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'''Susan Thayer''' (born 17 October 1957 in New York, NY) is an American [[ceramicist]] known for her intricately painted [[porcelain]] teapots.<ref name="auto">[http://americanart.si.edu/collections/search/artist/?id=18346 "Susan Thayer"], ''[[Smithsonian American Art Museum]]''. Retrieved on 7 March 2017.</ref> Inspired by her grandmother's china as well as by historical [[Europe]]an ceramics, she often combines traditional elements with other more contemporary designs in her work.<ref name="auto1">Thayer, Susan. "Bulb Flowers - The Process", ''Ceramics: Art and Perception'', 1996.</ref> In order to maintain a high level of detail, Thayer must often fire each individual piece between ten and twenty times.<ref name="auto"/> She currently lives and works in [[Portland, Oregon]]. |
'''Susan Thayer''' (born 17 October 1957 in New York, NY) is an American [[ceramicist]] known for her intricately painted [[porcelain]] teapots.<ref name="auto">[http://americanart.si.edu/collections/search/artist/?id=18346 "Susan Thayer"], ''[[Smithsonian American Art Museum]]''. Retrieved on 7 March 2017.</ref> Inspired by her grandmother's china as well as by historical [[Europe]]an ceramics, she often combines traditional elements with other more contemporary designs in her work.<ref name="auto1">Thayer, Susan. "Bulb Flowers - The Process", ''Ceramics: Art and Perception'', 1996.</ref> In order to maintain a high level of detail, Thayer must often fire each individual piece between ten and twenty times.<ref name="auto"/> She currently lives and works in [[Portland, Oregon]]. |
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==Education and career== |
==Education and career== |
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⚫ | Thayer graduated from the [[Rhode Island School of Design]] in Providence, RI, in 1982 with a BFA in ceramics.<ref name="auto1"/> After graduation, she remained in Providence and opened a porcelain production studio, though by 1986 she grew discouraged by "the limits imposed by the demands of production."<ref name="auto2">Thayer, Susan. "Reaching to the Past", ''[[Ceramics Monthly]]'', April 1994.</ref> This discontent led her to begin creating one-of-a-kind pieces,<ref>Thayer, Susan. "Reaching to the Past", ''[[Ceramics Monthly]]'', April 1994</ref> drawing on originality rather than the uniformity of mass production. These pieces are often inspired by traditions such as the ceremony and grandeur of a dinner table in all of its propriety: set with dishes on placemats and with multiple spoons, forks, and knives designated for different courses.<ref name="auto2"/> In addition to serving as an image of tradition, the dinner table—like the teapot—also suggests the notion of people coming together in a ritualistic setting.<ref name="auto3">"Greenwich House Pottery and SOFA NYC present SUSAN THAYER: 'China Painting - What You Don't See'", ''[[Greenwich House Pottery]]'', 2001.</ref> In conjunction with this classic imagery, her distinctive teapots are also inspired by change, which she perceives as "both desirable and inevitable."<ref name="auto2"/> That sense of change manifests itself in her teapots as slight alterations of the original form: the perfect spouts start to lengthen or warp, or surface designs are rendered in glow-in-the-dark paint.<ref name="auto2"/> |
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⚫ | Thayer graduated from Rhode Island School of Design in Providence, RI, in 1982 with a BFA in ceramics.<ref name="auto1"/> After graduation, she remained in Providence and opened a porcelain production studio, though by 1986 she grew discouraged by "the limits imposed by the demands of production."<ref name="auto2">Thayer, Susan. "Reaching to the Past", ''[[Ceramics Monthly]]'', April 1994.</ref> This discontent led her to begin creating one-of-a-kind pieces,<ref>Thayer, Susan. "Reaching to the Past", ''[[Ceramics Monthly]]'', April 1994</ref> drawing on originality rather than the uniformity of mass production. These pieces are often inspired by traditions such as the ceremony and grandeur of a dinner table in all of its propriety: set with dishes on placemats and with multiple spoons, forks, and knives designated for different courses.<ref name="auto2"/> In addition to serving as an image of tradition, the dinner table—like the teapot—also suggests the notion of people coming together in a ritualistic setting.<ref name="auto3">"Greenwich House Pottery and SOFA NYC present SUSAN THAYER: 'China Painting - What You Don't See'", ''[[Greenwich House Pottery]]'', 2001.</ref> In conjunction with this classic imagery, her distinctive teapots are also inspired by change, which she perceives as "both desirable and inevitable."<ref name="auto2"/> That sense of change manifests itself in her teapots as slight alterations of the original form: the perfect spouts start to lengthen or warp, or surface designs are rendered in glow-in-the-dark paint.<ref name="auto2"/> |
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==Work== |
==Work== |
Revision as of 13:45, 18 June 2018
Susan Thayer (born 17 October 1957 in New York, NY) is an American ceramicist known for her intricately painted porcelain teapots.[1] Inspired by her grandmother's china as well as by historical European ceramics, she often combines traditional elements with other more contemporary designs in her work.[2] In order to maintain a high level of detail, Thayer must often fire each individual piece between ten and twenty times.[1] She currently lives and works in Portland, Oregon.
Education and career
Thayer graduated from the Rhode Island School of Design in Providence, RI, in 1982 with a BFA in ceramics.[2] After graduation, she remained in Providence and opened a porcelain production studio, though by 1986 she grew discouraged by "the limits imposed by the demands of production."[3] This discontent led her to begin creating one-of-a-kind pieces,[4] drawing on originality rather than the uniformity of mass production. These pieces are often inspired by traditions such as the ceremony and grandeur of a dinner table in all of its propriety: set with dishes on placemats and with multiple spoons, forks, and knives designated for different courses.[3] In addition to serving as an image of tradition, the dinner table—like the teapot—also suggests the notion of people coming together in a ritualistic setting.[5] In conjunction with this classic imagery, her distinctive teapots are also inspired by change, which she perceives as "both desirable and inevitable."[3] That sense of change manifests itself in her teapots as slight alterations of the original form: the perfect spouts start to lengthen or warp, or surface designs are rendered in glow-in-the-dark paint.[3]
Work
Thayer's work is fluid in nature and intentionally "imperfect."[6] She does not take on commissions, preferring to follow her own ideas.[6]
Thayer's pieces are in the permanent collection of the Smithsonian American Art Museum,[7][5] the De Young Museum,[8] the Museum of Contemporary Craft,[9] the Museum of Fine Arts Boston,[10] The Racine Art Museum,[11][12] and in the Newark Museum.[13] Her work was shown in 2003 in "The Artful Teapot" at the George R. Gardiner Museum of Ceramic Art and the Long Beach Museum of Art,[6] and in 1993, Feats of Clay V, at Gladding, McBean & Company in Lincoln, California.[14]
References
- ^ a b "Susan Thayer", Smithsonian American Art Museum. Retrieved on 7 March 2017.
- ^ a b Thayer, Susan. "Bulb Flowers - The Process", Ceramics: Art and Perception, 1996.
- ^ a b c d Thayer, Susan. "Reaching to the Past", Ceramics Monthly, April 1994.
- ^ Thayer, Susan. "Reaching to the Past", Ceramics Monthly, April 1994
- ^ a b "Greenwich House Pottery and SOFA NYC present SUSAN THAYER: 'China Painting - What You Don't See'", Greenwich House Pottery, 2001.
- ^ a b c "Susan Thayer – Totally Teapots". The World and I. Vol. 18. January 2003. p. 82 – via EBSCOhost.
{{cite magazine}}
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suggested) (help) - ^ "Susan Thayer". Smithsonian American Art Museum. Retrieved 2017-12-09.
- ^ "Crystal Ball - Susan Thayer". FAMSF Explore the Art. 2015-05-08. Retrieved 2017-12-09.
- ^ "Susan Thayer". PNCA Collections. Retrieved 2017-12-09.
{{cite web}}
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(help) - ^ "Teapot: Guarding Eden Teapot". Museum of Fine Arts, Boston. 2016-12-17. Retrieved 2017-12-09.
- ^ "Variations on a Theme: Teapots from RAM's Collection". Racine Art Museum. Retrieved 2017-12-09.
{{cite web}}
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(help) - ^ "Magic Mud: Masterworks in Clay from RAM's Collection: February 2 - May 4, 2014", Racine Art Museum. Retrieved on 7 March 2017.
- ^ "Susan Thayer". Newark Museum - Collection. Retrieved 2017-12-09.
{{cite web}}
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(help) - ^ Crane, Carolyn. "Feats of Clay", Ceramics Monthly, April 1993.