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'''''Finding Neverland''''' is a [[2004 in film|2004]] [[Great Britain|British]]/[[United States|American]] semi-[[biographical film]] |
'''''Finding Neverland''''' is a [[2004 in film|2004]] [[Great Britain|British]]/[[United States|American]] semi-[[biographical film]] directed by [[Marc Forster]]. The [[screenplay]] by [[David Magee]] is based on the play ''The Man Who Was Peter Pan'' by [[Allan Knee]]. |
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==Plot synopsis== |
==Plot synopsis== |
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The film was budgeted at $25 million. It grossed $51,676,606 in the US and $67 million in foreign markets for a total worldwide box office of $118,676,606 <ref>[http://www.the-numbers.com/movies/2004/NVRLN.php ''Finding Neverland'' at TheNumbers.com]</ref>. |
The film was budgeted at $25 million. It grossed $51,676,606 in the US and $67 million in foreign markets for a total worldwide box office of $118,676,606 <ref>[http://www.the-numbers.com/movies/2004/NVRLN.php ''Finding Neverland'' at TheNumbers.com]</ref>. |
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== |
==Principal cast== |
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*[[Johnny Depp]] ..... J.M. Barrie |
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*[[Kate Winslet]] ..... Sylvia Llewelyn Davies |
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In addition to [[Johnny Depp]] as Barrie and [[Kate Winslet]] as Sylvia Davies, the film stars [[Dustin Hoffman]] as producer [[Charles Frohman]], [[Julie Christie]] as Sylvia's mother Emma du Maurier, and [[Radha Mitchell]] (who had starred in Forster's ''[[Everything Put Together]]'') as Barrie's wife Mary. Hoffman had appeared a dozen years earlier in title role of the Peter Pan sequel ''[[Hook (film)|Hook]]''. The original screenplay for this film included a scene in which his character – the play's skeptical producer – was to put on the [[Captain Hook]] costume and read some of his lines to point out how silly he found it. Hoffman objected to this, so the scene was rewritten for him to simply read aloud and ridicule character names from the play. |
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*[[Julie Christie]] ..... Emma du Maurier |
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*[[Radha Mitchell]] ..... Mary Ansell Barrie |
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The [[Llewelyn Davies boys]] are portrayed by [[Freddie Highmore]] ([[Peter Llewelyn Davies|Peter]]), [[Nick Roud]] ([[George Llewelyn Davies|George]]), [[Joe Prospero]] ([[Jack Llewelyn Davies|Jack]]), and Luke Spill ([[Michael Llewelyn Davies|Michael]]). Highmore's performance in this movie led Johnny Depp to suggest him to [[Tim Burton]] for ''[[Charlie and the Chocolate Factory (film)|Charlie and the Chocolate Factory]]'' in which Highmore played [[Charlie Bucket]] and Depp played [[Willy Wonka]].<ref>http://www.ew.com/ew/article/0,,1015124,00.html</ref> [[Ian Hart]] appears as Barrie's friend [[Arthur Conan Doyle]]. [[Oliver Fox]] plays Mary's lover [[Gilbert Cannan]]. |
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*[[Dustin Hoffman]] ..... Charles Frohman |
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*[[Freddie Highmore]] ..... Peter Llewelyn Davies |
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Within the movie are scenes of a production of the play, featuring [[Kelly Macdonald]] as "[[Peter Pan]]", [[Angus Barnett]] as "Nana", [[Toby Jones]] as "[[Smee]]", [[Kate Maberly]] as "[[Wendy Darling]]", [[Matt Green (actor)|Matt Green]] as "[[John Darling]]", Catrin Rhys as "[[Michael Darling]]", and [[Tim Potter]] as "[[Captain Hook]]"/"George Darling", and [[Jane Booker]] as "Mary Darling". [[Mackenzie Crook]] plays Mr. Jaspers, the theatre usher. [[Eileen Essell]], 82 years old at the time, makes one of her first feature film appearances, as Mrs. Snow, an elderly friend and fan of Barrie's. Like Highmore, she also followed Depp to a role in ''Charlie and the Chocolate Factory''. [[Jimmy Gardner (British actor)|Jimmy Gardner]] plays her husband. |
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*Joe Prospero ..... Jack Llewelyn Davies |
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*[[Nick Roud]] ..... George Llewelyn Davies |
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*Luke Spill ..... Michael Llewelyn Davies |
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*[[Eileen Essell]] ..... Mrs. Snow |
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*[[Mackenzie Crook]] ..... Mr. Jaspers |
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'''''Peter Pan''''' '''cast''' |
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*[[Kelly Macdonald]] ..... Peter Pan |
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*Tim Potter ..... [[Captain Hook]]/George Darling |
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*Angus Barnett ..... Nana |
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*[[Toby Jones]] ..... [[Smee]] |
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*[[Kate Maberly]] ..... [[Wendy Darling]] |
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*Matt Green ..... [[John Darling]] |
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*Catrin Rhys ..... [[Michael Darling]] |
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*Jane Booker ..... Mary Darling |
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==Critical reception== |
==Critical reception== |
Revision as of 18:39, 10 March 2008
Finding Neverland | |
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Directed by | Marc Forster |
Written by | David Magee |
Produced by | Richard N. Gladstein Nellie Bellflower |
Starring | Johnny Depp Kate Winslet Julie Christie Dustin Hoffman |
Cinematography | Roberto Schaefer |
Edited by | Matt Chesse |
Music by | Jan A. P. Kaczmarek |
Distributed by | Miramax Films |
Release dates | October 29, 2004 United Kingdom November 12, 2004 United States |
Running time | 101 minutes |
Language | English |
Budget | $25,000,000 |
Finding Neverland is a 2004 British/American semi-biographical film directed by Marc Forster. The screenplay by David Magee is based on the play The Man Who Was Peter Pan by Allan Knee.
Plot synopsis
The story focuses on Scottish writer J. M. Barrie, his platonic relationship with Sylvia Llewelyn Davies, and his close friendship with her sons, who inspired the classic play Peter Pan, or The Boy Who Wouldn't Grow Up.
Following the dismal reception to his latest play, Little Mary, Barrie meets the widowed Sylvia and her four young sons in Kensington Gardens, and a strong friendship develops between them. He proves to be a great playmate and surrogate father figure for the boys, and their imaginative antics give him ideas which he incorporates into a play about boys who do not want to grow up, especially one named after troubled young Peter Llewelyn Davies. Objecting to the amount of time Barrie spends with the Llewelyn Davies family are his wife Mary, who eventually divorces him, and Sylvia's mother Emma du Maurier, who seeks to control her daughter and grandsons, especially as Sylvia becomes increasingly weak from an unidentified illness.
Producer Charles Frohman skeptically agrees to mount Peter Pan despite his belief it holds no appeal for upper-class theatergoers. Barrie peppers the opening night audience with children from a nearby orphanage, and the adults present react to their infectious delight with an appreciation of their own. The play proves to be a huge success.
Because Sylvia is too ill to attend the production, Barrie arranges to have an abridged production of it performed in her home. She dies shortly afterward, and he learns that her will left the care of the boys jointly to him and her mother, an arrangement agreeable to both.
Production notes
Finding Neverland originally was scheduled to be released in the fall of 2003. Columbia Pictures, which owned the film rights to Barrie's play and was adapting it for theatrical release the same year, refused to allow Miramax to use scenes from the play in Finding Neverland if it were released at the same time. Miramax agreed to delay the release in exchange for the rights to reproduce scenes from the stage production within the film.
Although the opening credits state the film was inspired by true events, various liberties with the historical facts and the timing of events were taken as follows:
- Arthur Llewelyn Davies was still alive when Barrie befriended Sylvia and their sons, the youngest of which (Nico) was omitted from the film.
- Michael had not been born and Peter was still an infant when Barrie met the family.
- The Davies household had a nanny, Mary Hodgson; much of the role of Sylvia's mother in the film was based on her.
- Barrie was a consistently successful playwright prior to Peter Pan, and Frohman had no qualms about producing it, although Barrie himself was uncertain of its commercial potential.
- The play's opening performance had few children in the audience; the only precaution against a staid reaction was that the musicians were to clap to revive Tinker Bell, which proved unnecessary.
- Sylvia was still healthy at the time of the play's 1904 premiere and did not die until nearly six years later. Her husband also survived to see the play's debut.
- The improvised home production of the play was presented for five-year-old Michael, who was suffering from a stubborn childhood illness during the play's revival in 1905.
- The Barries' marriage ended shortly before Sylvia's death, but years later than depicted in the film.
The Richmond Theatre in the London Borough of Richmond upon Thames was used as the setting for the venue in which Peter Pan was presented. Exterior scenes were filmed in Hyde Park and Kensington Park. According to commentary on the DVD release, the structure used as Barrie's summer cottage was located near Kent. Interiors were filmed in the Pinewood Studios in Buckinghamshire and the Shepperton Studios in Surrey.
The film premiered at the Venice Film Festival. It was shown at the Telluride Film Festival, the Haifa Film Festival, the Athens Panorama European Film Festival, the Mill Valley Film Festival, the Chicago International Film Festival, and the Leeds International Film Festival before opening in the UK on October 29, 2004.
The film was budgeted at $25 million. It grossed $51,676,606 in the US and $67 million in foreign markets for a total worldwide box office of $118,676,606 [1].
Principal cast
- Johnny Depp ..... J.M. Barrie
- Kate Winslet ..... Sylvia Llewelyn Davies
- Julie Christie ..... Emma du Maurier
- Radha Mitchell ..... Mary Ansell Barrie
- Dustin Hoffman ..... Charles Frohman
- Freddie Highmore ..... Peter Llewelyn Davies
- Joe Prospero ..... Jack Llewelyn Davies
- Nick Roud ..... George Llewelyn Davies
- Luke Spill ..... Michael Llewelyn Davies
- Eileen Essell ..... Mrs. Snow
- Mackenzie Crook ..... Mr. Jaspers
Peter Pan cast
- Kelly Macdonald ..... Peter Pan
- Tim Potter ..... Captain Hook/George Darling
- Angus Barnett ..... Nana
- Toby Jones ..... Smee
- Kate Maberly ..... Wendy Darling
- Matt Green ..... John Darling
- Catrin Rhys ..... Michael Darling
- Jane Booker ..... Mary Darling
Critical reception
In her review in The Times, Wendy Ide called the film "charming but rather idiosyncratic" and added, "A mixture of domestic drama, tragedy and exuberant fantasy, the film blends moist-eyed nostalgia with the cruel disappointments of a marriage break-up; a childlike playfulness and unpredictability with a portrait of a treacherously unforgiving and rigid Edwardian society. It could appeal to everyone from preteens to pensioners, or it could appeal to no one at all. Ultimately this unconventionality is probably one of the film’s main strengths. And if the tone veers a little haphazardly between fantasy and cold, hard reality, well, perhaps that is the most effective way of taking us into the mind of the film's mercurial protagonist." [2]
Manohla Dargis of the New York Times said it "is the kind of film where even the smallest crack has been sealed. Instead of real quirks, strange habits, moments of everyday gas, gurgle and grunting, movies like this give us sumptuous production design, meticulous costumes and stories meant to leave us dewy-eyed and thoughtful, if never actually disturbed… The problem isn't the liberties the filmmakers take with reality, but that this isn't an engaging bowdlerization… Johnny Depp neither soars nor crashes, but moseys forward with vague purpose and actorly restraint… [he] and Ms. Winslet are pleasant to watch, as are the actors who play the Davies boys, but they haven't been pushed to their limits."[3]
In the San Francisco Chronicle, Mick LaSalle observed the film "ends so beautifully, so poignantly and so aptly that there's a big temptation to forget that most of what precedes the ending is tiresome drivel, that Johnny Depp's performance… is precious and uninsightful, and that almost all of the movie's magic derives directly from scenes lifted from Barrie's play. So what can one say? The movie is one long snooze, until the finish leaves half the audience glowing and in tears. One could say the movie builds to its finish, but it doesn't, really. One could say that it's worth the wait, but maybe it isn't. Maybe it's like a fish-stick dinner, followed by a mouthwatering dessert: It's by no means awful, and yet, knowing what's to come, who'd seek out the experience? … Against such a noodly, tepid background, Winslet's no-nonsense strength is especially appreciated… Another actress would have followed Depp into the quicksand of faux-poetic self-indulgence. But Winslet is direct, grounded and heartfelt in a recognizably human way. Dustin Hoffman, as Barrie's producer, also steers clear of Depp's rhythms, though he has trouble deciding whether the producer is British or American."[4]
Peter Travers of Rolling Stone rated the film 3½ out of a possible four stars and called it "glorious entertainment… magical, not mush." About Depp he said, "It's too early to speculate on how [he] will grow as an actor. Based on Finding Neverland, it's not too early to call him a great one."[5]
In the St. Petersburg Times, Steve Persall graded the film B and commented, "A first viewing of Finding Neverland was tear-inducing and completely satisfying. Seeing it again was a mistake, less of my own than Forster's, who didn't make a movie that can sustain its magic beyond first impressions. Problems with David Magee's screenplay that initially could be shrugged off—occasionally slow pacing, melodramatic plot twists—became glaring. With familiarity , the fantasy simply wasn't as fanciful. It felt like growing up, and it was disappointing. On the other hand, many of the film's qualities are too strong to falter, starting with another fascinating man-child performance by Johnny Depp as Barrie."[6]
Carina Chocano of the Los Angeles Times described the film as "gently seductive, genuinely tender and often moving without being maudlin" and added, "Depp and Winslet share a rare combination of airiness, earthiness and sharp, wry intelligence."[7]
Awards and nominations
Academy Awards record | |
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1. Best Original Score |
- Win
- Academy Award for Original Music Score (Jan A. P. Kaczmarek)
- Nominations
- Academy Award for Best Picture
- Academy Award for Best Adapted Screenplay
- Academy Award for Best Actor (Johnny Depp)
- Academy Award for Best Art Direction
- Academy Award for Best Costume Design
- Academy Award for Best Film Editing
58th British Academy Film Awards Nominations
- BAFTA Award for Best Film
- BAFTA Award for Best Direction
- BAFTA Award for Best Actor in a Leading Role (Johnny Depp)
- BAFTA Award for Best Actress in a Leading Role (Kate Winslet)
- BAFTA Award for Best Actress in a Supporting Role (Julie Christie)
- BAFTA Award for Best Adapted Screenplay
- BAFTA Award for Best Cinematography
- BAFTA Award for Best Production Design
- BAFTA Award for Best Costume Design
- BAFTA Award for Best Film Music
- BAFTA Award for Best Makeup
62nd Golden Globe Awards Nominations
- Golden Globe Award for Best Motion Picture - Drama
- Golden Globe Award for Best Director - Motion Picture
- Golden Globe Award for Best Screenplay
- Golden Globe Award for Best Actor - Motion Picture Drama (Johnny Depp)
- Golden Globe Award for Best Original Score
11th Screen Actors Guild Awards Nominations
- Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
- Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role - Motion Picture (Freddie Highmore)
Additional Wins
- National Board of Review Award for Best Film
- Dallas-Fort Worth Film Critics Association Awards Top Ten Films of 2004