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''Not to be confused with the [[Heptanese School|Heptanese School of painting]] or the [[Ionian School (music)|Heptanese School of music]].'' |
''Not to be confused with the [[Heptanese School|Heptanese School of painting]] or the [[Ionian School (music)|Heptanese School of music]].'' |
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The term Heptanese School of literature ([[Greek language|Greek]]: Επτανησιακή Σχολή, literally: Seven [[Ionian Islands|Islands]]' School) denotes the literary production of the Ionian Island's literature figures from the late 18th century till the end of the 19th century. The epicenter of this production is considered to be the poet [[Dionysios Solomos]], so its periods are conventionally divided as follows: Pre-Solomian poets (Προσολωμικοί ποιητές), Solomian poets, Post-Solomian poets, Minors and Descendants. |
The term '''Heptanese School of literature''' ([[Greek language|Greek]]: Επτανησιακή Σχολή, literally: Seven [[Ionian Islands|Islands]]' School) denotes the literary production of the Ionian Island's literature figures from the late 18th century till the end of the 19th century. The epicenter of this production is considered to be the poet [[Dionysios Solomos]], so its periods are conventionally divided as follows: Pre-Solomian poets (Προσολωμικοί ποιητές), Solomian poets, Post-Solomian poets, Minors and Descendants. |
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==General traits== |
==General traits== |
Revision as of 06:24, 2 July 2010
Not to be confused with the Heptanese School of painting or the Heptanese School of music.
The term Heptanese School of literature (Greek: Επτανησιακή Σχολή, literally: Seven Islands' School) denotes the literary production of the Ionian Island's literature figures from the late 18th century till the end of the 19th century. The epicenter of this production is considered to be the poet Dionysios Solomos, so its periods are conventionally divided as follows: Pre-Solomian poets (Προσολωμικοί ποιητές), Solomian poets, Post-Solomian poets, Minors and Descendants.
General traits
Some general traits of the Ionian style were:
- the use of Dimotiki instead of Katharevousa,
- the manifest influence that the contemporary Italian poets had in its thematology, that is regarding the depiction of real-life scenes,
- the worship of homeland,
- the worship of nature,
- a "romantic impulse" (also described as folkloric idealism),
- an emphasis on the importance of love and freedon,
- an appreciation of religion's role in man's life.
References
- Beaton, Roderick. "An Introduction to Modern Greek Literature", Oxford University Press, USA, 1999.
- Πολίτης Λ., "Ιστορία της Νεοελληνικής Λογοτεχνίας" (History of Modern Greek Literature), XI ed., ed. Μ.Ι.Ε.Τ. (National Bank of Greece Cultural Foundation), Athens, 2001. (in Greek)