Montparnasse is an area of Paris, France, on the left bank of the river Seine, centered on the intersection of the Boulevard de Montparnasse and the Boulevard Raspail. It is part of the 14eme arrondissement, having been absorbed into Paris along with other districts and villages in 1860.
The area also gives its name to:
- Gare Montparnasse (trains to Brittany, TGV to Tours, Bordeaux.)
- Cimetiere de Montparnasse
- Tour Montparnasse
The name Montparnasse stems from the nickname "Mount Parnassus" (In Greek mythology, home to the nine Greek goddesses (the Muses) of the arts and sciences) given to the neighborhood in the 17th century by students who came there to recite poetry.
The hill was levelled to construct the Boulevard Montparnasse in the 18th century, and during the French Revolution many dance halls and cabarets opened their doors.
Like its counterpart, Montmartre, the neighborhood of Montparnasse became famous at the beginning of the 20th century, referred to as the Années Folles (the Crazy Years), when it was the heart of intellectual and artistic life in Paris with its legendary cafés. In the years between 1910 to 1940, the gist of Paris' artistic circles gradually moved from Montmartre to Montparnasse.
It was a community where creativty was embraced with all its oddities, each new arrival welcomed unreservedly by its existing members. When Tsuguharu Foujita arrived from Japan in 1913 not knowing a soul, he met Soutine, Modigliani, Pascin and Leger virtually the same night and within a week became friends with Juan Gris, Pablo Picasso and Henri Matisse. In 1914, when the English painter Nina Hamnett arrived in Montparnasse, on her first evening the smiling man at the next table at the Rotonde graciously introduced himself as "Modigliani, painter and jew". They became good friends, Hamnett later recounting how she once borrowed a jersey and corduroy trousers from Modigliani, then went to the Rotonde and danced in the street all night.
The cafés and bars of Montparnasse were a vital meeting place where new ideas were hatched and mulled over. The cafés at the centre of Montparnasse's night-life were the Le Dôme, La Rotonde, Le Select, and La Coupole which were all on the Boulevard de Montparnasse. In its hey-day, from 1910-20, the starving artists of Montparnasse could occupy a table all evening for a few centimes. If they fell asleep, the waiters were instructed not to wake them. Arguments were common, some fueled by intellect, others by alcohol, and if there were fights, and there often were, the police were never summoned. If you couldn't pay your bill, peopler such as La Rotonde's proprietor, Victor Libion, would often accept a drawing, holding it until the artist could pay. As such, there were times when the café’s walls were littered with a collection of artworks, that today would mage the curators at the world’s greatest museums drool with envy.
There were many areas where the great artists congregated, one of them being near Le Dôme at no. 10 rue Delambre called the Dingo Bar. It was the celebrated hang-out of expatriates and the place where Ernest Hemingway, still an unpublished writer, first met the already established F. Scott Fitzgerald in 1925. When Man Ray's friend and Dadaist, Marcel Duchamp, left for New York, Man Ray set up his first studio at l'Hôtel des Ecoles at no. 15 rue Delambre. This is where his career as a photographer began, and where James Joyce, Gertrude Stein, Jean Cocteau and the others filed in and posed for eternity in black and white.
Turn-of-the-century Montparnasse defined the term "starving artist" as virtually penniless painters, sculptors, writers, poets and composers came from around the world to thrive in the creative atmosphere and for the cheap rent. Living without running water, in damp, unheated "studios" often as not overrun by rats, many sold their works for a few francs just to buy food. One such place, La Ruche, as it was called, in Montparnasse’s "Passage Danzig," was an old three-storey circular structure that looked more like a large beehive than any dwelling for humans. Originally a temporary structure designed by Gustave Eiffel for use as a wine rotunda at the Great Exposition of 1900, it was dismanted and re-erected as low-cost studios for artists. As well, the usual array of drunks, misfits or most any penniless soul needing a roof over their head showed up. The rent was dirt cheap and no one was evicted for non-payment. In the history of mankind, like Montparnasse itself, few places have ever housed such talent as could be found at La Ruche. At one time or another in those early years, Guillaume Apollinaire, Ossip Zadkine, Moise Kisling, Marc Chagall, Nina Hamnett, Fernand Leger, Jacques Lipchitz, Max Jacob, Blaise Cendrars, Chaim Soutine, Amedeo Modigliani, Constantin Brancusi, and others, called the place home. First promoted by art dealers such as Henry Kahnweiler, today works by these desperately poor residents sell in the millions of dollars.
Just a few of the other great minds who gathered in Montparnasse were:
Pablo Picasso, Paul Fort, Juan Gris, Diego Rivera, Tsuguharu Foujita, Léon-Paul Fargue, Alberto Giacometti, Andre Breton, Pascin, Salvador Dali, Jean-Paul Sartre, Henry Miller, Joan Miro and in his declining years, Edgar Degas.
The rue de la Gaité in Montparnasse was the site of many of the great music-hall theatres, in particular the famous "Bobino."
On their stages, the greats of the day, using then-popular single name pseudonyms or one birth name only, such as Damia, Kiki, Mayol and Georgius, sang and performed to packed houses. And here too, Les Six was formed, creating music based on the ideas of Erik Satie and Jean Cocteau.
The poet Max Jacob said he came to Montparnasse to "sin disgracefully," but Marc Chagall summed it up more elegantly when he explained why he had come to Montparnasse: I aspired to see with my own eyes what I had heard of from so far away: this revolution of the eye, this rotation of colors, which spontaneously and astutely merge with one another in a flow of conceived lines. That could not be seen in my town. The sun of Art then shone only on Paris.
While the area attracted people from all over the world who came to live and work in the creative and/or bohemian environment, it also became home for political exiles such as Vladimir Lenin, Leon Trotsky, Porfirio Diaz, and Simon Petlyura. But, World War II forced the dispersal of the artistic society and after the war Montparnasse never regained its splendour.
The quarter also contains the Institut Louis Pasteur, the ancient Catacombs of Paris and the Cimetiere de Montparnasse where many of these great artists are buried.