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==Career== |
==Career== |
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Kernumees started presenting his work at art exhibitions in 1931,<ref name="Obit"/> mainly with prints. In 1932, the Estonian {{ill|Government Foundation for the Fine Arts|et|Eesti Kultuurkapitali Kujutava Kunsti Sihtkapital}} acquired four of Kernumees's works: ''Külakõrts'' (Village Inn), ''Põrgu'' (Hell), ''Peaparandus'' ([[Hair of the dog|Hair of the Dog]]), and ''Tulekahi'' (Conflagration), and he was awarded a scholarship for six months (his fellow scholarship recipient was {{ill|Eduard Timberman|et}}). From then on, Kernumees consistently exhibited almost every year, except for the more severe years of his illness from 1936 to 1938. In 1942, the publisher Eesti Kirjastus ordered illustrations from Kernumees for the ''[[Nibelungenlied]]'' translated by [[Marta Sillaots]]. Kernumees created 12 ink drawings, but they were lost in the chaos of the war, and the book was never published. However, these illustrations were exhibited once in 1944.<ref>{{cite news |title=Kunst um die 'Nibelungen'. Ein estnischer Graphiker schuf Illustrationen zum deutschen Volksepos |url=https://dea.digar.ee/cgi-bin/dea?a=d&d=revalerzeitung19440223.1.4&e=-------et-25--1--txt-txIN%7ctxTI%7ctxAU%7ctxTA------------- |access-date=May 7, 2024 |work=Revaler Zeitung |issue=45 |date=February 23, 1944 |page=4}}</ref> Kernumees also continued to participate in exhibitions in Estonia under Soviet rule. |
Kernumees started presenting his work at art exhibitions in 1931,<ref name="Obit"/> mainly with prints. In 1932, the Estonian {{ill|Government Foundation for the Fine Arts|et|Eesti Kultuurkapitali Kujutava Kunsti Sihtkapital}} acquired four of Kernumees's works: ''Külakõrts'' (Village Inn), ''Põrgu'' (Hell), ''Peaparandus'' ([[Hair of the dog|Hair of the Dog]]), and ''Tulekahi'' (Conflagration), and he was awarded a scholarship for six months (his fellow scholarship recipient was {{ill|Eduard Timberman|et}}). From then on, Kernumees consistently exhibited almost every year, except for the more severe years of his illness from 1936 to 1938. In 1942, the publisher Eesti Kirjastus ordered illustrations from Kernumees for the ''[[Nibelungenlied]]'' translated by [[Marta Sillaots]]. Kernumees created 12 ink drawings, but they were lost in the chaos of the war, and the book was never published. However, these illustrations were exhibited once in 1944.<ref>{{cite news |title=Kunst um die 'Nibelungen'. Ein estnischer Graphiker schuf Illustrationen zum deutschen Volksepos |url=https://dea.digar.ee/cgi-bin/dea?a=d&d=revalerzeitung19440223.1.4&e=-------et-25--1--txt-txIN%7ctxTI%7ctxAU%7ctxTA------------- |access-date=May 7, 2024 |work=Revaler Zeitung |issue=45 |date=February 23, 1944 |page=4}}</ref> Kernumees also continued to participate in exhibitions in Estonia under Soviet rule. |
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==Works== |
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Kernumees attracted attention as an especially virtuosic and detailed draftsman, and a master of figural compositions. He mainly portrayed villagers, whose monotonous everyday life was enhanced by a bottle of vodka and a song accompanied by an accordion.<ref name="Vaal">{{cite web |title=17. Puidutöökoda |url=https://www.vaal.ee/oksjonid/teos?10009540-17-puidutookoda |website=Vaal |publisher=Vaal galerii |access-date=May 8, 2024 |location=Tallinn}}</ref> Nationalism also characterizes Kernumees's fantastic grotesque drawings;<ref name="Vaal"/> for example, ''Põrgu'' (Hell; 1931, ink, [[Art Museum of Estonia]]), created at the same time as [[Eduard Wiiralt]]'s {{ill|Põrgu (Wiiralt)|lt=etching of the same name|et}}. In addition to painting landscapes and still lifes in oil, Kernumees was also a portraitist,<ref name="Obit"/> mainly in pastel. He painted many portraits of cultural figures.<ref name="Obit"/> |
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==References== |
==References== |
Revision as of 03:00, 8 May 2024
Raoul Kernumees | |
---|---|
Born | Raoul Kirnmann October 25, 1905 |
Died | June 25, 1990 | (aged 84)
Nationality | Estonian |
Alma mater | State Industrial Art School, Pallas Art School (1919–1940) |
Occupation(s) | Printmaker, painter |
Raoul Kernumees (until 1936 Raoul Kirnmann;[1][2] October 25, 1905 – June 25, 1990)[3] was an Estonian printmaker and painter.
Early life and education
Kernumees was born in Udeva,[4] the son of Juhan Kernumees (né Kirnmann, 1862–?) and Anna Maria Kirnmann (née Kontrakt, 1877–1918). He was the youngest child in a family of five children. He started his schooling at the Rakvere Educational Society School, and his next-door neighbor was the future artist Hando Mugasto. The artist Valdur Ohakas was his nephew.
In 1917, the family moved to Tallinn. In 1918, he started studying at Tallinn City High School on Vene tänav (Russian Street). His drawing teacher there noticed Kernumees's artistic talent and advised him to continue his studies at the State Industrial Art School. Kernumees studied there from 1921 to 1923.[5] In 1925, Kernumees, together with Erich Leps, Kaarel Liimand, and Andrus Johani, went to study at the Pallas Art School in Tartu.[5] His studies at Pallas were interrupted (1925–1927, 1930–1931, 1933) due to both financial reasons and the tuberculosis that shattered his health in 1927.[5] Kernumees's name first appears in the catalog of exhibition works by Pallas students in 1925.
Career
Kernumees started presenting his work at art exhibitions in 1931,[5] mainly with prints. In 1932, the Estonian Government Foundation for the Fine Arts acquired four of Kernumees's works: Külakõrts (Village Inn), Põrgu (Hell), Peaparandus (Hair of the Dog), and Tulekahi (Conflagration), and he was awarded a scholarship for six months (his fellow scholarship recipient was Eduard Timberman). From then on, Kernumees consistently exhibited almost every year, except for the more severe years of his illness from 1936 to 1938. In 1942, the publisher Eesti Kirjastus ordered illustrations from Kernumees for the Nibelungenlied translated by Marta Sillaots. Kernumees created 12 ink drawings, but they were lost in the chaos of the war, and the book was never published. However, these illustrations were exhibited once in 1944.[6] Kernumees also continued to participate in exhibitions in Estonia under Soviet rule.
Works
Kernumees attracted attention as an especially virtuosic and detailed draftsman, and a master of figural compositions. He mainly portrayed villagers, whose monotonous everyday life was enhanced by a bottle of vodka and a song accompanied by an accordion.[7] Nationalism also characterizes Kernumees's fantastic grotesque drawings;[7] for example, Põrgu (Hell; 1931, ink, Art Museum of Estonia), created at the same time as Eduard Wiiralt's etching of the same name . In addition to painting landscapes and still lifes in oil, Kernumees was also a portraitist,[5] mainly in pastel. He painted many portraits of cultural figures.[5]
References
- ^ "Uued nimed". Waba Maa. No. 7. January 10, 1936. p. 10. Retrieved May 7, 2024.
- ^ Eller, Mart-Ivo (1996). Eesti kunsti ja arhitektuuri biograafiline leksikon. Tallinn: Eesti Entsüklopeediakirjastus. p. 177.
- ^ "Raoul Kernumees". EKM Digitaalkogu. Tallinn: Art Museum of Estonia. Retrieved May 6, 2024.
- ^ Jaaksoo, Andres (1987). Kes on kes ja mis on mis eesti lastekirjanduses. Tallinn: Eesti Raamat. p. 85.
- ^ a b c d e f "Raoul Kernumees". Reede. No. 26. June 29, 1990. p. 15. Retrieved May 6, 2024.
- ^ "Kunst um die 'Nibelungen'. Ein estnischer Graphiker schuf Illustrationen zum deutschen Volksepos". Revaler Zeitung. No. 45. February 23, 1944. p. 4. Retrieved May 7, 2024.
- ^ a b "17. Puidutöökoda". Vaal. Tallinn: Vaal galerii. Retrieved May 8, 2024.