReviewAustinChron">{{cite web|first=Marc |last=Savlov |title=''Terminator 2: Judgment Day'' |url=https://www.austinchronicle.com/events/film/1991-07-05/terminator-2-judgment-day/ |website=[[The Austin Chronicle]] |date=July 5, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20220308213709/https://www.austinchronicle.com/events/film/1991-07-05/terminator-2-judgment-day/ |archive-date=March 8, 2022 |url-status=live}}</ref> |
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<ref name="ReviewEbert">{{cite web|first=Roger |last=Ebert | |
<ref name="ReviewEbert">{{cite web|first=Roger |last=Ebert |authorlink=Roger Ebert |title= ''Terminator 2: Judgment Day''|url=https://www.rogerebert.com/reviews/terminator-2-judgment-day-1991 |website=[[RogerEbert.com]] |date= July 3, 1991|access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20210127174148/https://www.rogerebert.com/reviews/terminator-2-judgment-day-1991 |archive-date=July 27, 2021 |url-status=live}}</ref> |
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<ref name="ReviewEmpire">{{cite web|first=Kim |last=Newman |title=''Terminator 2: Judgment Day'' Review |url=http://www.empireonline.com/movies/terminator-2-judgment-day/review/ |website=[[Empire (film magazine)|Empire]] |date=August 16, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20160630233746/http://www.empireonline.com/movies/terminator-2-judgment-day/review/ |archive-date=June 30, 2016 |url-status=dead}}</ref> |
<ref name="ReviewEmpire">{{cite web|first=Kim |last=Newman |title=''Terminator 2: Judgment Day'' Review |url=http://www.empireonline.com/movies/terminator-2-judgment-day/review/ |website=[[Empire (film magazine)|Empire]] |date=August 16, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20160630233746/http://www.empireonline.com/movies/terminator-2-judgment-day/review/ |archive-date=June 30, 2016 |url-status=dead}}</ref> |
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<ref name="ReviewEW">{{cite web|first= Owen|last=Gleiberman | |
<ref name="ReviewEW">{{cite web|first= Owen|last=Gleiberman |authorlink=Owen Gleiberman |title=''Terminator 2: Judgment Day'': EW Review |url=https://ew.com/movies/1991/07/12/terminator-2-judgment-day/ |website=[[Entertainment Weekly]] |date=July 12, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20200924180006/https://ew.com/movies/1991/07/12/terminator-2-judgment-day/ |archive-date=September 24, 2020 |url-status=live}}</ref> |
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<ref name="ReviewLATimes">{{cite web|first=Kenneth |last=Turan | |
<ref name="ReviewLATimes">{{cite web|first=Kenneth |last=Turan |authorlink=Kenneth Turan |title=Movie Review : He Said He'd Be Back...: Arnold And ''Terminator 2'' Return With A Vengeance |url=https://www.latimes.com/archives/la-xpm-1991-07-03-ca-1467-story.html |website=[[Los Angeles Times]] |date=July 3, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20220204153220/https://www.latimes.com/archives/la-xpm-1991-07-03-ca-1467-story.html |archive-date=February 4, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="ReviewNewsweek">{{cite web|first=David |last=Ansen | |
<ref name="ReviewNewsweek">{{cite web|first=David |last=Ansen |authorlink=David Ansen |title=Conan The Humanitarian |url=https://www.newsweek.com/conan-humanitarian-205026 |website=[[Newsweek]] |date=July 7, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20211123184056/https://www.newsweek.com/conan-humanitarian-205026 |archive-date=February 4, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="ReviewNYTimes">{{cite web|first=Janet |last=Maslin | |
<ref name="ReviewNYTimes">{{cite web|first=Janet |last=Maslin |authorlink=Janet Maslin |title=Review/Film; In New ''Terminator'' The Forces Of Good Seek Peace, Violently |url=https://www.nytimes.com/1991/07/03/movies/review-film-in-new-terminator-the-forces-of-good-seek-peace-violently.html |website=[[The New York Times]] |date=July 3, 1991 |access-date=March 8, 2022 |archive-url= https://web.archive.org/web/20220204125527/https://www.nytimes.com/1991/07/03/movies/review-film-in-new-terminator-the-forces-of-good-seek-peace-violently.html |archive-date=February 4, 2022 |url-status=live |url-access=limited |page=11}}</ref> |
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<ref name="ReviewRollingStone">{{cite web|first= Peter |last=Travers | |
<ref name="ReviewRollingStone">{{cite web|first= Peter |last=Travers |authorlink=Peter Travers |title=''Terminator 2: Judgment Day''|url=https://www.rollingstone.com/movies/movie-reviews/terminator-2-judgment-day-255816/ |website= [[Rolling Stone]] |date=July 3, 1991 |access-date=March 8, 2022 |archive-url= https://web.archive.org/web/20200325184633/https://www.rollingstone.com/movies/movie-reviews/terminator-2-judgment-day-255816/ |archive-date=March 25, 2020 |url-status=live|url-access=limited}}</ref> |
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<ref name="ReviewTheNewYorker">{{cite web|first=Terrence |last=Rafferty |title=''Terminator 2: Judgment Day'' |url=https://www.newyorker.com/arts/reviews/film/terminator_2_judgment_day_cameron|website=[[The New Yorker]] |date=1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20081218201836/https://www.newyorker.com/arts/reviews/film/terminator_2_judgment_day_cameron |archive-date=December 18, 2008 |url-status=live |url-access=limited}}</ref> |
<ref name="ReviewTheNewYorker">{{cite web|first=Terrence |last=Rafferty |title=''Terminator 2: Judgment Day'' |url=https://www.newyorker.com/arts/reviews/film/terminator_2_judgment_day_cameron|website=[[The New Yorker]] |date=1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20081218201836/https://www.newyorker.com/arts/reviews/film/terminator_2_judgment_day_cameron |archive-date=December 18, 2008 |url-status=live |url-access=limited}}</ref> |
||
<ref name="ReviewTime">Multiple sources, in chronological order: |
<ref name="ReviewTime">Multiple sources, in chronological order: |
||
*{{cite web|first1=Richard |last1=Corliss | |
*{{cite web|first1=Richard |last1=Corliss |authorlink1=Richard Corliss |first2=Martha |last2=Smilgis |title=Half A Terrific Terminator |url=https://time.com/time/magazine/article/0,9171,973344,00.html |website=[[Time (magazine)|Time]] |date=July 8, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20090612083429/https://time.com/time/magazine/article/0,9171,973344,00.html |archive-date=June 12, 2009 |url-status=dead |url-access=limited |page=1}} |
||
*{{cite web|first1=Richard |last1=Corliss | |
*{{cite web|first1=Richard |last1=Corliss |authorlink1=Richard Corliss |first2=Martha |last2=Smilgis |title=Half A Terrific Terminator |url=http://www.time.com/time/magazine/article/0,9171,973344-2,00.html |website=[[Time (magazine)|Time]] |date=July 8, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20090707021632/http://www.time.com/time/magazine/article/0,9171,973344-2,00.html |archive-date=June 12, 2009 |url-status=dead |url-access=limited |page=2}} |
||
</ref> |
</ref> |
||
<ref name="ReviewVariety">{{cite web |title=''Terminator 2—Judgment Day'' |url=https://variety.com/review/VE1117795543.html?categoryid=31&cs=1 |website=[[Variety (magazine)|Variety]] |date= January 1, 1991 |access-date=March 8, 2022 |archive-url= https://web.archive.org/web/20091009101618/https://variety.com/review/VE1117795543.html?categoryid=31&cs=1|archive-date=October 9, 2009 |url-status=dead}}</ref> |
<ref name="ReviewVariety">{{cite web |title=''Terminator 2—Judgment Day'' |url=https://variety.com/review/VE1117795543.html?categoryid=31&cs=1 |website=[[Variety (magazine)|Variety]] |date= January 1, 1991 |access-date=March 8, 2022 |archive-url= https://web.archive.org/web/20091009101618/https://variety.com/review/VE1117795543.html?categoryid=31&cs=1|archive-date=October 9, 2009 |url-status=dead}}</ref> |
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<ref name="ReviewWaPoHinson">{{cite web|first=Hal |last=Hinson | |
<ref name="ReviewWaPoHinson">{{cite web|first=Hal |last=Hinson |authorlink=Hal Hinson |title=''Terminator 2: Judgment Day'' (R) |url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/terminator2judgmentdayrhinson_a0a6c4.htm |website=[[The Washington Post]] |date= July 3, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20170908014620/https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/terminator2judgmentdayrhinson_a0a6c4.htm |archive-date=September 8, 2017 |url-status=live |url-access=limited}}</ref> |
||
<ref name="ReviewWaPoBrown">{{cite web|first=Joe |last=Brown |title=''Terminator 2: Judgment Day'' (R) |url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/terminator2judgmentdayrbrown_a0adce.htm |website=[[The Washington Post]] |date=July 5, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20171205073935/https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/terminator2judgmentdayrbrown_a0adce.htm |archive-date=December 5, 2017 |url-status=live |url-access=limited}}</ref> |
<ref name="ReviewWaPoBrown">{{cite web|first=Joe |last=Brown |title=''Terminator 2: Judgment Day'' (R) |url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/terminator2judgmentdayrbrown_a0adce.htm |website=[[The Washington Post]] |date=July 5, 1991 |access-date=March 8, 2022 |archive-url=https://web.archive.org/web/20171205073935/https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/terminator2judgmentdayrbrown_a0adce.htm |archive-date=December 5, 2017 |url-status=live |url-access=limited}}</ref> |
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<ref name="RichardRoeper">{{cite web| website=[[Chicago Sun-Times]]| title=Now In 3-D, Brilliant ''Terminator 2: Judgment Day'' Worth A Fresh Look | date = August 31, 2017| access-date = September 29, 2021| url = https://chicago.suntimes.com/2017/8/25/18380884/now-in-3-d-brilliant-terminator-2-judgment-day-worth-a-fresh-look| last=Roeper | first=Richard | |
<ref name="RichardRoeper">{{cite web| website=[[Chicago Sun-Times]]| title=Now In 3-D, Brilliant ''Terminator 2: Judgment Day'' Worth A Fresh Look | date = August 31, 2017| access-date = September 29, 2021| url = https://chicago.suntimes.com/2017/8/25/18380884/now-in-3-d-brilliant-terminator-2-judgment-day-worth-a-fresh-look| last=Roeper | first=Richard | authorlink=Richard Roeper | url-status=live| archive-url = https://web.archive.org/web/20110628214249/https://chicago.suntimes.com/2017/8/25/18380884/now-in-3-d-brilliant-terminator-2-judgment-day-worth-a-fresh-look| archive-date = September 29, 2021}}</ref> |
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<ref name="RollingStoneDeleted">{{Cite web|first=Andy|last=Greene| url=https://www.rollingstone.com/movies/movie-news/terminator-2-judgment-day-deleted-scene-840915/|title=Flashback: The Terminator Gets Rebooted In A ''T2: Judgment Day'' Deleted Scene|website=[[Rolling Stone]]|date=May 28, 2019|access-date=February 14, 2022 |archive-url=https://web.archive.org/web/20190603072820/https://www.rollingstone.com/movies/movie-news/terminator-2-judgment-day-deleted-scene-840915/ |archive-date=June 3, 2019 |url-access=limited |url-status=live}}</ref> |
<ref name="RollingStoneDeleted">{{Cite web|first=Andy|last=Greene| url=https://www.rollingstone.com/movies/movie-news/terminator-2-judgment-day-deleted-scene-840915/|title=Flashback: The Terminator Gets Rebooted In A ''T2: Judgment Day'' Deleted Scene|website=[[Rolling Stone]]|date=May 28, 2019|access-date=February 14, 2022 |archive-url=https://web.archive.org/web/20190603072820/https://www.rollingstone.com/movies/movie-news/terminator-2-judgment-day-deleted-scene-840915/ |archive-date=June 3, 2019 |url-access=limited |url-status=live}}</ref> |
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<ref name="RollingStoneReaderBest">{{cite web|title=Readers' |
<ref name="RollingStoneReaderBest">{{cite web|title=Readers' Poll: The 25 Greatest Movie Sequels|url=https://www.rollingstone.com/movies/movie-lists/readers-poll-the-25-greatest-movie-sequels-10408/22-psycho-ii-207339/|website=[[Rolling Stone]]|date=February 26, 2014|access-date=May 26, 2021|archive-url=https://web.archive.org/web/20210525122559/https://www.rollingstone.com/movies/movie-lists/readers-poll-the-25-greatest-movie-sequels-10408/24-from-russia-with-love-207219/|archive-date=May 25, 2021|url-status=live|url-access=limited}}</ref> |
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<ref name="RottenTomatoesScore">{{Cite Rotten Tomatoes |id={{RT data|rtid|noprefix=y}} |type=m |title=Terminator 2: Judgement Day |access-date={{RT data|access date}} |publisher_hide=yes|archive-url=https://web.archive.org/web/20220202133119/https://www.rottentomatoes.com/m/terminator_2_judgment_day |archive-date=February 2, 2022|url-status=live|}}{{RT data|edit}}{{cbignore}}</ref> |
<ref name="RottenTomatoesScore">{{Cite Rotten Tomatoes |id={{RT data|rtid|noprefix=y}} |type=m |title=''Terminator 2: Judgement Day'' |access-date={{RT data|access date}} |publisher_hide=yes|archive-url=https://web.archive.org/web/20220202133119/https://www.rottentomatoes.com/m/terminator_2_judgment_day |archive-date=February 2, 2022|url-status=live|}}{{RT data|edit}}{{cbignore}}</ref> |
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<ref name="RT200">{{cite web |title=200 Essential Movies To Watch Now |website=[[Rotten Tomatoes]] |url=http://editorial.rottentomatoes.com/guide/200-essential-movies-to-watch-now/|access-date=May 2, 2020 |archive-url=https://web.archive.org/web/20191216115104/http://editorial.rottentomatoes.com/guide/200-essential-movies-to-watch-now/ |archive-date=December 16, 2019 |url-status=dead}}</ref> |
<ref name="RT200">{{cite web |title=200 Essential Movies To Watch Now |website=[[Rotten Tomatoes]] |url=http://editorial.rottentomatoes.com/guide/200-essential-movies-to-watch-now/|access-date=May 2, 2020 |archive-url=https://web.archive.org/web/20191216115104/http://editorial.rottentomatoes.com/guide/200-essential-movies-to-watch-now/ |archive-date=December 16, 2019 |url-status=dead}}</ref> |
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<ref name="ShortLust20Things">{{cite web|first=Alex |last=Christian |title=20 Things You (Probably) Didn't Know About ''Terminator 2: Judgment Day'' |url=https://www.shortlist.com/news/20-things-you-probably-didnt-know-about-terminator-2-judgment-day|website=[[ShortList]] |date=September 15, 2021 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20220205014752/https://www.shortlist.com/news/20-things-you-probably-didnt-know-about-terminator-2-judgment-day |archive-date=February 5, 2022|url-status=live}}</ref> |
<ref name="ShortLust20Things">{{cite web|first=Alex |last=Christian |title=20 Things You (Probably) Didn't Know About ''Terminator 2: Judgment Day'' |url=https://www.shortlist.com/news/20-things-you-probably-didnt-know-about-terminator-2-judgment-day|website=[[ShortList]] |date=September 15, 2021 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20220205014752/https://www.shortlist.com/news/20-things-you-probably-didnt-know-about-terminator-2-judgment-day |archive-date=February 5, 2022|url-status=live}}</ref> |
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<ref name="StudisoCanal">{{cite web|first=Vincent |last=Canby | |
<ref name="StudisoCanal">{{cite web|first=Vincent |last=Canby |authorlink=Vincent Canby |title=Film View; Bidding Adieu To The Classic French Film |url=https://www.nytimes.com/1991/06/09/movies/film-view-bidding-adieu-to-the-classic-french-film.html |website=[[The New York Times]] |date= June 9, 1991 |access-date=March 14, 2022 |archive-url=https://web.archive.org/web/20150525224549/https://www.nytimes.com/1991/06/09/movies/film-view-bidding-adieu-to-the-classic-french-film.html|archive-date=May 25, 2015 |url-status=live |url-access=limited}}</ref> |
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<ref name="StudiosPacificWest">{{cite web |title=Pacific Western Productions |url=https://www2.bfi.org.uk/films-tv-people/4ce2b97466062 |website=[[British Film Institute]] |access-date=March 14, 2022 |archive-url=https://web.archive.org/web/20220203215754/https://www2.bfi.org.uk/films-tv-people/4ce2b97466062 |archive-date=February 3, 2022 |url-status=live}}</ref> |
<ref name="StudiosPacificWest">{{cite web |title=Pacific Western Productions |url=https://www2.bfi.org.uk/films-tv-people/4ce2b97466062 |website=[[British Film Institute]] |access-date=March 14, 2022 |archive-url=https://web.archive.org/web/20220203215754/https://www2.bfi.org.uk/films-tv-people/4ce2b97466062 |archive-date=February 3, 2022 |url-status=live}}</ref> |
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<ref name="StudiosPacificWest2">{{cite web |title=Hurd |
<ref name="StudiosPacificWest2">{{cite web |title=Hurd Signs Development Deal With Paramount |url=https://www.upi.com/Archives/1993/08/30/Hurd-signs-development-deal-with-Paramount/3938746683200/ |website=[[United Press International]] |date=August 30, 1993 |access-date=March 14, 2022 |archive-url=https://web.archive.org/web/20220314215015/https://www.upi.com/Archives/1993/08/30/Hurd-signs-development-deal-with-Paramount/3938746683200/ |archive-date=March 14, 2022 |url-status=live}}</ref> |
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<ref name="T1000RollingStone">{{Cite web|first=Brian |last=Hiatt | url=https://www.rollingstone.com/music/music-news/billy-idol-terminator-podcast-905816/|title=Was Billy Idol Really Almost in ''Terminator 2''?|website=[[Rolling Stone]]|date=October 31, 2019 |access-date=February 14, 2022|archive-url=https://web.archive.org/web/20211019184332/https://www.rollingstone.com/music/music-news/billy-idol-terminator-podcast-905816/ |archive-date=October 19, 2021 |url-access=limited |url-status=live}}</ref> |
<ref name="T1000RollingStone">{{Cite web|first=Brian |last=Hiatt | url=https://www.rollingstone.com/music/music-news/billy-idol-terminator-podcast-905816/|title=Was Billy Idol Really Almost in ''Terminator 2''?|website=[[Rolling Stone]]|date=October 31, 2019 |access-date=February 14, 2022|archive-url=https://web.archive.org/web/20211019184332/https://www.rollingstone.com/music/music-news/billy-idol-terminator-podcast-905816/ |archive-date=October 19, 2021 |url-access=limited |url-status=live}}</ref> |
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<ref name="T1000THR">{{Cite web|first=Ryan |last=Parker | url=https://www.hollywoodreporter.com/movies/movie-news/terminator-2-judgement-day-robert-patrick-says-billy-idol-almost-played-t-1000-1030468/|title=Billy Idol Almost Played the T-1000 |
<ref name="T1000THR">{{Cite web|first=Ryan |last=Parker | url=https://www.hollywoodreporter.com/movies/movie-news/terminator-2-judgement-day-robert-patrick-says-billy-idol-almost-played-t-1000-1030468/|title=Billy Idol Almost Played the T-1000 In ''Terminator 2'', Robert Patrick Says|website=[[The Hollywood Reporter]]|date=August 17, 2017 |access-date=February 14, 2022 |archive-url=https://web.archive.org/web/20220109180453/https://www.hollywoodreporter.com/movies/movie-news/terminator-2-judgement-day-robert-patrick-says-billy-idol-almost-played-t-1000-1030468/ |archive-date=January 9, 2022 |url-status=live}}</ref> |
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<ref name="THREditors">{{Cite web|first=Carolyn|last=Giardina | url=https://www.hollywoodreporter.com/movies/movie-news/veteran-film-editor-mark-goldblatt-helping-originate-terminator-1078325/ |title=Veteran Film Editor Mark Goldblatt On Helping To Originate ''Terminator'' |website=[[The Hollywood Reporter]]|date=January 26, 2018|access-date=February 14, 2022 |archive-url=https://web.archive.org/web/20220214231419/https://www.hollywoodreporter.com/movies/movie-news/veteran-film-editor-mark-goldblatt-helping-originate-terminator-1078325/ |archive-date=February 14, 2022 |url-status=live}}</ref> |
<ref name="THREditors">{{Cite web|first=Carolyn|last=Giardina | url=https://www.hollywoodreporter.com/movies/movie-news/veteran-film-editor-mark-goldblatt-helping-originate-terminator-1078325/ |title=Veteran Film Editor Mark Goldblatt On Helping To Originate ''Terminator'' |website=[[The Hollywood Reporter]]|date=January 26, 2018|access-date=February 14, 2022 |archive-url=https://web.archive.org/web/20220214231419/https://www.hollywoodreporter.com/movies/movie-news/veteran-film-editor-mark-goldblatt-helping-originate-terminator-1078325/ |archive-date=February 14, 2022 |url-status=live}}</ref> |
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<ref name="THR3DConversion">{{Cite web|first=Patrick |last=Brzeski | url=https://www.hollywoodreporter.com/movies/movie-news/terminator-2-3d-rerelease-set-849272/ |title=James Cameron, DMG Partner For ''Terminator 2'' 3D Rerelease Targeting China (Exclusive)|website=[[The Hollywood Reporter]]|date=December 15, 2015|access-date=March 1, 2022 |archive-url=https://web.archive.org/web/20220204011349/https://www.hollywoodreporter.com/movies/movie-news/terminator-2-3d-rerelease-set-849272/|archive-date=February 4, 2022 |url-status=live}}</ref> |
<ref name="THR3DConversion">{{Cite web|first=Patrick |last=Brzeski | url=https://www.hollywoodreporter.com/movies/movie-news/terminator-2-3d-rerelease-set-849272/ |title=James Cameron, DMG Partner For ''Terminator 2'' 3D Rerelease Targeting China (Exclusive)|website=[[The Hollywood Reporter]]|date=December 15, 2015|access-date=March 1, 2022 |archive-url=https://web.archive.org/web/20220204011349/https://www.hollywoodreporter.com/movies/movie-news/terminator-2-3d-rerelease-set-849272/|archive-date=February 4, 2022 |url-status=live}}</ref> |
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<ref name="THHRTimeline">{{Cite web |last=McMillan |first=Graeme |title=Making Sense |
<ref name="THHRTimeline">{{Cite web |last=McMillan |first=Graeme |title=Making Sense Of The ''Terminator'' Timeline |url=https://www.hollywoodreporter.com/movies/movie-news/terminator-movie-timeline-explained-1251753/ |date=November 3, 2019 |website=[[The Hollywood Reporter]]|archive-url=https://archive.today/20220106233555/https://www.hollywoodreporter.com/movies/movie-news/terminator-movie-timeline-explained-1251753/ |archive-date=January 6, 2022 |access-date=January 6, 2022 |url-status=live }}</ref> |
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<ref name="TCMBio">{{cite web|title=''Terminator 2: Judgment Day'' |url=http://www.tcm.com/tcmdb/title/92567/Terminator-2-Judgment-Day/misc-notes.html|website=[[Turner Classic Movies]] |access-date=February 12, 2022 |url-status=live|archive-url=https://web.archive.org/web/20130622134455/http://www.tcm.com/tcmdb/title/92567/Terminator-2-Judgment-Day/misc-notes.html|archive-date=June 22, 2013}}</ref> |
<ref name="TCMBio">{{cite web|title=''Terminator 2: Judgment Day'' |url=http://www.tcm.com/tcmdb/title/92567/Terminator-2-Judgment-Day/misc-notes.html|website=[[Turner Classic Movies]] |access-date=February 12, 2022 |url-status=live|archive-url=https://web.archive.org/web/20130622134455/http://www.tcm.com/tcmdb/title/92567/Terminator-2-Judgment-Day/misc-notes.html|archive-date=June 22, 2013}}</ref> |
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<ref name="TheRingerOral">{{cite web|first=Alan |last=Siegel|title=The Tin Man Gets His Heart: An Oral History of ''Terminator 2: Judgment Day'' |url=https://www.theringer.com/movies/2021/6/30/22555687/terminator-2-judgement-day-t2-oral-history |website=[[The Ringer (website)|The Ringer]] |date= June 30, 2021 |access-date=February 4, 2022 |archive-url=https://web.archive.org/web/20220110173254/https://www.theringer.com/movies/2021/6/30/22555687/terminator-2-judgement-day-t2-oral-history |archive-date=January 10, 2022|url-status=live}}</ref> |
<ref name="TheRingerOral">{{cite web|first=Alan |last=Siegel|title=The Tin Man Gets His Heart: An Oral History of ''Terminator 2: Judgment Day'' |url=https://www.theringer.com/movies/2021/6/30/22555687/terminator-2-judgement-day-t2-oral-history |website=[[The Ringer (website)|The Ringer]] |date= June 30, 2021 |access-date=February 4, 2022 |archive-url=https://web.archive.org/web/20220110173254/https://www.theringer.com/movies/2021/6/30/22555687/terminator-2-judgement-day-t2-oral-history |archive-date=January 10, 2022|url-status=live}}</ref> |
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<ref name=" |
<ref name="THRSilberman">{{cite web|title=Earl Boen, Actor In The ''Terminator'' Films, Dies at 81 |url=https://www.hollywoodreporter.com/movies/movie-news/earl-boen-dead-actor-terminator-franchise-1235292569/ |website=[[The Hollywood Reporter]] |date= January 23, 2013 |access-date=March 3, 2022 |archive-url=https://web.archive.org/web/20230326003732/https://www.hollywoodreporter.com/movies/movie-news/earl-boen-dead-actor-terminator-franchise-1235292569/ |archive-date=March 26, 2023 |url-status=live}}</ref> |
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<ref name="THRSchwarzHighest">{{cite web|title=Arnold Schwarzenegger’s Top Grossing Films |url=https://www.hollywoodreporter.com/gallery/arnold-schwarzeneggers-top-grossing-films-414660/ |website=[[The Hollywood Reporter]] |date= January 6, 2023 |access-date=June 26, 2023 |archive-url=https://web.archive.org/web/20220223165217/https://www.hollywoodreporter.com/gallery/arnold-schwarzeneggers-top-grossing-films-414660/ |archive-date=February 23, 2022 |url-status=live}}</ref> |
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<ref name="UKCharts">{{Cite web | url=https://www.officialcharts.com/charts/singles-chart/19910707/7501| title=Official Singles Chart Top 75—07 July 1991 – 13 July 1991| website=[[OfficialCharts.com]] |date=July 13, 1991 | access-date=March 1, 2022 | url-status=live | archive-url=https://web.archive.org/web/20210514012348/https://www.officialcharts.com/charts/singles-chart/19910707/7501/ | archive-date=May 14, 2021}}</ref> |
<ref name="UKCharts">{{Cite web | url=https://www.officialcharts.com/charts/singles-chart/19910707/7501| title=Official Singles Chart Top 75—07 July 1991 – 13 July 1991| website=[[OfficialCharts.com]] |date=July 13, 1991 | access-date=March 1, 2022 | url-status=live | archive-url=https://web.archive.org/web/20210514012348/https://www.officialcharts.com/charts/singles-chart/19910707/7501/ | archive-date=May 14, 2021}}</ref> |
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<ref name="Variety75">{{cite web|first=Clayton |last=Davis |title=Arnold Schwarzenegger Turns 75: From ''Terminator'' |
<ref name="Variety75">{{cite web|first=Clayton |last=Davis |title=Arnold Schwarzenegger Turns 75: From ''Terminator'' To ''Twins'', His 10 Best Performances|url=https://variety.com/lists/arnold-schwarzenegger-best-movies-performances-ranked/junior-1994/ |website=[[Variety (magazine)|Variety]] |date= July 30, 2022 |access-date=July 31, 2022|archive-url=https://web.archive.org/web/20220731030518/https://variety.com/lists/arnold-schwarzenegger-best-movies-performances-ranked/junior-1994/|archive-date=July 31, 2022|url-status=live}}</ref> |
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<ref name="Variety3dConversion">{{cite web|first=Dave |last=McNary | |
<ref name="Variety3dConversion">{{cite web|first=Dave |last=McNary |authorlink=Dave McNary |title=James Cameron's ''Terminator 2: Judgment Day'' to Return to Theaters on Aug. 25 |url=https://variety.com/2017/film/news/james-cameron-arnold-schwarzenegger-terminator-2-judgment-day-returning-1202483256/ |website=[[Variety (magazine)|Variety]] |date= June 29, 2017 |access-date=March 1, 2022 |archive-url=https://web.archive.org/web/20211109001049/https://variety.com/2017/film/news/james-cameron-arnold-schwarzenegger-terminator-2-judgment-day-returning-1202483256/|archive-date=November 9, 2021|url-status=live}}</ref> |
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<ref name="Ves2007">{{cite web | url=http://www.visualeffectssociety.com/documents/ves50revelfin.pdf | title=50 Most Influential Visual Effects Film Of All Time | website=[[Visual Effects Society]] | access-date=March 14, 2022 |archive-url = https://web.archive.org/web/20070712000056/http://www.visualeffectssociety.com/documents/ves50revelfin.pdf |archive-date = July 12, 2007 |url-status=dead}}</ref> |
<ref name="Ves2007">{{cite web | url=http://www.visualeffectssociety.com/documents/ves50revelfin.pdf | title=50 Most Influential Visual Effects Film Of All Time | website=[[Visual Effects Society]] | access-date=March 14, 2022 |archive-url = https://web.archive.org/web/20070712000056/http://www.visualeffectssociety.com/documents/ves50revelfin.pdf |archive-date = July 12, 2007 |url-status=dead}}</ref> |
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<ref name="VillainsEmpire">{{cite web|first=Willow |last=Green |title=The Greatest Villains Of All Time |url=https://www.empireonline.com/movies/features/best-movie-villains/ |website=[[Empire (film magazine)|Empire]] |date= February 21, 2022 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20180225084524/https://www.empireonline.com/movies/features/best-movie-villains/ |archive-date=February 25, 2018 |url-status=live}}</ref> |
<ref name="VillainsEmpire">{{cite web|first=Willow |last=Green |title=The Greatest Villains Of All Time |url=https://www.empireonline.com/movies/features/best-movie-villains/ |website=[[Empire (film magazine)|Empire]] |date= February 21, 2022 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20180225084524/https://www.empireonline.com/movies/features/best-movie-villains/ |archive-date=February 25, 2018 |url-status=live}}</ref> |
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<ref name="VillainsInsider">{{cite web|first=Jason |last=Guerrasio |title=The 50 |
<ref name="VillainsInsider">{{cite web|first=Jason |last=Guerrasio |title=The 50 Greatest Movie Villains Of All Time, Ranked |url=https://www.insider.com/greatest-movie-villains-all-time-ranked-2020-10#29-t-1000-terminator-2-judgment-day-22 |website=[[Insider (news website)|Insider]] |date=October 25, 2020 |access-date=March 7, 2022 |archive-url=https://archive.ph/kqJOy |archive-date=December 3, 2021 |url-status=live}}</ref> |
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<ref name="VillainsPaste">{{cite web |first=Scott |last=Wold |collaboration=et. al|title=The 100 Greatest Movie Robots Of All Time |url=https://www.pastemagazine.com/movies/robots/the-100-greatest-movie-robots-of-all-time/#9-maria-futura-metropolis |website=[[Paste (magazine)|Paste]] |date= June 17, 2021|access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20220302173150/https://www.pastemagazine.com/movies/robots/the-100-greatest-movie-robots-of-all-time/ |archive-date= March 2, 2022 |url-status=live}}</ref> |
<ref name="VillainsPaste">{{cite web |first=Scott |last=Wold |collaboration=et. al|title=The 100 Greatest Movie Robots Of All Time |url=https://www.pastemagazine.com/movies/robots/the-100-greatest-movie-robots-of-all-time/#9-maria-futura-metropolis |website=[[Paste (magazine)|Paste]] |date= June 17, 2021|access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20220302173150/https://www.pastemagazine.com/movies/robots/the-100-greatest-movie-robots-of-all-time/ |archive-date= March 2, 2022 |url-status=live}}</ref> |
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<ref name="VultureT1000">{{cite web|first= Kenny |last=Herzog |title=How James Cameron And His Team Made ''Terminator 2: Judgment Day''{{'}}s Liquid-Metal Effect|url=https://www.vulture.com/2015/06/oral-history-of-emt2ems-liquid-metal-effect.html |website=[[Vulture (website)|Vulture]] |date=July 1, 2015 |access-date=March 18, 2022 |archive-url=https://web.archive.org/web/20220304132735/https://www.vulture.com/2015/06/oral-history-of-emt2ems-liquid-metal-effect.html |archive-date= March 4, 2022 |url-status=live |url-access=limited}}</ref> |
<ref name="VultureT1000">{{cite web|first= Kenny |last=Herzog |title=How James Cameron And His Team Made ''Terminator 2: Judgment Day''{{'}}s Liquid-Metal Effect|url=https://www.vulture.com/2015/06/oral-history-of-emt2ems-liquid-metal-effect.html |website=[[Vulture (website)|Vulture]] |date=July 1, 2015 |access-date=March 18, 2022 |archive-url=https://web.archive.org/web/20220304132735/https://www.vulture.com/2015/06/oral-history-of-emt2ems-liquid-metal-effect.html |archive-date= March 4, 2022 |url-status=live |url-access=limited}}</ref> |
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<ref name="VultureDarkFate">{{cite web|first=David |last=Edelstein | |
<ref name="VultureDarkFate">{{cite web|first=David |last=Edelstein |authorlink=David Edelstein |title=In ''Terminator: Dark Fate'', James Cameron's Audaciously Hopeful Ethos Returns With A Vengeance |url=https://www.vulture.com/2019/10/terminator-dark-fate-review-james-cameron-linda-hamilton.html |website=[[Vulture (website)|Vulture]] |date=October 24, 2019 |access-date=March 7, 2022 |archive-url=https://web.archive.org/web/20210309042126/https://www.vulture.com/2019/10/terminator-dark-fate-review-james-cameron-linda-hamilton.html |archive-date=March 9, 2021 |url-status=live |url-access=limited}}</ref> |
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}} |
}} |
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===Works cited=== |
===Works cited=== |
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====Journals==== |
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*{{cite journal| last=Alegre|first=Sara Martín |title=Arnold Schwarzenegger, Mister Universe? Hollywood Masculinity And The Search Of The New Man |journal=Atlantis |volume=20|number=1 |date=June 1998 |pages=85–94|url=https://www.jstor.org/stable/41055492 |publisher=Aedean | location=[[Seville]], Spain|jstor=41055492 }} |
*{{cite journal| last=Alegre|first=Sara Martín |title=Arnold Schwarzenegger, Mister Universe? Hollywood Masculinity And The Search Of The New Man |journal=Atlantis |volume=20|number=1 |date=June 1998 |pages=85–94|url=https://www.jstor.org/stable/41055492 |publisher=Aedean | location=[[Seville]], Spain|jstor=41055492 }} |
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*{{cite journal| first=Amanda |last=Fernbach |title=The Fetishization of Masculinity in Science Fiction: The Cyborg and the Console Cowboy |journal=Science Fiction Studies |publisher=[[DePauw University]] |location= Indiana, United States |volume=27 |issue=2|pages=234–255 | date=July 2000 |jstor=4240878 |url=https://www.jstor.org/stable/4240878 }} |
*{{cite journal| first=Amanda |last=Fernbach |title=The Fetishization of Masculinity in Science Fiction: The Cyborg and the Console Cowboy |journal=Science Fiction Studies |publisher=[[DePauw University]] |location= Indiana, United States |volume=27 |issue=2|pages=234–255 | date=July 2000 |jstor=4240878 |url=https://www.jstor.org/stable/4240878 }} |
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*{{cite journal| first=Victoria |last=Warren|title=From the Restoration to Hollywood: John Dryden's "Conquest of Granada" and James Cameron's "Terminator" Films |journal=Restoration: Studies in English Literary Culture |publisher=[[University System of Maryland|University of Maryland]] |location= Maryland, United States |volume=27 |issue=2|pages=17–40 | date=Autumn 2003 |jstor=43293740 |url=https://www.jstor.org/stable/43293740 }} |
*{{cite journal| first=Victoria |last=Warren|title=From the Restoration to Hollywood: John Dryden's "Conquest of Granada" and James Cameron's "Terminator" Films |journal=Restoration: Studies in English Literary Culture |publisher=[[University System of Maryland|University of Maryland]] |location= Maryland, United States |volume=27 |issue=2|pages=17–40 | date=Autumn 2003 |jstor=43293740 |url=https://www.jstor.org/stable/43293740 }} |
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====Magazines==== |
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*{{cite magazine|magazine=[[Variety (magazine)|Variety]]|date=August 26, 1991|title=All Previous Records Are Now Terminated (Advertisement)|issue=344|page=9 |location=Los Angeles, California |publisher=[[Penske Media Corporation]] |ref={{sfnref|Variety, August 26|1991}}}} |
*{{cite magazine|magazine=[[Variety (magazine)|Variety]]|date=August 26, 1991|title=All Previous Records Are Now Terminated (Advertisement)|issue=344|page=9 |location=Los Angeles, California |publisher=[[Penske Media Corporation]] |ref={{sfnref|Variety, August 26|1991}}}} |
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*{{cite magazine|magazine=[[Variety (magazine)|Variety]]|page=22|date=January 6, 1992|title=Rentals Reap Bulk of 1991 Vid Harvest|last=Berman|first=Marc|location=Los Angeles, California |publisher=[[Penske Media Corporation]] }} |
*{{cite magazine|magazine=[[Variety (magazine)|Variety]]|page=22|date=January 6, 1992|title=Rentals Reap Bulk of 1991 Vid Harvest|last=Berman|first=Marc|location=Los Angeles, California |publisher=[[Penske Media Corporation]] }} |
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[[Category:Nanotechnology in fiction]] |
[[Category:Nanotechnology in fiction]] |
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[[Category:Films with screenplays by James Cameron]] |
[[Category:Films with screenplays by James Cameron]] |
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[[Category:StudioCanal films]] |
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[[Category:Techno-thriller films]] |
[[Category:Techno-thriller films]] |
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[[Category:Terminator (franchise) films|Judgment Day]] |
[[Category:Terminator (franchise) films|Judgment Day]] |
Revision as of 18:27, 25 July 2023
Terminator 2: Judgment Day | |
---|---|
![]() Theatrical release poster | |
Directed by | James Cameron |
Written by |
|
Produced by | James Cameron |
Starring | |
Cinematography | Adam Greenberg |
Edited by | |
Music by | Brad Fiedel |
Production companies | |
Distributed by | Tri-Star Pictures |
Release dates |
|
Running time | 137 minutes |
Country | United States |
Language | English |
Budget | $94–102 million |
Box office | $519–520.9 million |
Terminator 2: Judgment Day[a] is a 1991 American science fiction action film directed by James Cameron, who co-wrote the script with William Wisher. Starring Arnold Schwarzenegger, Linda Hamilton, Robert Patrick, and Edward Furlong, it is the sequel to The Terminator (1984) and is the second installment in the Terminator franchise. In the film, the malevolent artificial intelligence Skynet sends a Terminator—a highly advanced killing machine—back in time to 1995 to kill the future leader of the human resistance John Connor, when he is a child. The resistance sends back a less-advanced, reprogrammed Terminator to protect Connor and ensure the future of humanity.
The Terminator was considered a significant success, enhancing Schwarzenegger's and Cameron's careers, but work on a sequel stalled because of animosity between the pair and Hemdale Film Corporation, which partially owned the film's rights. In 1990, Schwarzenegger and Cameron persuaded Carolco Pictures to purchase the rights from The Terminator producer Gale Anne Hurd and Hemdale, which was financially struggling. A release date was set for the following year, leaving Cameron and Wisher seven weeks to write the script. Principal photography began from October 1990 to March 1991, taking place in and around Los Angeles on an estimated $94–102 million budget, making it the most-expensive film made at the time. The advanced visual effects by Industrial Light & Magic (ILM), which include the first use of a computer-generated main character in a blockbuster film, resulted in a schedule overrun. Theatrical prints were not delivered to theaters until the night before its release on July 3, 1991.
Terminator 2 earned $519–520.9 million, making it the highest-grossing film of 1991 worldwide, and the third-highest-grossing film of its time. Critics praised the visual effects, action sequences and cast, especially Patrick's performance as the T-1000 as a great cinematic villain, while criticism was directed towards the film's violence. Terminator 2 won several accolades, including Saturn, BAFTA, and Academy awards. Terminator 2 merchandise includes video games, comic books, novels, and T2-3D: Battle Across Time, a live-action attraction.
Terminator 2 is considered one of the best science fiction, action, and sequel films ever made, as well as equal to or better than The Terminator. It is also seen as a major influence on visual effects in films, helping usher in the transition from practical effects to reliance on computer-generated imagery. Although Cameron intended for Terminator 2 to be the end of the franchise, it was followed by a series of sequels, including Terminator 3: Rise of the Machines (2003), Terminator Salvation (2009), Terminator Genisys (2015), and Terminator: Dark Fate (2019), as well as a 2008 television series.
Plot
In 2029, Earth has been ravaged by the war between the malevolent artificial intelligence Skynet and the human resistance. Skynet sends the T-1000—an advanced, prototype, shape-shifting Terminator made of virtually indestructible liquid metal—back in time to kill the resistance leader John Connor when he is a child. To protect Connor, the resistance sends back a reprogrammed T-800 Terminator, a less-advanced metal endoskeleton covered in synthetic flesh.
In 1995 Los Angeles, John's mother Sarah has been incarcerated at the Pescadero State Hospital for her violent efforts to prevent "Judgment Day"—the prophesied events of August 29, 1997, when Skynet will gain sentience and, in response to its creators' attempts to deactivate it, incite a nuclear holocaust. John, taken in by his foster parents, considers Sarah's beliefs to be delusional and resents her efforts to prepare him for his future role. The T-1000 locates John in a shopping mall, but the T-800 intervenes, coming to John's aid and enabling their joint escape. John calls to warn his foster parents but the T-800 deduces the T-1000 has already killed them. Realizing the T-800 is programmed to obey him, John forbids it from killing people and orders it to save Sarah from the T-1000.
The T-800 and John intercept Sarah during an escape attempt but Sarah flees in horror because the T-800 resembles the Terminator that was sent to kill her in 1984.[b] John and the T-800 persuade her to join them, and they escape the pursuing T-1000. Although distrustful of the T-800, Sarah uses its knowledge of the future to learn that a revolutionary microprocessor, being developed by Cyberdyne Systems engineer Miles Dyson, will be crucial to Skynet's creation. Over the course of their journey, Sarah sees the T-800 serving as a friend and father figure to John, who teaches it catchphrases and hand signs while encouraging it to become more human-like.
Sarah plans to escape to Mexico with John, but a nightmare about Judgment Day convinces her to kill Dyson. She attacks Dyson in his home, but realizes she cannot kill a person and relents. John arrives and reconciles with Sarah while the T-800 convinces Dyson of the future consequences of his work. Dyson reveals his research has been reverse engineered from the damaged CPU and severed arm of the 1984 Terminator. Believing his work must be destroyed, Dyson, Sarah, John, and the T-800 break into Cyberdyne, retrieve the CPU and the arm, and set explosives to destroy the lab. The police assault the building and fatally shoot Dyson, but he detonates the explosives as he dies. The T-1000 pursues the surviving trio, cornering them in a steel mill.
Sarah and John split up to escape while the T-1000 mangles the T-800 and briefly deactivates it by destroying its power source. The T-1000 assumes Sarah's appearance to lure out John but Sarah intervenes and, along with the reactivated T-800, pushes it into a vat of molten steel, where it disintegrates. The T-800 explains it must also be destroyed to prevent it from serving as a foundation for Skynet. Despite John's tearful protests, the T-800 persuades him its destruction is the only way to protect their future. Sarah shakes the T-800's hand and, having come to respect it, helps lower it into the vat. Before its destruction, the T-800 gives John a thumbs-up. As Sarah drives down a highway with John, she reflects on her renewed hope for an unknown future, musing if the T-800 could learn the value of life, so can humanity.
Cast
- Arnold Schwarzenegger as the Terminator: a reprogrammed Model 101 Series 800 "T-800" Terminator that is composed of human tissue over a metal endoskeleton[3]
- Linda Hamilton as Sarah Connor: a self-trained soldier who is dedicated to preventing the rise of Skynet[4]
- Edward Furlong as John Connor: Sarah's son who is destined to lead the human resistance in opposition to Skynet[5]
- Robert Patrick as T-1000: an advanced, shape-shifting, prototype Terminator that is composed of liquid metal[6]
- Earl Boen as Dr. Peter Silberman: Sarah's doctor at Pescadero State Hospital[7][8][9]
- Joe Morton as Miles Bennett Dyson: Director of special projects at Cyberdyne Systems Corporation[10][11]
The film's cast also includes Jenette Goldstein and Xander Berkeley as John's foster parents Janelle and Todd Voight,[12] Cástulo Guerra as Sarah's friend Enrique Salceda, S. Epatha Merkerson and DeVaughn Nixon as Dyson's wife Tarissa and son Danny,[13][14] and Danny Cooksey as John's friend Tim.[15] Hamilton's twin sister Leslie Hamilton Gearren appears as the T-1000 impersonating Sarah when Hamilton is also on-screen. Twins Don and Dan Stanton portray a guard at Pescadero State Hospital and the T-1000 imitating him.[4][13][16]
Other cast members includes Ken Gibbel as an abusive orderly,[17] Robert Winley, Ron Young, Charles Robert Brown, and Pete Schrum as men who confront the T-800 in a biker bar, Abdul Salaam El Razzac as Gibbons, a Cyberdyne guard, and Dean Norris as the SWAT team leader.[13][14] Michael Edwards portrays the John Connor of 2029 and Hamilton's infant son Dalton Abbott portrays John in a dream sequence.[5][13][18] Co-writer William Wisher cameos as a man photographing the T-800 in the mall,[19] and Michael Biehn reprises his role as resistance soldier Kyle Reese in scenes that were removed from the theatrical release.[20]
Production
Development
![Headshot of James Cameron](https://upload.wikimedia.org/wikipedia/commons/thumb/2/23/James_Cameron_%2828003295064%29.jpg/220px-James_Cameron_%2828003295064%29.jpg)
The Terminator had been a surprise hit, earning $78.4 million against its $6.4 million budget, confirming Schwarzenegger's status as a lead actor and establishing James Cameron as a mainstream director.[4] Schwarzenegger expressed interest in a sequel, saying "I always felt we should continue the story ... I told [Cameron] that right after we finished the first film".[21] Cameron said Schwarzenegger had always been more enthusiastic about a sequel than he was, because Cameron considered the original a complete story.[22][23]
Discussions to make a sequel stalled until 1989, in part due to Cameron's work on other films such as Aliens (1986) and The Abyss (1989), but also due to a dispute with rights holder Hemdale Film Corporation.[4][19][24] Hemdale co-founder John Daly had attempted to alter the ending of The Terminator against Cameron's wishes, nearly resulting in a physical confrontation. A sequel could not be made without Hemdale's approval as Cameron had surrendered 50% of his rights to the company to get The Terminator made. Cameron had also sold half of the remaining stake to his ex-wife Gale Anne Hurd, producer and co-writer on the first film, for $1 following their 1989 divorce.[c] By 1990, Hemdale was being sued by Cameron, Schwarzenegger, Hurd, and special-effects artist Stan Winston for unpaid profits from The Terminator.[24]
Schwarzenegger, aware Hemdale was experiencing financial difficulties, convinced Carolco Pictures to purchase the film rights to The Terminator, having worked with the independent film studio on the big-budget, science fiction film Total Recall (1990).[4][25][26] Owner Mario Kassar described the rights acquisition as the most difficult deal Carolco ever conducted. He accepted a $10 million offer for Hemdale's share, considering it a sum fabricated to ward him off, and paid Hurd $5 million for her share. Prior to development, the total cost of the acquisition rose to $17 million after factoring in incidental costs.[4][26][27]
Kassar told Cameron that in order to recoup his investment, the film would proceed with or without him, offering Cameron $6 million to be involved and write the script.[4] The film would become a collaboration between several production studios: Carolco, Le Studio Canal+, Cameron's Lightstorm Entertainment, and Hurd's Pacific Western Productions.[d] The studio also had an existing U.S. distribution deal with TriStar Pictures,[26][32] which stipulated that the film be ready for release by May 27, 1991, Memorial Day.[33]
Writing
With a scheduled release date, Cameron had six to seven weeks to write the sequel. He approached his frequent collaborator and The Terminator co-writer William Wisher in March 1990.[4][19][33] They spent two weeks developing a film treatment based on Cameron's vision to form a relationship between John Connor and the T-800, a concept Wisher believed was a joke.[22][33] Their treatment diverged from the "science fiction slasher" theme of the original, focusing on the unconventional family bond formed between Sarah, John, and the T-800. Cameron said this relationship is "the heart of the movie", comparing it to the Tin Man receiving a heart in The Wizard of Oz (1939).[4]
Cameron's concept featured Skynet and the resistance each sending a T-800—both played by Schwarzenegger—into the past, one to kill John and the other to protect him. Wisher believed a fight between two identical Terminators would be boring.[4][34] The pair briefly considered a larger "Super-Terminator", but found it uninteresting and adopted an early idea Cameron had for The Terminator—a liquid-metal Terminator resembling an average-sized human in contrast to Schwarzenegger's large frame.[34] The first half of their concept concluded with the destruction of Skynet's T-800, forcing it to use the T-1000, its ultimate weapon.[4] Although he once considered removing the T-1000 altogether, Cameron solidified it as the only antagonist. Cameron and Wisher had the T-1000 take on the appearance of a police officer, allowing it to operate with less suspicion.[4][35] Wisher found it challenging to depict the T-800 as "good" without making it non-threatening at the same time.[35] The pair decided to give it the ability to learn and develop emotions, becoming more human over time.[35] They kept the T-800's dialogue brief, relying on the audience to infer a lot of meaning through "small bites".[4] Its catchphrase, "Hasta la vista, baby", was something Wisher and Cameron said after their telephone calls.[4][36]
Wisher developed the first half of the treatment at Cameron's home over the course of four weeks, while Cameron worked on the latter half.[33][34][37] Many pages were removed, including a "convoluted" subplot about Dyson, and a massacre of a camp of survivalists helping Sarah. Cameron, who did not consider the budget while writing, had to cut some elaborate scenes, including a nine-minute opening that showed a time travel machine being used in 2029.[e] Wisher and Cameron also frequently conferred with special-effects studio Industrial Light & Magic (ILM) to determine which ideas were achievable.[33]
Cameron and Wisher analyzed the first film to help envision each character's development and evolution. Cameron believed Sarah's knowledge of the future would isolate her, forcing her to associate with survivalists and become a self-sufficient commando.[4] She was written to have become an emotionally cold and distant character comparable to a Terminator, especially when deciding to go after Dyson.[4] Instead of beginning the story with Sarah, John is placed with a foster family to increase tension.[35][42] John's character was inspired by the 1985 Sting song, "Russians", with Cameron recalling, "I remember sitting there once, high on E ... I was struck by [the lyrics] 'I hope the Russians love their children too'. And I thought ... The idea of a nuclear war is just so antithetical to life itself'. That's where [John] came from".[4] They spent three days refining the script before flying to Cannes, where Terminator 2 was announced in early May 1990.[4][33][43] Schwarzenegger initially struggled with portions of the script, once asking "What is 'polyalloy'?" He also expressed concern about his character's non-lethal depiction, which conflicted with his action-hero persona and portrayal of the character in The Terminator. Cameron explained he wanted to defy audience expectations. Schwarzenegger requested: "Just make me cool".[4]
Casting
Schwarzenegger became interested in reprising his role after finding the character more complex and sympathetic than in the previous film.[44][45] To accurately portray a fearless and emotionless machine, he trained extensively with stunt coordinator Joel Kramer to remain unaffected by fire and explosions around him. Schwarzenegger earned $12–$15 million for his involvement.[f] Carolco had been blamed for the increase in exorbitant salaries paid to actors, having paid Schwarzenegger around $11 million for Total Recall (1990). They justified the expense as the value of their leads' wide appeal in markets outside the U.S.[26][49][50] To lessen the immediate financial burden, Carolco paid most of Schwarzenegger's salary with a financed $12.75 million Gulfstream III jet.[26][32][51]
Cameron refused to re-cast Hamilton's role but developed plans to work around her absence if she chose not to return. Negotiations were protracted but concluded promptly after Cameron informed Carolco the script could not be finished until he knew if Hamilton would be involved.[4] Hamilton received roughly $1 million, which she described as "quite a bit more" than her earnings for The Terminator but expressed disappointment at the pay disparity between her and Schwarzenegger.[g] Hamilton requested Sarah exhibit a "crazy" demeanor, explaining that after years of living with the impending doom of humanity, she believed Sarah would have transformed into an untamed entity, a warrior combined with a psychologically unstable woman.[4][19] She continued: "[The T-800] is a better human than I am, and I'm a better Terminator than he is".[45] Cameron considered giving the character a facial scar but determined applying it daily would be difficult.[53] Hamilton undertook extensive preparation for her role, working with a personal trainer for three hours a day, six days a week, and maintaining a strict, low-fat diet, losing about 12 pounds (5.4 kg) of body weight.[4][14][18] She also received judo and military training from former Israeli commando Uziel Gal.[4][14][18] Between training, filming, and spending time with her infant son Dalton, Hamilton averaged only four hours of sleep per day.[18] She described her experience as "sheer hell" but enjoyed showing off her new physique.[4][18] Hamilton's twin sister, Leslie, was also cast in scenes where two versions of Sarah appear on-screen simultaneously.[18]
Patrick, who was living in his car, was one of several actors in their late 20s considered for the T-1000 role. Cameron wanted a lithe actor resembling a newly recruited police officer to contrast with Schwarzenegger. According to Cameron, "If the [T-800] series is a kind of human Panzer tank, then the [T-1000] series had to be a Porsche".[4][54][55] Casting director Mali Finn believed Patrick had the "intense presence" they wanted. Patrick auditioned by acting like an emotionless hunter and later participated in a screen test to judge the way lighting worked with his skin and eyes.[4][56][57] For his character, he drew inspiration from Schwarzenegger's performance in The Terminator and observed hunting creatures—reptiles, insects, cats, and sharks. Patrick's facial expressions were based on those of an eagle, keeping his head tilted down to imply constant forward movement.[h] He also employed a mixture of military posture with martial arts to express a fluid motion that differed from the T-800's rigid movements.[62] The role demanded Patrick be lean and fast, requiring peak physical shape.[56] He learned to sprint without displaying heavy breathing and exhaustion, and received specialized training from Gal.[56][57][60] Weapons master Harry Lu taught Patrick to operate and reload weapons, such as the T-1000's Beretta 92FS, without looking and eventually without blinking.[56] Singer Billy Idol was originally cast for the role before a motorbike accident seriously injured his leg. In a 2021 retrospective, Cameron said Idol had an interesting aesthetic but in hindsight, he probably would not have cast him.[4][56][63] Singer Blackie Lawless of the rock band W.A.S.P. was also considered but deemed too tall.[58]
Furlong, among hundreds of other prospects, secured the role at his last audition. Cameron believed that early candidates for the role of John Connor were either overexposed in other media or came from advertisement backgrounds, which trained them to be happy and perky. Furlong had no acting experience and was discovered by Finn at the Boys & Girls Club in Pasadena. Cameron described Furlong as having a "surliness, an intelligence, just a question of pulling it out".[4] He was required to take acting lessons, learn Spanish, and be able to ride a motorcycle and repair guns.[64][65] Joe Morton believed his casting as Miles Dyson had to do with Cameron wanting a minority character to be integral to the changing of the world.[11] Morton avoided interacting with the cast so that their on-screen relationships would seem believably distant.[4] The role of Dyson was reduced after the preferred casting choice, Denzel Washington, declined it because the role mainly required him to act scared.[40]
Filming
![Intersection of two streets under which is a flood-control channel](https://upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Hayvenhurst_AV%2C_LA_%28Terminator_2%29_01.jpg/220px-Hayvenhurst_AV%2C_LA_%28Terminator_2%29_01.jpg)
The planned three months of pre-production was reduced to meet the release schedule, leaving Cameron without the time he wanted to prepare all aspects before filming began.[14][66] Over a week, he spent several hours each day choreographing vehicle scenes with toy cars and trucks, filming the results, and printing the footage for storyboard artists.[19] There was no time to properly test practical effects before filming so if effects did not work, the filmmakers had to work around them.[66] Principal photography began on October 8–9, 1990, with a $60 million budget.[i] Scenes were filmed out of sequence to prioritize those requiring extensive visual effects. Schwarzenegger found this difficult because he was meant to convey subtle signs of the T-800's progressive humanity and was unsure what was fitting for each scene.[25][45] Cinematographer Adam Greenberg, who also worked on The Terminator, described the greater scope of the sequel as the most daunting prospect. Where he had been able to shout instructions to his crew on the original film, he used one of 187 walkie-talkies to conduct efforts over an expansive area.[69]
The production was arduous, in part because of Cameron, who was known for his short temper and uncompromising "dictatorial" manner. The crew made T-shirts bearing the slogan "You can't scare me—I work for Jim Cameron".[70] Schwarzenegger described him as a supportive but "demanding taskmaster" with a "fanaticism for physical and visual detail".[4][39] Even so, by the 101st day of filming, Schwarzenegger and Hamilton were frustrated by the high number of takes Cameron performed, spending five days just on close-ups of Hamilton in the Dyson home.[19] To stay on schedule, Cameron worked through Christmas and persuaded Schwarzenegger to cancel a visit to American troops in Saudi Arabia with U.S. President George H. W. Bush to film his scenes.[19]
![A photograph of the interior Kaiser Steel mill](https://upload.wikimedia.org/wikipedia/commons/thumb/4/45/Interior_of_Kaiser_Steel.jpg/220px-Interior_of_Kaiser_Steel.jpg)
The production filmed in many locations in and around Los Angeles.[4] The now-destroyed Corral bar in Sylmar is where the T-800 confronts a group of bikers. Location manager Jim Morris chose Corral because it was raised above ground, allowing the scene to take place over different levels.[71] The 1991 police beating of Rodney King took place at the same location a week after filming, being captured on the same videotape a spectator used to capture the filming of the biker bar scenes.[72] On one occasion, a woman who was oblivious to ongoing filming walked into the bar. When she asked Schwarzenegger, who was wearing only a pair of shorts, what was going on, he replied: "It's male-stripper night".[19][73] Executives suggested cutting the scene to save money but Cameron and Schwarzenegger refused.[74]
The T-1000 arriving in 1996 was filmed at the Sixth Street Viaduct, and John hacking an ATM at a bank in Van Nuys. His foster parents' residence is situated in the Canoga Park neighborhood, deliberately chosen for its generic appearance. The Terminators confronting John takes place inside Santa Monica Place mall, although exterior shots were captured at Northridge Fashion Center because there was less traffic.[71] In the subsequent scene, Patrick's training allowed him to outrun John on his dirtbike, so the bike's maximum speed was increased.[56][58] The T-1000 continues its pursuit using a truck, in a scene filmed at the Bull Creek spillway.[4][71] Other locations include the Lake View Terrace hospital, standing in as Pescadero State Hospital, and the Petersen Automotive Museum used as its garage.[71] In a 2012 interview, Hamilton said she suffered permanent partial hearing loss after not wearing earplugs during the hospital elevator scene, where the T-800 fires a gun, as well as shell shock from months of exposure to violence, loud noise, and gunfire.[75] Elysian Park serves as the site of Sarah's apocalyptic dream, and scenes at the Dyson home were captured at a private property in Malibu.[71] The Cyberdyne Building's destruction was filmed at an abandoned office in San Jose, scheduled for demolition. To bring a heightened sense of authenticity, real members of the Los Angeles Police Department's SWAT division were featured in the scene, although Cameron embellished their tactics to be visually interesting.[39] In a spontaneous decision during Morton's death scene, Cameron opted to detonate nearby glass to examine its visual impact.[4][19]
The final highway chase was filmed along the Terminal Island Freeway near Long Beach, of which a 2.5-mile (4.0 km) stretch was closed to traffic every night for two weeks.[39][71] Scenes set during the future war of 2029 were filmed in the rubble of an abandoned steel mill in Oxnard, California, in a one-half square mile (1.3 km2) space that was enhanced with burned bicycles and cars from a 1989 fire at the Universal Studios Lot. Terminator 2's ending was filmed in the closed Kaiser Steel mill in Fontana, which Greenberg made appear operational mainly through lighting techniques. Despite appearing to be actively smelting steel, the mill was frigid and dangerous because of the moving machinery and high catwalks.[j] The T-800's thumbs-up during his death was added during filming (Hamilton considered it too sentimental).[4][76] Six months of filming concluded on March 28, 1991, about three weeks behind schedule.[14][21][77]
Post-production
Terminator 2 was edited by Conrad Buff IV, Richard A. Harris, and Mark Goldblatt, who said although there was more time to edit than on The Terminator, it was still relatively small given the greater scope of the sequel. They described the complexity of scenes such as the final battle between the Terminators, which required a seamless combination of live-action, practical effect shots, and CGI.[78] After having to rush editing at the end of The Abyss, Cameron limited filming on Terminator 2 to five days a week so he could help edit the film on weekends from the start of filming.[43]
Several scenes were deleted, in part to reduce its running time. These include Kyle Reese appearing to Sarah in a dream and encouraging her to continue fighting,[20] Sarah being beaten in the hospital,[79] the T-1000 killing John's dog (a scene the animal-loving Patrick was not a fan of),[56][80] John teaching the T-800 to smile and discussing whether it fears death, the T-1000 malfunctioning after being frozen in the steel mill, and additional scenes with Dyson's family.[79][81] Schwarzenegger unsuccessfully rallied to retain his favorite scene, in which John and Sarah modify the T-800's CPU, allowing it to learn and evolve. Sarah attempts to destroy the CPU but John defends the T-800. The scene was replaced with dialogue indicating the T-800 already possesses the ability to learn.[4][79][80] The scripted ending depicted an alternative 2029 that was filmed at the Los Angeles Arboretum in Arcadia, in which an aged Sarah narrates how Skynet was never created while John, now a senator, plays with his daughter. To make the film more evocative and memorable, Cameron changed this scene to one in which the characters look out at the road ahead.[k]
The production ran until about two days before the film's theatrical release. Delays were mainly caused by the rendering of shots at Consolidated Film Industries, the most difficult of which was the T-1000's death. Co-producer Stephanie Austin said the production crew worked twenty-four-hour shifts and slept on site. The 137 minute long release print was delivered to theaters the night before its release.[33][84] There were two private pre-release screenings: one for family, friends, and crew at Skywalker Ranch and another in Los Angeles for studio executives. Austin said, "People were stamping their feet and clapping for ten or fifteen minutes", at which point the crew knew they had succeeded.[33] During test screenings the ending was well received, and was described as a "touching" favorite scene.[4]
The minimum estimated cost to produce Terminator 2 had been $60 million, dwarfing the budget of the first film.[4][26][77] Cameron and Schwarzenegger said the final budget, excluding marketing, was about $70 million, and the cost of making the film was about $51 million.[77][85] According to Carolco executives Peter Hoffman and Roger Smith, the film cost $75 million before marketing, saying Terminator 2 was only "modestly" over budget. Including marketing and other costs, the film's total budget is reported to be between $94 million and $102 million.[l][m] Kassar said he had secured 110% of the budget from advances and guarantees of $91 million, including North American television ($7 million) and home-video ($10 million) rights, and $61 million from theatrical, home-video and television rights outside the U.S.[26][32][85] The distribution deal with TriStar Pictures earned it a set percentage of the budget—an estimated $4 million.[26][32] News sources labelled Terminator 2 the most-expensive independent film ever and predicted it would "bankrupt Carolco".[4][26]
Special effects and design
A 10-month schedule and about $15–$17 million of Terminator 2's budget was allocated to the entirety of its special effects, including $5 million for the T-1000 alone, and a further $1 million for stunts, at the time one of the largest-ever stunt budgets.[n] Four main companies were involved in creating the 150 visual effects. ILM under special effects supervisor Dennis Muren managed the computer-generated imagery (CGI) effects, Stan Winston Studio the prosthetics and animatronics, Fantasy II Film Effects developed miniatures and optical effects, and 4-Ward Productions were responsible for creating a nuclear explosion effect. Pacific Data Images and Video Image provided some additional effects.[93] The cost and time involved in producing CGI meant the effect was used sparingly, appearing in 42–43 shots, alongside 50–60 practical effects.[4][94]
Produced near the advent of CGI, realizing the T-1000 was a risky endeavor as there was no backup plan in place if the CGI did not work as intended or could not be composited effectively with Winston's practical effects.[33] The computer systems needed to animate and render the T-1000 CGI cost thousands of dollars alone, but creating the character also relied on a variety of practical appliances, visual illusions, and filming techniques.[33][95][96] A team of up to 35 at ILM were required for the five minutes of screen time the T-1000's effects appear, and the process was so complex that rendering 15 seconds of footage took up to ten days.[43][54][91]
Music
The Terminator composer Brad Fiedel returned for the sequel, working in his garage in Studio City, Los Angeles. Film industry professionals regarded his return with concern and skepticism as they believed his style would not suit the film.[4][97][98] Fiedel quickly realized he would not receive the finished footage until late in the production after most effects were completed, which made it difficult to commit to decisions such as use of an orchestra because, unlike ambient music, the score had to accompany the on-screen action. Fiedel and Cameron wanted the musical tone to be "warmer" due to its focus on a nobler Terminator and young John. Fiedel experimented with sounds and shared them with Cameron for feedback.[98]
While The Terminator score had mainly used oscillators and synthesizers, Fiedel recorded real instruments and modified their sounds. He developed a library of sounds for characters such as the T-1000, whose theme was created by sampling brass-instrument players warming up and improvising. Fiedel said to the players, "You're an insane asylum. You're a bedlam of instruments." He slowed down the resulting sample and lowered the pitch, describing it as "artificial intelligent monks chanting". Cameron considered the "atonal" sound "too avant-garde", to which Fiedel replied, "you're creating something that people have never seen before, and [the score] ought to sound like something people have never heard before to support that".[98]
Tri-Star asked Schwarzenegger to arrange a tie-in music video and theme song for the film. He chose to work with rock band Guns N' Roses because they were popular and there was "a rose in the movie and bloody guns". The band offered the use of "You Could Be Mine", the debut single from their album Use Your Illusion II (1991). The music video, featuring Schwarzenegger as the T-800 pursuing the band, was directed by Stan Winston, Andrew Morahan, and Jeffrey Abelson.[4][99][100] Patrick unsuccessfully lobbied to use "Head Like a Hole" by Nine Inch Nails as the tie-in song, in part because his brother, Richard Patrick, was their tour guitarist.[101] Wisher suggested using "Bad to the Bone" by George Thorogood & the Destroyers as the T-800 puts on the biker clothes. Although Cameron did not like the idea, Wisher said he later found Cameron had used the song but had forgotten it was his idea.[102] "Guitars, Cadillacs" by Dwight Yoakam also features in Terminator 2.[103]
Release
Context
The summer theatrical season, spanning from mid-May to early September, was anticipated to witness strong competition among studios. Fifty-five films were slated for release compared to thirty-seven in 1990. Release dates underwent frequent changes as studios aimed to evade direct competition and optimize their films' chances of success to compensate for the 20% increase in film production costs since 1990. This increase was partly attributed to hefty salaries demanded by stars who also claimed a portion of the film's profits. Moreover, revenues from box-office receipts, video sales, and television-network deals were on the decline.[104][105] Films scheduled for release included City Slickers, The Naked Gun 2½: The Smell of Fear, Only the Lonely, Hudson Hawk, The Rocketeer, What About Bob?, and Point Break. Terminator 2 was among the films expected to do well, along with Backdraft, Dying Young, and the year's predicted top film Robin Hood: Prince of Thieves. It was also seen as having strong international appeal.[105][106][107] An unnamed studio executive said audiences were seeking escapist entertainment such as comedy or action, and avoiding films about less-positive subject matter.[108]
Marketing and promotion
Schwarzenegger was involved in Terminator 2's marketing and merchandising campaign, which was estimated to be worth at least $20 million.[19][32] By 1991, advertising for Terminator 2 was ubiquitous with high audience recognition and despite its U.S. R rating, which restricted the film to audiences aged 17 and over unless accompanied by an adult, merchandise was mainly aimed at children. Tristar contributed about $20 million for marketing, which included a $150,000 teaser trailer that was directed by Winston and depicts the construction of a T-800. Trailers ran for six months before the film's release. Tristar incentivized cinema staff to play it frequently by offering chances to win Terminator 2-branded goods and tickets to the premiere. Fast-food restaurants and soft-drink manufacturers, such as Subway and Pepsi, also offered Terminator 2-themed food and drink, alongside promotional posters.[o]
The premiere took place on July 1, 1991, at the Cineplex Odeon in Century City, Los Angeles.[111][112] According to Fiedel, it was treated as a major event, unlike the premiere of The Terminator, during which the audience was skeptical or laughed at the wrong times. Celebrities in attendance included Maria Shriver, Nicolas Cage, Sylvester Stallone, Sharon Stone, Michael Douglas, and Furlong's date Soleil Moon Frye.[4][112]
Box office
Terminator 2: Judgment Day opened in the United States and Canada on July 3, leading into the Independence Day holiday weekend.[4][105][108] It had the highest-grossing Wednesday opening with $11.8 million.[113][114] Between Friday and Sunday, the film grossed $31.8 million from 2,274 theaters, an average of $13,969 per theater, making it the number-one film of the weekend ahead of The Naked Gun 2½ ($11.6 million) in its second weekend and Robin Hood: Prince of Thieves ($10.3 million) in its fourth.[108][115] Over the five-day holiday weekend (Wednesday to Sunday), Terminator 2 grossed $52.3 million, becoming the second-highest opening five-day total ever behind Batman's $57 million in 1989,[108][116][117] It set a record opening for an R-rated film and for an Independence Day weekend. The opening week audience was evenly split between adults, teenagers, and children, about 25%–30% of whom were women, although Tri-Star said the figure was higher. The film benefited from repeat viewings by young audience members.[118] One theater chain executive said: "... nothing since Batman has created the frenzy for tickets we saw this weekend with Terminator. At virtually all our locations, we are selling out ... the word-of-mouth buzz out there is just phenomenal".[108] Industry professional Lawrence Kasanoff said it was an "open secret" that despite the R rating, children were seeing the film, remarking "When T2 opened, I saw kids skateboard up to the ticket window ..."[119]
It retained the number-one position in its second weekend, grossing $20.7 million, ahead of the debuts of One Hundred and One Dalmatians ($10.3 million) and Boyz n the Hood ($10 million),[120] and in its third weekend with $14.9 million, ahead of Bill & Ted's Bogus Journey ($10.2 million) and One Hundred and One Dalmatians ($7.8 million).[121] Terminator 2: Judgment Day fell to number two in its fifth weekend, grossing $8.6 million against the debut of the comedy Hot Shots! ($10.8 million).[116][122] It remained in the top-five highest-grossing films for twelve consecutive weeks and the top-ten highest-grossing films for fifteen weeks. In total, Terminator 2: Judgment Day spent about twenty-six weeks in theaters in a total of 2,495 cinemas, and grossed $204.8 million, making it the highest-grossing film of the year, ahead of Robin Hood: Prince of Thieves ($165 million), Beauty and the Beast ($145 million), and The Silence of the Lambs ($130 million).[p] This also made it the thirteenth-highest-grossing film of its time, behind Back to the Future (1985), and the highest-grossing R-rated film.[4][127] The Los Angeles Times estimated after the theater and distributor cuts, the box-office returns to Carolco would be well over twenty percent of the film's cost.[128]
Outside the U.S. and Canada, Terminator 2: Judgment Day set numerous box office records. In the United Kingdom it had a record three-day opening weekend of $4.4 million (and a one-week record of $7.8 million) and went on to gross at least $30 million.[127][129][130] In France it grossed a record $9.5 million in its opening week (the biggest opening since Rocky IV) and $16 million in two weeks.[127][131] In Germany it grossed a record $8 million in five days[127] and also had a record Australian opening weekend of $1.9 million.[132][133][134] In Thailand it was the highest-grossing western-hemisphere film ever with a gross of $1.2 million.[130] The film also performed well in Brazil and grossed at least $51 million in Japan.[127] Internationally, the film grossed about $312.1 million, making it the first film to gross over $300 million outside of the U.S. and Canada.[135][136] Terminator 2: Judgment Day is estimated to have grossed a worldwide total of $519–$520.9 million,[q][r] making it the year's highest-grossing film, and the third-highest-grossing film ever, behind 1977's Star Wars ($530 million) and 1982's E.T. the Extra-Terrestrial ($619 million).[136][138]
Reception
Critical response
Terminator 2: Judgment Day was released to general acclaim.[s] Many reviews focused on the state-of-the-art physical, special, and make-up effects, which were roundly praised as "revolutionary" and "spectacular", particularly those relating to the T-1000 as a "technological wonder".[t] Several publications wrote Cameron's ability to realize cinematic action blockbusters was unmatched. Janet Maslin said at his best, despite occasional lapses into melodrama, Cameron's work is akin to that of director Stanley Kubrick.[u] Both Maslin and The Austin Chronicle commented on the kindness and compassion in the film. The Austin Chronicle contrasted it to the lack of a moral message in The Terminator and Travers described it as a "visionary parable" but they, alongside others, criticized Terminator 2's "muddled" message about protecting the value of human life and peace by using extreme violence to prevent the use of nuclear weapons, war, and technological reliance.[v]
Reviewers generally agreed the narrative early in the film is stronger than the one near the end. Owen Glieberman said the first hour has a genuine "emotional pull" and according to Roger Ebert, the initial concept of a boy finding a father figure in a Terminator that is learning to be human is "intriguing", but Glieberman said the narrative weakens once Hamilton's character joins the group. Travers and Corliss wrote it stumbles after hours of relentless action and a "conventional climax". Despite this observation, Glieberman praised the final battle between the T-1000 and the protagonists.[w] Empire's review and Terrence Rafferty found the film's narrative less satisfying and idea-driven than that of The Terminator. Glieberman said despite it being an effective and witty thriller, Terminator 2: Judgment Day comes across as an expensive B movie when compared with "visionary spectacles" such as the Mad Max series and RoboCop (1987). Kenneth Turan said Terminator 2's action scenes succeed without the extreme gore and violence of RoboCop.[x]
Ebert and Maslin, among others, appreciated the twist on Schwarzenegger's public action-hero persona by making him a hero who does not kill his enemies. David Ansen and Glieberman found humor in the T-800's non-lethal methods and efforts to become more human-like.[y] Maslin and Hinson agreed, as in The Terminator, Schwarzenegger's role is perfect for his acting abilities. Hinson said Schwarzenegger portrayed more humanity as a machine than he did when portraying normal people.[144][150] In contrast, Empire suggested the change was a concession to Schwarzenegger's young fans and Peter Travers chose the T-800's death as a "cornball" scene that is out of place for the actor and film.[146][149]
Several reviewers praised the T-1000 character for the combination of Patrick's "chilling" expressionless performance and the advanced special effects, which create an implacable, "showstopping" villain. Empire called the character "one of the great monsters of the cinema".[z] Glieberman said the character's absence from much of the film's second act is to the film's detriment, and Hinson wrote the T-1000 lacks any "soul" and thus a way for the audience to identify with it.[143][150] Critics generally agreed Hamilton portrays a "fierce" female hero with an impressive physique that lets her outshine another action hero, Sigourney Weaver's Ellen Ripley in Cameron's Aliens (1986).[aa] Other publications found Sarah Connor's narrations about peace to be "heavy-handed", overused, and "unintentionally amusing".[ab] Furlong was praised for giving a natural performance at a young age,[ac] and Hinson wrote despite limited screentime, Morton made an impression.[150] Audiences polled by CinemaScore gave the film an average grade of "A+" on a scale of A+ to F.[154]
Accolades
At the 1992 Saturn Awards, Terminator 2: Judgment Day received awards for Best Science Fiction Film, Best Director (Cameron), Best Actress (Hamilton), Best Performance by a Younger Actor (Furlong), and Best Special Effects, as well as nomination for Best Actor (Schwarzenegger).[155][156] It also won Favorite Motion Picture at the 18th People's Choice Awards.[157] For the 45th British Academy Film Awards, Terminator 2 received awards for Best Sound (Lee Orloff, Tom Johnson, Gary Rydstrom, Gary Summers) and Best Special Visual Effects (Stan Winston, Dennis Muren, Gene Warren Jr., Robert Skotak), as well as a nomination for Best Production Design (Joseph Nemec III).[158]
The 64th Academy Awards earned Terminator 2 four awards: Best Makeup (Winston and Jeff Dawn), Best Sound (Orloff, Johnson, Rydstrom, and Summers), Best Sound Effects Editing (Rydstrom and Gloria S. Borders), and Best Visual Effects (Muren, Winston, Warren Jr., and Skotak), as well as nominations for Best Cinematography (Adam Greenberg) and Best Film Editing (Conrad Buff, Mark Goldblatt and Richard A. Harris).[159] It was the first film to win an Academy Award when its predecessor had not been nominated.[58] It received six awards at the 1992 MTV Movie Awards, including: Best Movie, Best Action Sequence ("L.A. Freeway Scene"), Best Breakthrough Performance (Furlong), Best Female Performance (Hamilton), Best Male Performance (Schwarzenegger), and nominations for Best Song From a Movie ("You Could Be Mine"), Best Villain (Patrick), and Most Desirable Female (Hamilton),[160] as well as a Hugo Award for Best Dramatic Presentation (Cameron and Wisher).[161]
Post-release
Aftermath
Terminator 2: Judgment Day launched the careers or raised the profiles of its principal actors. According to industry professionals, Schwarzenegger became the top international star ahead of actors such as Mel Gibson and Tom Cruise.[111] It also marked the start of a lasting friendship between Schwarzenegger and Cameron, who formed a "midlife crisis motorcycle club" and reunited for the action film True Lies (1994).[4] Cameron and Hamilton began a romantic relationship in 1991, married in 1997, and later divorced.[18][162] In 1992 Cameron was given a five-year, $500 million contract by 20th Century Fox to produce twelve films.[163][164]
Furlong became a highly sought after actor and Patrick found dealing with his new-found recognition difficult as people asked him to impersonate the T-1000.[4] Despite the film's success, Carolco reported 1991 losses of $265.1 million, which was caused by the financial problems of its other films and subsidiaries. Support from investors failed to prevent the studio filing for bankruptcy in 1995 and its assets, including Terminator 2, were sold to Canal Plus for $58 million.[ad]
Home media
In December 1991, Terminator 2: Judgment Day was released on VHS and LaserDisc.[170][171][172] It was a popular rental in the U.S. and Canada, with a record 714,000 copies shipped to retailers, and it became the best-selling rental by mid-January 1992.[ae] Varèse Sarabande released Fiedel's score, which spent six weeks on the Billboard 200 record chart, peaking at number 70.[97][179] The theme song "You Could Be Mine" peaked at number 29 on the U.S. Billboard 100, and performed well in the United Kingdom, Australia, Germany, Spain, and Canada.[180][181][182]
A "Special Edition" LaserDisc was released in 1993, featuring a 15-minute extended version of the film that restored deleted scenes, interviews with cast and crew, storyboards, designs, and unrestored deleted scenes. Cameron stated he did not use the label "Director's Cut" because he considered the theatrical releases to be definitive and the extended versions as opportunities to restore "depth and character made omissible by theatrical running time".[79][183] The theatrical version was released on DVD in 1997.[184] In 2000, an "Ultimate Edition" DVD was released, containing the theatrical and "Special Edition" cuts, and a new "Extended Cut", containing a scene of the T-1000 inspecting John's bedroom, and the alternate ending. Terminator 2 special effects coordinator Van Ling supervised the release.[79][185][186] The "Extreme Edition" was released in 2003, featuring the theatrical and "Special Edition" cuts, a remastered 1080p image, Cameron's first commentary, and a documentary about the film's influence on special effects.[185]
Terminator 2 was released on Blu-ray in 2006, followed in 2009 by a "Skynet Edition" that contains the theatrical and "Special Edition" cuts, and commentaries with the cast and crew. This release includes a limited collector's set containing the Blu-ray, the "Ultimate" and "Extreme" editions on DVDs, a digital download version, all extant special features, and a 14-inch (360 mm) T-800 skull bust.[187][188] A 4K Ultra HD Blu-ray version that includes a standard Blu-ray and digital version, was released in 2017. This release also offered a collector's option that includes one of 6,000 life-size replicas of a T-800 skeleton forearm, each signed by Cameron and individually numbered, the soundtrack, the theatrical, "Special", "Extended", and 2017 3D remaster cuts, and "Reprogramming the Terminator", a documentary that includes interviews with Schwarzenegger, Cameron, Furlong, and others.[189][190][191]
Other media
Terminator 2: Judgment Day was marketed with numerous tie-in products, including toys, puppets, trading cards, jigsaw puzzles, clothing, a perfume named "Hero", and a novelization by Randall Frakes that expands on the film's ending.[af] In 1991 Marvel Comics adapted the film into a comic book, which was followed by expansions of the Terminator 2 narrative, including Malibu Comics's "Cybernetic Dawn" and "Nuclear Twilight" (1995–1996), Dynamite Entertainment's "Infinity" and "Revolution" (2007), and the T2 novel series by S. M. Stirling in the early 2000s.[195][196] Several video game adaptations of Terminator 2 were published, including a pinball machine and an arcade game in 1991. The arcade game was popular enough to be ported to home consoles as T2: The Arcade Game.[ag] Multiple studios developed widely differing adaptations for home consoles, includingTerminator 2 for Game Boy and Terminator 2 for the Nintendo Entertainment System (NES).[193] A later adaptation was developed for the Sega Genesis and Super Nintendo Entertainment System, and a different game was published for home computers.[193][197][200] Merchandise for Terminator 2: Judgment Day was estimated to have generated $400 million in sales.[119]
In 1996, T2-3D: Battle Across Time, a live-action attraction, was opened at Universal Studios Florida, and later at locations in Hollywood and Japan. The twenty-minute attraction was co-written and directed by Cameron and cost $60 million to produce, including live-action stunts and a $24 million, 12-minute, 3D film starring Schwarzenegger, Hamilton, Patrick, and Furlong as their in-world characters, making it the most-expensive film per minute produced of its time. In it, Sarah and John attempt to stop Cyberdyne, which has developed Skynet. They are confronted by the T-1000 but saved by the T-800, which returns to 2029 with John to defeat Skynet and its latest creation, the T-1000000.[201][202][203]
3D remaster
Cameron oversaw a year-long 3D remaster and subsequent theatrical re-release of Terminator 2: Judgment Day in August 2017. Cameron said: "If you've never seen it, this'll be the version you want to see and remember".[204][205][206] Cameron made visual modifications to the film to fix errors that had bothered him, including the addition of windshield glass to the T-1000's truck, which fell out during its stunt fall and reappears in later scenes, concealing the obvious use of stuntmen for Furlong and Schwarzenegger during the same scene, concealed more of Patrick's nudity during his introduction, and brightened the visuals.[207] The 3D remaster's theatrical release was seen as a disappointment, earning about $562,000 in its debut across 386 theaters compared to the 3D re-release of Cameron's Titanic in 2012, which fetched $17 million.[208][209]
Themes and analysis
Themes
A central theme of Terminator 2: Judgment Day is the relationship between John Connor and the T-800 that serves as a surrogate for the father (Kyle Reese) he never knew. Cameron said: "Sure, there's going to be big, thunderous action sequences, but the heart of the movie is that relationship", comparing it with the Tin Man getting a heart in The Wizard of Oz.[4] As with Cameron's earlier film Aliens, Terminator 2 focuses on compassion and parental figures, depicting the T-800 as a relentless protector and father figure to John, against the equally relentless T-1000.[210] The T-800 is designed to emulate humans for infiltration purposes but as it grows and evolves, its emotions become real and it learns from John to feel grief. The T-800 chooses to sacrifice its life to ensure the survival of everyone else.[4][58][72] In 1991 essayist Robert Bly wrote elderly men were not offering suitable role models for young men, and in Terminator 2, Sarah denounces the many men in her past who failed to be a father for John, except for the T-800. Once its role is complete, the T-800 leaves John for his own good after stating it lacks the emotions John must rely on.[211]
While John teaches the T-800 about humanity, his biological mother Sarah has become less human because of her knowledge about the future. Cameron said: "She's a sad character—a tragic character ... she believes that everyone she meets, talks to, or interacts with will be dead very soon".[4][77] This theme of machine-like humans links with Cameron's and Wisher's choice to make the T-1000 appear as a police officer because thematically they believed it represents humans who should have empathy for others becoming more machine-like and detached from their emotions.[4][77] The SWAT team at Cyberdyne shoots Dyson, an African American, without warning. Cinephilia described Dyson as the most-human character in the film, an intelligent, optimistic family man who represents real-world encounters between police forces and people of color, compared to their encounter with the Caucasian T-800, during which they warn him before opening fire.[19]
Following her escape from the state hospital, Sarah appears to embrace John but is actually checking him for injuries, forgoing any emotional attachment for the practicality of ensuring his survival and bringing about his destiny as a future leader.[33] The T-800 is portrayed as a better parent than Sarah, offering him undivided attention while Sarah remains distant and focused on the future rather than the present.[212] Philosophy professor Richard T. McClelland notes Sarah acceptance of the T-800 as John's surrogate father is such that she leaves it in control of John when she leaves to kill Dyson.[213] Sarah's dream about the nuclear holocaust that will kill six billion people, including her son, incites her to kill Dyson before he can complete the work that will bring about Skynet but when the moment comes, she is unable to fully forsake her humanity and murder him with no emotion. Cameron described this as a question of humanity's worth if we abandon it to win the battle for its existence.[4][72] Compared to the bleak, nihilistic theme of the first film, Terminator 2 emphasizes the concept of free will and the value of human life. Schwarzenegger quoted the film's line "no fate but what we make", saying people have control over their own destinies.[4][54]
Terminator 2 also comments on the use of violence. On its release, reviewers were critical of Terminator 2: Judgment Day's message about preserving peace through violence. Owen Gleiberman stated "reckless indifference" to human life is intrinsic to the film but the T-800 maiming people rather than killing them potentially condemns victims of violence to a life of pain.[ah] Cameron described the film as the "world's most violent anti-war movie", and said it is about people struggling with their own violent natures.[72][77] In particular, Cameron had been concerned by the original antagonist T-800's status as a cultural icon and power fantasy as a lethal, unstoppable force of strength and power, and chose to redefine it in Terminator 2, retaining the power fantasy without taking lives.[72] Cinephilia said it is not morally possible to recover from killing people so Terminator 2 is about redeeming the T-800 and Sarah.[19]
Analysis
According to Professor Jefffrey A. Brown, there was a growth of female-led action films in the wake of Alien's success. Brown believes this reflected the increase in more women assuming non-traditional roles and the division between professional critics—who perceive a masculinization of the female hero—and audiences who embrace characters regardless of gender.[214] The hyper-masculine heroes played by Schwarzenegger, Stallone, and Jean-Claude Van Damme were replaced with independent women who are capable of defending themselves and defeating villains in films such Terminator 2 and The Silence of the Lambs.[215] Brown said these female characters often perform stereotypical male actions and have muscular physiques rather than feminine, "soft" bodies.[216] He considers Hamilton's undershirt to be symbolic of typically male action heroes such as John McClane and John Rambo, as well as women displaying masculine traits such as Rachel McLish in Aces: Iron Eagle III (1992).[217]
Despite the emphasis on strong femininity, Hamilton's character remains secondary to Schwarzenegger's. Sarah's efforts to defeat the T-1000 fall short until the last-minute intervention of the T-800. Author Victoria Warren said this allows the female character to be strong enough to be admired but not strong enough to undermine the male protagonist's masculinity.[218] Professors Amanda Fernbach and Thomas B. Byers said the rigid form of the T-800 represents reactionary masculinity that is in direct opposition to the gender-bending T-1000, which represents a post-modern, fluid nature that is outside traditional norms and in opposition to patriarchy and the preservation of the traditional family.[219]
Author Mark Duckenfield said Terminator 2: Judgment Day can be seen as an unintended allegory for the decline of United States industries against successful Japanese technology firms with the cutting-edge T-1000 representing Japan against the older, less-advanced T-800. The U.S. industries, which were sometimes seen as villains during the economic boom of the 1980s, are seen as more sympathetic in the face of obsolescence, just as the T-800 is presented as friendlier and still powerful but no longer overwhelmingly so. Duckenfield considers the final scene, which takes place in a steel mill—a place of American industry—symbolic.[220] According to Warren, Terminator 2 reflects Cold War American values that emphasized principles of American culture, in particular individualism and rejection of government intervention. The institutions the film's protagonists should be able to rely on, such as the government, the police, and technology, are the ones attempting to stop them because they do not believe in the protagonists' doomsday prophecy.[221]
Legacy
Cultural influence
![](https://upload.wikimedia.org/wikipedia/commons/thumb/7/79/Terminator_in_Madame_Tussaud_London_%2833465711484%29.jpg/220px-Terminator_in_Madame_Tussaud_London_%2833465711484%29.jpg)
Terminator 2 is considered a highly influential film, setting a benchmark for sequels, action set pieces, and visual effects.[ai] Cameron and special-effects supervisor Dennis Muren said the groundbreaking special effects in Terminator 2 demonstrated the possibilities of computer generated effects and without it, effects-focused films such as Jurassic Park (1993) would not have been possible.[aj] Various publications have referenced Terminator 2's influence on special effects, describing it as the most important special-effects film since Tron (1982), and began the era of reliance on CGI effects for films such as Jurassic Park and The Matrix (1999).[ak] In 2007 the Visual Effects Society, an entertainment-industry organization of visual effects practitioners, named Terminator 2 as the 14th-most-influential visual-effects film of all time, and the T-1000 is listed by Guinness World Records as the "first major blockbuster movie character generated using computers".[229][230][231] According to The Guardian, the film's "groundbreaking" effects led to "CGI laziness", a reliance on computer graphics over practical effects, stunts, and craft.[91] A 2014 Entertainment Weekly article said Terminator 2 contributed to the contemporary Hollywood high-budget, science fiction epic film, and a reliance on turning films into franchises targeted at young audiences and broad demographics.[222][223] Den of Geek described it as one of the most influential blockbusters since the thriller Jaws (1975).[54] Several filmmakers and creative leads have named it as an influence on their work, including Steven Caple Jr.,[232] Ryan Coogler,[233] Kevin Feige,[234] and Hideo Kojima.[235]
With a $94–102 million budget, Terminator 2: Judgment Day was the most expensive movie made in its time,[al] and, as of 2023, it remains Schwarzenegger's highest-grossing film.[236] Alongside her appearance in The Terminator, Hamilton's Sarah Connor became regarded as one of the greatest and most-influential cinematic female action heroes[am] and an iconic character.[an] Patrick's T-1000 is considered one of the most iconic cinematic villains.[ao] He made cameo appearances as the T-1000 in Wayne's World (1992) and Schwarzenegger's Last Action Hero (1993).[61][247][253] In Last Action Hero, Stallone replaces Schwarzenegger as the T-800 on the Terminator 2 poster.[254] The T-800's line "Hasta la vista, baby" is considered an iconic piece of movie dialogue that is often quoted. Schwarzenegger also used it in speeches during his political career.[ap] Terminator 2: Judgment Day has been referenced in a variety of media, including television, films, and video games.[aq] The biker bar scene was recreated for a 2015 advertisement, which featured Schwarzenegger, for the video game WWE 2K16—the bar patrons were replaced with WWE wrestlers.[267]
Retrospective assessments
Since its release, Terminator 2: Judgment Day has been assessed as one of the best action,[ar] science fiction,[as] and sequel films ever made.[at] Terminator 2 and The Terminator are generally considered as the standout films in the Terminator franchise, with each taking turns in the top spot.[au] Some publications have listed Terminator 2 among the greatest films made.[290][291]
In 2001 the American Film Institute (AFI) ranked Terminator 2 number 77 on its 100 Years ... 100 Thrills list, recognizing the "most heart-pounding movies",[292] and the 2003 list of the 100 Best Heroes & Villains ranked the T-800 character as the forty-eighth-best hero.[293] The 2005 list of the 100 Best Movie Quotes listed the T-800 dialog line "Hasta la vista, baby" as the 76th-best quotation,[294] and the 2008 AFI's 10 Top 10 named Terminator 2 as the eighth-best science fiction film.[295] To mark Schwarzenegger's 75th birthday in 2022, Variety listed Terminator 2: Judgment Day as the best film in his 46-year career.[296]
Review aggregator Rotten Tomatoes offers a 91% approval rating from the aggregated reviews of 87 critics, with an average score of 8.5/10. The website's critical consensus says: "T2 features thrilling action sequences and eye-popping visual effects, but what takes this sci-fi/action landmark to the next level is the depth of the human (and cyborg) characters".[297] The film has a score of 75 out of 100 on Metacritic based on 22 critics' reviews, indicating "generally favorable reviews".[298] During Terminator 2's 30th anniversary in 2021, Cameron, among others, said despite using older models of cars, the film's visuals still compare well with contemporary films.[4][299] Cameron also said Terminator 2 remains relevant because artificial intelligence had become a ubiquitous reality rather than a fantasy.[4] In 2006 Terminator 2 was listed at number 32 on Film4's 50 Films to See Before You Die list,[300] and is included in the film reference book 1001 Movies You Must See Before You Die.[301] Rotten Tomatoes lists it as one of 300 essential movies and at number 123 on its list of 200 essential movies.[302][303] Popular Mechanics and Rolling Stone jointly listed it alongside The Terminator as the third-best time travel film ever made.[304][305] Rolling Stone's reader-voted list of the best sequels ranks Terminator 2 second behind The Godfather Part II (1974),[306] and Empire readers ranked the film 17th on its 2017 "100 Greatest Movies" list.[307]
Sequels
Cameron said he had no intentions for further sequels, believing Terminator 2 "brings the story full circle and ends. And I think ending it at this point is a good idea". Wisher and Cameron wrote the script with the intention of leaving no option for a sequel.[308][309] Even so, four sequels followed: Terminator 3: Rise of the Machines (2003), Terminator Salvation (2009), Terminator Genisys (2015), and Terminator: Dark Fate (2019), though none replicated the successes of The Terminator or Terminator 2.[140][310]
Schwarzenegger returned for all but Terminator Salvation, while Cameron and Hamilton returned only for Dark Fate, a direct sequel to the events of Terminator 2.[311] Although better critically received than other post-Terminator 2 sequels, Dark Fate is also considered a failure. Analysts blamed audience disinterest on the diminishing quality of the series since Terminator 2, and repeated attempts to reboot the series.[av] Fans also criticized Dark Fate's opening scene, in which a T-800 kills Furlong's teenage John Connor. Entertainment website Collider wrote this retroactively damages the ending of Terminator 2.[311][313] A television series, Terminator: The Sarah Connor Chronicles (2008–2009), also takes place after the events of Terminator 2, and ignores the events in sequels Terminator 3 and beyond.[314][315]
Notes
- ^ Also promoted and abbreviated as T2[1][2]
- ^ As depicted in The Terminator (1984)
- ^ Attributed to multiple references:[24][25][26]
- ^ Attributed to multiple references:[28][29][30][31]
- ^ Attributed to multiple references:[38][39][40][41]
- ^ Attributed to multiple references:[4][46][47][48]
- ^ Attributed to multiple references:[4][32][52][37]
- ^ Attributed to multiple references:[58][59][60][61]
- ^ Attributed to multiple references:[4][14][26][67][68]
- ^ Attributed to multiple references:[23][69][71][73]
- ^ Attributed to multiple references:[71][73][82][83]
- ^ Attributed to multiple references:[4][26][32][48][86][87][88][89]
- ^ The 1991 budget of $94–102 million is equivalent to $210 million–228 million in 2023.
- ^ Attributed to multiple references:[26][90][91][92]
- ^ Attributed to multiple references:[2][4][53][86][109][110]
- ^ Attributed to multiple references:[116][123][124][125][126]
- ^ Attributed to multiple references:[4][104][136][137]
- ^ The 1991 box office gross of $519–$520.9 million is equivalent to $1.16 billion–$1.17 billion in 2023.
- ^ Attributed to multiple references:[4][14][136][139][140]
- ^ Attributed to multiple references:[141][142][143][144][145][146][147][148]
- ^ Attributed to multiple references:[141][144][149][150]
- ^ Attributed to multiple references:[141][144][145][147][151][152]
- ^ Attributed to multiple references:[142][143][146][150][152]
- ^ Attributed to multiple references:[143][148][149][151]
- ^ Attributed to multiple references:[142][143][144][145][148][149]
- ^ Attributed to multiple references:[141][142][143][144][149]
- ^ Attributed to multiple references:[142][144][145][147]
- ^ Attributed to multiple references:[146][147][152][153]
- ^ Attributed to multiple references:[142][144][145][150]
- ^ Attributed to multiple references:[165][166][167][168][169]
- ^ Attributed to multiple references:[173][174][175][176][177][178]
- ^ Attributed to multiple references:[2][109][192][193][194]
- ^ Attributed to multiple references:[193][197][198][199]
- ^ Attributed to multiple references:[141][143][144][145][147][151][152]
- ^ Attributed to multiple references:[4][222][223][224][225]
- ^ Attributed to multiple references:[4][91][226][227][55]
- ^ Attributed to multiple references:[1][53][54][58][228]
- ^ Attributed to multiple references:[4][43][55][91]
- ^ Attributed to multiple references:[58][237][238][239][240][241]
- ^ Attributed to multiple references:[4][242][241][243][244][245][246]
- ^ Attributed to multiple references:[247][248][249][250][251][252]
- ^ Attributed to multiple references:[4][36][255][256]
- ^ Attributed to multiple references:[257][258][259][260][261][262][263][264][265][266]
- ^ Attributes to multiple references:[1][226][227][268][269][270][271]
- ^ Attributes to multiple references:[227][272][273][274][275][276][277][278][279]
- ^ Attributes to multiple references:[227][280][281][282]
- ^ Attributes to multiple references:[246][283][284][272][1][227][282][285][286][287][288][289]
- ^ Attributed to multiple references:[312][310][311][313]
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$A1=$0.79
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