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*''Cult and Decorum.'' Tibor De Nagy Gallery, New York, December 7, 1985 - January 4, 1986.<ref name="UnpackingArtBook"/> |
*''Cult and Decorum.'' Tibor De Nagy Gallery, New York, December 7, 1985 - January 4, 1986.<ref name="UnpackingArtBook"/> |
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*''Time After Time (A Sculpture Show).'' Diane Brown Gallery, New York, March 8 - April 2, 1986.<ref>{{cite book |last1=Christian |first1=Abraham David |last2=Gallwitz |first2=Klaus |title=Abraham David Christian: Bronzeskulpturen |publisher=Kehrer |isbn=978-3-933257-30-7 |url=https://www.google.ca/books/edition/Abraham_David_Christian/VfNPAAAAMAAJ?hl=en&gbpv=1&bsq=%22Time+After+Time+(A+Sculpture+Show)%22&dq=%22Time+After+Time+(A+Sculpture+Show)%22&printsec=frontcover |language=de}}</ref> |
*''Time After Time (A Sculpture Show).'' Diane Brown Gallery, New York, March 8 - April 2, 1986.<ref>{{cite book |last1=Christian |first1=Abraham David |last2=Gallwitz |first2=Klaus |title=Abraham David Christian: Bronzeskulpturen |publisher=Kehrer |isbn=978-3-933257-30-7 |url=https://www.google.ca/books/edition/Abraham_David_Christian/VfNPAAAAMAAJ?hl=en&gbpv=1&bsq=%22Time+After+Time+(A+Sculpture+Show)%22&dq=%22Time+After+Time+(A+Sculpture+Show)%22&printsec=frontcover |language=de}}</ref> |
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*''Spiritual America.'' CEPA, Buffalo, May 3 - June 15, 1986. |
*''Spiritual America.'' CEPA, Buffalo, May 3 - June 15, 1986.<ref>{{cite web |title="Spiritual America" CEPA 5/3-6/15/1986, 1986 {{!}} CCS Bard Archives |url=https://ccsarchives.bard.edu/repositories/2/archival_objects/8286 |website=ccsarchives.bard.edu}}</ref> |
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*''Paravision II.'' Margo Leavin Gallery, Los Angeles, July 12 - August 23, 1986.<ref>{{cite web |last1=Muchnic |first1=Suzanne |title=FAMILIAR IDEAS IN THREE NEW EXHIBITS : COMMODITY-CULTURE ART RIDES AGAIN |url=https://www.latimes.com/archives/la-xpm-1986-07-26-ca-197-story.html |website=Los Angeles Times |date=26 July 1986}}</ref> |
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==References== |
==References== |
Revision as of 02:58, 8 May 2021
The Collins & Milazzo exhibitions were a series of art exhibitions curated by the team Tricia Collins and Richard Milazzo, mainly in New York in the mid-1980s.[1][2]
From 1982 to 1984 the pair founded, edited and published Effects : Magazine for New Art Theory.[3][4] Drawing on their experience with the magazine, in 1984 Collins & Milazzo began working together as curators to transform the group show into a critical statement.[5][6] Collins & Milazzo brought to prominence a new generation of artists in the 1980s.[7] It was their exhibitions and writings that originally fashioned the theoretical context for a new kind of Post-conceptual art that argued simultaneously against Neo-Expressionism and Picture-Theory Art.[8][9] It was through this context that the work of many of the artists associated with Neo-Conceptualism (or what the critics reductively called Simulationism and Neo Geo) was first brought together.[10]
Selected Collins & Milazzo Exhibitions
- Civilization and the Landscape of Discontent. Gallery Nature Morte, New York, March 1984.[9]
- Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces. International With Monument Gallery, New York, March 28 - April 21, 1984.[11]
- Natural Genre: From the Neutral Subject to the Hypothesis of World Objects. Florida State University Gallery & Museum, Tall., Fla., Aug. 31-Sept. 30, 1984.[12]
- Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces. Galerie Jurka, Amsterdam, November 1984.[13]
- The New Capital. White Columns, New York, December 4, 1984 - January 5, 1985.[14][9]
- Final Love. C.A.S.H./Newhouse Gallery, New York, March 15 - April 14, 1985.[9][4]
- Paravision. Postmasters Gallery, New York, May 3 - June 2, 1985.[4]
- Persona Non Grata. Daniel Newburg Gallery, New York, September 11 - October 5, 1985.[15]
- Cult and Decorum. Tibor De Nagy Gallery, New York, December 7, 1985 - January 4, 1986.[4]
- Time After Time (A Sculpture Show). Diane Brown Gallery, New York, March 8 - April 2, 1986.[16]
- Spiritual America. CEPA, Buffalo, May 3 - June 15, 1986.[17]
- Paravision II. Margo Leavin Gallery, Los Angeles, July 12 - August 23, 1986.[18]
References
- ^ "Collins & Milazzo". www.artforum.com.
- ^ Alexander, Max (19 February 1989). "ART; Now on View, New Work by Freelance Curators". The New York Times.
- ^ Collins, Patricia; Milazzo, Richard. Fiction South/Fiction North. Ridgefield Press. ISBN 978-0-9631022-0-1.
- ^ a b c d Pearlman, Alison. Unpackaging Art of the 1980s. University of Chicago Press. ISBN 978-0-226-65145-3.
- ^ "The New Museum "Ungovernables" - a Cheat Sheet - artnet Magazine". www.artnet.com.
- ^ Relations, Bard Public. "Center for Curatorial Studies, Bard College Receives Donation of the Papers of Influential Curator Tricia Collins | Bard College Public Relations". www.bard.edu.
- ^ Alison Pearlman, Unpackaging Art of the 1980s, University of Chicago Press, 2003, p. 116
- ^ "Allan McCollum | Collins & Milazzo". allanmccollum.net.
- ^ a b c d Indiana, Gary (2018-11-13). "The Collins-Milazzo effect". Vile Days: The Village Voice Art Columns, 1985–1988. MIT Press. p. 109. ISBN 978-1-63590-037-8.
- ^ "Specific Object : Tricia Collins / Richard Milazzo". specificobject.com.
- ^ Welchman, John C. (2013). Art After Appropriation: Essays on Art in the 1990s. Routledge. p. 31. ISBN 978-1-136-80136-5.
- ^ Natural Genre. Fine Arts Gallery, Florida State University.
- ^ Kirwin, Liza. It's All True: Imagining New York's East Village Art Scene of the 1980s. University of Maryland at College Park.
- ^ "The New Capital". White Columns.
- ^ Parachute (in French). Artdata.
- ^ Christian, Abraham David; Gallwitz, Klaus. Abraham David Christian: Bronzeskulpturen (in German). Kehrer. ISBN 978-3-933257-30-7.
- ^ ""Spiritual America" CEPA 5/3-6/15/1986, 1986 | CCS Bard Archives". ccsarchives.bard.edu.
- ^ Muchnic, Suzanne (26 July 1986). "FAMILIAR IDEAS IN THREE NEW EXHIBITS : COMMODITY-CULTURE ART RIDES AGAIN". Los Angeles Times.