Deltaspace42 (talk | contribs) m →top: remove duplicate the, replaced: the The Pictures Generation → The Pictures Generation Tag: AWB |
|||
(31 intermediate revisions by 5 users not shown) | |||
Line 1: | Line 1: | ||
{{Short description|Series of American art exhibitions}} |
{{Short description|Series of American art exhibitions}} |
||
⚫ | The '''Collins & Milazzo exhibitions''' were a series of art exhibitions curated by the team [[Tricia Collins]] and [[Richard Milazzo]], mainly in New York in the mid-1980s to early 1990s.<ref>{{cite web |title=Collins & Milazzo |url=https://www.artforum.com/print/199908/collins-milazzo-844 |website=www.artforum.com}}</ref><ref name=":0">{{cite web |last1=Alexander |first1=Max |title=ART; Now on View, New Work by Freelance Curators |url=https://www.nytimes.com/1989/02/19/arts/art-now-on-view-new-work-by-freelance-curators.html |website=The New York Times |date=19 February 1989}}</ref> |
||
{{in use}} |
|||
⚫ | The '''Collins & Milazzo exhibitions''' were a series of art exhibitions curated by the team [[Tricia Collins]] and [[Richard Milazzo]], mainly in New York in the mid-1980s.<ref>{{cite web |title=Collins & Milazzo |url=https://www.artforum.com/print/199908/collins-milazzo-844 |website=www.artforum.com}}</ref><ref>{{cite web |last1=Alexander |first1=Max |title=ART; Now on View, New Work by Freelance Curators |url=https://www.nytimes.com/1989/02/19/arts/art-now-on-view-new-work-by-freelance-curators.html |website=The New York Times |date=19 February 1989}}</ref> |
||
From 1982 to 1984 the pair founded, edited and published [[Effects : Magazine for New Art Theory]].<ref>{{ |
From 1982 to 1984 the pair founded, edited and published [[Effects : Magazine for New Art Theory]].<ref name="UnpackingArtBook" />{{rp|191}}<ref>Annette W. Balkema, ''The Photographic Paradigm'', Henk Slager, 1997, p. 69</ref><ref>Kirwin, Elizabeth Seton, ''It's all true: Imagining New York's East Village art scene of the 1980s'', University of Maryland, College Park, Dissertations Publishing, 1999</ref> Drawing on their experience with the magazine, in 1984 Collins & Milazzo began working together as curators to transform the group show into a critical statement.<ref>{{cite web |title=The New Museum "Ungovernables" - a Cheat Sheet - artnet Magazine |url=http://www.artnet.com/magazineus/features/robinson/new-museum-ungovernables-2-13-12.asp |website=www.artnet.com}}</ref><ref>{{cite web |last1=Relations |first1=Bard Public |title=Center for Curatorial Studies, Bard College Receives Donation of the Papers of Influential Curator Tricia Collins {{!}} Bard College Public Relations |url=http://www.bard.edu/news/releases/pr/fstory.php?id=2537 |website=www.bard.edu |language=en}}</ref> Collins & Milazzo brought to prominence a new generation of artists in the 1980s.<ref>Alison Pearlman, ''Unpackaging Art of the 1980s'', University of Chicago Press, 2003, p. 116</ref> It was their exhibitions and writings that originally fashioned the theoretical context for a new kind of [[Post-conceptual art]] that argued simultaneously against [[Neo-Expressionism]] and the [[Neo-pop]] Picture Theory work of [[The Pictures Generation]].<ref>{{cite web |title=Allan McCollum {{!}} Collins & Milazzo |url=http://allanmccollum.net/allanmcnyc/Collins_Milazzo.html |website=allanmccollum.net}}</ref><ref name="VVoice"/> It was through this context that the work of many of the artists associated with [[Neo-Conceptualism]] (or what the critics reductively called ''Simulationism'' and ''Neo Geo'') was first brought together.<ref>{{cite web |title=Specific Object : Tricia Collins / Richard Milazzo |url=http://www.specificobject.com/objects/index.cfm?search_type=basic&search=Tricia%20Collins%20%2F%20Richard%20Milazzo |website=specificobject.com}}</ref> |
||
==Selected Collins & Milazzo exhibitions== |
==Selected Collins & Milazzo exhibitions== |
||
*''Civilization and the Landscape of Discontent.'' Gallery Nature Morte, New York, March 1984.<ref name="VVoice">{{Cite book|last=Indiana|first=Gary|url=|title=Vile Days: The Village Voice Art Columns, 1985–1988|date=2018-11-13|publisher=MIT Press|isbn=978-1-63590-037-8|pages=109|language=en|chapter=The Collins-Milazzo effect}}</ref> |
*''Civilization and the Landscape of Discontent.'' Gallery Nature Morte, New York, March 1984.<ref name="VVoice">{{Cite book|last=Indiana|first=Gary|url=|title=Vile Days: The Village Voice Art Columns, 1985–1988|date=2018-11-13|publisher=MIT Press|isbn=978-1-63590-037-8|pages=109|language=en|chapter=The Collins-Milazzo effect}}</ref> |
||
*''Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces.'' International With Monument Gallery, New York, March 28 - April 21, 1984.<ref name="ArtAfterAppropriation">{{Cite book|last=Welchman|first=John C.|url=|title=Art After Appropriation: Essays on Art in the 1990s |
*''Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces.'' International With Monument Gallery, New York, March 28 - April 21, 1984.<ref name="ArtAfterAppropriation">{{Cite book|last=Welchman|first=John C.|url=|title=Art After Appropriation: Essays on Art in the 1990s|publisher=Routledge|year=2013|isbn=978-1-136-80136-5|pages=31|language=en}}</ref> |
||
*''Natural Genre: From the Neutral Subject to the Hypothesis of World Objects.'' Florida State University Gallery & Museum, Tall., Fla., Aug. 31-Sept. 30, 1984.<ref>{{cite book |title=Natural Genre |publisher=Fine Arts Gallery, Florida State University |url=https:// |
*''Natural Genre: From the Neutral Subject to the Hypothesis of World Objects.'' Florida State University Gallery & Museum, Tall., Fla., Aug. 31-Sept. 30, 1984.<ref>{{cite book |title=Natural Genre |year=1984 |publisher=Fine Arts Gallery, Florida State University |url=https://books.google.com/books?id=NU5NAAAAYAAJ&q=%22Natural+Genre:+From+the+Neutral+Subject%22+to+the+Hypothesis+of+World+Objects. |language=en}}</ref> |
||
*''Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces.'' Galerie Jurka, Amsterdam, November 1984.<ref>{{cite book |last1=Kirwin |first1=Liza |title=It's All True: Imagining New York's East Village Art Scene of the 1980s |publisher=University of Maryland at College Park |url=https:// |
*''Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces.'' Galerie Jurka, Amsterdam, November 1984.<ref>{{cite book |last1=Kirwin |first1=Liza |title=It's All True: Imagining New York's East Village Art Scene of the 1980s |year=1999 |publisher=University of Maryland at College Park |url=https://books.google.com/books?id=JodIAQAAIAAJ&q=%22Still+Life+With+Transaction+II:++Former+Objects,%22 |language=en}}</ref> |
||
*''The New Capital.'' White Columns, New York, December 4, 1984 - January 5, 1985.<ref>{{cite web |title=The New Capital |url=https://whitecolumns.org/exhibitions/the-new-capital/ |website=White Columns |language=en}}</ref><ref name="VVoice"/> |
*''The New Capital.'' White Columns, New York, December 4, 1984 - January 5, 1985.<ref>{{cite web |title=The New Capital |url=https://whitecolumns.org/exhibitions/the-new-capital/ |website=White Columns |language=en}}</ref><ref name="VVoice"/> |
||
*''Final Love.'' C.A.S.H./Newhouse Gallery, New York, March 15 - April 14, 1985.<ref name="VVoice" /><ref name="UnpackingArtBook"/> |
*''Final Love.'' C.A.S.H./Newhouse Gallery, New York, March 15 - April 14, 1985.<ref name="VVoice" /><ref name="UnpackingArtBook"/> |
||
*''Paravision.'' Postmasters Gallery, New York, May 3 - June 2, 1985.<ref name="UnpackingArtBook">{{cite book |last1=Pearlman |first1=Alison |title=Unpackaging Art of the 1980s |publisher=University of Chicago Press |isbn=978-0-226-65145-3 |url=https://books.google. |
*''Paravision.'' Postmasters Gallery, New York, May 3 - June 2, 1985.<ref name="UnpackingArtBook">{{cite book |last1=Pearlman |first1=Alison |title=Unpackaging Art of the 1980s |date=15 June 2003 |publisher=University of Chicago Press |isbn=978-0-226-65145-3 |url=https://books.google.com/books?id=IT8_2wErgGAC&q=paravision+postmasters&pg=PA123 |language=en}}</ref> |
||
*''Persona Non Grata.'' Daniel Newburg Gallery, New York, September 11 - October 5, 1985.<ref>{{cite book |title=Parachute |publisher=Artdata |url=https:// |
*''Persona Non Grata.'' Daniel Newburg Gallery, New York, September 11 - October 5, 1985.<ref>{{cite book |title=Parachute |year=1987 |publisher=Artdata |url=https://books.google.com/books?id=FuE4AQAAIAAJ&q=Persona+Non+Grata.+Daniel+Newburg+Gallery, |language=fr}}</ref> |
||
*''Cult and Decorum.'' Tibor De Nagy Gallery, New York, December 7, 1985 - January 4, 1986.<ref name="UnpackingArtBook"/> |
*''Cult and Decorum.'' Tibor De Nagy Gallery, New York, December 7, 1985 - January 4, 1986.<ref name="UnpackingArtBook"/> |
||
*''Time After Time (A Sculpture Show).'' Diane Brown Gallery, New York, March 8 - April 2, 1986.<ref>{{cite book |last1=Christian |first1=Abraham David |last2=Gallwitz |first2=Klaus |title=Abraham David Christian: Bronzeskulpturen |publisher=Kehrer |isbn=978-3-933257-30-7 |url=https:// |
*''Time After Time (A Sculpture Show).'' Diane Brown Gallery, New York, March 8 - April 2, 1986.<ref>{{cite book |last1=Christian |first1=Abraham David |last2=Gallwitz |first2=Klaus |title=Abraham David Christian: Bronzeskulpturen |year=2003 |publisher=Kehrer |isbn=978-3-933257-30-7 |url=https://books.google.com/books?id=VfNPAAAAMAAJ&q=%22Time+After+Time+(A+Sculpture+Show)%22 |language=de}}</ref> |
||
*''Spiritual America.'' CEPA, Buffalo, May 3 - June 15, 1986.<ref>{{cite web |title="Spiritual America" CEPA 5/3-6/15/1986, 1986 {{!}} CCS Bard Archives |url=https://ccsarchives.bard.edu/repositories/2/archival_objects/8286 |website=ccsarchives.bard.edu}}</ref> |
*''Spiritual America.'' CEPA, Buffalo, May 3 - June 15, 1986.<ref>{{cite web |title="Spiritual America" CEPA 5/3-6/15/1986, 1986 {{!}} CCS Bard Archives |url=https://ccsarchives.bard.edu/repositories/2/archival_objects/8286 |website=ccsarchives.bard.edu}}</ref> |
||
*''Paravision II.'' Margo Leavin Gallery, Los Angeles, July 12 - August 23, 1986.<ref>{{cite web |last1=Muchnic |first1=Suzanne |title=FAMILIAR IDEAS IN THREE NEW EXHIBITS : COMMODITY-CULTURE ART RIDES AGAIN |url=https://www.latimes.com/archives/la-xpm-1986-07-26-ca-197-story.html |website=Los Angeles Times |date=26 July 1986}}</ref> |
*''Paravision II.'' Margo Leavin Gallery, Los Angeles, July 12 - August 23, 1986.<ref>{{cite web |last1=Muchnic |first1=Suzanne |title=FAMILIAR IDEAS IN THREE NEW EXHIBITS : COMMODITY-CULTURE ART RIDES AGAIN |url=https://www.latimes.com/archives/la-xpm-1986-07-26-ca-197-story.html |website=Los Angeles Times |date=26 July 1986}}</ref> |
||
*''Ultrasurd.'' S.L. Simpson Gallery, Toronto, September 1986.<ref name="SocialBook" /> |
*''Ultrasurd.'' S.L. Simpson Gallery, Toronto, September 1986.<ref name="SocialBook" /> |
||
*''Modern Sleep.'' American Fine Arts Co., New York, October 17 - November 16, 1986.<ref>{{cite web |title="Modern Sleep" American Fine Arts, Co. 10/17-11/16/1986, 1986 {{!}} CCS Bard Archives |url=https://ccsarchives.bard.edu/repositories/2/archival_objects/8289 |website=ccsarchives.bard.edu}}</ref><ref>{{cite book |last1=Oliva |first1=Achille Bonito |title=Los manifiestos del arte posmoderno |publisher=Ediciones AKAL |isbn=978-84-460-1110-1 |url=https://books.google. |
*''Modern Sleep.'' American Fine Arts Co., New York, October 17 - November 16, 1986.<ref>{{cite web |title="Modern Sleep" American Fine Arts, Co. 10/17-11/16/1986, 1986 {{!}} CCS Bard Archives |url=https://ccsarchives.bard.edu/repositories/2/archival_objects/8289 |website=ccsarchives.bard.edu}}</ref><ref>{{cite book |last1=Oliva |first1=Achille Bonito |title=Los manifiestos del arte posmoderno |date=12 June 2000 |publisher=Ediciones AKAL |isbn=978-84-460-1110-1 |url=https://books.google.com/books?id=9fT_sAFZBcEC&q=%22Modern+Sleep%27%27+%22American+Fine+Arts%22+Co&pg=PA128 |language=es}}</ref> |
||
*''The Antique Future.'' Massimo Audiello Gallery, New York, February 13 - March 15, 1987.<ref>{{cite book |last1=Indiana |first1=Gary |title=Vile Days: The Village Voice Art Columns, 1985–1988 |publisher=MIT Press |isbn=978-1-63590-037-8 |page=388 |url=https://books.google. |
*''The Antique Future.'' Massimo Audiello Gallery, New York, February 13 - March 15, 1987.<ref>{{cite book |last1=Indiana |first1=Gary |title=Vile Days: The Village Voice Art Columns, 1985–1988 |date=13 November 2018 |publisher=MIT Press |isbn=978-1-63590-037-8 |page=388 |url=https://books.google.com/books?id=qnp8DwAAQBAJ&q=The+Antique+Future.%27%27+Massimo+Audiello&pg=PA388 |language=en}}</ref> |
||
*''Extreme Order.'' Lia Rumma Gallery, Naples, May - July 1987.<ref name="ArtAfterAppropriation"/><ref>{{cite book |title=New Observations |publisher=Peter Licht |url=https:// |
*''Extreme Order.'' Lia Rumma Gallery, Naples, May - July 1987.<ref name="ArtAfterAppropriation"/><ref>{{cite book |title=New Observations |date=1987 |publisher=Peter Licht |url=https://books.google.com/books?id=6c03AQAAIAAJ&q=%22Extreme+Order%22+Lia+Rumma |language=en}}</ref><ref>{{cite book |title=Artscribe International |date=1987 |publisher=Artscribe |url=https://books.google.com/books?id=JgflAAAAMAAJ&q=%22Extreme+Order%22+Lia+Rumma |language=en}}</ref> |
||
*''The Ironic Sublime.'' Galerie Albrecht, Munich, June 4 - July 18, 1987.<ref>{{cite book |last1=Milazzo |first1=Richard |last2=Bleckner |first2=Ross |title=The Paintings of Ross Bleckner |publisher=Distributed Art Pub Incorporated |isbn=978-2-930487-01-4 |url=https:// |
*''The Ironic Sublime.'' Galerie Albrecht, Munich, June 4 - July 18, 1987.<ref>{{cite book |last1=Milazzo |first1=Richard |last2=Bleckner |first2=Ross |title=The Paintings of Ross Bleckner |year=2007 |publisher=Distributed Art Pub Incorporated |isbn=978-2-930487-01-4 |url=https://books.google.com/books?id=pf8xAQAAIAAJ&q=%22The+Ironic+Sublime%22+Galerie+Albrecht |language=en}}</ref> |
||
*''The New Poverty.'' John Gibson Gallery, New York, October 10 - November 7, 1987.<ref name="ArtAfterAppropriation"/> |
*''The New Poverty.'' John Gibson Gallery, New York, October 10 - November 7, 1987.<ref name="ArtAfterAppropriation"/> |
||
*''Media Post Media.'' Scott Hanson Gallery, New York, January 6 - February 9, 1988.<ref>{{cite book |last1=Smith |first1=Roberta |title=Art: 'Media Post Media,' A Show of 19 Women | |
*''Media Post Media.'' Scott Hanson Gallery, New York, January 6 - February 9, 1988.<ref>{{cite book |last1=Smith |first1=Roberta |title=Art: 'Media Post Media,' A Show of 19 Women |work=New York Times |url=https://www.nytimes.com/1988/01/15/arts/art-media-post-media-a-show-of-19-women.html}}</ref> |
||
*''Off White.'' Diane Brown Gallery, New York, May 24 - June 18, 1988.<ref>{{cite web |last1=Smith |first1=Roberta |title=Review/Art; Group-Show Survey: Downtown Galleries |url=https://www.nytimes.com/1988/06/18/arts/review-art-group-show-survey-downtown-galleries.html |website=The New York Times |date=18 June 1988}}</ref><ref name="SocialBook">{{cite book |last1=Collins |first1=Tricia |last2=Milazzo |first2=Richard |title=Art at the End of the Social: Exhibition at the Rooseum, Malmö, Sweden, July 29-October 2, 1988 |publisher=Rooseum |isbn=978-0-945295-03-7 |url=https:// |
*''Off White.'' Diane Brown Gallery, New York, May 24 - June 18, 1988.<ref>{{cite web |last1=Smith |first1=Roberta |title=Review/Art; Group-Show Survey: Downtown Galleries |url=https://www.nytimes.com/1988/06/18/arts/review-art-group-show-survey-downtown-galleries.html |website=The New York Times |date=18 June 1988}}</ref><ref name="SocialBook">{{cite book |last1=Collins |first1=Tricia |last2=Milazzo |first2=Richard |title=Art at the End of the Social: Exhibition at the Rooseum, Malmö, Sweden, July 29-October 2, 1988 |year=1988 |publisher=Rooseum |isbn=978-0-945295-03-7 |url=https://books.google.com/books?id=Mp9PAAAAMAAJ&q=%22Off+White%22+Diane+Brown+Gallery |language=en}}</ref> |
||
*''Art at the End of the Social.'' The Rooseum, Malmö, Sweden, July - October 1988.<ref name="SocialBook" /><ref>{{cite book |title=ARTnews |date=September 1991 |publisher=Artnews Associates. |url=https://books.google.com/books?id=_k9UAAAAMAAJ&q=%22Art+at+the+End+of+the+Social%22 |language=en}}</ref> |
|||
*''Hybrid Neutral: Modes of Abstraction and the Social.'' I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, Texas, August 29 - September 30, 1988; J.B. Speed Art Museum, Louisville, Kentucky, November 7, 1988 - January 2, 1989; Alberta College Gallery of Art, Calgary, Alberta, Canada, February 9 - March 9, 1989;<ref>{{cite web |last1=Milazzo |first1=Richard |title=Jeff Koons: Shiny on the Outside, Hollow on the Inside, Part 2 |url=https://hyperallergic.com/178119/jeff-koons-shiny-on-the-outside-hollow-on-the-inside-part-2/ |website=Hyperallergic |date=1 February 2015}}</ref> The Contemporary Arts Center, Cincinnati, Ohio, March 31 - May 6, 1989; Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York, October 12 - November 15, 1989; Santa Fe Community College Art Gallery & Museum, Gainesville, Florida, February 4 - March 18, 1990; Mendel Art Gallery & Museum, Saskatoon, Saskatchewan, Canada, July 1990.<ref>{{cite web |title=Hybrid neutral : modes of abstraction and the social / Collins & Milazzo, guest curators ; essays by Tricia Collins and Richard Milazzo, and by Gary Indiana |url=https://www.si.edu/object/siris_sil_395574 |website=Smithsonian Institution |language=en}}</ref> |
|||
*''Primary Forms, Mediated Structures.'' Massimo Audiello Gallery, New York, September - October 1988.<ref>{{cite book |last1=Perl |first1=Jed |title=Gallery Going: Four Seasons in the Art World |year=1991 |publisher=Harcourt Brace Jovanovich |isbn=978-0-15-134260-0 |url=https://books.google.com/books?id=GpeZAAAAIAAJ&q=%22Primary+Forms,+Mediated+Structures%22+Massimo+Audiello |language=en}}</ref> |
|||
*''The New Poverty II.'' Meyers/Bloom Gallery, Santa Monica, California, December 3, 1988 - January 8, 1989.<ref>{{cite web |title="The New Poverty II" Meyers/Bloom Gallery 12/3/1988-1/8/1989, 1988 {{!}} CCS Bard Archives |url=https://ccsarchives.bard.edu/repositories/2/archival_objects/8299 |website=ccsarchives.bard.edu}}</ref> |
|||
*''Pre-Pop Post-Appropriation.'' Stux Gallery, in cooperation with Leo Castelli, New York, February 3 - March 4, 1989.<ref>{{cite web |title="Pre/Pop Post/Appropriation" Stux Gallery 2/3-3/4/1989, 1989 {{!}} CCS Bard Archives |url=https://ccsarchives.bard.edu/repositories/2/archival_objects/8300 |website=ccsarchives.bard.edu}}</ref><ref>{{cite book |last1=Welchman |first1=John C. |title=Art After Appropriation: Essays on Art in the 1990s |date=11 January 2013 |publisher=Routledge |isbn=978-1-136-80136-5 |url=https://books.google.com/books?id=udVhfuujhF0C&q=Pre-Pop+Post-Appropriation.%27%27+Stux+Gallery&pg=PA32 |language=en}}</ref><ref name=":0" /> |
|||
*''Buena Vista.'' John Gibson Gallery, New York, October 14 - November 11, 1989.<ref>{{cite book |title=Contemporanea International Art Magazine |year=1990 |publisher=Contemporanea, Limited |url=https://books.google.com/books?id=cDtIAQAAIAAJ&q=%22Buena+Vista%22+John+Gibson+gallery |language=en}}</ref> |
|||
*''The Last Laugh: Irony, Humor, Self-Mockery and Derision.'' Massimo Audiello Gallery, New York, January 6 - February 17, 1990.<ref>{{cite book |title=Flash Art |year=1991 |publisher=G. Politi |url=https://books.google.com/books?id=rHJUAAAAMAAJ&q=%22The+Last+Laugh%22+Massimo+gallery |language=en}}</ref> |
|||
*''The Last Decade: American Artists of the ’80s.'' Tony Shafrazi Gallery, New York, September 15 - October 27, 1990.<ref>{{cite book |title=Contemporanea International Art Magazine |year=1990 |publisher=Contemporanea, Limited |url=https://books.google.com/books?id=eUtIAQAAIAAJ&q=%22The+Last+Decade:+American+Artists+of+the+%E2%80%9980s%22 |language=en}}</ref><ref>{{cite web |title=The Last Decade: American Artists of the '80s {{!}} Exhibition |url=https://artfacts.net/exhibition/the-last-decade:-american-artists-of-the-%2780s/687689 |website=ArtFacts |language=en}}</ref> |
|||
*''All Quiet on the Western Front? [75 Americans in Paris].'' Antoine Candau, Paris, September 26 - December 31, 1990.<ref>{{cite book |title=Artscribe International |date=1991 |publisher=Artscribe Limited |url=https://books.google.com/books?id=G84zAQAAIAAJ&q=%22All+Quiet+on+the+Western+Front%3F%22+collins+milazzo |language=en}}</ref><ref>{{cite book |title=The New Yorker |date=1990 |publisher=F-R Publishing Corporation |url=https://books.google.com/books?id=OQAnAQAAIAAJ&q=%22All+Quiet+on+the+Western+Front%3F%22+collins+milazzo |language=en}}</ref><ref>{{cite book |title=Art press | date=1991 |url=https://books.google.com/books?id=SvlUAAAAMAAJ&q=%22All+Quiet+on+the+Western+Front%3F%22+collins+milazzo |language=fr}}</ref> |
|||
*''Who Framed Modern Art or the Quantitative Life of Roger Rabbit.'' Sidney Janis Gallery, New York, January 10 - February 16, 1991<ref>{{cite web |title="Who Framed Modern Art or the Quantitative Life of Roger Rabbit" |url=https://ccsarchives.bard.edu/repositories/2/archival_objects/8310 |website=ccsarchives.bard.edu}}</ref> |
|||
*''Outside America: Going into the 90’s.'' Fay Gold Gallery, Atlanta, Georgia, March - April 1991.<ref>{{cite book |last1=Collins |first1=Tricia |title=Outside America: Going Into the 90's |year=1991 |publisher=Fay Gold Gallery |url=https://books.google.com/books?id=3RHdtgAACAAJ |language=en}}</ref> |
|||
*''A New Low.'' Claudio Botello Gallery, Turin, Italy, May 9 - June 15, 1991.{{cn|date=May 2021}} |
|||
*''New Era Space.'' New Era Building, sponsored by Leo Castelli, New York, October 3–28, 1991.<ref>{{cite book |title=M/E/A/N/I/N/G. |date=1992 |publisher=M/E/A/N/I/N/G |url=https://books.google.com/books?id=uaItAQAAIAAJ&q=%22New+Era+Space%22+New+Era+collins+milazzo |language=en}}</ref> |
|||
*''Theoretically Yours.'' Regione Autonoma della Valle d’Aosta, Chiesa di San Lorenzo, Aosta, Italy, May 29 - June 28, 1992.<ref>{{cite book |title=Taxiart | year=1992 |url=https://books.google.com/books?id=pJd_9AyKHm4C&q=%22Theoretically+Yours%22+Regione+Autonoma |language=it}}</ref> |
|||
*''Who’s Afraid of Duchamp, Minimalism, and Passport Photography?'' Annina Nosei Gallery, New York, October 1992.<ref>{{cite web |title=Who's Afraid of Duchamp, Minimalism, and Passport Photography? {{!}} Exhibition |url=https://artfacts.net/exhibition/who%27s-afraid-of-duchamp-minimalism-and-passport-photography/687694 |website=ArtFacts |language=en}}</ref> |
|||
==References== |
==References== |
Latest revision as of 23:22, 31 December 2023
The Collins & Milazzo exhibitions were a series of art exhibitions curated by the team Tricia Collins and Richard Milazzo, mainly in New York in the mid-1980s to early 1990s.[1][2]
From 1982 to 1984 the pair founded, edited and published Effects : Magazine for New Art Theory.[3]: 191 [4][5] Drawing on their experience with the magazine, in 1984 Collins & Milazzo began working together as curators to transform the group show into a critical statement.[6][7] Collins & Milazzo brought to prominence a new generation of artists in the 1980s.[8] It was their exhibitions and writings that originally fashioned the theoretical context for a new kind of Post-conceptual art that argued simultaneously against Neo-Expressionism and the Neo-pop Picture Theory work of The Pictures Generation.[9][10] It was through this context that the work of many of the artists associated with Neo-Conceptualism (or what the critics reductively called Simulationism and Neo Geo) was first brought together.[11]
Selected Collins & Milazzo exhibitions
- Civilization and the Landscape of Discontent. Gallery Nature Morte, New York, March 1984.[10]
- Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces. International With Monument Gallery, New York, March 28 - April 21, 1984.[12]
- Natural Genre: From the Neutral Subject to the Hypothesis of World Objects. Florida State University Gallery & Museum, Tall., Fla., Aug. 31-Sept. 30, 1984.[13]
- Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces. Galerie Jurka, Amsterdam, November 1984.[14]
- The New Capital. White Columns, New York, December 4, 1984 - January 5, 1985.[15][10]
- Final Love. C.A.S.H./Newhouse Gallery, New York, March 15 - April 14, 1985.[10][3]
- Paravision. Postmasters Gallery, New York, May 3 - June 2, 1985.[3]
- Persona Non Grata. Daniel Newburg Gallery, New York, September 11 - October 5, 1985.[16]
- Cult and Decorum. Tibor De Nagy Gallery, New York, December 7, 1985 - January 4, 1986.[3]
- Time After Time (A Sculpture Show). Diane Brown Gallery, New York, March 8 - April 2, 1986.[17]
- Spiritual America. CEPA, Buffalo, May 3 - June 15, 1986.[18]
- Paravision II. Margo Leavin Gallery, Los Angeles, July 12 - August 23, 1986.[19]
- Ultrasurd. S.L. Simpson Gallery, Toronto, September 1986.[20]
- Modern Sleep. American Fine Arts Co., New York, October 17 - November 16, 1986.[21][22]
- The Antique Future. Massimo Audiello Gallery, New York, February 13 - March 15, 1987.[23]
- Extreme Order. Lia Rumma Gallery, Naples, May - July 1987.[12][24][25]
- The Ironic Sublime. Galerie Albrecht, Munich, June 4 - July 18, 1987.[26]
- The New Poverty. John Gibson Gallery, New York, October 10 - November 7, 1987.[12]
- Media Post Media. Scott Hanson Gallery, New York, January 6 - February 9, 1988.[27]
- Off White. Diane Brown Gallery, New York, May 24 - June 18, 1988.[28][20]
- Art at the End of the Social. The Rooseum, Malmö, Sweden, July - October 1988.[20][29]
- Hybrid Neutral: Modes of Abstraction and the Social. I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, Texas, August 29 - September 30, 1988; J.B. Speed Art Museum, Louisville, Kentucky, November 7, 1988 - January 2, 1989; Alberta College Gallery of Art, Calgary, Alberta, Canada, February 9 - March 9, 1989;[30] The Contemporary Arts Center, Cincinnati, Ohio, March 31 - May 6, 1989; Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York, October 12 - November 15, 1989; Santa Fe Community College Art Gallery & Museum, Gainesville, Florida, February 4 - March 18, 1990; Mendel Art Gallery & Museum, Saskatoon, Saskatchewan, Canada, July 1990.[31]
- Primary Forms, Mediated Structures. Massimo Audiello Gallery, New York, September - October 1988.[32]
- The New Poverty II. Meyers/Bloom Gallery, Santa Monica, California, December 3, 1988 - January 8, 1989.[33]
- Pre-Pop Post-Appropriation. Stux Gallery, in cooperation with Leo Castelli, New York, February 3 - March 4, 1989.[34][35][2]
- Buena Vista. John Gibson Gallery, New York, October 14 - November 11, 1989.[36]
- The Last Laugh: Irony, Humor, Self-Mockery and Derision. Massimo Audiello Gallery, New York, January 6 - February 17, 1990.[37]
- The Last Decade: American Artists of the ’80s. Tony Shafrazi Gallery, New York, September 15 - October 27, 1990.[38][39]
- All Quiet on the Western Front? [75 Americans in Paris]. Antoine Candau, Paris, September 26 - December 31, 1990.[40][41][42]
- Who Framed Modern Art or the Quantitative Life of Roger Rabbit. Sidney Janis Gallery, New York, January 10 - February 16, 1991[43]
- Outside America: Going into the 90’s. Fay Gold Gallery, Atlanta, Georgia, March - April 1991.[44]
- A New Low. Claudio Botello Gallery, Turin, Italy, May 9 - June 15, 1991.[citation needed]
- New Era Space. New Era Building, sponsored by Leo Castelli, New York, October 3–28, 1991.[45]
- Theoretically Yours. Regione Autonoma della Valle d’Aosta, Chiesa di San Lorenzo, Aosta, Italy, May 29 - June 28, 1992.[46]
- Who’s Afraid of Duchamp, Minimalism, and Passport Photography? Annina Nosei Gallery, New York, October 1992.[47]
References
- ^ "Collins & Milazzo". www.artforum.com.
- ^ a b Alexander, Max (19 February 1989). "ART; Now on View, New Work by Freelance Curators". The New York Times.
- ^ a b c d Pearlman, Alison (15 June 2003). Unpackaging Art of the 1980s. University of Chicago Press. ISBN 978-0-226-65145-3.
- ^ Annette W. Balkema, The Photographic Paradigm, Henk Slager, 1997, p. 69
- ^ Kirwin, Elizabeth Seton, It's all true: Imagining New York's East Village art scene of the 1980s, University of Maryland, College Park, Dissertations Publishing, 1999
- ^ "The New Museum "Ungovernables" - a Cheat Sheet - artnet Magazine". www.artnet.com.
- ^ Relations, Bard Public. "Center for Curatorial Studies, Bard College Receives Donation of the Papers of Influential Curator Tricia Collins | Bard College Public Relations". www.bard.edu.
- ^ Alison Pearlman, Unpackaging Art of the 1980s, University of Chicago Press, 2003, p. 116
- ^ "Allan McCollum | Collins & Milazzo". allanmccollum.net.
- ^ a b c d Indiana, Gary (2018-11-13). "The Collins-Milazzo effect". Vile Days: The Village Voice Art Columns, 1985–1988. MIT Press. p. 109. ISBN 978-1-63590-037-8.
- ^ "Specific Object : Tricia Collins / Richard Milazzo". specificobject.com.
- ^ a b c Welchman, John C. (2013). Art After Appropriation: Essays on Art in the 1990s. Routledge. p. 31. ISBN 978-1-136-80136-5.
- ^ Natural Genre. Fine Arts Gallery, Florida State University. 1984.
- ^ Kirwin, Liza (1999). It's All True: Imagining New York's East Village Art Scene of the 1980s. University of Maryland at College Park.
- ^ "The New Capital". White Columns.
- ^ Parachute (in French). Artdata. 1987.
- ^ Christian, Abraham David; Gallwitz, Klaus (2003). Abraham David Christian: Bronzeskulpturen (in German). Kehrer. ISBN 978-3-933257-30-7.
- ^ ""Spiritual America" CEPA 5/3-6/15/1986, 1986 | CCS Bard Archives". ccsarchives.bard.edu.
- ^ Muchnic, Suzanne (26 July 1986). "FAMILIAR IDEAS IN THREE NEW EXHIBITS : COMMODITY-CULTURE ART RIDES AGAIN". Los Angeles Times.
- ^ a b c Collins, Tricia; Milazzo, Richard (1988). Art at the End of the Social: Exhibition at the Rooseum, Malmö, Sweden, July 29-October 2, 1988. Rooseum. ISBN 978-0-945295-03-7.
- ^ ""Modern Sleep" American Fine Arts, Co. 10/17-11/16/1986, 1986 | CCS Bard Archives". ccsarchives.bard.edu.
- ^ Oliva, Achille Bonito (12 June 2000). Los manifiestos del arte posmoderno (in Spanish). Ediciones AKAL. ISBN 978-84-460-1110-1.
- ^ Indiana, Gary (13 November 2018). Vile Days: The Village Voice Art Columns, 1985–1988. MIT Press. p. 388. ISBN 978-1-63590-037-8.
- ^ New Observations. Peter Licht. 1987.
- ^ Artscribe International. Artscribe. 1987.
- ^ Milazzo, Richard; Bleckner, Ross (2007). The Paintings of Ross Bleckner. Distributed Art Pub Incorporated. ISBN 978-2-930487-01-4.
- ^ Smith, Roberta. Art: 'Media Post Media,' A Show of 19 Women.
{{cite book}}
:|work=
ignored (help) - ^ Smith, Roberta (18 June 1988). "Review/Art; Group-Show Survey: Downtown Galleries". The New York Times.
- ^ ARTnews. Artnews Associates. September 1991.
- ^ Milazzo, Richard (1 February 2015). "Jeff Koons: Shiny on the Outside, Hollow on the Inside, Part 2". Hyperallergic.
- ^ "Hybrid neutral : modes of abstraction and the social / Collins & Milazzo, guest curators ; essays by Tricia Collins and Richard Milazzo, and by Gary Indiana". Smithsonian Institution.
- ^ Perl, Jed (1991). Gallery Going: Four Seasons in the Art World. Harcourt Brace Jovanovich. ISBN 978-0-15-134260-0.
- ^ ""The New Poverty II" Meyers/Bloom Gallery 12/3/1988-1/8/1989, 1988 | CCS Bard Archives". ccsarchives.bard.edu.
- ^ ""Pre/Pop Post/Appropriation" Stux Gallery 2/3-3/4/1989, 1989 | CCS Bard Archives". ccsarchives.bard.edu.
- ^ Welchman, John C. (11 January 2013). Art After Appropriation: Essays on Art in the 1990s. Routledge. ISBN 978-1-136-80136-5.
- ^ Contemporanea International Art Magazine. Contemporanea, Limited. 1990.
- ^ Flash Art. G. Politi. 1991.
- ^ Contemporanea International Art Magazine. Contemporanea, Limited. 1990.
- ^ "The Last Decade: American Artists of the '80s | Exhibition". ArtFacts.
- ^ Artscribe International. Artscribe Limited. 1991.
- ^ The New Yorker. F-R Publishing Corporation. 1990.
- ^ Art press (in French). 1991.
- ^ ""Who Framed Modern Art or the Quantitative Life of Roger Rabbit"". ccsarchives.bard.edu.
- ^ Collins, Tricia (1991). Outside America: Going Into the 90's. Fay Gold Gallery.
- ^ M/E/A/N/I/N/G. M/E/A/N/I/N/G. 1992.
- ^ Taxiart (in Italian). 1992.
- ^ "Who's Afraid of Duchamp, Minimalism, and Passport Photography? | Exhibition". ArtFacts.