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'''Dr. Nadine George-Graves''' is the Naomi Willie Pollard Endowed Chair for the Department of Performance Studies and Professor of Theatre at [[Northwestern University]].<ref>https://communication.northwestern.edu/faculty/nadine-george-graves.html</ref> She is also the Executive Co-Editor of [[Dance Research Journal]].<ref>https://www.dancestudiesassociation.org/drj-submission-guidelines</ref> She holds a PhD in Theater and Drama & a Certificate in Women’s Studies from Northwestern University, and a BA in Philosophy and Theater Studies from [[Yale University]]. |
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{{Short description|Professor of Theater and Dance at the University of California, San Diego}} |
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'''Dr. Nadine George-Graves''' is the Chair of the Department of Dance and a Professor since 2018 in both that department and the Department of Theatre at [[Ohio State University|The Ohio State University]]'s Department of Dance and a member of the ''[[Congress on Research in Dance|Dance Research Journal]]'' Editorial Board. She holds a PhD in Theater and Drama from [[Northwestern University]] and a BA in Philosophy and Theater Studies from [[Yale University]].<ref>{{Cite web|title=Nadine George-Graves|url=https://dance.osu.edu/people/george.946|access-date=2020-08-28|website=dance.osu.edu|language=en}}</ref><ref name=":0">{{Cite web|last=Studio|first=Familiar|date=2020-08-28|title=Dr. Nadine George Graves joins the Dance Research Journal…|url=https://dancestudiesassociation.org/news/2020/dr-nadine-george-graves-joins-the-dance-research-journal-editorial-board|access-date=2020-08-28|website=DSA|language=en}}</ref> |
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George-Graves formerly served as a Professor of Theater and Dance, Vice Chair of the Department of Theater and Dance, and Acting Associate Dean for Arts and Humanities at the [[University of California, San Diego]]. She was also the previous Chair of the Department of Dance and a Professor of Theatre at [[Ohio State University|The Ohio State University]]. |
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She also served on the executive boards of the [[American Society for Theater Research]] |
George-Graves is also the past president of the [[Congress on Research in Dance]]. She also served on the executive boards of the [[Lincoln Theatre (Columbus, Ohio)|Lincoln Theatre]] in Columbus, OH, [[American Society for Theatre Research|American Society for Theater Research]], the [[Society of Dance History Scholars]], the editorial boards of SDHS and Choreographic Practices, and is a founding member of The [https://www.cadd-online.org/ Collegium for African Diasporic Dance] (CADD).<ref>https://www.cadd-online.org</ref> |
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Her creative projects include the direction of Are You Now or Have You Ever Been… by Carlyle Brown, [[White Witch of Rose Hall|The White Witch of Rose Hall]], and [[Anansi|Anansi, The Story King]]. She is also the dramaturg for [https://www.bhooddance.com/new-page-66 Afro/Solo/Man] by Brother(hood) Dance! |
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Her creative projects include ''Architectura'', a dance theater piece inspired by architecture,<ref>{{cite web|url=http://www.theatre167.org/architectura-by-nadine-george-graves.html|title=Architectura by Nadine George-Graves|website=Theatre 167}}</ref> about how we build our lives, [[Suzan-Lori Parks]]’ ''Fucking A'', and ''Topdog/Underdog''.<ref name=ucsd/> |
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She is a recipient of the 2021 [https://dasa.memberclicks.net/outstanding-scholarly-research Outstanding Scholarly Research in Dance Award] from the Dance Studies Association and Dramaturg for Bessie Honoree Brother(hood) Dance! in 2020.<ref>https://dasa.memberclicks.net/outstanding-scholarly-research</ref> In 2016 she received the Diversity Equity Inclusion Distinguished Teaching Award; in 2014 she received the Living Legacy Award from the [http://www.wic.org/ Women's International Center].[5] |
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She is a recipient of the 2014 Living Legacy Award from the Women's International Center.<ref>{{cite web|url=http://www.wic.org/LivingLegacy2014.html|title=Women’s International Center - Living Legacy Awards 2014|website=www.wic.org}}</ref> |
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'''Works''' |
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She is the author of a number of articles on African American theater and dance. |
She is the author of a number of books and articles on Black/ African American theater and dance.[3] |
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Her major works include: |
Her major works include: |
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*The Oxford Handbook of Dance and Theater, 2015 |
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*“The Good, The Bad and The Ugly in Theater, Dance and Performance Studies” for Troubling Traditions: Canonicity, Theatre, and Performance in the US, edited by Lindsey Mantoan, Matthew Moore, and Angela Farr Schiller (New York: Routledge, 2022). |
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*“Look at My Arms” Special Topics Editor’s Note. Arms Akimbo: Black Women Choreographing Social Change, Dance Research Journal 53:2, 2021. |
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*“Slow Down and Walk: A Conversation,” with Okwui Okpokwasili (New York: Ugly Duckling Press, 2020). |
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*“Discussing the Undiscussable, Part 2; or: This Might Hurt Your Feelings” for Conversations Across the Field of Dance Studies: Decolonizing Dance Discourses (Oak Creek, WI: DSA, 2020). |
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*“Black Dance: Brooklyn 2017” for The Routledge Companion to Dance Studies, edited by Helen Thomas and Stacey Prickett (New York: Routledge, 2019). |
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*“Identity Politics and Political Will: Jeni LeGon Living in a Great Big Way” (re-print) The Routledge Dance Studies Reader, (New York: Routledge, 2018). |
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*“Dudley, The Smart Set, and the Beginning of the Black Entertainment Industry” for The Routledge Companion to African American Theatre and Performance (CAATP) Edited by Kathy A. Perkins, Sandra L. Richards, Renee Alexander Craft, and Thomas F. DeFrantz (New York: Routledge, 2018). |
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*“An Environment of Cascading Consequences” for Theatre, Performance and Theories of Change, eds. Tamara Underiner and Stephani Etheridge Woodson. (New York: Palgrave-MacMillan, 2018). |
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*“Taking the Cake: Black Vaudeville, Dance Competitions and Value” for The Oxford Handbook of Dance and Competition edited by Sherril Dodds (New York: Oxford, 2018). |
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*“The Theatre at Calpunia” for Imagined Theatres: writing for a theoretical stage, ed. Daniel Sack. (New York: Routledge, 2017). |
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*“Identity Politics and Political Will: Jeni LeGon Living in a Great Big Way” Oxford Handbook of Dance and Politics, (Oxford UP, 2017). |
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==References== |
==References== |
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{{Reflist}} |
{{Reflist}} |
Revision as of 20:40, 4 June 2023
Dr. Nadine George-Graves is the Naomi Willie Pollard Endowed Chair for the Department of Performance Studies and Professor of Theatre at Northwestern University.[1] She is also the Executive Co-Editor of Dance Research Journal.[2] She holds a PhD in Theater and Drama & a Certificate in Women’s Studies from Northwestern University, and a BA in Philosophy and Theater Studies from Yale University.
George-Graves formerly served as a Professor of Theater and Dance, Vice Chair of the Department of Theater and Dance, and Acting Associate Dean for Arts and Humanities at the University of California, San Diego. She was also the previous Chair of the Department of Dance and a Professor of Theatre at The Ohio State University.
George-Graves is also the past president of the Congress on Research in Dance. She also served on the executive boards of the Lincoln Theatre in Columbus, OH, American Society for Theater Research, the Society of Dance History Scholars, the editorial boards of SDHS and Choreographic Practices, and is a founding member of The Collegium for African Diasporic Dance (CADD).[3]
Her creative projects include the direction of Are You Now or Have You Ever Been… by Carlyle Brown, The White Witch of Rose Hall, and Anansi, The Story King. She is also the dramaturg for Afro/Solo/Man by Brother(hood) Dance!
She is a recipient of the 2021 Outstanding Scholarly Research in Dance Award from the Dance Studies Association and Dramaturg for Bessie Honoree Brother(hood) Dance! in 2020.[4] In 2016 she received the Diversity Equity Inclusion Distinguished Teaching Award; in 2014 she received the Living Legacy Award from the Women's International Center.[5]
Works
She is the author of a number of books and articles on Black/ African American theater and dance.[3]
Her major works include:
- The Oxford Handbook of Dance and Theater, 2015
- The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940, 2003, ISBN 0312225628
- Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working It Out, ISBN 978-0-299-23554-3 (review), 2012 Sally Banes Award honorable mention of the American Society for Theater Research [6]
- "'Just Like Being at the Zoo', Primitivity and Ragtime Dance", in: Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader, 2009, ISBN 025207565X, pp. 55–71
- “The Good, The Bad and The Ugly in Theater, Dance and Performance Studies” for Troubling Traditions: Canonicity, Theatre, and Performance in the US, edited by Lindsey Mantoan, Matthew Moore, and Angela Farr Schiller (New York: Routledge, 2022).
- “Look at My Arms” Special Topics Editor’s Note. Arms Akimbo: Black Women Choreographing Social Change, Dance Research Journal 53:2, 2021.
- “Slow Down and Walk: A Conversation,” with Okwui Okpokwasili (New York: Ugly Duckling Press, 2020).
- “Discussing the Undiscussable, Part 2; or: This Might Hurt Your Feelings” for Conversations Across the Field of Dance Studies: Decolonizing Dance Discourses (Oak Creek, WI: DSA, 2020).
- “Black Dance: Brooklyn 2017” for The Routledge Companion to Dance Studies, edited by Helen Thomas and Stacey Prickett (New York: Routledge, 2019).
- “Identity Politics and Political Will: Jeni LeGon Living in a Great Big Way” (re-print) The Routledge Dance Studies Reader, (New York: Routledge, 2018).
- “Dudley, The Smart Set, and the Beginning of the Black Entertainment Industry” for The Routledge Companion to African American Theatre and Performance (CAATP) Edited by Kathy A. Perkins, Sandra L. Richards, Renee Alexander Craft, and Thomas F. DeFrantz (New York: Routledge, 2018).
- “An Environment of Cascading Consequences” for Theatre, Performance and Theories of Change, eds. Tamara Underiner and Stephani Etheridge Woodson. (New York: Palgrave-MacMillan, 2018).
- “Taking the Cake: Black Vaudeville, Dance Competitions and Value” for The Oxford Handbook of Dance and Competition edited by Sherril Dodds (New York: Oxford, 2018).
- “The Theatre at Calpunia” for Imagined Theatres: writing for a theoretical stage, ed. Daniel Sack. (New York: Routledge, 2017).
- “Identity Politics and Political Will: Jeni LeGon Living in a Great Big Way” Oxford Handbook of Dance and Politics, (Oxford UP, 2017).